BM Chapter 2
BM Chapter 2
BM Chapter 2
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Determining
Your BrandPicture . ·
iDeveloping a Brand Vision
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.., of a bran
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Step Two
-} vision
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Determining Your
~ Determining Your BrandPicture Brand~s Image
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~· e ~. The BrandPicture lays the foundation for building and leveragi1:;
r your brand's t ., your brand and for Brand Asset Management to take hold at your
\ image ? contract r cmto !
company. A well-crafted BrandPicture \.\ill guide your company co
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,. . . ==""'=="' l develop the righ t strategies and achieve the Bran d Vision discussed
in Step One. 'Without the BrandPicture, you may make decisio ns
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about your brand tha~ do not fully leverage your strengths or thaE
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~ Developing a Brand Asset Management Strategy
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actually damage your brand over time.
Your Brand.Picture is externally driven, reflects your brand 's
image from your customers' perspective, and looks at the promises
the brand makes to customers. It also helps you determine how your
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~Ji · Extending •~ · Communicating brand stacks up to the competition , how purchase decisions are
•~ your your brand's made in your category, and where yow- brand might be. extended.
ff. brand positioning The Brand.Picture is basically a snapshot of your brand today.
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Determining yow· BrandPicture involves three tasks : under-
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standing your brand's image, unders tanding the contract your
brand has ·with its customers, and deriving a customer model that
gets at perceptions and perspectives of your bran d and the cate-
J Supporting a Brand Asset Management Culture gory. This chapter discusses the fi rst of the th ree (see the illustra-
tion facing this page) .
Brand image has two components: the associations customers
ascribe to the brand and the brand's "persona" (see Figure 2. 1).
our Return ' Br3:11~ associations help you understand the b~n~fits your brand
On Brand ::'. · culture
delrveb to custome rs and the role it plays in their lives. Brand P~-
'i Investment ·.- sona is a description of the b rand in terms of hum an ch arac tens-
.,;... cs,· tlus
· also helps you better understan d th e brand
. 's strengths and
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Weaknesses as well as the best ways to position ·
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· 54 B RAND AssET ::v1ANAGEMENT
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' Figure 2.1. Two Components of Brand Image
DETERMINING YOUR .BRAND'S IMAGE 55
Product, service,
~ !
· ioa i The Brand Value Pyramid
and organization , Human jf The Brand Value Pyramid (Figure 2.2) best demonstrates the
characte ristics ~ characteristics 1! power of brand associations. The further up the pyramid you go,
_ _:::.:7-_~----~-~~-~ J .~:~~~=:--:~-~ the more powerful your brand and the harder it is for competitors
to usurp your position and strengths. ,
The pinnacle of the Brand Value Pyramid is as good as•, it gets,
Brand Associations nearly an unassailable position. The concept of the Brand Value
Pyramid is often the missing link for companies trying to better
Brand associations are part of a laddering approach that allows you
to determine the power of the benefits your brand offers and, ulti-
Figure 2.2. Brand Value Pyramid
mately, how valued your brand is. Laddering has been used by
advertising agencies for years to develop creative ads; now it is
,i~ \\ 0. c.,"-Q_ Most meaningful
being used to help determine long-term brand strategie~. ·_ .:5,0,-<::'P and most
Features and attributes of a product or service are',undifferen- \ difficult to
tiated unless they translate into a higher order of perceived bene- imitate, but
fits to the customer. Similarly, benefits are relatively weak unless The emotional, spiritual hardest to
cultural values being deliver
they link to the customer's central values and beliefs. addressed
For instance, Ralph Lauren has laddered up to the highest
point of brand value in consumers ' minds. M4Ily designers offer a
variety of high-quality, durable, classic-looking clothes, but few of
The functional or
them can say their clothes allow· customers to make a statement. emotional benefits Benefits
Wearing Polo Ralph Lauren clothes (Polo Sport; Polo Jeans, and provided tq customers
other lines) , however, is.like driving a Lexus in its appeal to social
status. Lauren apparel becomes part of who the customer is by 1 - - - - - - - - - - - - ~\ Easiest to
Features or . \ deliver,
striking an emotional chord with that customer and having beliefs processes but least
and values that he or she finds desirable. that must be Features and attributes '-, meaningful and
Ralph Lauren helps its customers fe el better about themselves, demonstrated most easily
to customers ·
more confident and secure-even more fulfilled and more happy.
'----~~------------ imitated
DETERMINING YOUR BR.A.No's r~
. ilA(.;_
S(i HnANn AssE r MANAGEW:NT
t"''
• Disgruntled users (customers you are in danger ·o f losing soon) you used it.
DETE.RMINING YOUR BRAND'S1',iACF. (
1
why? (Cars typically used for this question are Chevy, Lexus, As mentioned earlier, this type of research.must be conducted rel-
Saturn, Mercedes, and Volvo.) ative to key competitors. Done in a vacuum, brand persona
• Ifbran'd X were one of the following places, which would research leaves you with some good information about yours,e lfbut
it be and why? (Typical cities or geographical areas used here very little about the opportunities available to you. _\
are Silicon Valley [cutting edge] , NewYork [cosmopolitan], For example, consider the way participants in the BAM courses
Paris [fashionable] , Omaha [traditional].) I teach describe Fed.Ex and its perceived closest delivery competitors:
• If brand X were a department store, what store wouid it be _FedEx U.S. Post Office UPS
and why? (Typical stores used here are Nordstrom 's [high Male or female Male Male
service] , Sears [traditional], Wal-Mart [price focmied], Young . Older Middle-aged
Niemann Marcus [higher-end].) Athletic Evolving
Grumpy
• What kind of animal best describes this brand? (A jaguar Inconsistent
Friendly Notreliabk
would be fast and nimble, a turtle would be slow an:d i
Prompt Low technology Friendly
deliberate.) · Dependable Unsophisticated Brown uniforms
Some of these questions may se·e m silly at first, but they are Energetic Overweight Unionized ·~
good ways to uncover characteristics of your brand that you prob- High technology .. Complacent Okay service
ably never knew existed. The bottom line is that powerful brands Problem solvers .Slow Professional
have easily identifiable characteristics. · · Motivated Rigid International
David Aaker, in Building Strong Brands, identified five hu1?an Professional Problem makers Problem solvers
characteristics to which he claims 93 percent of all brands a5.pire:
Sincerity (Campbell 's, Hallmark, Kodak)-down-to-earth, honest, As an "up-~nd-comer," Exact Express, the new offering from
Yellow Freight, may also be able to challfnge FedEx's position. It
wholesome offers seven-day deliveries, same-day deliveries, and a 100 percent
Excitement (Porsche, Absolut)--,-daring, spirited, imaginative, up- · satisfaction guarantee. These benefits certainly make Exact Express
to-date an interesting new choice in the overnight delivery competitive set.
Competence (AMEX, CNN, IBM)-reliable, intelligent, successful
,
•
68 BRAND As.5ET ?viANAGEMENT
DETERMINING YOUR BRAND '
As this book goes to press, UPS has launched a new ad and integrate its reputation for caring with new expertise that could be develo d
brand campaign that may shift the dynamics in this competitive · t . d pe
over time. It became obvious th at carm~, nur unng, an em~athy cannot be
market yet again. The campaign says, "At UPS, we· deliver more bought by a competitor. However, our cltent could start lo build expertise b
than boxes. 'iVe deliver ideas on how to bring yom products to mar- recruiting doctors from the best schools and hi~ing them away from estab.y
ket faster, more efficiently. Customized solutions from inventory lished hospitals, and by investing in the latest technology.
financing to managing your call centers to reengineering your The ho~rib.l :"e!1tu2.Uy became known as the "caring experL:i"- a~,,.
..
.
global supply chain. Of course, if you need a 2,000-pound orca
sona and positioning that is both valuable and unique. The end results speak
whale delivered overnight, we can handle that too."
for themselves: market share is u~ dramatically a~d the image of the hospital
The descriptions of UPS, Exact Express, and the U.S. Post
has improved tremendously relative to the competing hospital.
Office should help FedEx see ,vhere it stacks up, falls short, and is
1~ost rnlnerable. ~qually important, the compaiison should help Often a picture is the best way to describe a brand person 1,
Fed.Ex see where lt has the most opportunity to grow. · you do believe that a persona is representative of a hun1an bea.n,,'' 1
Case Study: A Midwest Hospital Persona you should be able to create a picture of that person. Fio-ure :i ~
illustrates the personas of four different brands in a servic;s ind~.~·
A.Midwest hospital was seeking to compete more aggressively against its major
try my company has done work for. You can immediately see 1;:.
com~titor. B~ deriving brand personas for both, my company came up with
differences and the strengths and weaknesses of each. ·
many mterestmg characteristics:
Client Hospital Competitor Hospitai
Female or male Male .Figure 2.6. Four Competitors' Personas
Dres.sescasually Wears a blue suit
Company 1 . Company 2 Company] Company 4
Middle-upper aged Middle-aged ·
Middle class Upper middle class
Clean but not polished Professional
0icier feel.ing Contemporary
Warm, afoend Cold
Caring .Superficial 50-60 Late 40s 40-50 35-50
Not money hungry Expensive but worth it years old years old years old
Best available in Midwest · Best available in the country Male
Male Male Male
Experience Expertise
Community ·High school Graduate Ph.D.
There ~vere obvious differences in personas between these two hospitals. college education education
education
Our client was an older, "been-there-since-you-were-a-kid," Catholic1 trusted
. hospital. The competitor was more about state-of-the-art equipment, top-llight Attire a Not professionally Professional Medical atcir~,
ste th OSCO pe
doctors, :'°d the best money could buy. We assumed that patients would choose little dated
\
dressed attire
the hosp~tal that _they believed would give them the best possible treatment Clean-cut
Friendly Auctioneer Technical,
There rmght be lmgering loyalty to our older hospital, but in the end sickness
and caring mentality, anything experienced
and health know no loyalty. for a sale
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7 -•
70 BRAND AsSET IvlANAGEMENT
DETERMINING YOUR BRAND ' S IMAGE 71
Shiftin~ Brand Images over Time ·- Other companies have had mixed success. Quake~ Oats, for
Can a brand's persona be changed? If so, how gr_eat and how credi- · example, changed the image of its oatmeal over a few years from
?le can the change be? I ?elieve a brand _can change just as a person ·. a hot meal on a cold day to a healthy part of daily life. It never lost
the former association, but added the latter. But another former
1s able _to change. However, Woody Allen is not going to b~come an
operatlc soprano tomorrow, and Cindy Crawford is not gding to be Quaker product fared less well. When Quaker_bought Snapple, it
ugl~ next week. It is all about degree of change. The easiest changes thought it had acquired the perfect complement to Gatc:rrade.
are mcremental and are begun well in advance of the need. Snapple was cool, hip, and an up-and-coming ~rink that reli:d on
its quirky image, its spokesperson Cathy, and Its all-natural mgre-
Often crisis is a catalyst to refocus or dramatically change a
dients. But it took Quaker only a year to undo most of the good
brand's persona. K-Mart, for example, came close to Chapter 11
that Snapple's previous owner created. Quaker was obsessed with
bankruptcy a few years ago. But it has recently come back strong and
using the Gatorade channel to also sell Snapple, as opposed to con-
is probably one of four major retailers that will survive over the next
tinuing to build and enhance the Snapple persona that had been
five years. K-Mart realized that its "blue-light special" image had been developed over time. Within a couple of years, Quaker sold Snap-
lost to Wal-Mart, that a slew of new stores like Target had come on ple to Triarc for a.big loss. Triarc has since refocused on Snapple'.s
strong, and that old stalwarts like Sears were not going away. strengths and has helped Snapple regain the persona that made It
Th~ shift in K-Mart's persona has gone way beyond the name so strong to start with. ·
change from K-Mart to Big K Its old and new personas probably
look like this: Case Study: The Chicago Tribune
The Chicago Tribune is in the process of changing its brand persona. For
The Old K-Mart Persona The New K-Mart Persona more than a century and a half, the Tribune has led the local newspaper
scene thanks to its focus on editorial integrity and coverage that was both
Older Younger, hip, and modern broad and deep. But in all that time, it never_consciously pursued a particular
Dilapidated Well-designed stores, attractive brand position, leaving itself to be positioned by"the nature of its c?ntent or
Blue-light specials Great values and brands th; perceived profile of the people putting it together. Recently, the onset of the
Unorganized/unkempt Organized into stores within Internet, the explosion of media choices, the decline of time people devote to
the store reading newspapers, and a trend of softening circulation forced senior man-
agement to rethink the Tribune's image and content offering. ..
Poor service H~gh levels of customer service The Tribune went through the BAM process we have been descnbmg.
Lower to middle class All classes It learned a lot about the newspaper's relative strengths and weaknesses, ·
Competes with Woolworth's Competes ~th many retailers how readers described the Tribune's associations and persona, and, most of·
(such as Target) all what readers wanted from it.
' The Chicago Tribune-uncovered a generally held image of its persona
as conservative, middle to upper-class, male~oriented, and even aloof_, ~d
. To com ete more eff~ctively, K-Mart decided to shift its fo~us ,
recognized this would not help it thrive in the future. It ne:ded t~ shift its_
. b p d (such ·as Martha Stewart)' redesign its stores, bnng
~o name ran s ( h as Rosie O'Donnell)' leverage a
image to change the marketplace's perceptions and the Tribunes potential
· m ·respected spokespersons sue d t a. maiot advertising for even greater readership market share.gains. ·
(B . K) and develop an execu e ::i
Readers wanted a newspaper that spoke to their needs. They wanted a
new name ig . , h th K-Mart. The result is
and public relations push to rela~nc e .new . . paper that was personally relevant to their lives. They wanted a more balanced
that K-Mart is back and performmg very well. ..
72 BRAND AssET MANAGEMENT h
. h y spent so muc
kn wthe columnists t e d
approach to reporting and to get to . o f the paper such as Family an
O
time reading. They wanted new sectionsd business coverage
'
andbetter
Home & Garden. They wanted en1~anc~ s
organized local, regional, and nat1ona new ;eaders got all this and more
Within six months of t~e B~ proces;~dvertising dollars have all
and the Tribune's image, circulation, an
improved fairly dramatically. . . .dent of sales and marketing,
. Dave Murphy, the-Tribune's semor vice pr:: anization participated .
says "We discovered that when all areas of our gd s more intimate with our
, d · ly ·n a process that ma· e u d,
meaningfully an genume 1 .nf rmation that we coul n t
customers, we learned and put to effective use ~ or we·are oGnsistently asking,
have gotten any other way. Today at.the newsp _pe rove their relationship with
Is this what customers want? and, How can we unp . _ , rowth
us? This BAM process helped us truly see our potential forlong term g
and how we can get there."
Summary
Br~nd associations and the brand persona are the sources of a
brand's image. Identifyi~g both elements clearly can help yo~r
company make dramatic changes that will enhance your bra~d s
image and its performance in the marketplace. ~nder~tand1n_g
your brand's image allows you to better control its destiny. This
req4ires that you look outside to deten!line what you have to do
to co.pipet~ more effectively.
- By understanding your brand's image, your company can bet-
ter choose strategies to either take advantage of the image or fix
it. A well-developed brand image may lead to action steps such as
increasing the brand's importance to desired target segments,
increasing the value that_customers ascribe to a brand, better cap-
turing customers through skillful laddering, and the like.
Step Three deals with brand contracts. That discussion will
help you ~etter understand the makeup of the brand, including
the promises the brand makes. and the expectations customers
have.when they think about one brand relative to another.