Corvus Documentation
Corvus Documentation
Corvus Documentation
CORVUS
BASED ON BUILD DIFFICULTY
EHX Big Muff Pi (1978 Op-Amp) Easy
EFFECT TYPE DOCUMENT VERSION
Fuzz / Distortion 1.0.1 (2021-04-20)
PROJECT SUMMARY
The 1978 redesign of the classic Big Muff Pi, using op-amps instead of transistors. Famously used by
Billy Corgan on the Smashing Pumpkins album Siamese Dream.
Actual size is 2.3” x 1.86” (main board) and 1.78” x 0.87” (bypass board).
INTRODUCTION
The Corvus Fuzz is a clone of the 1977-1980 “op-amp” EHX Big Muff Pi, a redesign of the classic Big
Muff circuit using op-amps instead of transistor gain stages. It was designed by Howard Davis, a brilliant
EHX engineer who also invented the Memory Man delay and Electric Mistress flanger as well as the
Deluxe Big Muff Pi.
He was tasked in the redesign with getting a similar sound to the Big Muff, but the circuit itself bears no
resemblance to the earlier 4-transistor circuit apart from the tone control. Therefore, while it was the
only commercially-available version of the Big Muff for several years, today it’s seen as a fully separate
circuit. (In 2017, EHX reissued this version of the Big Muff, formally adopting its formerly unofficial
name, the “Op-Amp Big Muff Pi”.)
The Corvus is based on the 1978 revision of the Big Muff, which added a “Tone Bypass” switch. As
inferred by the name, this switch fully bypasses the tone stack for a more raw and grinding sound.
The Corvus is a direct adaptation of the 1978 circuit except for the inclusion of an optional modification
to the gain control, originally conceived by Analogguru. This converts the op-amp configuration into a
variable gain stage, whereas the stock unit uses a fixed gain configuration followed by a volume control.
With this modification, the op-amp isn’t amplifying the signal any more than it needs to. However, the
original version can also be built if you prefer (see build notes for details).
USAGE
The Corvus has the following controls:
• Sustain controls the amount of gain that is fed into the clipping stage.
• Tone pans between a low emphasis and high emphasis, with an overall scooped tone in the middle.
• Tone Bypass (toggle switch) bypasses the tone stack entirely, increasing the output level and giving
it a more aggressive bite.
R7 47R Metal film resistor, 1/4W Modification; omit for stock version. See build notes.
C5 10uF Electrolytic capacitor, 5mm Modification; jumper for stock version. See build notes.
IN 1/4" stereo 1/4" phone jack, closed frame Switchcraft 112BX or equivalent.
OUT 1/4" mono 1/4" phone jack, closed frame Switchcraft 111X or equivalent.
ENC 125B Enclosure, die-cast aluminum Can also use a Hammond 1590N1.
Since it uses an op-amp rather than a transistor, it’s better to make the gain itself variable as opposed
to running it full-up and then cutting back the level afterward. So, the Corvus includes a modification
suggested by Analogguru that accomplishes this. C4 is added as a DC blocking capacitor, and the Sustain
control is wired back to the inverting input of the op-amp to control the gain directly.
The stock version of the Corvus uses this modified gain stage, so if you build it according to the parts
list, it will have this improvement. However, if you’d like to build the stock version, you’ll want to do the
following:
• C5: jumper
• R7: omit (leave empty)
• R8: 47R
+9V VA
D1 R20
820k
R16
R18
100n 100uF
R19
1M
10uF 10uF
150n
C11
4n7
C3
R13
VA
47k
10uF
VC
R5 IC2
C5
VA
VB LM741
100n
560k
7
1
3 5
C9
3
IC1A
1uF
6
SUSTAIN
C6
IC1B R9
8
RC4558P
10kB
3 2
150n
R3 R4 RC4558P TONE_BYP
1 5 3
2
C1
R1 8k2
3
2 7 2
4
8
IN 10k 47k
TONE
C2 C8
10kB
6 1
1
56k
4
3
10n GND 1uF
RPD
2M2
VOLUME
C7
100kA
1
62k
R11
R6
GND OUT
330pF
2
R2 GND R7 5k6
C10
100k
1
R15
R10
R12
R14
47k
1k2
GND 330k C4 47R
120n
470k
OMIT
R8
10uF
D2 D3 D4
GND GND
GND GND GND
GND
GND D7 D6 D5
Ensure that this template is printed at 100% or “Actual Size”. You can double-check this by measuring
the scale on the printed page.
Top jack layout assumes the use of closed-frame jacks like the Switchcraft 111X. If you’d rather use
open-frame jacks, please refer to the Open-Frame Jack Drill Template for the top side.
LED hole drill size assumes the use of a 5mm LED bezel, available from several parts suppliers. Adjust
size accordingly if using something different, such as a 3mm bezel, a plastic bezel, or just a plain LED.
INCH 125B
0.385”
0 1 0.625” 0.625”
ø3/8” ø3/8”
CM ø1/2”
OUT DC IN
0 1 2
VOLUME SUSTAIN
TONE
BYPASS TONE
CENTER (0,0)
LED FOOTSWITCH
125B
125B
All of these circuits have been tested in good faith in their base configurations. However, not all the
modifications or variations have necessarily been tested. These are offered only as suggestions based
on the experience and opinions of others.
Projects may be used for commercial endeavors in any quantity unless specifically noted. No
attribution is necessary, though a link back is always greatly appreciated. The only usage restrictions
are that (1) you cannot resell the PCB as part of a kit without prior arrangement, and (2) you cannot
“goop” the circuit, scratch off the screenprint, or otherwise obfuscate the circuit to disguise its source.
(In other words: you don’t have to go out of your way to advertise the fact that you use these PCBs, but
please don’t go out of your way to hide it. The guitar effects industry needs more transparency, not less!)
DOCUMENT REVISIONS
1.0.1 (2021-04-20)
Corrected control labels on drill template.
1.0.0 (2020-11-16)
Initial release.