Stratus Legacy Documentation v1
Stratus Legacy Documentation v1
Stratus Legacy Documentation v1
Overview
The Stratus Overdrive project is a clone of the Ibanez
TS-9 Tube Screamer, which needs no introduction. If
you’ve ever wanted to mod the living daylights out of a
Tubescreamer, I believe mine is by far the most versatile
board you can use—I tried to incorporate all of the best
modifications as options. Further along in this document
you’ll find component values and notes for a few of the
more popular variants.
The second switch is a peculiarity. I couldn’t pick just one mod, so I made it one-size-fits-all. By running jumper
wires from different places on the board to the pads by the switch, you can “assign” a mod to it.
• The most popular mod is the Bright switch, allowing you to change the response of the tone stack.
• The Fat control from AMZ controls the bass corner frequency.
• The last one is the Flat Mids switch from the Fulldrive 2, which is just what it sounds like.
1
Part of a mod. All the parts with an “X” in the number (e.g. CX4) are modifications. See next page.
2
Can be film, ceramic, silver mica or polystyrene. I included space for the huge Xicon polystyrene caps,
which I like a lot, but the pads in the middle have been provided for other caps with 5mm lead spacing.
3
Important: If you’re not using the Bright mod, you need to jumper B1 to GND in order for the tone capacitor
to be properly connected.
4
Your choice. The stock TS circuit is shown here, but the clipping section is extremely flexible. See the page
further down for a variety of ideas. I recommend using sockets so you can experiment.
Fat Mod
Allows you to switch a capacitor value to change the bass corner frequency. Include CX2 and CX3 and
connect F1 to S1, F2 to S2 and F3 to S3. The values given for CX2 and CX3 are arbitrary and can be
customized to taste. They are switched in parallel with C4, so the total capacitance will be the sum of C4 and
the CX capacitor being switched (e.g. 69n for CX2 + C4 and 115n for CX3 + C4).
Bright Mod
Allows you to switch a capacitor value to change the response of the tone stack. Include CX4 and connect B1
to S1, GND to S2 and B3 to S3. The value given for CX4 is arbitrary, but the idea is that at half of the stock
capacitor’s value (220n), it will give you a little more brightness, while the center (off) position will give you
even more. The other side of the switch is the stock circuit.
Note that if you are not using the Bright mod, you need to jumper B1 to GND in order for the tone capacitor to
be properly connected.
Other Mods
CX1 is only found in the Fulldrive. It looks to be a very slight treble bleed at the input before anything happens
to the signal, probably related to RF interference I don’t know that it has much value unless you’re building a
straight Fulldrive clone.
CX6 is for power stability / noise reduction. I label it a mod because some TS variants include it and others
don’t, but it won’t affect the sound at all and you might as well include it on any variant.
Drive control range increase: This is another very common TS mod. By reducing the value of R5, you’ll have
more gain at maximum and less gain at minimum. However, you’ll also want to increase C4 proportionally as
well, otherwise you’ll change the bass response of the circuit. Since R5 and C4 form a simple R-C filter, you
can use the R-C filter calculator at AMZ to tweak the values.
For instance, the stock TS-9 circuit has a corner frequency of 720 Hz with R5 at 4.7k and C4 at 47n (0.047uF).
If you wanted to drop the 4.7k resistor to, say, 3.3k, you’d enter 3300 in the Resistor field and enter 720 in the
Corner Frequency field, and hit Calculate to find the new value of C4 (in this case, 0.067uF). Since capacitors
come in standard values, you’ll have to settle for the nearest available value, which is 68n.
If you want to change the gain range of any variants described below, start with their listed values for R5 and
C4 in order to preserve their corner frequency.
Bypassing the buffers: A couple of TS variants such as the Lovepedal Eternity and Fulltone RTO use the
core Tube Screamer circuit without one or both of the buffers.
To bypass the input buffer, omit R2, R3, Q1 and C2. Jumper the pads marked “BUF BYP” inside C2.
To bypass the output buffer, omit R11-15, Q2, C8 and C9. Jumper R11 and connect pin 1 of the Volume
pot to the pad just above the normal pad (this is ground instead of VR). You’ll have to bend the leg back and
upward a little bit, but it will fit without any trouble. Next, you’ll want to connect pin 2 of the Volume pot directly
to OUT by jumpering the pads marked “BUF BYP” inside C8.
Lovepedal Eternity,
Marshall Bluesbreaker
Close-up of silkscreen.
(Square pad pairs are
always connected.)
Zendrive
LED clipping
Landgraff Dynamic
Overdrive (asym-
metrical silicon on
top, LED on bottom)
MOSFET clipping
JFET clipping
Fulldrive 2
(Silicon top,
MOSFET bottom)
Stock TS-9
(symmetrical clipping)
Boss SD-1
(asymmetrical clipping)
+9V
R16 R17
8
47R 10k
CX6 C10 C11
LEDR
4k7
R18
10k
100n 47uF 10uF
4
3 S2 SW2 can be used for a number of different mods.
2 Run wires from different pads to here.
LED
LED5MM
S3 1
GND VR VR
SW2
S1
VR
SW
+9V
R2
470k
R4
10k
VR
JRC4558D
C1
47n
R1
Q1 JRC4558D
R8
10k
2N5088 3 IC1A
IN 1k R7 IC1B +9V
CX1 1 5 C7
1u
R3 2 7
R11
1k
20p C2 1u 6
RPD
2M2
10k 1k
3
C3
100p
R12
470k
C8
100n
GND
TONE Q2
2
GND
VOL
100kA
R14
GND 1 3 1k
CX4 C5 2 100R
VR
1 100n 220n C6
SW1 2
R13
10k
R15
10k
3 220n
CX3 CX2 C4
B3
B1
GND GND
B2
68n 22n 47n
R9
220R
F3 F1 F2 GND GND
R5
4k7
47k 3 1
R6
VR
500kB
DRIVE
M1 M2
10n 47k
CX5 RX1
5
Variations
Fulldrive 2 MOSFET, single-channel version
Resistors Capacitors Semiconductors
R1 1k C1 22n Q1 - Q2 2N5088
R2 510k C2 1uF film IC1 JRC4558D
R3 10k C3 51pF D1 1N4002
R4 10k C4 120n 2 D2 1N914
R5 2k7 2 C5 220n D4 1N4005
R6 19k6 (or 20k) 2 C6 220n D6 1N34A
R7 1k C7 1uF film D7, D8 2N7000
R8 10k C8 100n D3, D5, D9 jumper
R9 220R C9 10uF
R10 1k C10 100uF 25v Potentiometers
R11 1k C11 100uF 25v
Tone 25kB
R12 510k CX1 10pF
Drive 1MB
R13 10k CX5 10n 1
Volume 100kA
R14 100R
R15 82k
R16 jumper Other
R17 10k SW1 SPDT center off
R18 10k SW2 SPDT
RX1 47k 1
Build Notes
1
To be exactly like the original, you’ll want to use the switch for the Flat Mids mod: include RX1 & CX5 and
connect M1 to S1 and M2 to S2.
2
Since this is the single-channel version, I’ve tweaked these values so it’ll have the same minimum and
maximum gain of both channels of the original unit. This is just a simple R-C filter, so these new values won’t
change the tone at all. The original values are R5 = 3k3, R6 = 22k and C4 = 100n.
Mad Professor / BJFE Little Green Wonder (with different tone section)
Resistors Capacitors Semiconductors
R1 5k6 C1 47n Q1 2SK170 3
R2 1M C2 1uF & 5k6 1 Q2 (omit) 2
R3 10k C3 100pF IC1 TLC272CP
R4 27k C4 220n D1 1N4002
R5 2k C5 100n D2, D4 Green LED
R6 5k6 C6 47n D3, D5 jumper
R7 2k C7 1uF film
R8 10k C8 100n Potentiometers
R9 470R C9 10uF
Tone 20kW
R10 2k C10 100uF 25v
Drive 500kB
R11 5k6 C11 100uF 25v
Volume 50kB
R12 (omit) 2
R13 (omit) 2 1
You’ll need to cram a 1uF cap and a 5k6 resistor in series in this single spot. It might be
easier to do this from the bottom of the board so you have more space.
R14 (omit) 2
R15 (omit) 2 2
See “Bypassing the buffers” above in the Mod section and follow the instructions to
bypass the output buffer. Lug 1 of the pot must be bent and connected to the upper pad.
R16 47R
R17 27k 3
If using a 2SK170, reverse the orientation from the PCB silkscreen.
R18 27k 4
The LGW uses a dual-pot tone control to control the bass as well as the treble. This
version does NOT have that. I recommend using the Fat Mod to help compensate, but
you might also need to tweak some values in the tone section (C5, C6 and R9).
Build Order
When putting together the PCB, it’s recommended that you do not yet solder any of the enclosure-mounted
control components (pots and switches) to the board. Instead, follow this build order:
Sockets
Since double-sided boards can be very frustrating to desolder, especially components with more than 2 leads,
it is recommended to use sockets for all transistors and ICs. It may save you a lot of headaches later on.
Hammond 1590B
(bottom/inside view)
Parts Used
• Switchcraft #111A enclosed jacks
• Kobiconn-style DC jack with internal nut
License / Usage
No direct support is offered for these PCBs beyond the provided documentation. It is assumed that you
have at least some experience building pedals before starting one of these. Replacements and refunds will not
be offered unless it can be shown that the circuit or documentation are in error. I have in good faith tested all of
these circuits. However, I have not necessarily tested every listed modification or variation. These are offered
only as suggestions based on the experience and opinions of others.
Projects may be used for commercial endeavors in any quantity unless specifically noted. No bulk
pricing or discounting is offered. No attribution is necessary, though a link back is always greatly appreciated.
The only usage restrictions are that (1) you cannot resell the PCB as part of a kit, and (2) you cannot
“goop” the circuit, scratch off the screenprint, or otherwise obfuscate the circuit to disguise its source.
(In other words: you don’t have to go out of your way to advertise the fact that you use these PCBs, but please
don’t go out of your way to hide it. The guitar effects pedal industry needs more transparency, not less!)