PracticalPilates ONLINE 110915
PracticalPilates ONLINE 110915
PracticalPilates ONLINE 110915
110915
Copyright © 2010, 2008, 2005 by Aerobics and Fitness Association of America. All rights reserved. No part of
this book may be reproduced in any form or by any electronic means without permission in writing from the
publisher.
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©2010–2005 Aerobics and Fitness Association of America Practical Pilates™
PRACTICAL PILATES™
Table of Contents
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©2010–2005 Aerobics and Fitness Association of America Practical Pilates™
PRACTICAL PILATES™
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Course Objectives
Upon completion of the Practical Pilates instructor training, you will be able to:
1. Integrate basic mind/body skills and techniques used in Pilates-based exercise into a general
group fitness setting.
2. Determine and apply Pilates-based exercises according to fitness goals, safety and
effectiveness.
3. Adapt and implement general group exercise instructional techniques to a Pilates-based
exercise program.
4. Comprehend and apply proper spinal alignment and breathing techniques within the confines
of Pilates-based exercise.
5. Learn the mind/body skills to train today’s clientele.
6. Improve group exercise instruction techniques, free-weight training, resistance/strength
training, dance, yoga, and martial arts.
7. Learn the importance of proper body alignment, how to increase strength and flexibility,
improve balance and coordination, body awareness, core stabilization and control.
8. Gain continuing education toward all current AFAA certifications, and demonstrate the
highest level of professionalism as guided by the AFAA Code of Ethics.
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boxer, and gymnast. In addition to these accomplishments, Joseph Pilates also worked in the circus.
The Pilates Method (as the Contrology system came to be called) was originally developed in the
early 1900s as a fitness program for interned Germans during WWI. It was at this time Joseph Pilates
created an apparatus from anything readily available (i.e., his bunk bed, bedsprings, surgical tubing,
and a chair). The real center of his work came from what he referred to as “the mat work.” In the
1920s, Joseph Pilates came to the U.S. and opened his first studio in New York. His program appealed
to dancers because it seemed to complement their traditional exercise training. His technique soon
became an integral part of many dance-based and physical therapy trainings.
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BENEFITS OF PILATES-BASED EXERCISE
1. Increases joint mobility, flexibility, balance, and body awareness (Blum, 2002; Maher,
2004).
3. Improves posture and alignment, which may relieve back strain and other postural-related
disorders (Blum, 2002; Maher, 2004).
4. Improves general mobility to allow more fluid and graceful movement (Segal, Hein, &
Basford, 2004).
5. Empirical research supports claim that exercise in general stimulates circulation and
blood oxygenation, boosting the body’s immune system (Bautmans, Njemini, Vasseur,
Chabert, Moens, Demanet, et al., 2005). However, no empirical research has been
conducted in this area specifically with Pilates-based exercise.
6. Empirical research supports claim that exercise in general improves cognitive function
(DiBrezzo, Shadden, Raybon, & Powers, 2005; Hatta, Nishihira, Kim, Kaneda, Kida,
Kamijo, et al., 2005). However, no empirical research has been conducted in this area
specifically with Pilates-based exercise.
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3. Breath—This principle acknowledges the breath as an integral part of every movement.
In Pilates-based exercise, the breathing technique emphasizes a deep diaphragmatic
inhale, followed by a forced exhalation through the mouth with each movement. When
performing Pilates-based exercises, the breath should lead the movement rather than the
movement lead the breath. Joseph Pilates believed that by exhaling to the point you feel
you are virtually out of breath and immediately refilling the lungs with clean, fresh air,
you will decrease the residual volume of air in the lungs and release excess toxins from
the body.
4. Precision and Flow—Pilates-based exercises flow from one position to the next; there are
no static exercises. By concentrating on the precision and flow of the movements, you
will be able to synchronize the movement with the breath, improving control and
kinesthetic awareness. This will allow for smooth transitions from one exercise to the
next. The focus should be on the quality of the movement versus the quantity of
repetitions. Proper execution will ensure the full effect of the exercise. Every part of the
body plays an important role in performing exercises safely and effectively. Movements
should be performed without strain; a person should never force the body into an
awkward or painful position.
5. Stamina—The physical or mental strength to resist fatigue and improve the ability to
perform over time. The result can be increased endurance, vigor and vitality and relates to
the cardiorespiratory, as well as musculoskeletal systems. Stamina is necessary to
improve core strength and endurance as well as the supplemental muscles that support
gross muscle movement.
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TRAINING COMPONENTS OF PILATES-BASED EXERCISE
1. Strength and Stabilization—The focus of Pilates-based exercises is to work the deep
muscles as stabilizers. Although it is important to work the muscles as primary movers
(isolation), it is also important to work the muscles as stabilizers. Centering the body by
increasing core stabilization, as well as improving muscular strength and endurance, will
ultimately improve posture and alignment. Muscle balance will be achieved from the
process. Creating strong muscles within the core (scapulae, torso and pelvis) will help
reduce stress to the joints, as the core transfers power to the working limbs (arms and
legs) (Bodywork, 1997). It may also reduce the risk of potential injuries associated with
weak muscles and muscle imbalance (Saxon, Finch, & Bass, 1999).
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tension, however, never force the body into a position. Imbalance can occur when
a person maintains a particular position for a long period of time.
Imbalance may also occur when the muscles are worked as primary movers (isolation)
and not as stabilizers (strong muscles compensate for the weak). Learning to include
exercises to improve balance or correct for any imbalances should be a necessary part of
Pilates-based training.
NOTES
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MUSCULOSKELETAL ANATOMY AND KINESIOLOGY
REVIEW
(Major muscles and their primary joint actions)
Anterior Upper Thigh Iliopsoas and Quadriceps—hip flexion and knee extension
Outer Thigh Gluteus Medius and Tensor Fasciae Latae—hip abduction (movement
away from the midline of the body)
Inner Thigh Hip Adductors (adductors magnus, brevis, longus and pectineus)—hip
adduction (movement toward the midline of the body)
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ANATOMY REFERENCES
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SPINAL ALIGNMENT
The spine consists of 29 vertebrae. The spinal column is structured with four curves: the cervical
and lumbar spine are concavely curved, while the thoracic and sacrum spine are convexly
curved. The function of the curvatures in the spine is to increase the ability to absorb shock from
daily mechanical stress. However, gravitational forces, along with muscular imbalance and poor
posture, could cause an exaggerated curve of the spine. These excessive curves could lead to
chronic low back pain and discomfort.
You can achieve neutral position of the spine by maintaining the natural curves without any
exaggerations regardless of body position. In neutral spine, the position of the pelvis is
somewhere between an anterior and posterior pelvic tilt. The scapula should be retracted and the
tailbone should be pointed downward. Participants who have a lateral curvature (scoliosis) can
usually assume a neutral spine position if the natural curvatures (anterior/posterior) are not
excessive. In some cases, it might be more difficult for participants to assume a neutral spine
because of spinal deviations. In these cases, it is important to work with them individually to
teach them proper spinal alignment. As proper posture is maintained with strong core muscles, it
will become easier for participants to maintain neutral spine.
Pilates-based exercises involve moving in and out of neutral position as well as maintaining a
stabilized, neutral position throughout each exercise. It is crucial to teach participants how to
work toward maintaining a neutral spine. This ensures each participant will perform the
exercises correctly. Misalignment of the spine may result in muscle imbalance and/or possible
injury.
Postural Deviations
Postural deviations of the spine may lead to difficulties in exercise performance and/or injury to
the participant. A certain degree of deviation is common, as no two individuals are exactly alike.
Some common postural deviations include:
1) lordosis—excessive anterior pelvic tilt;
2) kyphosis—excessive rounding of the thoracic spine sometimes referred to as a hunch back;
and
3) scoliosis—excessive lateral curvature. These postural deviations may result in increased
injury potential.
Lordosis is an increased or excessive curvature of the lumbar spine (often referred to as
sway back). The low back, or lumbar spine, is designed to have a degree of curvature,
known as posterior concavity. An excessive curve of this region is associated with an
anterior tilt of the pelvis. Although lordosis may be congenital in nature, it is often a
result of tight hip flexors and back extensor muscles and weak abdominal muscles.
Strengthening the abdominal muscles and stretching the hip flexors and back extensors
may alleviate this condition.
Kyphosis is an abnormal rounding of the thoracic portion of the spine and is commonly
referred to as hunch back. Kyphosis is often seen in older adults and could be a result of
osteoporosis or osteoarthritis. Kyphosis may be identified with a rounded appearance of
the shoulders, often the result of tight pectoral muscles and over-stretched middle
trapezius and rhomboid muscles. Kyphosis is often accompanied by a forward head
(cervical lordosis) as the individual must compensate the cervical spine in order to look in
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a forward direction. Other common causes of kyphosis include muscular imbalances,
inflammation of the spine and poor posture.
Scoliosis is an abnormal lateral twisting or rotating of the spine (often resulting in an “S”
or “C” shape curvature of the spine). Scoliosis usually occurs in the thoracic region. This
deviation often results in one shoulder dropping lower than the other shoulder and can
potentially prevent the participant from maintaining proper spinal alignment. However, not
all individuals with scoliosis are symptomatic, as symptoms vary according to the degree
or severity of the deviation. Although a diagnosis should be made only by a health care
provider, scoliosis can be recognized by comparing the two shoulder heights when an
individual is bending forward if observed from behind.
NOTES
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Methods for Ensuring Proper Spinal Alignment
1. Triangle Method—Supine Position
• Double “V” Position (knees bent and feet flat on floor)
• All four corners of the feet are in contact with the floor (toes spread wide apart)
• Feet and knees are hip-width apart
• Tailbone is pressed down slightly (in contact with mat or floor)
• Shoulder blades are pressed down slightly (in contact with mat or floor)
• Create a space between the mid-back and the floor (just enough space for your hand to
slide underneath your back)
• Reach finger tips down toward the heels (slide shoulder blades toward heels)
• Lower chin toward chest (ensure head is aligned with spine)
• Place middle fingers on the symphysis pubic (pubic bone) with the middle fingers
touching each other
• Place hands flat on the lower part of the abdomen with the heels of the hands resting on
the anterior superior iliac spine (ASIS) forming a triangle
• The triangle should be in the frontal plane (flat surface). Thumbs should not be lower or
higher than the middle fingers. Imagine pouring water into the triangle—the water
should not spill out toward the head or feet. The pubic symphysis and the ASIS should
lie in the same plane
• Adjust position appropriately to create a flat triangle
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2. 12:00/6:00 Method—Supine Position
• Double “V” Position (knees bent and feet flat on floor)
• All four corners of the feet are in contact with the floor (toes spread wide apart)
• Feet and knees are hip-width apart
• Tailbone is pressed down slightly (in contact with mat or floor)
• Shoulder blades are pressed down slightly (in contact with mat or floor)
• Create a space between the mid-back and the floor (just enough space for your hand to
slide underneath your back)
• Reach finger tips down toward the heels (slide shoulder blades toward heels)
• Lower chin toward chest (ensure head is aligned with spine)
• Place right index and middle fingers on navel and slide the two fingers up above the
navel approximately two inches, this is 12:00. Then flex forward at the spine, while
performing a posterior pelvic tilt
• Place left index and middle fingers on navel and slide the two fingers down below the
navel approximately two inches, this is 6:00. Then arch the back and create an
excessive lordotic curve by performing an anterior pelvic tilt
• To find neutral position, find the mid-point between 12:00 and 6:00 (anterior/posterior
pelvic tilt). Create an equal amount of tension between the shoulder blades and the
tailbone
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3. Standing Position
• Feet are positioned a comfortable distance, about shoulder or hip-width apart (feel all
four corners of the feet in contact with the mat or floor)
• Toes point in the same direction as the knees
• Knees are unlocked; avoid hyperextension
• Lift the knee caps up toward the hips (contract the quadriceps)
• Point the tailbone down toward the floor (gluteal muscles are slightly contracted)
• Pull the navel toward the spine so the abdominal muscles are engaged
• The entire spinal column is in ideal alignment from the neck to the pelvis
• Head is in line with the shoulders; eyes forward
• Shoulder blades are slightly down; create space underneath the arms (arms should be
slightly away from the body)
• Form your triangle (refer to page 10, Triangle Method)
• From a side view, there should be a straight, vertical line from the head to the feet
NOTES
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Imprinting
Imprinting is a visualization technique that allows the participant to ensure proper body
alignment when working on the mat. When beginning, visualize the spine dropping into
the mat one vertebra at a time. The weight of the bones draw downward as though
sinking into a bed of sand. This allows the spine to feel grounded. The shoulder blades,
base of the neck and tailbone should be slightly pressed into the mat. Gluteal and leg
muscles relaxed. Imprinting can be used to counter balance excessive spinal curves that
may contribute to chronic back pain.
NOTES
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CORE STABILIZATION
The core refers to the scapulae, the torso and the pelvis. Core stability is achieved when the
muscles of the scapulae, torso and pelvis work synergistically to achieve a balanced static
tension so alignment can be maintained during the desired activity. Having a strong center or
core is important from the standpoint of function; any weakness or imbalance between anterior
and posterior muscles can have a direct effect on posture and the natural curvature of the spine.
If one of these areas is out of alignment, the entire unit is affected. If a participant is unable to
maintain proper body alignment and/or stabilize while performing the exercise, a modification of
the exercise should be recommended.
The following are causes of core instability:
1. Muscular imbalance
2. Weak muscles
3. Postural deviations
The following detailed information describes each of the major areas of the core: scapulae, torso
and pelvis.
Scapulae
The scapulae (shoulder blades) are flat triangular bones with three borders and three
angles. The anterior surface of the scapulae is smooth and slightly concave, and is
separated from the posterior side of the ribcage by a thin layer of muscles. The posterior
surface is much rougher, since many muscles are attached to it. The scapula lies very
close to this side of the ribcage, but does not articulate with it; rather it floats behind the
ribcage, suspended in a network of muscles and ligaments.
Scapular Stability is the ability to maintain shoulder girdle position while performing
weight bearing activities or working the upper extremities. Scapular stability allows
scapulohumeral rhythm with abduction or forward flexion of the shoulder. A neutral
shoulder girdle is maintained when there is balanced tension of intrinsic and extrinsic
muscles of the shoulder. This allows efficient alignment of the shoulder joints for
optimum function. Mobility of the scapular girdle along with shoulder joint action
allows the arms to move in many directions with large ranges of motion. The scapular
girdle provides a strong, stable fixed position so other movements can take place.
Joint Action of the scapulae includes elevation, depression, lateral protraction
(abduction), medial retraction (adduction), rotation (inferior angle moving toward
midline) and rotation (inferior angle moving away from midline). In activities of daily
living, the scapular movements are integrated with movements of the arm via shoulder
joint action. As the arm moves in a specific direction or position, the scapulae adjusts
itself to be in the most supportive position to re-align a moving humerus, which
prevents injury. The girdle itself is so freely moveable that the interrelationship
between the scapular muscles requires a balance of tension between six muscles to
maintain form and function (most important the trapezius, rhomboids and serratus
anterior). This is one reason these muscles play such an important role in postural
support and stabilization.
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What causes a person to lose scapular stability?
1. Weak intrinsic muscles:
• Winging the scapulae
• The inability to maintain a wide back
• The serratus anterior is not strong enough to keep the scapulae protracted
2. Imbalance of large muscle groups:
• The inability to keep the weight bearing down and back on the scapulae in the
side plank position
• Lengthening and weakness of the latissimus dorsi, rhomboids, lower and
middle trapezius and shortening and strengthening of the serratus anterior,
levator scapular, and upper trapezius may cause this imbalance
3. Postural deviation
Torso
Abdominal Muscles
There are four pairs of muscles within the abdominals group. These muscles are located
between the ribcage and the pelvis.
Rectus Abdominis—Joint action: spinal flexion, assists lateral flexion.
External Obliques—Joint action: spinal flexion, lateral flexion and rotation to opposite
side.
Internal Obliques—Joint action: spinal flexion, lateral flexion, rotation to same side.
Internal obliques have a biomechanical advantage in rotation because the lower fibers
are horizontal.
Transverse Abdominis—Joint Action: abdominal compression and expiration.
The abdominals consist of layers of muscles. When simultaneously contracted, the navel is
drawn toward the spine compressing downward and inward to the deepest layer, the
transverse abdominis. Having strong abdominal muscles allows you to be able to maintain
a supported torso for all types of physical activities. The transverse abdominis performs
abdominal compression, which creates a more “flattened, stronger” belly. The abdominal
muscles should be worked as a whole as well as individually. Abdominal work can
include muscle isolation exercises such as crunches, or stabilization exercises such as
plank. The focus should be on contracting all abdominal muscles rather than the rectus
abdominis alone. The muscles in the front, sides and back of the body should be
isometrically contracted for the best performance and function of these muscles.
NOTES
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Erector Spinae
There are three pairs of muscles that run on either side of the spine from the neck to the
pelvis.
Iliocostalis (most lateral), Longissimus, Spinalis (most medial)—Joint action: spinal
extension and lateral spine flexion. The spine is meant to flex forward and extend. Back
training includes both movements. To ensure total body conditioning, back training should
include working the entire back, including the cervical, thoracic and lumbar spine. All
back muscles should be strengthened and stretched.
What causes a person to lose torso stability?
1. Weak intrinsic muscles:
• The inability to use the abdominal muscles to draw the navel upward into
plank position.
2. Imbalance of large muscle groups
3. Postural deviation
NOTES
Pelvis
The pelvis, also called the pelvic ring, is a roughly cylinder-shaped structure composed of
several articulating or fused bones, muscles (also known as the “pelvic floor”) and
ligaments.
Iliopsoas (Hip Flexors): The psoas and the iliacus both insert into the great trochanter
of the femur so they share a common tendon. The psoas originates at each of the
lumbar vertebrae and cartilage. The iliacus originates on the inner surface of ilium and
inner surface of the sacrum. Though the psoas and iliacus are most frequently referred
to together, the iliacus does not act on the spine as the psoas does. The psoas is the
primary hip flexor. Joint Action: hip flexion and outward rotation of the hip.
Quadratus Lumborum: The only true lateral spinal flexor. A flat sheet of fibers on
either side of the spinal column and beneath the iliocostalis. Joint Action: lateral spinal
flexion to the same side, and when both sides contract, depression (as the diaphragm
contracts).
Lateral (outward) Hip Rotators: Lateral (outward) hip rotation is performed by six
individual muscles (piriformis, obturator internus, obturator externus, gemellus superior,
gemellus inferior, and quadratus femoris). These six muscles cannot be palpated. The
gluteus maximus is also involved in outward rotation. The most well-known rotator is
the piriformis. Many people naturally rotate their hips outward, affecting their standing
stance as well as other positions causing other muscles to take over the exercise.
Overly strong lateral hip rotators can cause muscle imbalance, and therefore lead to
postural deviation and/or back problems.
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Medial (inward) Rotators: The tensor fascia latae and gluteus minimus. The tensor
fascia latae assists in hip flexion and abduction. The gluteus minimus assists in all hip
movements (flexion, extension, abduction, and outward rotation). These muscles have a
very strong pull in other directions besides their primary movement. Therefore, their
function is often to work as stabilizers for many exercises.
Pelvis Stability: The ability to hold the pelvis in a neutral position while using the
lower extremities or upper torso.
What causes a person to lose pelvis stability?
1. Weak intrinsic muscles
2. Imbalance of large muscle groups
3. Postural deviation
NOTES
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THE RESPIRATORY SYSTEM
The primary muscles of respiration are the diaphragm, the intercostal muscles, and the
transverse abdominis.
Diaphragm: The diaphragm is the primary muscle of respiration. It is a dome-shaped
muscle that sits in the chest like a parachute, dividing the thoracic and abdominal cavities
from each other. The diaphragm not only moves up and down but broadens and fans
outward with inhalation.
Intercostals (external and internal): These muscles consist of two sets of muscles; each
set is connected adjacent to the ribs and located in the spaces between the ribs. The fibers
of the internal intercostal muscles run from the costal groove of the rib above, downward
and backward to the upper border of the rib below. The external intercostal muscles run
downward and forward to the ribcage below, i.e., at right angles to the internal
intercostals.
Transverse Abdominis: The transverse abdominis is the deepest of the four abdominal
muscles. The fibers run horizontally. The transverse abdominis is active in compression,
stabilization, and vigorous exhalation and expulsion.
The secondary muscles of respiration include the sternocleidomastoid, scalenes, trapezius, and
pectoralis minor muscles. These muscles should remain secondary to the inhalation process as
they finish the inhalation after the diaphragm has dropped and the lungs have filled.
Sternocleidomastoid: The sternocleidomastoid muscle is most active in forced inspiration
and helps to elevate the sternum and the clavicle. The sternocleidomastoid muscle is the
largest and most important anterior neck muscle.
Scalenes (anterior, medius and posterior): The scalene muscles connect the cervical
vertebrae with the first two ribs.
Trapezius: A triangular shaped muscle in the upper back. The upper trapezius is
responsible for scapular elevation and upward rotation. These muscles tighten as a result
of inefficient breathing patterns.
Pectoralis Minor: Lifts the 3rd, 4th, and 5th ribs during forced inspiration. Attaches the
scapulae to the ribs and is also responsible for scapular depression and downward rotation.
NOTES
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BREATHING TECHNIQUES
Breathing is an unconscious process that can be voluntarily controlled, and yet, breathing can be
much more than simply exchanging oxygen for carbon dioxide. Proper breathing can help us
optimize our health and wellness; whereas poor breathing can set the stage for illness and
disease. Unfortunately, many people do not breathe correctly, nor do they realize the importance
of proper breathing. Teaching people how to breathe correctly will help them learn to use proper
breathing techniques for exercise as well as for daily activities.
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Breathing Exercise #4 (seated or supine position-double V)
Staccato breath rhythm is inhaling thru the nostrils with 5 quick inhalations, followed
by 5 quick exhalations thru the mouth, engaging the transverse abdominis and deep
pelvic floor muscles. Complete 10 sets for a total of 100 counts. Commonly used for
the Hundred exercise and alternate breathing pattern for Swimming.
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AFAA 5 QUESTIONS™
1. What is the purpose of this exercise?
Consider: muscular strength or endurance, cardiorespiratory conditioning, flexibility,
warm-up or activity preparation, skill development and stress reduction
4. Can you maintain proper alignment and form for the duration of the exercise?
Consider: form, alignment or stabilization
EXERCISE CONTINUUM
exercises that are safe, exercises that are high risk,
require little skill, and are require a great deal of skill,
appropriate for almost everyone and are appropriate only for
athletic, elite individuals
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CLASS DESIGN
A well-balanced group exercise class should consist of a warm-up, body of the workout
(conditioning period) and a cool-down. Breathing techniques should be demonstrated and cued
in the beginning of the class to link mind, body and breath, and to ensure participants are
breathing correctly throughout the duration of the class. Breathing techniques may be
demonstrated in a variety of positions, however, the position most commonly used is supine, and
double “V” (knees bent and feet flat on floor).
Warm-Up: 8–12 minutes. Purpose: To increase body core temperature, increase the heart
rate, warm the muscles and joints, and prepare the body for more vigorous exercise.
Conditioning Phase: 20–45 minutes (depends on length of class and goals). Purpose: To
increase strength, flexibility, body tone, body awareness, balance and coordination.
NOTES
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CREATING A BALANCED CLASS
(60-minute class)
Warm-Up—Each class should begin with a proper warm-up. The purpose of the warm-up is to
increase the body core temperature as well as prepare the muscles and joints for movements that
will follow. AFAA recommends an 8–12 minute warm-up, including a combination of
preparatory movements, breathing techniques, mind/body connection and introduce neutral
spinal alignment. Movements should include light to moderate limbering exercises as preparation
for more challenging exercises that will follow. For more information, refer to AFAA’s Basic
Exercise Standards and Guidelines, found in Chapter 17 of Fitness: Theory & Practice, 5th
Edition (AFAA, 2010).
Body of Workout—The conditioning period should include a series of exercises that focus on
increasing strength and flexibility. Balancing exercises should also be included. Exercises should
be performed in a slow and controlled manner and flow smoothly from one to another. Always
include modifications for beginner, intermediate and advanced level participants. Stabilization of
the pelvis, torso and scapulae, as well as exercises for the upper and lower body are
recommended. AFAA recommends the body of the workout range from 20–45 minutes in a one-
hour class.
Cool-Down—The purpose of the end of class cool-down is to relax, increase flexibility and
promote mind-body awareness. Stress reducing techniques or guided relaxation may also be
included. AFAA recommends a cool-down of approximately 5–10 minutes and should provide a
sense of completion.
NOTES
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CREATING A MULTI-LEVEL CLASS
Instructors are encouraged to select exercises that can be adapted to teaching a multi-level class.
It is important to use specific verbal and visual cues, including modifications for beginner and
advanced level students. AFAA has always recommended teaching the intermediate level first,
and then showing various adaptations as appropriate to the individuals participating in that class.
While this method of teaching may be more challenging for the instructor, it allows each
individual to have a very personalized experience/approach within a group setting. Instructors
should also remember to cue modifications for participants with pre-existing medical concerns,
as well as other limitations specific to the execution of each exercise. The instructor’s goal is to
teach a safe and effective multi-level class so that participants can be successful regardless of
their ability level. The exercise selection should be based on this ability level as well as the
experience of the class participants. The instructor should continue to use his/her observation
skills throughout the class.
NOTES
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CUEING TECHNIQUES
Verbal and visual cueing techniques are recommended in order to maintain a clear approach
when teaching a multi-level class. Some participants may understand how to perform an exercise
better by hearing it described; while others would prefer to see it demonstrated. A group fitness
instructor needs to be proficient at using both visual and verbal cueing to enable everyone in the
class to understand proper execution of each exercise.
Verbal Cueing refers to the words used to explain what the exercise is and how to
perform it. Set-up, body alignment, muscle names and breathing techniques are all
components that should be verbally explained to the class.
Visual Cueing often includes an actual demonstration of the exercise and shows the
participants correct body alignment, set-up and execution. Visual imagery is another tool
that may enhance the understanding of how to perform certain exercises.
Both visual and verbal instructional cueing methods are important when introducing
modifications and progressions of Pilates exercises. Most people benefit from the instructor’s use
of both cueing methods.
NOTES
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EXERCISE SELECTIONS FOR A PILATES MAT CLASS
(EXAMPLE)
Side Leg Lift Side Kick Corkscrew: for leg circle progression
*Use Modified Child’s Pose for students with knee issues. Place a rolled-up towel behind knees or curl toes under to shift
body weight forward.
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GENERALIZED MODIFICATIONS FOR
JOINT INJURIES OR INSTABILITY
Roll Up/ Roll Use only roll down Knees bent or partially Arms by side Knees bent
Down bent spacer between
legs
Rolling Like Ball Feet down, hands Roll back to “C” curve Spacer between
on knees, roll only knees
back
Single Leg Stretch Head on mat, One leg on floor or leg One leg on floor
shoulders on mat up at tabletop or leg up at
tabletop
Double Leg Head on mat, No leg movement, leg Knuckles on Tabletop legs
Stretch shoulders on mat bent on floor or legs up forehead or at
at tabletop breast bone
*The ischial tuberosities commonly known as your sits bones located at the base of your pelvis helps position the pelvis
and torso.
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EXERCISE CERVICAL LUMBAR SHOULDER KNEE HIP
Bend support
Leg Pull Back Omit Omit Omit Omit
leg or omit
Possibly limit
Side Leg Lift Prop head Bend bottom leg
ROM
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PRACTICAL MAT PILATES EXERCISES
The following exercises have been selected as the foundation for a basic practical mat pilates class. AFAA
recommends approaching a multi-level class using modifications and progressions for specific individuals.
WARM-UP
1. SUPINE BREATHING
PROGRESSION
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WARM-UP
2. IMPRINT POSITION
PROGRESSION
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WARM-UP
EXERCISE
Benefits: Preparation exercise. Increases body core temperature and warms and prepares
muscles.
Set-up: Lie in a supine position on the floor/mat, knees bent (hip-width apart) and feet flat on
floor/mat (double “V” position). Find neutral spine by forming a triangle (with both hands) on
the lower area of the abdomen (as described on page 10). Arms on the floor and relaxed at
your sides.
Movement: Inhale to prepare; imprint spine into mat; exhale and lift one leg up with knee
bent at a 90° angle, lift the other leg up to the same position (tabletop), hold for one breath and
lower one leg at a time without losing imprint.
Cues: Imagine you are lying in sand. As you exhale gently press each vertebra from the base
of the neck to the tailbone into the sand beneath you. Contract the abdominal muscles as if
you are putting on a tight pair of jeans. Relax neck and shoulder muscles.
Progression: Hold tabletop and lift arms over head while maintaining imprint and neutral
scapula.
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4. KNEE SWAY
EXERCISE 1 EXERCISE 2
Benefits: Warms up sides of torso and back. Develops pelvic stability and strengthens
abdominal muscles. Improves joint mobility of the hips.
Set-up: Lie in a supine position. Extend arms out to sides at shoulder height with palms
down. Bring legs up, one at a time, to tabletop position (tabletop position: lie supine, lift knees
up so they are aligned over hips—joint over joint knees to hips and joint to joint knees to
ankles). Point toes. Draw shoulder blades down and back, creating space between the ears and
the shoulders. Shoulders should remain in contact with floor/mat while performing the
exercise.
Movement: While maintaining imprint position, inhale lowering knees to floor. Turn head in
opposite direction, keeping knees together. Lower legs as far down as you can while
maintaining pelvic stability and keeping the shoulders in contact with the floor/mat. Exhale
and allow the abdominal muscles to lift knees up returning to tabletop position. The key is to
keep the knees parallel throughout the entire movement. Head returns to center position as
knees return to tabletop position.
Cues: Keep shoulders in contact with the floor/mat. Contract abdominal muscles. Maintain a
neutral or imprint position throughout the duration of the exercise. Keep knees together.
Breathing: Inhale as you lower the legs. Exhale as you lift the legs to tabletop position.
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5. BRIDGE
Cues: Pull the navel toward the spine as you lift your trunk.
Maintain neutral spine as you lift one vertebra at a time. Lift
only as high as you can while maintaining a neutral spine
and without arching the back. Lengthen spine from the neck
to the tailbone as you lift. Keep shoulder blades in contact
with the floor/mat at all times as if balancing on the base of
the shoulder blades. Contract abdominal muscles while
bridging to initiate movement through the spine and not the
MODIFICATION hips. Relax neck and shoulder muscles. Engage adductors
while keeping feet and knees hip-width apart.
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6. THE HUNDRED
Benefits: Increases body core temperature, stamina, and
circulation with synchronized movement and breaths;
strengthens abdominal and scapular muscles.
Set-up: Lie in a supine position, bring knees to chest and
grasp legs below knees. Contract the abdominal muscles by
pulling the navel toward the spine. Lift head, neck and
shoulders off the floor/mat. Gently tuck chin down and toward
chest. Keep shoulder blades on the mat. Form the imprint
position by pressing the mid and lower back into the
floor/mat. Maintain thoracic flexion throughout the exercise
and lift to the bottom tips of the shoulder blades.
Movement: Maintain imprint position and extend legs in air
anywhere from a 90° to a 45° angle. Extend arms parallel to
your torso with palms facing down. Arms should be straight,
with elbows slightly bent. Inhale 5 breaths (staccato) and
pulse arms up and down 5 times, exhale 5 breaths (staccato)
MODIFICATION 1 and pulse arms up and down. Repeat for 100 counts.
Cues: Articulate movement from shoulder joint. Maintain
imprint position. Head and torso remain stationary. Relax neck
and shoulder muscles.
Breathing: Staccato breathing is recommended (sniffs in and
short blows out).
Number of repetitions: 10 cycles of 10 inhales and exhales,
equaling 100.
Modification 1: Feet flat on floor in double “V” position with
MODIFICATION 2
spine in neutral.
Modification 2: Legs in tabletop position with spine in
neutral or imprint.
Modification 3: Feet flat on floor in double “V” position with
thoracic flexion to bottom tips of the shoulder blades.
Modification 4: Legs in tabletop position with knees and hips
aligned (stacked joint over joint) and knees and ankles joint to
joint.
MODIFICATION 3
Progression: Straight legs (knees slightly bent) at a 45° angle.
MODIFICATION 4 PROGRESSION
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7. ROLL UP/ROLL DOWN
PROGRESSION
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8. LEG CIRCLES
PROGRESSION
PROGRESSION
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9. ROLLING LIKE A BALL
PROGRESSION
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10. SINGLE LEG STRETCH
EXERCISE Cues: Maintain imprint position. If the back lifts up off the
floor/mat, and you are unable to maintain imprint position,
lower the extended leg to a position in which the imprint
position may be maintained. Relax neck and shoulder
muscles.
MODIFICATION PROGRESSIO
N
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11. DOUBLE LEG STRETCH
PROGRESSION
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12. CRISS-CROSS
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13. SPINE STRETCH
Set-up: Sit tall on the sits bones with legs extended straight
out in front and separated shoulder-width with toes gently
pointed. Reach under your seat and pull the fleshy part of
the buttocks away from your tailbone so that you are sitting
on your sits bones. Extend arms out in front of you at chest
height. Spine is in neutral position. Lift torso, lengthen the
spine and relax the shoulders. Align the shoulders over the
hips. Create space between the ears and the shoulders.
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14. OPEN LEG ROCKER
Set-up: Sit tall with the pelvis in a slight posterior tilt. Legs
are bent in table top position, shoulder-width apart.
PROGRESSION
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15. SAW
Set-up: Sit tall on sits bones; extend legs and separate them
slightly wider than hip-width apart or to the corners of the
mat. Flex feet so toes point up. Extend arms to sides of body
with palms facing forward.
EXERCISE 3
PROGRESSION
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16. SEAL
Set-up: Sit tall with the pelvis in a slight posterior tilt. With
legs bent, bring the soles of the feet together. Hold the feet
with both hands. Form a “C” shaped curve in the spine
(spinal flexion).
PROGRESSION
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17. FLIGHT
PROGRESSION
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18. SWIMMING
Movement: Lift head, left arm and right leg off the
floor/mat. Alternate lifting one arm and the opposite leg,
keeping movements controlled and even.
PROGRESSION
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19. SINGLE LEG KICK
PROGRESSION
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20. DOUBLE LEG KICK
PROGRESSION
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21. SIDE KICK
MODIFICATION
2
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22. SIDE LEG LIFT
Movement: Inhale; point the toes and lift the leg as high as
you can while maintaining body alignment. Hips should
remain stacked with toes pointed forward. Exhale; flex the
MODIFICATION foot and lower the leg back to hip height. Repeat opposite
leg.
Cues: Continue elongating the top leg. Keep the hips and
shoulders stacked without rolling forward or back. Maintain
the space between the waist and the floor/mat.
PROGRESSION
2
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23. STAGGERED LEG LIFT
Movement: Lift the bottom leg up to meet the top leg; then
slowly lower both legs to floor.
Cues: Continue elongating the top leg. Keep the hips and
shoulders stacked; avoid rolling forward or back. Maintain
the space between the waist and the floor/mat. Use control
when executing the movement and avoid momentum.
Maintain neutral spine.
MODIFICATION Breathing: Inhale, exhale as you lift the bottom leg, inhale
as you lower both legs.
PROGRESSION
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24. SPINE TWIST
Set-up: Sit tall on the sits bones with the legs extended
straight out to the front; lengthen the torso maintaining a
neutral spine.
PROGRESSION
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25. LEG PULL BACK (Reverse Plank with Leg Lift)
Benefits: Strengthens pelvis, core and scapular muscles.
Strengthens upper and lower body muscles.
Set-up: Sit tall, with legs extended straight out in front.
Reach under your seat and pull the fleshy part of the
buttocks away from your tailbone so that you are sitting on
your sits bones. Place hands slightly behind the body in a
comfortable position with the fingers turned in toward the
body for balance and support or place hands with fingers
pointing out to sides to help lessen stress to wrists and
shoulders.
EXERCISE 1 Movement: With the arms straight and the muscles in the
legs contracted, lift your body up off the mat while
maintaining neutral spine. Balance on hands and heels.
Gently point the toes and lift one leg at a time while
maintaining the position of the hips.
Cues: Keep hips level. Maintain neutral spine. Relax neck
and shoulder muscles. Keep head in alignment with the
spine. Open the chest to facilitate breathing. Be sure the
shoulders are aligned over the wrists as you lift.
Breathing: Inhale; exhale lift one leg; inhale lower the leg.
Continue alternating.
EXERCISE 2
Number of repetitions: 8–12
Modification 1: Start in seated position and articulate spine
when lifting and lowering with spine in neutral.
Modification 2: Perform the exercise on the forearms
instead of the hands to reduce load on arms but increase
load on core muscles.
• Lift leg three times and return to start;
repeat on opposite leg three times.
• Feet flat on floor with knees bent.
MODIFICATION
• Legs parallel for those who tend to lock out knees.
1 • Lift pelvis and lower to start without leg lift sequence..
Progression: Increase range of motion.
MODIFICATION
2
PROGRESSION
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26. TEASER
PROGRESSION
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27. CAT
PROGRESSION
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28. LEG PULL FRONT (Plank with Leg Extension)
Breathing: Inhale, exhale lift one leg, inhale, lower the leg.
Continue alternating.
MODIFICATION
2
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REFERENCES
Balogh, A. (2005). Pilates and pregnancy. RCM Midwives, 8(5), 220-222.
Bautmans, I., Njemini, R., Vasseur, S., Chabert, H., Moens, L., Demanet, C., et al. (2005).
Biochemical Changes in Response to Intensive Resistance Exercise Training in the Elderly.
Gerontology, 51(4), 253-265.
Bodywork. (1997). Strength for summer, from the inside out: Toning your torso is about more
than vanity--it provides a stable base from which your limb can work and thus affects almost
everything you do. Outside. 22(6), 133.
Blum, C. L. (2002). Chiropractic and pilates therapy for the treatment of adult scoliosis.
Journal of manipulative and physiological therapeutics, 25(4): E3.
Cozen, D.M. Use of Pilates in foot and ankle rehabilitation. Sports Med Arthro Rev 2000;
8:395-403.
DiBrezzo. R., Shadden, B. B., Raybon, B. H., & Powers, M. (2005). Exercise intervention
designed to improve strength and dynamic balance among community-dwelling older adults.
Journal of Aging and Physical Activity, 13(2), 198-209.
Esco, M.R., Olsen, M.S., St. Martin, R., Woolen, E., Ellis, M., & Williford, H.N. (2004).
Abdominal EMG of Selected Pilates’ Mat Exercises. Medicine & Science in Sports & Exercise,
Suppl.
Hatta, A., Nishihira, Y., Kim, S. R., Kaneda, T., Kida, T., Kamijo, K., et al. (2005). Effects of
habitual moderate exercise on response processing and cognitive processing in older adults.
Japanese Journal of Physiology, 55(1), 29-36.
Hutchinson, M. R., Tremain, L., Christiansen, J., & Beitzel, J. (1998). Improving leaping
ability in elite rhythmic gymnasts. Medicine & Science in Sports & Exercise, 30(10), 1543-
1547.
Ingraham, S. J. (2003). The role of flexibility in injury prevention and athletic performance:
have we stretched the truth? Minnesota Medicine, 86(5), 58-61.
Kavcic, N. Grenier, S., & McGill, S. M. (2004). Determining the stabilizing role of individual
torso muscles during rehabilitation exercises. Spine, 29(11), 1254-1265.
Latey, P. (2001). The Pilates method: history and philosophy. Journal of Bodywork and
Movement Therapies, 5(4), 275-282.
Lofshult, D. Group fitness trend watch. IDEA Source 2002: July-August; 68-76.
Loosli, A.R., Herold, D. (1992). Knee rehabilitation for dancers using a Pilates-based
technique. Kin Med Dance, 14(2):1-12.
Maher, C. G. (2004). Effective physical treatment for chronic low back pain. The Orthopedic
Clinics of North America, 35(1), 57-64.
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Mallery, L. H., MacDonald, E. A., Hubley-Kozey, C. L., Earl, M. E., Rockwood, K. &
MacKnight, C. (2003). The feasibility of performing resistance exercise with acutely ill
hospitalized older adults. BMC geriatrics [electronic resource] 3(1): 3.
McMillian, A., Proteau, L, Lebe, R. (1998). The effect of Pilates-based training on dancer’s
dynamic posture. J Dance Med Sci, 2(3):101-107.
Miller, W. J. (2001). Return to Life Through Contrology. Retrieved on July 18, 2005 from
http://www.hermit.com/hermit/art/control.pdf.
Olsen, M.S., Williford, H.N., St. Martin, R., Ellis, M., Woolen, E., Esco, M.R. (2004). The
Energy Cost of a Basic, Intermediate, and Advanced Pilates' Mat Workout. Medicine & Science
in Sports & Exercise, Supplement.
Parrott, A.A. (1993). The effects of Pilates technique and aerobic conditioning on dancers’
technique and aesthetics. Kin Med Dance, 15(2):45-64.
Saxon, L. Finch, C., & Bass, S. (1999). Sports participation, sports injuries and osteoarthritis:
implications for prevention. Sports medicine, 28(2), 123-135.
Schroeder, J.M., Crussemeyer, J.A., & Newton, S.J. (in progress). Flexibility and Heart Rate
Response to an Acute Pilates Reformer Session.
Segal, N. A., Hein, J., & Basford, J. R. (2004). The effects of Pilates training on flexibility
and body composition: an observational study. Archives of physical medicine and
rehabilitation, 85(12), 1977-1981.
Urquhart, D. M., Hodges, P. W., Allen, T. J., & Story, I. H. (2005). Abdominal muscle
recruitment during a range of voluntary exercises. Manual therapy, 10(2), 144-153.
Witvrouw, E., Mahieu, N., Danneels, L., & McNair, P. (2004). Stretching and injury
prevention: an obscure relationship. Sports medicine, 34(7), 443-449.
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APPENDIX A
RESEARCH REVIEW
In recent years, the Pilates method has come to the forefront of the fitness industry due to a
landmark court decision allowing the use of the Pilates name free of trademark restrictions
(http://www.balancedbody.com/pilates_decision.pdf). Pilates is one of the fastest growing fitness
activity trends in the health and fitness industry. The benefits of Pilates are purported to include
increased kinesthetic awareness, improved posture, stability and coordination, as well as
enhanced balance, flexibility and strength, increased circulation and blood oxygenation with
improved immune system, and improved cognitive function.
Over the years, the Pilates method has been shown to improve dancers’ dynamic balance,
dance technique and aesthetics, leaping ability. Pilates has also been effective in decreasing
recovery time for knee, ankle and foot injuries within the dance population (Hutchinson,
Tremain, Christiansen, & Beitzel, 1998).
Because Pilates-based exercise is new to mainstream health and fitness enthusiasts, there is
not a good deal of empirical research to support the purported benefits within the general
population. However, limited research has been conducted with respect to the various effects of
Pilates-based exercise on health (most of which has been conducted on older adults and
pregnancy). This research suggests that Pilates-based exercise can increase joint mobility,
flexibility, balance, and body awareness (Blum, 2002; Maher, 2004), develop muscular strength
and endurance (Mallery, MacDonald, Hubley-Kozey, Earl, Rockwood, & MacKnight, 2003),
improves posture and alignment, which may relieve back strain and other postural-related
disorders (Blum, 2002; Maher, 2004), and improve general mobility (Segal, Hein, & Basford,
2004).
In addition, research has been conducted on the safety and effectiveness of Pilates-based
exercise and pregnancy. It was found that by maximizing the mother's core stability before and
during pregnancy, it is possible to limit potential musculoskeletal problems associated with
pregnancy (Balough, 2005). Additionally, it was found that returning to exercise soon after the
birth was important for the mother's physical and mental well-being (Balough, 2005).
There have been no empirical studies to conclude that Pilates-based exercise stimulates
circulation and blood oxygenation, boosts immune system, or improves cognitive function.
However, there have been studies to suggest that exercise does help stimulate circulation and
blood oxygenation which boosts the immune system (Bautmans, Njemini, Vasseur, Chabert,
Moens, Demanet, et al., 2005). Additionally, there is research to suggest that exercise improves
cognitive function (DiBrezzo, Shadden, Raybon, & Powers, 2005; Hatta, Nishihira, Kim,
Kaneda, Kida, Kamijo, et al., 2005). Therefore, it is reasonable to assume that Pilates-based
exercise would also have similar results. More research should be conducted in these areas using
this modality before generalizations can be made.
Below details some of the major studies associated with Pilates-based exercise:
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Schroeder et al (in progress) recently examined flexibility and heart rate responses of novice
individuals to an acute Pilates reformer exercise session. Ten participants completed three Pilates
reformer sessions. Session 1 and Session 2 served as practice and data were recorded during
Session 3 (S3). Prior to and immediately following S3, a modified sit-and-reach, quadriceps,
abdominal/spine, and iliopsoas range of motion (ROM) measurements were recorded. The
cardiorespiratory response via heart rate (HR) was recorded every minute during S3 and the
completion time was also recorded. Differences suggesting an improvement in flexibility were
found in all measures. However, only the abdominal/spine measure showed a significant
difference. Session 3 was completed in 24.20+1.81 min. HRs ranged from 86.0+14.34 to
105.8+15.53 bpm. It was concluded that an acute Pilates reformer session for novice individuals
appears to positively influence measures of flexibility. However, it does not elicit a HR response
within an appropriate target HR range in order to improve cardiorespiratory endurance.
Segal, Hein, & Basford (2004) investigated the effects of Pilates on flexibility, body
composition and health status. The study was an observational study of 32 subjects in which
flexibility, body composition and a health status questionnaire were administered at 2, 4 and 6
months. The researchers found that flexibility significantly improved over the six-month training.
However, body composition and health status remained unchanged.
Olsen, Williford, St. Martin, Ellis, Woolen, & Esco (2004) evaluated the energy cost of a
Pilates mat workout across three different levels: A basic/beginner workout (B), an intermediate
workout (I), and an advanced workout (A). The study used 10 adults, 8 women and two men
(mean age = 34.1 +/- 2.2 yrs), with 5.1 +/- 2.3 yrs of Pilates’ experience completed, in random
order, three 30-45 min video-recorded mat workouts (i.e., B, I, A) while being measured for
oxygen consumption via open-circuit calorimetry. Significant differences were found between
the three mat workouts (A > I > B). The mean energy cost values (ml/kg/min) were: A=21.4 +/-
2.1; I=17.2 +/- 1.7; B=12.3 +/- 1.2. It should also be noted that the energy demand varied within
each workout. For example, the Roll-Over, Jackknife, and Boomerang exercises produced an
energy cost well above the overall mean in the I and A workouts. In contrast, exercises such as
the Hundred, Leg Circles, and Seated Twist elicited values well below the mean for each
workout level tested. Normalized to a body weight of 75 kg, the caloric expenditure (kcal/min)
was: 8.0 for A, 6.5 for I, and 4.6 for B. In accordance with Pollock’s intensity classification
(1990), this study showed that A and I are “moderate intensity” activities. The B workout meets
the cut-point for classification as a “low-moderate” intensity activity (i.e., 3.5 METS). It was
concluded that Pilates’ mat workouts vary widely in energy cost depending on both the skill
level/intensity of the workout and the particular exercise movement being performed. Finally, the
A and I workouts tested in this study appear to be of sufficient intensity to provide apparently
healthy adult participants with health-fitness benefits.
Esco, Olsen, St. Martin, Woolen, Ellis, & Williford (2004) examined the activity of the
superficial abdominal muscles: rectus abdominis (RA), external obliques (EA), and the rectus
femoris (RF) via surface electromyography (EMG). The Hundred, Criss-Cross, Double-Leg
Stretch, Roll-up, and Teaser (all classic Pilates exercises) were selected for analysis. In addition,
the basic bent-knee gym crunch served as a criterion exercise for the purpose of comparison. Ten
adult subjects, nine females (mean age = 35.6 +/- 2.1 yrs) and one male (25.7 yrs) with 4.8 +/-
2.4 yrs of Pilates experience performed five sets of three trials for each exercise in random order.
The subjects were also tested for maximal voluntary contractions (MVC) for each muscle group.
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The results can be seen in table 1. The selected Pilates exercises produced EMG values that were
generally higher than the criterion gym crunch exercise. And, while the Teaser elicited rather
high rectus femoris values, the rectus abdominis and external obliques values for this exercise
were very similar to roll-up. Thus, Roll-Up may be a more optimal exercise for less experienced
participants in the non-studio (mainstream) setting. Based on the present EMG data, common
Pilates-based exercises appear to recruit the superficial abdominal muscles to a level that exceeds
the known criteria.
Table 1
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APPENDIX B
RESOURCE
GUIDE
MUSIC RETAILERS
Dynamix
800-843-6499
www.dynamixmusic.com
Muscle Mixes
800-52-Mixes
www.musclesmixes.com
Power Music
800-777-2328
www.powermusic.com
Burntrax
800-672-8729
www.burntrax.com
Musicflex
800-430-3539
info@musicflex.com
BOOKS
Calais-Germain, Blandine; Anatomy of Movement. Seattle, WA: Eastland Press, l993.
Dworkis, Sam with Peg Moline. Extension. New York, NY: Poseidon Press, l994.
Friedman, Philip and Eisen, Gail. The Pilates Method of Physical and Mental
Conditioning. New York, NY: Doubleday & Co., l980.
Gallegaher, Sean P. and Kryzanowska, Romana. The Pilates Method of Body Conditioning.
Philadelphia, PA: Trans-Atlantic Publications, l999.
Otto, Robert, Yoke, Mary, McLaughlin, Kathleen, Morrill, Jaclyn, Viola, Anthony, Lail,
Andrea, Lagomarsine, Michael and Wygand, John. “The Effect of Twelve Weeks of Pilates
vs. Resistance Training on Trained Females.” Medicine & Science in Sports & Exercise
(Supplement): 36:5. Abstract #2410. 2004.
Robinson, Lynne, Thomson, Gordon. Body Control: Using Techniques by Joseph H.
Pilates. Philadelphia, PA: BainBridge Books, l998.
Windsor, Mari with Mark Laska. The Pilates Powerhouse. Cambridge, MA: Perseus
Books, l999.
The following books are available through Balanced Body at: 800-PILATES:
Pilates, Joseph H. Pilates’s Return to Life Through Contrology.
Pilates, Joseph H. Your Health.
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Robinson, Lynne and Thomson, Gordon. Body Control: Using Techniques by Joseph H.
Pilates. Philadelphia, PA: BainBridge Books, l998.
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VIDEOS
PhysicalMind II
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