Louvre Abu Dhabi Case Study
Louvre Abu Dhabi Case Study
The ramp
leading into the
museum
provides shade
to the visitors
without cutting
out the sunlight
which plays into
Entry from boats- the interiors
the concept of
seem dark which gives the
the lighting
feeling that we are entering an
inside the
alien land especially with the
museum itself
dome imitating the futuristic Entry from land
shape of a disk
CASE STUDY
Louvre Art Museum, Abu Dhabi
CLIMATE RESPONSE
The exhibition blocks are placed in such a way that they do not
block the winds coming from the north west direction.
These winds over the water body help in keeping the museum
cool and providing ventilation so visitors can be relaxed and
spend a lot of time inside
Both of these elements create a micro climate inside the The water bodies in and around the museum help in
museum which is cool and relaxing, in contrast to the heat creating a cooling effect.
of abu dhabi This is inspired by the falaj irrigation system of abu
dhabi
CASE STUDY
Louvre Art Museum, Abu Dhabi
ARCHITECT’S PHILOSOPHY
Jean nouvel is an architect of contrast- mass and void, light and dark, traditional and contemporary.
He believes in creating a visual landscape
Nouvel believes in having a single, dominant concept in each of his projects
The south facade has photosensitive The dome is inspired by an arabic cupola to
cells that change shape and size thus, protect the museum city like the cupola is used as
controlling the amount of light that enters a symbol of protection.
. these are placed in an arab style lattice The dome has perforations in order for the sunlight
pattern. to escape strategically into the museum.
This provides natural lighting inside and creates
In both the cases, he took a traditional element from the
interesting patterns as the sun moves throughout
arabic culture and gave a modern twist to it which is
the day
technological advanced as well as energy efficient
CASE STUDY
Louvre Art Museum, Abu Dhabi
ANALYSIS
The form is inspired by an arabic medina or a small city.
It is made up of 55 white volumes out of which 23 are permanent galleries
Uniform and glare free lighting allows the Sketch to show refraction of light
viewers to see the paintings comfortably
Different refractive
angles scatter the
light evenly in
space