Presskit
Presskit
Presskit
DIMClassical
ITRIS KOTRONAKI
Guitar Soloist
S
Contact Info:
Luba Management
E-mail: lubamanagement@yahoo.com
Tel: +1 443-653-2868
His studies on classical guitar begun when he was at the age of seven, and were
completed under guidance of Vassilis Kanaras in 1992, when he graduated from
the “International Conservatory of Athens”, obtaining his guitar diploma.
Today he is a PhD student of the above University, with his thesis having as its
subject: “Greek composers for guitar in the twentieth century”.
He has recorded two CDs with music by Nikos Mamagakis, namely “New
Excursion” for solo guitar and “Spring symphony” for guitar and voice, based
on poetry by Yannis Ritsos.
In cooperation with the guitar quintet “Epsilon”, of whom he is the lead guitar,
he has recorded another CD titled “Angel guitars”. (Music for five guitars by Ch.
Nicolopoulos, arrangements by “Epsilon quintet”).
His fourth CD titled “Echomythia” has been released in USA by the ClearNote
publications (www.clearnote.net). This disk contains pieces of the modern guitar
repertory, influenced by the streams of Jazz, Latin and Brazilian music.
“...The speed at which Kotronakis can 'knock out' some of this music, is quite breathtaking...The items are
exceedingly well presented and especial mention ought to be given to the Paco de Lucia classic La Cueva del Gato,
which if one didn't know to the contrary, you would be forgiven for thinking that this was the great man himself
playing. Altogether this is a startlingly exciting recording which captures the amazing artistry of a very distinct
player.”
Steve Marsh, Classical Guitar Magazine, August 2008
"For these creations, Kotronakis derives with intelligence, from his full “gun rack”, the incomparable technique,
the flowing, without boastfulness speed, the ripe, evident and tone-related contrasts in interpretation, like a
distillation of a good old wine. In addition, the quality of the recording, thanks to the studio of Musical Acoustic
Technology of Athens University, rivals that of the leading studios, like the Capitol Studio of California. If you
combine all the above with the deep, sweet and particularly personal sound of the interpreter – result of many
years of study– then you should not omit this recording."
Nafsika Chatzichristou, Classical Music Review Magazine, Summer 2008
“... The selector, and interpreter of the 19 tracks of the collection, is the Musician (with a capital “M”, of
course), Dimitris Kotronakis, a musicologist and repeatedly award-winning guitarist… one could characterize him
unexceptionable, sufficient, and infallible, to astonishing, unique, and exquisite. He is somewhere among all
these. Where exactly is of no interest. The final result is so appreciable that any intention to criticize comes
second, urging one to derive enjoyment from the sound first… What else is there to say? That, save for beautiful
musical moments, D. Kotronakis proposes specific ideas for the guitar’s future, as a communication instrument.
He is probably right about all of them. Listen to him…”
Kornilios Diamandopoulos, Jazz & Tzaz magazine, May 2008
“… He is one of the youngest members of Greek guitarists’ family, which has welcomed him as one of the best
guitarists of his generation… Consequently, and given the artist’s interpretation skills, his album titled
“Echomythia” attracts our attention as a complete collection of guitar compositions. The selection of the tracks is
exceptionally well done… the tracks that are quite distinct from each other keep the interest unflagging…”
Liana Malandrenioti, Difono magazine, May 2008
“… His technical facility, as well as his ability to give shape to the sound, conveying all its tone-related dynamics,
is considered as one of the album’s strong points. Moreover, the selection of the tracks, constituting the album, is
considered sufficiently imaginative and welcome. Skating on thin ice, among the different trends of the modern
repertory, and closing his album with a demonstration composition (The Flight of the Bumble Bee by Rimsky -
Korsakov, adapted by Kotronakis), the album’s arrangement reminds us of a concert, with the necessary encore.
Therefore, the audience feels at no point tired, but is constantly experiencing new sound surprises…”
Alexandros Charchiolakis, classicalmusic.gr, April 2008
“...Kotronakis Dimitris showed the most fluent (and fast) technique I have ever seen...”
John W. Duarte, Classical Guitar Magazine, August 1998
“...Dimitris Kotronakis is one of the best virtuosos of his generation worldwide. This I write without any
exaggeration...”
Costas Cotsiolis, classical guitar soloist, June 1997
2010 – 2011 Program:
Intermission
www.kotronakis.com
www.myspace.com/dimitriskotronakis
http://gr.linkedin.com/in/kotronakis