HER EMBRACE


 
Music and Lyrics by MICHAEL MOTT

                       
Steadily  = 88

   

  
    
  
   


pedal throughout

 
                      
5

   

 
          
   

   
       


9

 
                      
A sky who knows my sto ry.

   
      
       
 

  
      



13

 
                      
A me mo ry a bove.

   

 
          
   
  
2

         


17

 
                  
A guide for my to mor row,

   

 
    
  
   

    
         
 
21


 
                  
A light who shines her love. Her

   
        
     
 

 
          


25

               
      
rad iant beams of dis tant dreams, her

 

    
    
  
       
3

    



29

   
             
   
lo ving glow is all I know in her em

  
 

    


      
  

            
    



33


brace. I was free. I was ev 'ry thing that I had hoped to

     

    
   
   
 subito

   
             


37


be. She was light. Ev 'ry bri lliant beam could wa ken a ny

      
     
 
     
 
            
4

    



41


  
night. Then our God ex tin guished ev 'ry ray that she would

       
    
 
      


             



45


  
gleam. And I'm on ly left to dream of her em


        
 


 
       


    



49

 
                      
brace.

   
 
          
   


 
                      
53

   

 
          
   
  
5

         


57

 
                      
A star who knows my sor row.

   
 
          
   
     
   



61

 
                      
A bar gain he won't lose.

   
 
          
   
   
       


65

  
                  
A moon that he cre at ed

   
 
         
   
       
       
69


 
                  
A light that I must choose. Her

   

 
          
   
  
6

        

73


  
     
rad iant beams of hopedis ful dreams, her

  

    
  

     
    
 
         
  


77

  
   
sil ver shine is find ing mine in her em

      
           
        
     
     

         
        



81

   

    
brace. I'd be King I can feel the lov ing life her light would

      
  
 
    


    
         
           
     


85

        

bring. She is pure. Ev 'ry lu cid beam ill um in ates her

       

 
        
   
    
          
7

     



89

        
more. Through the haze her per fect sil ver glow is all I

        

           
       

            
 


93

           


see. And for e ver I could be in her em

       


           
       
 Con
            




97 moto  = 96


brace. But the sky is whom I swore my love to

        
           
      
 


     
   
   
      


101


and she a waits my hand.

       

     
    
     
    
  
8

         



105


  
To de ny the wo man high a bove

       
          
 
       
   
   

            

molto rall.


109

 
      
would she e ver un der stand that her em

      

        


   
     
molto rall.

  



         

            
    
Tempo I, triumphantly


113

        

brace I can't feel. She's for e ver left my arms and I must

        

 
         
         
             
9

   
  



117

   
      
heal. You are gone and the hard est part of all is mov ing

   
 

 
        
   
    
       
     
  



121

        
 
on. You'll re main for e ver in my heart where you're a

       

 
       
     
   
            
 


125

       
   
live. Un til then I will sur vive in her em

         

    

    
         
         
    molto rall.



129

 
brace

       
          
  
 
       
molto rall.

   
   
       rit.   

10

  



133 a tempo

  
    
Un til then I will sur vive in her em

      
          
    

     
 
      
rit.


a tempo

        


    



137 Dictated in 2

  
   

       
brace!

        
  

   






   


    
    