02-A Guide To Chinese Classical Mythology
02-A Guide To Chinese Classical Mythology
02-A Guide To Chinese Classical Mythology
Definition of Mythology
According to “Encyclopedia of Contemporary Literary
Theory”:
1. Northrop Frye sees myth as the structural foundation
of literature. (It always means, first and primarily,
mythos, story, plot, narrative.)
Myth as a universally intelligible language ~ A typical
metaphor takes the form of the statement “A is B”.
2. A Myth is a story about a god or some other
supernatural being; sometimes it concerns a
deified human being or ruler of divine descent.
3. Illustrates or explains the origin of the world.
It was said that in ancient times there was a man who was traveling
far a way from home and left behind a daughter and a male horse, which
She fed and watered. Living all alone in a remote place, the girl longed
For her father to return. One day, she said to the horse jokingly, “ I
Would marry you if you could bring my father home.” Hearing this, the
Horse broke its reins and galloped straight to where her father was.
The man was surprised and also overjoyed when he saw his horse and
got on it. The horse faced the direction it came from and kept on neigh-
ing sadly. “This is odd, “ the man said to himself. Maybe something has
happened to my family?” He hurried home.
Because the horse had shown an uncommon feeling towards him, the
man treated the animal especially well, giving it very fine forage. The
horse, however, would not eat.
Each time it saw the girl coming in or going out , it would become excit-
ed, kicking and neighing. This happened many times.
Puzzled, the man asked his daughter in private and was told the truth.
Now that he knew the reason for the horse’s strange behavior, he warned
the girl, “ Do not breathe a word to anyone. It might bring shame to our
family. And do not go outside.” Then he killed the horse with a bow and
an arrow. The skin he took off the horse was spread in the courtyard to
dry. One day when the father was out again, the daughter and other girls
of the neighborhood were playing games beside the skin. She kicked it,
saying, “ Is it not funny that an animal like you should want to marry a
girl? It serves you right to have been killed and skinned.”
No sooner had she said these words than skin raised itself, wrapped t-
he girl up, and vanished before the other frightened girls could do any
thing to save her. They made haste to tell the father, who came back
at once to look for her, but it was too late.
A few days later, the man found that this daughter and the horse skin
had turned into a silkworm, producing silk on a tree. The silk it made
was much better than that made by ordinary silkworms. Women in th-
e neighborhood used the cocoon and raised more silkworms, and this
greatly increased their income. The tree was then named “ sang”,
which was identical in sound with the word that meant death. After
this people vied with each other in planting this tree. And this is the
origin of the silkworms raised today.
Nézhā fights the Dragon King
The Dragon Kings of the Four Seas, tired of being
peaceful, have become cruel and destructive,
plaguing China with destructive storms and a
drought. The people beg for rain, but the East Sea
Dragon King Ao-Guang ignores them, telling the
yaksha Ye Cha to go and find children for him to
eat. Ye Cha captures one of Nezha's friends as he is
bathing by the ocean, and Nezha confronts him,
injuring him badly. Ao-Guang sends his third son,
Ao-Bing, next. Ao-Bing is killed by Nezha,
infuriating Ao-Guang.
~https://en.wikipedia.org/wiki/Prince_Nezha%27s_Triumph_Against_Dragon_King
“Free And Easy Wandering” ~ by Zhuāng zi