Urban Identity of Amman A Dialogue Between Traditi
Urban Identity of Amman A Dialogue Between Traditi
Urban Identity of Amman A Dialogue Between Traditi
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Abstract
The main problems of identity and planning in the modern Arab architecture are discussed, as exemplified by
Jordan's capital city, Amman. The essence of the concepts is revealed in; tradition, integrity, morphology and
association with urban principles in the design of modern Amman. Particular attention is paid to the ways of
combining the historical and cultural heritage of Arab countries with the example of Jordan and their
connection with modern directions in architecture that violate local identity.
Keywords: tradition, integrity, morphology; architecture; tradition.
Introduction
Amman is the capital and largest city of the Kingdom of Jordan (Figure 1). From ancient times, the
settlement in this place was known as Rabbat-Ammon, and in the Hellenistic-Roman period, the name of Philadelphia
is acquired. The city is located on Seven Hills, which are represented on Jordan's flag as a seven-pointed star. It is
located 35 km northeast of the Dead Sea, 110 km east of the Mediterranean Sea and 65 km east of Jerusalem. The
climate of Amman is fairly mild, ranging between the Mediterranean and the Continental. Height above sea level
ranges from 773 to 1200 m. In Amman, it has long been asked whether there is a need to develop scientifically sound
regulations on the city's architectural and planning structure. There is an ongoing dialogue between the social and
functional role of the historic centre (downtown) and the modern buildings of West Amman, which should continue
the spatial organization of the capital, considering national traditions and progressive world experience. About every
five years, a new site is being developed, funds are allocated for its development, architects and other specialists are
involved, but then it is put down on the shelf and its results are not used.
Figure 1. Amman: general location map.
1Department of Architecture, Applied Science Private University, Amman, Jordan. Email: Vla-melnik@yandex.ru/
v-melnik@asu.edu.jo
Vlada Melnik 69
1. Khalid Hmoud- 'Imitation and return to traditions in architecture with the preservation of privacy and local identity'-
Tikrit University (Iraq)//scientific and Technical, Issue: 72.01-09/11/2011;
http://eprints.kname.edu.ua/24754/1/617-621%20Халид%20Хмуд.pdf
70 Journal of Engineering and Architecture, Vol. 7, No. 1, June 2019
They were often accused of having those buildings built only to attract tourists and had nothing to do with
the country's characteristics. For example, on the Saadiyat Island in Abu Dhabi, which is scheduled to be completed in
2018, there will be museums for projects of Zaha Hadid, Frank Geary, Norman Foster, Jean Nouvel and Tadao
Ando. Many famous architects are now working in the region, but often their ideas do not reflect the real situation in
the country and are dependent on the government, and the architects themselves become instruments of propaganda.
In Amman, Zaha Hadid won the competition for the Opera House Project (Figure 3), according to the general plan,
the building should have been built in the centre of the city - Ras Al Ain, near the National Museum (arch. Jafar
Tukan) (Figure 4), Al Hussein cultural centre (Figure 5), the City Hall (Figure 6), and the bank building (arch. Bilal
Hammad), but for various reasons the project has not yet been implemented. Zaha-Hadid, peace upon her soul has
died and the building is still not built, but as opposed to it, on its site the 'Friday market' is set on the weekends.
Hadn‟t been easier to give the design to local equally talented architects who are more sensitive to the national
architecture? The link between heritage and modern life is the only way to avoid confusion between traditional and
modern methods of urban planning.
Figure 3. Zaha Hadid Opera House project.
Figure 7. Nymphaeum, modern picture showing the rear wall of the structure and the courtyard.
Another very important monument of this historic period is the Great Antique amphitheatre, located at the
bottom of the Fortress Mountain. This beautifully preserved amphitheatre is an unspoken symbol of Amman, and it
had room to accommodate 6000 people (Figure10). Nowadays the Museum of Folklore is on its place and the
Jordanian Museum of National Traditions.
Figure 10. Roman Amphitheatre, downtown.
(1) Spontaneous construction of dwellings without regard to the necessary standards and requirements.
(2) The lack of a zero level of housing construction.
(3) Loss of composite and traditional integrity.
(4) The density of the building and insufficient area of open spaces.
(5) The almost total absence of green territories.
(6) Unfavourable micro-climatic conditions, complex terrain.
(7) Transport congestion.
(8) The absence of civilized public transport.
(9) Huge lack of parking lots.
(10) Lack of easy-to-use pedestrian areas.
It can be concluded that there is a need for a comprehensive change and improvement of urban planning,
considering national traditions and local customs. The newly emerging areas of the city should be linked to the
historical centre. The solution of aesthetic problems allows us to organize an artificial material environment in
accordance with the historically worked out criteria for its shaping, providing optimal conditions for its visual
perception. The means for solving the spatial planning composition of urban planning are: rhythm, scale colour,
texture, building silhouette, the presence of traditional elements, etc. by creating healthy and convenient working,
living and recreational conditions for the population, the architect must think about social, economic, and technical
support for buildings, but of course not forgetting the aesthetic origin and identity. At the present time, in the era of
globalization, the question of maximum preservation of the pristine nature and combating the pollution of cities is
very acute. In all historical periods of Amman, there was a significant lack of water, one of the most essential
components of human life. In this context, more and more architects are developing their projects based on the
concept (Sustainable architecture)-'sustainable', 'green', ' energy-efficient ' architecture.
To understand what an identity is, it is necessary to understand the concept of integrity and morphology.
“Integrity is the presence of qualitative relations of elements within the system that specify its integration. For us, it is
important to apply the concept of integrity in a professional sense to capture this phenomenon in the morphology of
the city. A spatial organization's urbanization component is formed by several types of partners (Spatial-planning
prototypes). First, the configuration of the street network (or the actual layout) of the city characterizes the rhythm
and the nature of the macro-level space, which is directly conspicuous. Secondly, the typology of the building
(Morphotype, which includes characteristics such as the floor and density of the building, the principle of the
formation of the street front, etc.) from these positions, the city centre is in most cases characterized by a smaller grid
of streets and denser morphotypes.”3 That‟s how A.E Gashenko wrote in his article (Gashenko 2016). The modern
city itself is valuable, and its space holds in the main value of it, an invisible but influential tool for the upbringing of a
person's cultural consciousness. M.V. Putchkov wrote in his article on globalization and the loss of unique images of
architectural spaces of modern cities: “The globalization of the urban environment is always parallel with multi-
nationalization of modern cities. Unfortunately, for the global city, historical development has been a hindrance to
growth, and many historic neighbourhoods are being destroyed together with their national character” (Globalization
and identity in modern city Architecture 2013)4.
“To achieve an optimum balance of healthy growth and quality living, flourishing expansion and organized
districts, 21st-century conveniences and traditional character, we must embark on a serious and comprehensive
project of city planning for Amman”5 -King Abdallah II, son of King Al-Hussein (King Abdullah II 2006). In this
regard, the municipality of Amman (Amanet Amman) in 2008 formulated a new master plan for Urban Development.
The work on this important strategic site was carried out by major architects and engineers in Jordan and by a large
number of specialists in this field. Most importantly to implement this project and bring it to life.
Design and Arts, Russia// PRAXEMA, JOURNAL OF VISUAL SEMIOTICS, Issue: 2 (8), 82-96
http://praxema.tspu.edu.ru/files/praxema/PDF/articles/gashenko_a._e._82_96_2_8_2016.pdf
Chapter 2
4 'Globalization and identity in modern city Architecture'//Ural State architectural and Artistic Academy. Issue: 72.012,
25/07/2013.
http://elar.urfu.ru/bitstream/10995/21683/1/iurp-2013-116-21.pdf
5 King Abdullah II‟s Message- 3 May 2006, The Amman Plan Metropolitan Growth Summary report 2008.
Vlada Melnik 77
By administrative affiliation, the city is divided into 8 regions (Muhafazat) and 11 districts (Figure 16). The
country's natural and climatic conditions are characterized by plateaus and valleys, deserts and semi-deserts, limited
water resources, harsh landscape, dry and hot summers and relatively warm winters. These characteristics are not
equally common throughout the country, creating different conditions for people to live in. A relatively favourable
natural and climatic environment is the area of the Jordan highlands, where the main urban settlements in the country
are concentrated and where the capital city of Jordan is in Amman. Socio-demographic conditions are characterized
by rapid population growth.
Figure 16. Amman city regions and districts.
(3) In 1916 during World War I, Amman became important. The city began to develop on the east side (became the
capital of the eastern part of Jordan).
(4) 1920-1930s, Amman gained new development, using the experience of immigrants. During this period, with the
development of trade, the city is 'dressed in stone', which is becoming the main building material. Before that, the
stone as a building material was used in Al-Salt, Damascus and Nablus. It was from this period that the architectural
style of Amman had emerged. Successful traders began building new wealthy homes in the centre of the city, as in
Syria, Lebanon and Palestine earlier. Villas are being built, a free-standing house with a garden, high fence and the
main entrance. The plan represented a square with a closed covered - salon, like a house with an internal courtyard. A
simple symbolic plan, but the internal furnishings were very thin. Buildings were not high, simple, and comfortable
suited to local steep stairs like shown in the topography in the next figure (Figure 18, 19). The buildings were located
on the relief terraces. Which gave the city a peculiar style of 'cubicles' located on the Hills. Mostly residential buildings
were built, but sometimes they were used not only as habitation but also as administrative, municipal, commercial
buildings. In the centre of Amman, these buildings are still preserved.
Figure 18. Topography of Amman City Centre and surrounding hills.
(6) 1933 to 1953, A new round of development of the city, which is linked to the name of the first architect of the
municipality (Amanet Amman) of Amman Fawaz Al Mhanna (Figure 20), who opened the first architectural office in
the city in 1937. He built an old city hall near the Roman amphitheatre.
Figure 20. The White Palace one of its designers was Sherif Fawwaz Mhanna in 1942.
(8) 2000-2016, the centre of the city, an excess of the capitalization of the territory is being raised, causing inadequate
price levels and a very high pace of life (Figure 23).
Figure 23. Amman city centre buildings.
Development of gardens and parks, gardening of the city in the present period should be a master plan strategy,
providing pedestrian zones and communicative areas.
Development of transport and convenient, intelligent thoughtful parking spaces.
One of the conditions for the implementation of the recommendations is the legislative enactment of many
provisions relating to the mandatory implementation of the development planning for the city. Composition and
content, their functional, visual and spatial aspects as well as environmental regimes for the construction and
reconstruction of the city's historic centre, etc. The main provisions of the recommendations to be made in the new
Amman planning and construction actions are formulated.
In conclusion, a modern city that preserves the traits of its cultural identity and combines them with the
advanced life-management technologies has the greatest chance of becoming an attractive place for human life and
win in the competition for the finest population of citizens. The use of heritage does not mean an exact imitation. The
art of modern Arab architecture should connect the heritage with modern life, this is what leads to the preservation of
local colour and eliminates chaos (Figure 25, 26).
Figure 25. Modern Arab architecture (Abdoun Bridge).
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