OpenPressProject tipsAndTechniques
OpenPressProject tipsAndTechniques
OpenPressProject tipsAndTechniques
Content
Monotype 25
Juice Box/CD Drypoint 32
Drypoint on Metal Plates 43
Blind Embossing 50
Relief Printing 57
3D Printed Relief Plate 64
3D Printed Intaglio Plate 67
2 3
The Open Press Project
In 2017 we noticed that intaglio Artists from all over the world started
printmaking is only accessible to to 3D-print their own small printing
a small group of artists, as most press in all sorts of colours and with
people don’t have the option to get their own modifications! Universities
themselves one of the very expensive started to use them in their art classes
and heavy printing presses or work and more than 100 international
in one of the very few printmaking artists submitted prints to the Open
workshops in art universities or private Press Collection in 2019, an open call
institutions. Because we love these that showed the vast possibilities of
very old and beautiful art techniques printmaking on tiny pieces of paper.
so much, we wanted to give more
people the option to use them for
their art in places where printmaking
wasn’t possible before. We figured that
the main challenge is to get access
to an etching press as that’s the tool
you need in order to print etchings,
engravings, drypoints etc.
4 5
When we received the very first photo We value our small Open Press
of someone using our tiny press for Community above everything else
their art we realised that we somehow and are driven by the idea of making
managed to create something worth printmaking as accessible as possible,
growing and pursuing, so that’s what while at the same time giving people
we did! A crowdfunding campaign in a high quality etching press. This
2019 with almost 1500 backers was thought is part of every decision we
started in order to make the presses make, including some exciting things
available to people without access to we are working on at the moment!
a 3D printer. Finally, after a long and Check out presses and prints from
tricky journey of founding a company all over the world and find out about
and figuring out how to efficiently our latest news on our Instagram
manufacture large amounts of tiny account (https://www.instagram.com/
3D printed etching presses, we are openpressproject/).
now very close to shipping etching
presses worldwide, so that every
creative out there who wants to join
the printmaking community can give
it a go!
www.openpressproject.com
6 7
About this Ebook
A tiny 3D printed press may need to be The ebook is not meant to explain
handled differently than a regular big every technique in detail but give an
etching press. That’s why we thought overview of how to approach them with
we’d create a small ebook to share what a 3D printed press, since it may differ
we’ve learned in all our experiments, from a regular one. You’ll be able to
which techniques you can use with find extensive tutorials online about
this press, what to keep in mind while every single technique described here,
printing, and what to do if you are not we are just trying to give you ideas
able to achieve the desired results. about what to print.
Also, because there may be users Happy printing! If you have any
that are entirely new to printmaking, questions, feel free to post them
this ebook can work as a collection on the official Open Press Project
of printmaking techniques you might Facebook Group or write an email to
want to try! martinschneiderart@gmail.com.
8 9
Relief vs. Intaglio Printing
A quick summary for those of you who Relief printmaking is the exact
have no experience in printmaking: opposite: Just like with a simple stamp,
the areas you want to keep empty are
We initially designed the press for carved away, leaving only areas that
intaglio printmaking because the should print. Ink is applied to the top
pressure needed for a good etching surface and transferred to paper with
or drypoint is a lot more difficult to a reasonable amount of pressure.
achieve and therefore less accessible Linoleum or wood is usually used as a
compared to relief printing techniques plate, the final print usually has a more
such as linocut or woodcut. However, bold look, even though it is possible to
the Open Press Project can be used for achieve high detail prints with the right
both relief and intaglio printmaking. kind of wood, equipment, and practice.
10 11
Before You Start Printing
12 13
Try pushing the bed and blanket in Now that the bed is inserted, you can
between the rollers. Oftentimes it‘s adjust the pressure so that there‘s a
easier if the blanket is overlapping a good amount of resistance when you
bit, it‘ll keep it from slipping. turn the handle. Take out the bed again
and try this a couple of times. Make
sure you are inserting the bed straight,
otherwise it might jam.
14 15
Plates & Paper Sizes
Most of the printmaking techniques will Depending on the technique, you might
require a plate that you’ll use to engrave, be able to increase the size of the plate
scratch or carve your artwork into. up to the maximum size of the bed, but
it‘ll require more fine-tuning to achieve
In general, it‘s easier to print smaller enough even pressure. This is mostly
plates than big ones, so we suggest relevant if you want to use the press for
starting with a tiny one. A size of intaglio printmaking; relief printing and
50x50mm, 40x60mm or 30x70mm is monoprints shouldn‘t be affected by this
a good size for your plates and will since they don‘t need as much pressure.
leave a nice border on the paper. The
paper can have a maximum size of
75mmx145mm.
16 17
The Right Paper
Finding a paper you like will take some We suggest using professional Warm water will do the job quicker. Put
time and experimenting. Depending on printmaking paper such as Awagami the paper in the water and let it sit for a
the technique, you will need a certain Washi paper, Hahnemühle, Somerset, while. The thicker the paper, the longer
type of paper. Any relief printing or Fabriano. All of these will need to be it will need to be soaked. This may vary
and monoprinting technique should soaked in water before you can print from 10 minutes to multiple hours or
work with regular paper, thin card, or with them. To do that you’ll need to even overnight, you will need to get
watercolour-paper. tear or cut the paper to the right size dialled in with your paper. Let’s start
(etching paper is usually torn to mimic with about 20 minutes.
However, if you are planning to use a deckle edge).
intaglio techniques, you‘ll need damp Before you can use your paper for
etching paper, otherwise the press will After you have a good amount of printing, you need to take it out of the
not be able to push the paper into the sheets for your little printing session, bath and remove the excess water.
inked up grooves of the plate and make you can prepare a water bath in a small Especially if you are using water-
it pick up the ink. lunch box or baking dish. soluble ink, you want the paper to be
damp but not too wet. Lay every sheet
in between two pieces of clean rags
or cloth and firmly put your hand on
it until it looks almost dry from the
outside. If you want to prepare your
paper long before printing you can put
the damp paper in a sealable lunch box
(like Tupperware) until you need them.
Unused paper can be dried with the
finished prints and re-dampened for
the next printing session.
18 19
The Right Ink & Drying
20 21
How to keep it clean
22 23
Monotype
Difficulty: easy-peasy
Materials needed:
· printing brayer
· dry thin cardboard or thick paper
· block ink or etching ink
· cleanable surface to spread ink on
· leaves, ribbons, packaging, foil, etc.
24 25
1. Roll Out Ink 2. Find Suitable Objects 3. Ink Up Objects 4. Print
To get things started, you’ll need a The idea is to use thin objects as Start by inking up the thing you want Put the inked up object – with the inky
brayer to spread out a little bit of ink printing plates, such as leaves, to print. Just roll over it with the brayer face up – on the print bed, which is
on a piece of acrylic or other cleanable ribbons, string, tin foil, cloth, or onion/ a couple of times. Keep in mind: covered with a piece of paper to protect
surface. We use relief printing ink for garlic net, basically anything that is You don’t need a whole lot of ink, it from leaking ink. Now put some dry
this technique, but etching ink should thin enough to roll through the press! otherwise it’ll just get messy. printing paper on top of it and roll it
work, too. Don’t go too wild, a little bit through the press once.
of ink will get you a long way!
26 27
Depending on the object you inked up On the next page you can see some
and the paper you used, you might more monoprints to give you an idea
already see an embossing on the back. of what can be used. Just collect a leaf
in the garden, packaging material, or
After that just lift the paper and you textiles and give it a go!
have your first print! Depending on
the ink, it might take between a few
minutes to a few days to dry.
28 29
30 31
Juice Box/CD Drypoint
Difficulty: easy
Materials needed:
· juice box/Tetra Pak
· damp etching paper (p.19)
· tissue paper or regular copy paper
· etching ink (p.20)
· scissors
· drypoint needle or sharp nail
32 33
1. Get a Juice Box Plate 2. Scratch Into Juice Box Plate 3. Ink up plate 4. Wipe
The idea is to use basic juice boxes/ Now scratch your artwork into the Once you’re happy, you can place Now use some regular printer paper or
milk boxes/Tetra Pak as printing plates. aluminium/silver side of the box with your plate on a cleanable surface (like tissue paper to wipe the surface clean
Just clean the box under some running a drypoint needle or something that’s acrylic or glass), apply a small amount while leaving the ink in the grooves. A
water and cut it into small pieces (p.17). sharp enough. It’s super easy to work of etching ink on the plate, and use little ink on the surface of the plate can
with, you can cut things out or even your finger to push it into the grooves. be nice, but try to remove most of it.
It can be fun to leave some creases remove the first layer, so that the card You only need a little bit of ink! A
from the packaging, they will show on underneath will soak up a lot of ink and business card can help push the ink
the final print. print like it’s a crosshatched area. into the grooves while scraping the
ink from the surface. The cleaner the
If you can feel the scratches with your surface is at this stage, the easier it will
finger tips, it’s deep enough. be to wipe off the excess.
34 35
5. Print
36 37
Done! You can also try putting more
colours into your artwork by either
spreading two or more inks on the
plate and wiping it into the grooves or
by using multiple plates and printing
them in several steps.
38 39
print by Ilaria Appel print by Friedrich Mayer
40 41
Drypoint on Metal Plates
Difficulty: easy
Materials needed:
· copper, zinc or aluminium plates (p.17)
· damp etching paper (p.19)
· tissue paper or regular copy paper
· etching ink (p.20)
· drypoint needle
42 43
1. Metal plates 2. Scratching 3. Ink Up Plate 4. Wipe
You can get zinc or copper plates for Use your drypoint needle to scratch Apply some etching ink onto the plate Use a piece of tissue paper to wipe the
drypoint at your local art supply store your artwork into the plate. It’ll require and rub it into the grooves. Make sure surface clean while leaving the ink in
or online, about 1mm thickness is more force than the juice box, so use that the scratches are filled with ink. the grooves. In the spirit of recycling
good. Be careful with plates larger than your fingertips to check if you can feel You can then use a small scraper, you can also use old phone books or
60x100mm, they will require more the scratches. You can use one of our squeegee, or business card to remove legal texts for wiping!
pressure to work. We suggest a size of 3D printed needles for scratching, ink excess from the surface.
50x50mm, 40x60mm, 30x70mm, etc. but they will get dull pretty quickly. A
(p.17) professional drypoint needle might be
a better pick.
44 45
5. Print
Prepare your usual print sandwich If you are not satisfied with the quality
consisting of press bed, copy paper of the print, check the troubleshooting
to protect the press bed, your inked section of this ebook on page 80.
up plate face up, damp etching paper
(p.19), and the blanket on top.
46 47
prints by Francesca Casale & Carmen Moreno
48 49
Blind Embossing
Difficulty: easy
Materials needed:
· juice box, cardboard, various materials
· thick paper (p.19)
· scissors or scalpel
50 51
1. Cutting 2. Straight to Printing!
The main work of printing blind We don’t need any ink for this one,
embossings is cutting shapes. This so you don’t need to worry about
can be done by using a saw to cut your accidentally inking up your press.
shape out of metal plates or just use Just put your stencil under a piece of
a scalpel or scissors to cut shapes out nice thick paper and roll it through
of cardboard. The thicker they are, the the press. You might want to try
deeper the embossing. holding your paper under water for a
few seconds, this might increase the
quality of the embossing. Not every
paper will work for this, some might
tear, so experiment with different
thicknesses of paper and cardboard.
52 53
A 3D printed plate can also be used for blind embossing!
54 55
Relief Printing
Difficulty: easy
Materials needed:
· linoleum or plywood
· dry thin cardboard or thick paper
· block ink
· carving tools for linocut or woodcut
56 57
1. Linocut or Woodcut 2. Carving, Carving, Carving! 3. Ink 4. Print
First you need to decide which material Use various cutting and carving tools Use a brayer to roll out some ink on a If you’ve tried any of the previous
you want to use. Linoleum is a bit more to remove the parts you don’t want piece of plexiglas/acrylic. Try to get a techniques, you know how this step
expensive and more difficult to find to print. These areas will stay empty, very thin layer of ink on your brayer and works. You will first need to adjust the
(usually in art supply stores), but it’s everything else will be inked. You can then roll over your piece of linoleum or pressure on your press, though. You
easier to work with and won’t crack as start by sketching your artwork onto plywood. Make sure that all areas you can do this with a spare piece of wood/
easily in comparison to wood. Plywood the wood or linoleum. want to print are covered with a thin linoleum to get dialled in.
can be bought everywhere and has a coat of ink.
nice texture to it. You decide! By the way: There is a technique called Now place your inked up plate on the
reduction linocut/woodcut where you press table, add some dry paper and
gradually remove material after you put the felt on top. Roll the sandwich
printed each colour to make a multi- through the press once.
coloured print!
58 59
prints by June Heap,
Alejandra Mares &
Xavier Moreno
60 61
On the left you can see a woodcut for
comparison. The process is the same,
but you might want to cut the outline of
your areas with a scalpel first to keep
the wood from splitting. This is also
how the thin lines are cut in this print.
62 63
3D Printed Relief Plate
Difficulty: advanced
Materials needed:
· FFF 3D-printer
· dry thin cardboard or thick paper
· block ink
64 65
3D Printed Intaglio Plate
Difficulty: difficult
Materials needed:
· 3D-printer (preferably resin-printer)
· damp etching paper (p.19)
· tissue paper or regular copy paper
· etching ink (p.20)
66 67
More Processes & Techniques
68 69
etchings by Sven Buchert
solarplate by Heather Urness
70 71
collagraphs by Helen Bishop
72 73
Open Press Collection 2019
74 75
Open Calls
76 77
Want to order a press?
Awesome!
78 79
Troubleshooting
for handling the press
Plate is Slipping
80 81
Troubleshooting
for intaglio printmaking
82 83
FAQ
Can I use regular ink? What kind of plastic are you using for Can I print the free version and sell it?
manufacturing?
Generally no. Not if you want to print No. Even though we want printmaking
decent etchings or drypoints. It might To keep all our manufacturing as eco- to be as accessible as possible and
work for relief printing and can be fun friendly as possible, we are using PLA spread it worldwide, we want to do
to experiment with of course, but you for all our parts and are collecting all so in a healthy and wholesome way.
won’t get around professional etching waste to eventually recycle it into new Please respect the noncommercial
ink if you want to use the full potential filament. PLA is a plastic made from aspect of the license and contact us if
of the press. renewable materials like corn starch you have any questions or want to sell
or sugar cane and is biodegradable. It them in your store.
Press shows wear on the lower roller. also has great strength properties and
is very easy to print.
That’s to be expected. Due to the high
friction and pressure on the lower roller Are the Open Source-plans
and press table, they can discolour a compatible with the steel roller?
bit. However, they should withstand
regular pressure without problems. At the time of creating this ebook, the
files for the Open Source-version are
Press is screeching while printing not compatible with the steel roller.
We want to keep the free version as
A bit of screeching during the first few accessible as possible by making
prints is quite normal. If it continues almost all parts 3D-printable. It’s
to be a problem, you can put some difficult enough to find matching bolts
masking tape over the part where the and a blanket.
press table slides on the side parts,
above the two little screws. If you
then roll the press table through with
pressure, it should calm down.
84 85
A big thanks to these people! @alejandrinapinta Ana Hernando Avril Makula
@ElectricCarp Anastassia Spirkina Ayesha Vemuri
It’s been an awesome journey from the And finally, thanks to all of these @hmsprintmaking Andre Ayla Paul
first printed press to a crowdfunding fantastic artists and printmakers who @polyannalmeida Andrea Fahey B. Saveria Casaús Carchella
campaign to a business! And it would decided to support us on Kickstarter --> @printingbetty Andrea J. Pennoyer Backercamp
not have been possible without the @tofucaat Andres Riestra Perna Barb Jobin
support of these awesome people: 3dottedpenguins Andrew Crum Barbara Disney
A cardboard monkey Andy English Bea Jackson
Robert Schneider, A Reddy Devlin Andy McKenzie Bear & Mousie
Sven Buchert, Aaron Brethorst Andy S Beatriz E. López Solache
Jutta Vollmer, Adrian Ashton Angela Tong Becca Muir
John Coe from Pressing Matters, Adriana Cordero Angela Tong Beeldreiziger.nl
Adrienne Frances Angie Lee Benjamin Bl.
our University KISD Köln International Aj Heisz Anita Tran Benjamin Sack
School of Design, Álex Ann Martin Berlin C.P.
Prof. Hatto Grosse, Alex Bergtraun Anna C. Bert
Prof. Jenz Großhans, Alex Miles Anna Lee Bertha Rogers
Alexander von Schlinke Anne Black Beth Wicklund
and our local printmaking studio Alice Vivian Anne Hulley Betsy Bowen
Kölner Graphikwerkstatt! Check them Alicia Keyser Anne Johnston BIdisha Sinha
out at https://www.instagram.com/ Alina Bliach Anne Städler Bill Killingsworth
koelnergraphikwerkstatt/ Allison Schnackenberg Antoine Ehrhart Bonnie Flint
Alta L. Price Antonio D’Souza Boris
Also, thanks to all artists who allowed Alyn Smith April Sham Brady Smith
us to show their prints in this ebook! Amanda B Aries Galindo Brendan Lyons
Amanda Black Art and metal studio Bri Morello
Amanda Joy Art and Such Evan Brian Huang
Amber Palmier Artwo Brian Nicolas-Espinoza
Amelia Foster ArtWolf Designs Brit W.
Amy Enders Walsh Ashley Phipps Britt Steiner
Amy Pombo Atelier RZL Bronwen Jones
Amy Shannon Attila Rozsas Büchertiger Studio & Press
86 87
Cain Batfacts Chris Malloko Daria Wilber Dr Emma Powell Estella Gunta Urbanovica
Camila Labarca Linaweaver Chris Shore Dave Kochbeck Dr Mark Miller eTCH studio23 Gus
Candra K. Gill Christian Hein Dave Owen Dr. Gary Cale Eva C Johansson Halessa
Captain Sadie Samuels Christina Corell David Gasser Duane Levy Fara Manuel-Nolasco Hamish Mio
Carissyoo Christina Tang-Bernas David Hoffend E. Tage Larsen Fernando Díaz (TipoType) Hannah Kate
Carl Franklin Cindi Shaffer David Pichardo Aguirre Ed Mitchell-Finch Fiona Marquis-Kyle Hannah Lee Miller
Carmen Cindy Blood David Scott Edie Evans-Bisbee FISH Hannes Lehmann
Carmen Johann Cindy Tonkin David Scott Brown Edouard Lemaitre Fiver at Rabbit Productions Hans Ballard
Carol Berryhill cj whitlock Dawn L. Brightwell Eduardo Gómez Sánchez Florian Rohrweck Hatano
Carol Gregory CJOY Dawn Rogal Eduardo Tocatzin Sanchez Foli Ayivoh Hayley
Caroline Herdman-Grant Claire MacPherson Dawn van Rensburg Eileen Ryan Fran Shum Helen Bishop, Wildshed
Carolyn Erikson Clare A Winslow De wereld van PIXel eka Gab DiMaio / Courtney Silvia Helen Gotlib
Carolyn Spivak Clare Danek Dealey Dansby Eli Lehmann Gabriel Preusse Helena Titheridge
Carrie Duce Clarissa Dixon Deb Schug Elisabeth S. Lazarou Garret Avery hélène bernadat
Caspian Ievers Claudia Laurencia Deborah Glymph Elizabeth C. Teviotdale gary warren niebuhr Henry Gaughan
Cate M Clay Connally deBuriart Workshops Elizabeth Croft Geedoodle Illustration Herringbone Bindery
Catie Cooper Clemency Jones del coombs Elizabeth Medina Geoff Wigglesworth hiroshi tamagawa
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Cecily Andrea Ully Barber Colby Ferg Desiree Dahl Elke Derzbach Gerdien Howard Jones
Celeste De Luna Core Art Journaling Diana H. Bloomfield Elke V Gerlinde HUANG PEI SHAN
Ch’An Press CorneliusCoffin Diana Heyer Ella Park Gilles Taillade HumAlong Productions
Chad Valente Creative BRIK Diane C. Elliot Steele Gillian Bailey Hussein Darwish
Charibdys Cynda Empsall Dinah Emily A. Keating Gillian Cooper Ian Welch/Pegboard Press
Charles Payne Daksha Dionne Marshall Endeavor Press Gillian Pokalo idonthaveorgans
Charlotte MacNaughton Damian Boada Dominik Etz Enrica Prazzoli Gordon Langley Iefa Shamsir
Chau Yiu Wai Damn Fine Print Donna Globus Eric Ellis grace hailstone IJC
Chavelli Tsui Dana Aldis Donna Penoyer Erik Caballero Greg & Sleene Ilaria De Cicco
Cheryl Jackson Designs Dana Master Dorinda McCormack Erika Gardner Gregory M FISHER Imbrium Design Co
Chiara B. Marchesi Dana T Yang Dörte Köstlin-Thompson Erin Halley Guerra Girl Ink Stained Hack
Chieh Lee Daniel Crowley Douglas Brull Erwin Lam Guido Wessel Inkysloth
Chris Daniel Schappler Dr Andrew M. Angus-Whiteoak Esmeralde guilda guirnalda IS Projects
88 89
Isabel Keen Jennifer Ackerman-Haywood Julia Friese Kelly Wills Libby Curtis Lyndsey Nichols
Ivone Chao Jennifer Hayto Julia Heatherwick Ken Whitaker Licia Lynley Ruck
J.Mucha Jennifer Wilson Julia Loste Kenneth Sutton Liesbeth Molenberg Lynn Brunt
Jackie Smith Jenny Knight Julia Mesnikoff Kentucky Edgar Liliane Gfeller Lynn Krawczyk
Jacob J Hagen Jessica Barber Justin Gonyea Kes Harper Studio Gleaned Lily Rainbow O’Connell Lynn Speaker
Jacqueline Bell Johnson Jessica Singerman Justine Cothill Kevin Scholtes Linda Hoyle. Artist Lynn Stanley
Jakki Garlans Jill Jensen Justine Cox Keziah Philipps Linda T Lynn Taylor
James Nguyen Jill Miglietti JW kg_prints Linda Wilkinson - bush ink Lysa Hoffman
James Wright Jillian Roberts K Kempthorne Kitty Drybrough Shepherd Lindsey Guile M.J. Schneider
Jamie Zebedee JiM K. Stinnett Kobe Elixson Liorah Tchiprout Maby Malena
Jan Lane Jim Balmer Kamilla White Kris Kennedy Lisa Douziech Macska Designs
Jane Harris Jim Kapp Kano Krista Marie Park Lisa H. Maddy Rosenberg
Jane Hindmarch Jim Parkyn KAP Kristen Lyle Lisa Moon Self Madeeha Sheikh
Jane Kellett Jo Ann Welch Kareen Krystal D Matthews Lisabeth Maggie Heineman
Jane Miller Joanna Dowell Karen Hennessey ksk lito_onion Maggie Zurbruegg-Ramey
Jane Quale Joanne Honey Thomas Karen Neal Ky Lewis Little Feets Press Majic Monsters
Janet Reynolds Bemis Joe Dubanowich Karen Ruth Karlsson Kyle Barnes Liz Adams Malene Hald Studio
Janez Grubelnik Joël Fernandes Karin Barend Kyle Osvog Lori Davis Marco A. González Recuero
Janice jordan John Bloomberg-Rissman Karin Bruckner L Valentine Lori Don Levan Margaret Day
Janine Howe John Hart Kasper Jeppesen L. Mikelle Standbridge Lori Foster Maria
Janne Siltanen John J Smith katblgh_graphic Larissa Tapler Louisa Crispin Maria Agergaard
Jantine Geldof John Mignault Kate Ellis Laura Louise C Wennington Maria Alejandra Gonaldi
Jason Hall Jolan Wuyts Kate L Laura Fisher LR Donohue Maria Merridan
Jason Patrician Jonathan Checkley Kate Moon Laura Hiner LSB Marianne Giesemann
Jean Edwards Jonathan Schmid Kathleen O’Connell Laura Hudson Lubov Mazur Marie Murphy Wolfe
Jeannette Mentesana Jordi Waggoner Katie Marie Bruce Laura Lewis Lucy Johnston Marina Landherr
Jeff Fraas Jörg Burbach Katie Van Vliet Laura Merlin-Warner Lucy Searle Marit Baarslag
Jeff Gill and Kristen Carter Jossie Malis Katja Haas | PapierLiebe Lawrence Art Supplies Lucy Walton Marius Hirn
Jeffrey Knopf JSC Katrin Bergmann Lee Ernst Ludo Vanroy Mark CJY
Jelena Verschueren Judith Cameron Katy Scudieri Lee Fearnside LuHart Mark Druery
Jen Leamon Judy Tucker Kelley Dawkins Lesley Quesada Lyell Castonguay Mark Meredith Design
Jennifer Juju Kelley Fewer Lianna Lynds Jennings Mark. S. Brown
90 91
Marsha Croninger Merna Strauch Nate Wathen Pickwick Printing Renee Perry Samantha Foster
Martin Schlierkamp Meryl Forsyth Nate! Pierre-Denis Autric / Nippotam Rhonda Sandra Duncan
Mary Anne Grant Mia Ardianto Nicholas Ptacek Pietro Desirò Riemea Sandra Wimer
Mary Barbara Lindsey Micah B. Nicolas BUFFLER PiojosInc Rita Kuolas Sara Elgerot
Mary HJ Michael J King Nicole Francoeur. Becky Moore Poli Mezquita RL Sara Inacio
Mary Kroetsch Michael Siska Nigel Hall Print To The People Roald Sooijs Sara Robertson
Mary Mead Michelle Henning Nikki Soppelsa PRINTED EVERYWHERE Rob Luckins Sarah Bierman
Mary Parker Michelle McCune Nil Molina Professor Emily C. Friedman Rob MacAndrew Sarah Werner
Mary Randolph Mike Davey Nina Gronw Lewis Qwadrax Rob Sheppard Saskia Hampton
Mary Romanuck Mike Frankish Ocaió Studio Rachel Bruya Robert Wells SAYAKA KITAKATA
Mary Tevington Mike Perry Olga Paczka Rachel Cholst Robert Shimmin SCabrera
Mary Walker Mila-made Oliveti Rachel Donnelly Roberta Schrote Scott Pack
Maschina Grafik-Design Milda Tautvydaitė Olivia Pratt Rachel Green Rolf Redford Scoub
Mathieu.K Miles Butterworth Opheliatw Rachel Vack Romain Bazile Sean Mitchell
Matitaelettrica Miles Elliott Otto H. Rafael Acuña Rose Morley Sean Morello
Matt Caylor milki P Jarvinen Ragna Heiny Rosemarie Dravnieks Sebastian Passati
Matt Doubleday Minkelince P. & F. Jürgens Randi Franklin Ross Losher Selene
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Maureen Da Silva Molly Lemon Art Paloma Lucas Raphaëlle Hasselmann Roxanne Jackson Sharyl and Bob Peterson
maylin tan Monica Waldman Pat Fox Rastl Roz Bunter Shauna and Clif Carey
Megan Brandewie Monique van de Wal Paul Clark Rauchwetter Ruth Singer Shawn Michael
Megan M. Moose Paul Soupiset Rayna So Ruth Slamseys Shelleyanne Fogarty
Mel Ketchell Moose Wesler Paulette Inthavisay Reagan Keith Ryan Derrickson Shelly Xiong
Mel Kolstad Morgantor pellinoregael prints Rebecca Chamlee S M Parrish Sherry Stewart
Melissa Gamez Mr Cup Penny Lindop Rebecca Horwood S. Meibergen Sheryl Orlove
Melissa Iuliano Ms C Dyson Peter Dremstrup Rebecca Lemley McGraw Sahar N. Smote
Melissa Jaarsma N Benziger Phil Enderby Rebecca Rodriguez Salama Nasib Sonja
Melissa Mandel Naïs Coq Philip Copestake Rebecca Siemering Sally Lavers Sonja Lehman
Melissa Rian Nandhini Mehra Philipp Reif Rebekka Baumann Sally Tanner Stacey Philipps
Melissa Rick Nandita Baxi Sheth Philippe van Nedervelde Ren Sally Weatherill Stefanie M.
Mercedes Ulaszewski Natacha RIZET Phoebe Diamond Rene Bellefeuille Sam Smith Steffie
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Stephanie LH Harvey Tiny Dog Press www.handprinted.co.uk
Stephen Neale Toby M. Schreier www.studiozeedauw.nl
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