John Truby's Story Rescue Worksheet: Technique 1: Your Hero Is An Underdog Who Must Overcome Extreme Odds
John Truby's Story Rescue Worksheet: Technique 1: Your Hero Is An Underdog Who Must Overcome Extreme Odds
John Truby's Story Rescue Worksheet: Technique 1: Your Hero Is An Underdog Who Must Overcome Extreme Odds
Here are seven of the most powerful techniques in story. Use the tests and the
fixes to clarify how that technique works in your story.
Then fill out each box being as specific as you can. When you’re done, post the
answers in front of where you work for quick reference. Above all, have fun!
Test: does he have a disadvantage that makes him uniquely unsuited to being successful
in this particular fight?
Fix: Besides giving your hero the strongest opposition possible, give him a personal
quality or weakness at the beginning that makes it even harder for him to win.
Test: is there a moment near the end when the audience knows whether the hero
accomplished the goal or not?
Fix: in a scene near the beginning of the story, have your hero state exactly what he
wants.
Technique
Dialogue I3:may
give
useyour hero the most intense desire possible
includes:
Test: how far is she willing to go to get her goal?
Fix: have her take actions to win the goal she would never have thought possible at the
beginning of the story.
The thing(s) she does to demonstrate she is serious about this is (are):
The reason we know this is different from when she started the story is:
Technique 4: your hero should have one main opponent throughout the story.
Fix: ask yourself, who is most determined to stop my hero from reaching her goal?
How will he try to stop the hero from getting her goal?
Technique 5: there should be at least 2 other characters who strongly oppose the
hero as well.
Test: do they also want to prevent the hero from getting his goal?
Fix: try to introduce at least two other opponents, but hide how they are connected to the
main opponent.
Test: does your story idea suggest story beats from 2-3 genres?
Write down the 2-3 genres you think are present in your premise.
Technique 7: while popular stories usually mix 2-3 genres, you always want to make
one genre your primary story form.
Test: is there one genre that clearly is the most important in your story?
Fix: choose only one genre to provide the spine of the story, and add story beats from the
other genres only when they support the main genre.
To learn tons of other techniques for increasing narrative drive in your stories and getting
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