Objectives:

a. Study the historical background of CAR and NCR literature.

b. Read literary texts representing CAR and NCR.
c. Analyze and evaluate the great literary works from CAR and
NCR.
d. Write analysis and reflection papers on literary texts.
e. Express appreciation in reading CAR and NCR literary texts.

Lesson 1: Literature in Cordillera Autonomous

Region (CAR)

CAR’s Literature Influence by Geographical Features, Culture and History

One of the regions which have rich literature is Cordillera Administrative Region
(CAR). Igorots, which is one of the tribes, found in CAR. They are the one who signifies
people in the Philippines maybe because they are the best example in describing who is
Filipinos and they are rich in beliefs, customs, rituals, traditions and other cultural
practices. The Ifugao do not have a systematic form of writing, but their oral literature -

Chapter III: Literature in CAR and NCR 1

recorded traditions, beliefs and rituals prove
to the bountiful wealth of literary arts in the
region.
Cordillera Administrative Region’s
literature best describes that they have rich
culture to which Filipinos have to proud of
because until now they preserve and still
practice their customs and traditions that
ideally shows their unique and bountiful
literatures. Some of the famous literary
works of this region are Hudhud (epic),
Ullalim (ballad), Dangdang-Ay (song), The
Giantess and Three Children (short story),
Wedding Dance (short story), Agga a ya
agge a (song), Canao (ritual)and Tuingguian
Flood Myth (myth). These are some of the literature of CAR that influenced by their
geographical features, culture and history. The famous epic of Ifugao is the Hudhud
which depicts the rivalry of different tribes not only in Ifugao but almost all areas in the
region. Epics revolve around supernatural events or heroic deeds and they embody or
validate the beliefs and customs and ideals of a community. At past time when this
region was not highly organized and govern by command of the provincial and local
government, different tribes in the region have their own governance and idealism that’s
why rivalry aroused in every tribe. Hudhud is one of the literary works of CAR explained
the extreme clash of tribes in the mountainous region in order to fight their own beliefs.
There are some of traditional songs of CAR express norms or codes of behavior,
community beliefs or they instill values in order to teach to young generation their
beliefs and values that they need to follow. It also expresses the hopes and aspirations,
the people's lifestyles as well as their loves as what the Ullalim trying to emphasized, a
romantic tale in which the hero fights for his undying love to his maiden. The literature of
CAR represents their lifestyles and values that are really interesting to know and
discover more. The topographic formation of the Cordillera mountain range, which has
greatly influenced the upstream migration of peoples in the Cordillera into the locality,
agrees the various dialects pattern formation. The difference in dialectal culture
however, did not form variation in cultural development as almost every Cordillera
people shares similar cultural identity among different tribes. Different versions of
Ullalim is best describes it but still connotes a romantic tale of the hero and his maiden.
The Cordillera region is known for its unique musical instruments that they used
in performing their rituals and festivals to show their strong belief on the power of the
Almighty referred as Kabunyan. Aside from the prayers which are made to the gods,
some are recited as invocations to further one’s good health, cure sickness, insure a
successful marriage or headhunting raid, and eve to assist in performing witchcraft.

Chapter III: Literature in CAR and NCR 2

 Through the literature of the regions, provinces or cities gives man an overview
of their culture and history that added interest to know and understand their work or arts
in terms of writings.
Famous Literary Works in Cordillera Autonomous Region
Wedding Dance by Amador Daguio
Man of Earth by Amador Daguio

About the Author

Amador T. Daguio was a Filipino writer and poet during pre-war Philippines. He
published two books in his lifetime, and three more posthumously. He was a Republic
Cultural Heritage awardee for his works.

Early Life and Education

Amador Daguio was born on January 8, 1912 in Laoag, Ilocos Norte. His family
moved to Lubuagan, Mountain Province, where his father was an officer in the
Philippine Constabulary.
He graduated with honors in 1924 at the Lubuagan Elementary School as
valedictorian. Daguio was already writing poems in elementary school, according to his
own account. He wrote a farewell verse on a chalkboard at least once for a departing
teacher when he was in grade 6. For his high school studies, he moved to Pasig to
attend Rizal High School while residing with his uncle at Fort William McKinley.
Daguio was too poor to afford his college tuition and did not enroll in the first
semester of 1928. He also failed to qualify for a scholarship. He worked as a houseboy,
waiter, and caddy at Fort McKinley to earn his tuition and later enrolled at the University
of the Philippines on the second semester. He experienced financial difficulties in his
studies until an uncle from Honolulu, Hawaii funded his tuition on his third year of study.
Before his uncle's arrival, Daguio has worked as a printer's devil in his college as well
as a writer for the Philippine Collegian.
He was mentored in writing by Tom Inglis Moore, an Australian professor. In
1932, he graduated from UP as one of the top ten honor graduates. After World War II,
he went to Stanford University to study his masterals in English which he obtained at
1952. And in 1954 he obtained his Law degree from Romualdez Law College in Leyte.

Career
When Daguio was a third year high school student his poem "She Came to Me"
got published in the July 11, 1926 edition of The Sunday Tribune.
After he graduated from UP, he returned to Lubuagan to teach at his former alma
mater. He then taught at Zamboange Normal School in 1938 where he met his wife
Estela. During the Second World War, he was part of the resistance and wrote poems.
These poems were later published as his book Bataan Harvest.
He was the chief editor for the Philippine House of Representatives, as well as
several other government offices. He also taught at the University of the East, University

Chapter III: Literature in CAR and NCR 3

of the Philippines, and Philippine Women's University for 26 years. He died in 1967 from
liver cancer at the age of 55.

Published Works
 Huhud hi aliguyon (a translation of an Ifugao harvest song, Stanford, 1952)
 The Flaming Lyre (a collection of poems, Craftsman House, 1959)
 The Thrilling Poetical Jousts of Balagtasan (1960)
 Bataan Harvest (war poems, A.S Florentino, 1973)
 The Woman Who Looked Out the Window (a collection of short stories, A.S
Florentino, 1973)
 The Fall of Bataan and Corregidor (1975)
 AWARDS
 Republic Cultural Heritage award (1973)

Wedding Dance
By Amador Daguio
Awiyao reached for the upper horizontal log which served as the edge of the
headhigh threshold. Clinging to the log, he lifted himself with one bound that carried
him across to the narrow door. He slid back the cover, stepped inside, then pushed the
cover back in place. After some moments during which he seemed to wait, he talked to
the listening darkness.
"I'm sorry this had to be done. I am really
sorry. But neither of us can help it."
The sound of the gangsas beat through the
walls of the dark house like muffled roars of falling
waters. The woman who had moved with a start
when the sliding door opened had been hearing the
gangsas for she did not know how long. There was
a sudden rush of fire in her. She gave no sign that
she heard Awiyao, but continued to sit unmoving in
the darkness.
But Awiyao knew that she heard him and his
heart pitied her. He crawled on all fours to the
middle of the room; he knew exactly where the
stove was. With bare fingers he stirred the covered
smoldering embers, and blew into the stove. When
the coals began to glow, Awiyao put pieces of pine on them, then full round logs as his
arms. The room brightened.
"Why don't you go out," he said, "and join the dancing women?" He felt a pang
inside him, because what he said was really not the right thing to say and because the
woman did not stir. "You should join the dancers," he said, "as if--as if nothing had

Chapter III: Literature in CAR and NCR 4

happened." He looked at the woman huddled in a corner of the room, leaning against
the wall. The stove fire played with strange moving shadows and lights
upon her face. She was partly sullen, but her sullenness was not because of anger or
hate.
"Go out--go out and dance. If you really don't hate me for this separation, go out
and dance. One of the men will see you dance well; he will like your dancing, he will
marry you. Who knows but that, with him, you will be luckier than you were with me."
"I don't want any man," she said sharply. "I don't want any other man."
He felt relieved that at least she talked: "You know very well that I won't want any
other woman either. You know that, don't you? Lumnay, you know it, don't you?"
She did not answer him.
"You know it Lumnay, don't you?" he repeated.
"Yes, I know," she said weakly.
"It is not my fault," he said, feeling relieved. "You cannot blame me; I have been
a good husband to you."
"Neither can you blame me," she said. She seemed about to cry.
"No, you have been very good to me. You have been a good wife. I have nothing
to say against you." He set some of the burning wood in place. "It's only that a man
must have a child. Seven harvests is just too long to wait. Yes, we have waited too long.
We should have another chance before it is too late for both of us."
This time the woman stirred, stretched her right leg out and bent her left leg in.
She wound the blanket more snugly around herself.
"You know that I have done my best," she said. "I have prayed to Kabunyan
much. I have sacrificed many chickens in my prayers."
"Yes, I know."
"You remember how angry you were once when you came home from your work
in the terrace because I butchered one of our pigs without your permission? I did it to
appease Kabunyan, because, like you, I wanted to have a child. But what could I do?"
"Kabunyan does not see fit for us to have a child," he said. He stirred the fire.
The spark rose through the crackles of the flames. The smoke and soot went up the
ceiling.
Lumnay looked down and unconsciously started to pull at the rattan that kept the
split bamboo flooring in place. She tugged at the rattan flooring. Each time she did this
the split bamboo went up and came down with a slight rattle. The gong of the dancers
clamorously called in her care through the walls.
Awiyao went to the corner where Lumnay sat, paused before her, looked at her
bronzed and sturdy face, then turned to where the jars of water stood piled one over the
other. Awiyao took a coconut cup and dipped it in the top jar and drank. Lumnay had
filled the jars from the mountain creek early that evening.
"I came home," he said. "Because I did not find you among the dancers. Of
course, I am not forcing you to come, if you don't want to join my wedding ceremony. I

Chapter III: Literature in CAR and NCR 5

came to tell you that Madulimay, although I am marrying her, can never become as
good as you are. She is not as strong in planting beans, not as fast in cleaning water
jars, not as good keeping a house clean. You are one of the best wives in the
whole village."
"That has not done me any good, has it?" She said. She looked at him lovingly.
She almost seemed to smile.
He put the coconut cup aside on the floor and came closer to her. He held her
face between his hands and looked longingly at her beauty. But her eyes looked away.
Never again would he hold her face. The next day she would not be his any more. She
would go back to her parents. He let go of her face, and she bent to the floor again and
looked at her fingers as they tugged softly at the split bamboo floor.
"This house is yours," he said. "I built it for you. Make it your own, live in it as
long as you wish. I will build another house for Madulimay."
"I have no need for a house," she said slowly. "I'll go to my own house. My
parents are old. They will need help in the planting of the beans, in the pounding of the
rice."
"I will give you the field that I dug out of the mountains during the first year of our
marriage," he said. "You know I did it for you. You helped me to make it for the two of
us."
"I have no use for any field," she said.
He looked at her, then turned away, and became silent. They were silent for a
time.
"Go back to the dance," she said finally. "It is not right for you to be here. They
will wonder where you are, and Madulimay will not feel good. Go back to the dance."
"I would feel better if you could come, and dance---for the last time. The gangsas
are playing."
"You know that I cannot."
"Lumnay," he said tenderly. "Lumnay, if I did this it is because of my need for a
child. You know that life is not worth living without a child. The man have mocked me
behind my back. You know that."
"I know it," he said. "I will pray that Kabunyan will bless you and Madulimay."
She bit her lips now, then shook her head wildly, and sobbed.
She thought of the seven harvests that had passed, the high hopes they had in
the beginning of their new life, the day he took her away from her parents across the
roaring river, on the other side of the mountain, the trip up the trail which they had to
climb, the steep canyon which they had to cross. The waters boiled in her mind in forms
of white and jade and roaring silver; the waters tolled and growled, resounded in
thunderous echoes through the walls of the stiff cliffs; they were far away now from
somewhere on the tops of the other ranges, and they had looked carefully at the
buttresses of rocks they had to step on---a slip would have meant death.

Chapter III: Literature in CAR and NCR 6

 They both drank of the water then rested on the other bank before they made the
final climb to the other side of the mountain.
She looked at his face with the fire playing upon his features---hard and strong,
and kind. He had a sense of lightness in his way of saying things which often made her
and the village people laugh. How proud she had been of his humor. The muscles
where taut and firm, bronze and compact in their hold upon his skull---how frank his
bright eyes were. She looked at his body the carved out of the mountains
five fields for her; his wide and supple torso heaved as if a slab of shining lumber were
heaving; his arms and legs flowed down in fluent muscles--he was strong and for that
she had lost him.
She flung herself upon his knees and clung to them. "Awiyao, Awiyao, my
husband," she cried. "I did everything to have a child," she said passionately in a hoarse
whisper. "Look at me," she cried. "Look at my body. Then it was full of promise. It could
dance; it could work fast in the fields; it could climb the mountains fast. Even now it is
firm, full. But, Awiyao, I am useless. I must die."
"It will not be right to die," he said, gathering her in his arms. Her whole warm
naked naked breast quivered against his own; she clung now to his neck, and her hand
lay upon his right shoulder; her hair flowed down in cascades of gleaming darkness.
"I don't care about the fields," she said. "I don't care about the house. I don't care
for anything but you. I'll have no other man."
"Then you'll always be fruitless."
"I'll go back to my father, I'll die."
"Then you hate me," he said. "If you die it means you hate me. You do not want
me to have a child. You do not want my name to live on in our tribe."
She was silent.
"If I do not try a second time," he explained, "it means I'll die. Nobody will get the
fields I have carved out of the mountains; nobody will come after me."
"If you fail--if you fail this second time--" she said thoughtfully. The voice was a
shudder. "No--no, I don't want you to fail."
"If I fail," he said, "I'll come back to you. Then both of us will die together. Both of
us will vanish from the life of our tribe."
The gongs thundered through the walls of their house, sonorous and faraway.
"I'll keep my beads," she said. "Awiyao, let me keep my beads," she half-
whispered.
"You will keep the beads. They come from far-off times. My grandmother said
they come from up North, from the slant-eyed people across the sea. You keep them,
Lumnay. They are worth twenty fields."
"I'll keep them because they stand for the love you have for me," she said. "I love
you. I love you and have nothing to give."
She took herself away from him, for a voice was calling out to him from outside.
"Awiyao! Awiyao! O Awiyao! They are looking for you at the dance!"

Chapter III: Literature in CAR and NCR 7

 "I am not in hurry."
"The elders will scold you. You had better go."
"Not until you tell me that it is all right with you."
"It is all right with me."
He clasped her hands. "I do this for the sake of the tribe," he said.
"I know," she said.
He went to the door.
"Awiyao!"
He stopped as if suddenly hit by a spear. In pain he turned to her. Her face was
in agony. It pained him to leave. She had been wonderful to him. What was it that made
a man wish for a child? What was it in life, in the work in the field, in the planting and
harvest, in the silence of the night, in the communing with husband and wife, in the
whole life of the tribe itself that made man wish for the laughter and speech of a child?
Suppose he changed his mind? Why did the unwritten law demand, anyway, that a
man, to be a man, must have a child to come after him? And if he was fruitless--but he
loved Lumnay. It was like taking away of his life to leave her like this.
"Awiyao," she said, and her eyes seemed to smile in the light. "The beads!" He
turned back and walked to the farthest corner of their room, to the trunk where they kept
their worldly possession---his battle-ax and his spear points, her betel nut box and her
beads. He dug out from the darkness the beads which had been given to him by his
grandmother to give to Lumnay on the beads on, and tied them in place. The white and
jade and deep orange obsidians shone in the firelight. She suddenly clung to him, clung
to his neck as if she would never let him go.
"Awiyao! Awiyao, it is hard!" She gasped, and she closed her eyes and huried
her face in his neck.
The call for him from the outside repeated; her grip loosened, and he buried out
into the night.
Lumnay sat for some time in the darkness. Then she went to the door and
opened it. The moonlight struck her face; the moonlight spilled itself on the whole
village.
She could hear the throbbing of the gangsas coming to her through the caverns
of the other houses. She knew that all the houses were empty that the whole tribe was
at the dance. Only she was absent. And yet was she not the best dancer of the village?
Did she not have the most lightness and grace? Could she not, alone among all women,
dance like a bird tripping for grains on the ground, beautifully timed to the beat of the
gangsas? Did not the men praise her supple body, and the women envy the way she
stretched her hands like the wings of the mountain eagle now and then as she danced?
How long ago did she dance at her own wedding? Tonight, all the women who counted,
who once danced in her honor, were dancing now in honor of another whose only claim
was that perhaps she could give her husband a child.
"It is not right. It is not right!" she cried. "How does she know? How can anybody
know? It is not right," she said.

Chapter III: Literature in CAR and NCR 8

 Suddenly she found courage. She would go to the dance. She would go to the
chief of the village, to the elders, to tell them it was not right. Awiyao was hers; nobody
could take him away from her. Let her be the first woman to complain, to denounce the
unwritten rule that a man may take another woman. She would tell Awiyao to come
back to her. He surely would relent. Was not their love as strong as the river?
She made for the other side of the village where the dancing was. There was a
flaming glow over the whole place; a great bonfire was burning. The gangsas clamored
more loudly now, and it seemed they were calling to her. She was near at last. She
could see the dancers clearly now. The man leaped lightly with their gangsas as they
circled the dancing women decked in feast garments and beads, tripping on the ground
like graceful birds, following their men. Her heart warmed to the flaming call of the
dance; strange heat in her blood welled up, and she started to run. But the gleaming
brightness of the bonfire commanded her to stop. Did anybody see her approach?
She stopped. What if somebody had seen her coming? The flames of the bonfire leaped
in countless sparks which spread and rose like yellow points and died out in the night.
The blaze reached out to her like a spreading radiance. She did not have the courage to
break into the wedding feast.
Lumnay walked away from the dancing ground, away from the village. She
thought of the new clearing of beans which Awiyao and she had started to make only
four moons before. She followed the trail above the village.
When she came to the mountain stream she crossed it carefully. Nobody held
her hand, and the stream water was very cold. The trail went up again, and she was in
the moonlight shadows among the trees and shrubs. Slowly she climbed the mountain.
When Lumnay reached the clearing, she cold see from where she stood the
blazing bonfire at the edge of the village, where the wedding was. She could hear the
far-off clamor of the gongs, still rich in their sonorousness, echoing from mountain to
mountain. The sound did not mock her; they seemed to call far to her, to speak to her in
the language of unspeaking love. She felt the pull of their gratitude for her sacrifice. Her
heartbeat began to sound to her like many gangsas.
Lumnay though of Awiyao as the Awiyao she had known long ago-- a strong,
muscular boy carrying his heavy loads of fuel logs down the mountains to his home.
She had met him one day as she was on her way to fill her clay jars with water. He had
stopped at the spring to drink and rest; and she had made him drink the cool mountain
water from her coconut shell. After that it did not take him long to decide to throw his
spear on the stairs of her father's house in token on his desire to marry her.
The mountain clearing was cold in the freezing moonlight. The wind began to stir
the leaves of the bean plants. Lumnay looked for a big rock on which to sit down. The
bean plants now surrounded her, and she was lost among them.
A few more weeks, a few more months, a few more harvests---what did it matter?
She would be holding the bean flowers, soft in the texture, silken almost, but moist
where the dew got into them, silver to look at, silver on the light blue, blooming

Chapter III: Literature in CAR and NCR 9

 whiteness, when the morning comes. The stretching of the bean pods full length from
the hearts of the wilting petals would go on.
Lumnay's fingers moved a long, long time among the growing bean pods.

Man of Earth
by Amador T. Daguio
I III
Pliant is the bamboo; If the wind passes by,
I am a man of earth; Must I stoop and try
They say that from the bamboo To measure fully
We had our first birth. My flexibility?

II IV
Am I of the body, I might have been the bamboo,
Or of the green leaf? But I will be a man.
Do I have to whisper Bend me then, O Lord,
My every sin and grief? Bend me if you can.

Lesson 2: Literature in National Capital Region

(NCR)

National Capital Region Geographical Area

Tagalog literature has been born,
cradled, nourished and peaked into fruition in
the provinces of Southern Luzon, Central
Luzon and the present Metropolitan Manila or
the National Capital Region.
Among the Southern Tagalog provinces
are Cavite, Batangas, Laguna, Quezon,
Aurora, Oriental Mindoro, Occidental
Mindoro, Marinduque, Palawan and some
towns of Rizal province. In Central Luzon,
there are three provinces where Tagalog is
predominantly used and these are the
provinces of Nueva Ecija, Bataan and
Bulacan. Metro Manila is comprised of cities
composing the national capital region namely
Manila, Quezon City, Pasay City, Caloocan City, Mandaluyong City, Pasig City,
Marikina City, Muntinlupa City and suburban towns of Malabon, Navotas, Valenzuela,

Chapter III: Literature in CAR and NCR 10

Pateros and Taguig. Some parts of the provinces that are not originally Tagalog cannot
escape the onslaught of Tagalog language and culture, like some parts of the Bicol
region and Pampanga.

The Cradle of Culture

Tagalog region is the birthplace of a rich tradition of Philippine culture in language,
politics, economy and literature.
The oldest university in the Philippines, University of Sto. Tomas is located in
Manila. The first printing press was established in Manila. This gave way to the
publication of the first book, Doctrina Cristiana in xylography in 1593, written in Spanish
and Tagalog versions. The bible was first translated into Tagalog in Barlaan and
Josaphat in 1708 and 1712. The life of Christ in epic tradition known popularly today
as Pasyon was written in Tagalog by various writers like Gaspar Aquino de Belen and
Fr. Mariano Pilapil.
The literary tradition in the Tagalog regions specially outstanding in the field of oral
literature like bugtong(riddle), proverbs, native songs. These oral literatures are always
in poetic forms, usually seven-syllabic rhymes, so Asian in form and perspective.
Considering this rich and envigorating cultural matrix, it is not surprising that it is the
Tagalog region that was destined to be the birthplace of historic men in Philippine
politics, culture and literature that includes Francisco Balagtas Baltazar, Jose Rizal,
Andres Bonifacio, Apolinario Mabini, Emilio Jacinto, Marcelo H. del Pilar, Jose P.
Laurel, Claro M. Recto, Amado V. Hernandez, Lope K. Santos, Lazaro Francisco,
Faustino Aguilar, Jose Corazon de Jesus, Alejandro Abadilla, Modesto de Castro.
It is not noticeable that such men are not only man of history that played a great
role in Philippine independence movement but men of letters as well.

The Literary Tradition

It is the pens of these men that shaped the political consciousness of the Filipinos.
Balagtas could be said to have voiced out the first concept of nationhood in
Philippine politics and literature in his epic poem, Florante at Laura. Says Balagtas:
Sa loob at labas ng bayan kong sawi
Kaliluha’y siyang nangyayaring hari
Kagalinga’t bait ay nilulugami
Ininis sa hukay ng dusa’t pighati.
In and out of my miserable country
Repression is the dominant king
Goodness and well-meant intention are suppressed
Doomed in the grave of sufferings and grief.
Although Balagtas used Albania as an allegory, the situations clearly spoke of the
Philippines. This epic poems of Balagtas had inspired a generation of young writers of
the period, like Marcelo H. del Pilar, who spearheaded the Propaganda Movement in

Chapter III: Literature in CAR and NCR 11

Europe and Jose Rizal, whose novels, Noli Me Tangere and El Filibusterismo set the
conflagration of revolutionary spirit and movement.
While Rizal was living in banishment in a far-flung town of Dapitan in Mindanao
island, a man of the masses, Andres Bonifacio founded the Katipunan, a revolutionary
organization that sought total independence from the Spanish yoke.
Even the revolutionary struggle of the people was guided by the light of
literature. Bonifacio and Emilio Jacinto, his close associate in the revolutionary
struggle were men of letters, both writing nationalist essays and poems.
Jacinto in his essay, “Liwanag at Dilim” (Light and Darkness), discoursed on the
spirituality of man’s natural desire for freedom. On the other hand, Bonifacio spoke of
the dimension of love of country in his poem, “Pag-ibig sa Tinibuang Lupa” (Love for the
Native Land). He says:
Aling pag-ibig pa ang hihigit kaya
Sa pagkadalisay at pagkadakila
Gaya ng pag-ibig sa tinubuang lupa
Aling pag-ibig pa, wala na nga, wala.
Which love can be more powerful
More pure and noble
Than the love for one’s native land
Which other love, there is no such.
This tradition of Tagalog literature has been bequeathed upon the national
consciousness of the Filipinos all over the Philippines. Manila being the center of the
country in all aspects of national life of the Filipinos becomes the logical conduit of
national consciousness emanating from the literary legacy of the region’s gifted minds.
During the long period of Philippine subjugations by foreign dominations —
Spanish, American and Japanese — vigorous literary traditions have been nurtured.
In the contemporary Philippine society, Tagalog literature is continuing its role
bequeathed upon it by historical development.
However, Tagalog literature now, more and more is given a new name — Filipino
literature. But this is another story.

Famous Literary Works in Cordillera Autonomous Region

Spanish period (Poem): “Love of Country” by Andres Bonifacio
Spanish period (Poem): “The Primer of the Katipunan” by Emilio Jacinto

About the Author

Andrés Bonifacio was born in Manila in 1863, the son of a government official.
When both his parents died in the 1870's, he left school to support his five brothers and
sisters. By the mid-1880s, he had become a fervent Filipino nationalist; when José Rizal
established the Liga Filipina in 1892, Bonifacio was one of its first members.

Chapter III: Literature in CAR and NCR 12

 After the Spanish arrested Rizal in July 1892,
Bonifacio decided that the Philippines would only
achieve independence through revolution. On July
7, he founded the Katipunan, a secret society open
to both peasants and the middle class that
employed Masonic rituals to impart an air of sacred
mystery. It insinuated itself into the community by
setting up mutual aid societies and education for the
poor. By 1896, the Katipunan had over 30,000
members and functioned at the national, provincial,
and municipal levels.
Following the execution of Rizal in 1896,
Bonifacio proclaimed Filipino independence on
August 23, 1896. This time, the Spaniards moved
against him, forcing his flight to the Marikina
mountains, while other forces headed by Emilio Aguinaldo were more successful and
won control over some towns. When Bonifacio tried to rein him in, Aguinaldo ordered
him arrested and charged with treason and sedition. He was tried and convicted by his
enemies and executed on May 10, 1897. Today he is regarded as a national hero.

Philippine Revolutionary Literature

For our selections of literature from the National Capital Region (Metropolitan
Manila), we will have a survey of literature written during the Philippine Revolution
against Spain. Literature was very much part of the fight for reforms and eventually
independence as are weapons. The Propaganda Movement in Spain, composed of the
likes of Graciano López Jaena, Marcelo H. del Pilar, and José Rizal published the
newspaper La Solidaridad to press for reforms in the Spanish legislature. When Dr.
Rizal returned home, he founded the La Liga Filipina, as the Manila chapter of the
Propaganda Movement. Andrés Bonifacio was originally a Liga member, founded the
Katipunan to fight for independence through armed revolt. Even so, literature was still
part of the fight of the Katipunan for independence.

Love of Country
by Andres Bonifacio
The poem “Pag-ibig sa Tinubuang Bayan” (‘Love of One’s Country’) is a poem
written by one of the founders of the Katipunan, Andrés Bonifacio, and was published
on the only issue of the newspaper Kalayaan (‘Freedom’) in March 1896. While
generally viewed as a practical man, contrary to popular notion, he was not illiterate.
Although he did not finish formal education, he was self-educated. Her read books on
the French Revolution (which was his inspiration to establish the Katipunan), and novels
like Victor Hugo's Les Misérables, and José Rizal's Noli Me Tángere and El

Chapter III: Literature in CAR and NCR 13

Filibusterismo. He also could speak a little English, which he learned while working at J.
M. Fleming & Co.
Below is the Tagalog text from Jose P. Santos’ Si Andres Bonifacio at ang
Himagsikan (‘Andres Bonifacio and the Revolution’) published in Manila in 1935. The
English translation was written by Teodoro Agoncillo in his The Writings and Trial of
Andres Bonifacio (1963).

TAGALOG ENGLISH
1.
Aling pag-ibig pa ang hihigit kaya What love can be
sa pagka-dalisay at pagka-dakila purer and greater
gaya ng pag-ibig sa tinubuang lupa? than love of country?
Alin pag-ibig pa? Wala na nga, wala. What love? No other love, none.
2.
Ulit-ulitin mang basahin ng isip Even when the mind repeatedly reads
at isa-isahing talastasing pilit and try to understand
ang salita’t buhay na limbag at titik the history that is written and printed
ng isang katauhan ito’y namamasid. by humanity, this (love of country) can be
seen.
3.
Banal na pag-ibig pag ikaw ang nukal Holy love! when born
sa tapat na puso ng sino’t alinman, of a pure heart,
imbit taong gubat, maralita’t mangmang the humble and the backwoodsman, the
nagiging dakila at iginagalang. poor, the unlettered
become great and respected.
4.
Pagpuring lubos ang nagiging hangad Love of country
sa bayan ng taong may dangal na ingat, is always the desire of a man with honor;
umawit, tumula, kumatha’t sumulat, In songs, in poetry, in his writings
kalakhan din nila’y isinisiwalat. the greatness of the country is always the
theme.
5.
Walang mahalagang hindi inihandog Nothing dear to a person with a pure heart
ng pusong mahal sa Bayang nagkupkop, is denied to the country that gave him
dugo, yaman, dunong, tiisa’t pagod, birth:
buhay ma’y abuting magkalagot-lagot. blood, wealth, knowledge, sacrifices,
E'en if life itself ends.
6.
Bakit? Ano itong sakdal nang laki Why? what is this that is so big
na hinahandugan ng buong pag kasi to which is dedicated with utmost devotion,
na sa lalong mahal kapangyayari all that is dear
at ginugugulan ng buhay na iwi. and to which life is sacrificed.
7.

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 Ay! Ito’y ang Inang Bayang tinubuan, Ah, this is the Mother country of one's
siya’y ina’t tangi na kinamulatan birth,
ng kawili-wiling liwanag ng araw she is the mother on whom
na nagbibigay init sa lunong katawan. the soft rays of the sun shine,
which gives strength to the weak body.
8.
Sa kanya’y utang ang unang pagtanggol To her one owes the first kiss
ng simoy ng hanging nagbigay lunas, of the wind that is the balm
sa inis na puso na sisinghap-singhap, of the oppressed heart drowning
sa balong malalim ng siphayo’t hirap. in the deep well of misfortune and
suffering.
9.
Kalakip din nito’y pag-ibig sa Bayan Entwined with this is love of country,
ang lahat ng lalong sa gunita’y mahal everything that is dear to the memory,
mula sa masaya’t gasong kasanggulan. from the happy and careless childhood
hanggang sa katawan ay mapasa-libingan. to the hour of death.
10.
Ang na nga kapanahon ng aliw, The bygone days of joy,
ang inaasahang araw na darating the future that is hoped
ng pagka-timawa ng mga alipin, will free the slaves,
liban pa ba sa bayan tatanghalin? where can this be found but in one's native
land?
11.
At ang balang kahoy at ang balang sanga Every tree and branch
na parang niya’t gubat na kaaya-aya of her fields and forest joyful to behold,
sukat ang makita’t sasa-ala-ala 'tis enough to see them to remember
ang ina’t ang giliw lampas sa saya. the mother, the loved one, and the
happiness now gone.
12.
Tubig niyang malinaw sa anak’y bulog Her clear waters --
bukal sa batisang nagkalat sa bundok they come from the mountain springs,
malambot na huni ng matuling agos the soft whisper of the rushing wavelets
na nakaa-aliw sa pusong may lungkot. enlivens the sorrowing heart.
13.
Sa kaba ng abang mawalay sa Bayan! How unfortunate to be separated from the
gunita ma’y laging sakbibi ng lumbay country!
walang ala-ala’t inaasam-asam Even memory is in sorrow's embrace,
kundi ang makita’ng lupang tinubuan. nothing is desired
but to see the country of one's birth.
14.
Pati na’ng magdusa’t sampung kamatayan Misfortune and death seem lighter
waring masarap kung dahil sa Bayan When we suffer them for our country
at lalong maghirap, O! himalang bagay, And the more that for it we suffer,
lalong pag-irog pa ang sa kanya’y alay. The more our love grows – oh, marvel! *

Chapter III: Literature in CAR and NCR 15

 15.
Kung ang bayang ito’y nasa panganib If this country is in danger
at siya ay dapat na ipagtangkilik and she needs defending,
ang anak, asawa, magulang, kapatid Forsaken are the children,
isang tawag niya’y tatalikdang pilit. the wife, the parents, the brothers and
sisters
at the country's beck and call.
16.
Datapwa kung bayan ng ka-Tagalogan And if our land, Filipinas, **
ay nilalapastangan at niyuyurakan is offended and her honor, reason, and
katwiran, puri niya’t kamahalan dignity outraged,
ng sama ng lilong ibang bayan. by a traitorous foreign country;
17.
Di gaano kaya ang paghinagpis What unhappiness and grief
ng pusong Tagalog sa puring nalait will invade the heart of the Filipino? **
at aling kaluoban na lalong tahimik And will not even the most peaceful
ang di pupukawin sa paghihimagsik? Rise to avenge her honor?
18.
Saan magbubuhat ang paghihinay Where will the strength
sa paghihiganti’t gumugol ng buhay to take revenge and to throw away life
kung wala ring ibang kasasadlakan come,
kundi ang lugami sa ka-alipinan? if none can be relied upon for help,
but those suffering from slavery?
19.
Kung ang pagka-baon niya’t pagka- If his suffering and slavery
busabos are in the mire of deceit and oppression,
sa lusak ng daya’t tunay na pag-ayop one holds the whip, the chains that bind,
supil ng pang-hampas tanikalang gapos and only tears are allowed to roll down.
at luha na lamang ang pinaa-agos
20.
Sa kanyang anyo’y sino ang tutunghay Who is there to whom her condition
na di-aakayin sa gawang magdamdam Will not fill the soul with sorrow?
pusong naglilipak sa pagka-sukaban Will the heart most hardened by treachery
na hindi gumagalang dugo at buhay. Not be moved to give her its life blood?
21.
Mangyari kayang ito’y masulyap Will not, perchance, her sorrow
ng mga Tagalog at hindi lumingap Drive the Filipinos ** to come to the rescue
sa naghihingalong Inang nasa yapak of the mother in agony, trampled
ng kasuklam-suklam na Castilang hamak. underfoot by the mean Spaniards?
22.
Nasaan ang dangal ng mga Tagalog, Where is the honor of the Filipino?
nasaan ang dugong dapat na ibuhos? where is the blood that should be shed?
bayan ay inaapi, bakit di kumikilos? The country is being oppressed, why not
at natitilihang ito’y mapanuod. make a move,

Chapter III: Literature in CAR and NCR 16

 you are shocked witnessing this.
23.
Hayo na nga kayo, kayong ngang buhay Go, you who have lived
sa pag-asang lubos na kaginhawahan in the full hope of comfort,
at walang tinamo kundi kapaitan, and who reaped nothing but bitterness,
kaya nga’t ibigin ang naaabang bayan. Go and love the oppressed country.
24.
Kayong antayan na sa kapapasakit You who, from the stream of your breast,
ng dakilang hangad sa batis ng dibdib have lost the holy desire to sacrifice,
muling pabalungit tunay na pag-ibig Once more let true love flow,
kusang ibulalas sa bayang piniit. express that love for the imprisoned
country.
25.
Kayong nalagasan ng bunga’t bulaklak You from whom the fruit and flowers
kahoy niyaring buhay na nilant sukat of your life have been plucked
ng bala-balakit makapal na hirap by intrigues and incomparable sufferings,
muling manariwa’t sa baya’y lumiyag. once more freshen up and love thy
country.
26.
Kayong mga pusong kusang [inihapay] You, [whose hearts are brought low]
ng dagat at bagsik ng ganid na asal, of cheating and oppression of the mean in
ngayon magbangon’t baya’y itanghal actions,
agawin sa kuko ng mga sukaban. now rise up and save the country,
snatch it from the claws of the tyrant.
27.
Kayong mga dukhang walang tanging You who are poor [whose only lot]
[palad] except to live in poverty and suffering,
kundi ang mabuhay sa dalita’t hirap, protect the country if your desire is to end
ampunin ang bayan kung nasa ay lunas your sufferings, for her progress is for all.
sapagkat ang ginhawa niya ay sa lahat.
28.
Ipaghandog-handog ang buong pag-ibig Dedicate with all your love --
hanggang sa mga dugo’y ubusang itigis as long there is blood -- shed every drop of
kung sa pagtatanggol, buhay ay [iubos] it,
ito’y kapalaran at tunay na langit. If for the defense of the country life is
[spent]
this is fate and true glory.

About the Author

Emilio Jacinto was born in 1875 on the 15th of December. He was the only son
of a man named Mariano Jacinto and a woman named Josefa Dizon. Shortly after he
was born, his father passed away. This untimely death forced his mother to send Emilio

Chapter III: Literature in CAR and NCR 17

to live with his uncle, Don Jose’ Dizon. His mother believed that his uncle could care for
the young Emilio better then she could after the death of Mariano.

College and Education

Very little is known about Emilio’s early
childhood up until the point that he went to college.
However, it is known that by the time he went away
to college, he could fluently speak both Spanish and
Tagalog, the language of the Philippine people.
However, he preferred to speak in Spanish a
majority of the time.
Emilio attended the San Juan de Latran
College when he first embarked on his college
career. However, he later attended the University of
San Tomas in order to study law. Emilio left college
before completing his law degree.

Politics and Revolution

Perhaps the most interesting part of a biography of Emilio Jacinto are the details
about his political life and contributions:
After dropping out of college at the age of 20, Emilio joined the Katipunan, a
secret revolutionary society. This was a group whose objective was to gain Philippine
independence from Spain in 1892.
Jacinto became the secretary, directly reporting to the leader of the Katipunan.
He also became the chief advisor on fiscal matters concerning this secret society. In
addition to these duties, Emilio also wrote the society’s newspaper, the Kalayaan.
Emilio was given a new name when he was part of this group. To the Katipunan, he was
often referred to as Utak ng Katipunan. However, he wrote under the pseudonym
Dimasailaw when writing for the newspaper and he was more commonly referred to in
the group as Pingkian. Jacinto was also placed in charge of writing the guidebook for
new members and current members of the Katipunan, which was called Kartilya ng
Katipunan.
When the leader of the Katipunan passed away, Emilio continued to carry out the
wishes of Bonifacio. The Katipunan at this time had many factions and not all of them
operated in the same way in their efforts to gain their independence from Spain. As with
his predecessor before him, Jacinto refused to join with these factions who had different
views. This included refusing to join the Magdalo faction of the Katipunan under the
leadership of Emilio Aguinaldo.
Emilio Jacinto died on April 16, 1899 at the age of 24. The cause of his death at
such a young age was malaria, which he had contracted while in Majayjay, Laguna. The
remains of his body were transferred from this location to Manila where he was laid to

Chapter III: Literature in CAR and NCR 18

rest in Manila North Cemetery. His name lives on in history for the Philippine people and
he is known as the Brains of the Katipunan.

The Primer of the Katipunan

by Emilio Jacinto
TAGALOG ENGLISH
1.
Ang buhay na hindi ginugugol sa isang A life that is not spent in the service of a
malaki at banal na kadahilanan ay kahoy great and noble cause is like a tree without
na walang lilim, kundi damong a shade, or like a poisonous weed.
makamandag.
2.
Ang gawang magaling na nagbuhat sa The good work that is done out of self-
paghahambog o pagpipita sa sarili, at hindi interest and not for its own sake has no
talagang nasang gumawa ng kagalingan, merit.
ay di kabaitan.
3.
Ang tunay na kabanalan ay ang True piety consists in doing good to
pagkakawang-gawa, ang pag-ibig sa others, in loving one’s neighbor and in
kapwa at ang isukat ang bawat kilos, making right reason the rule for every
gawa't pangungusap sa talagang action, work and word.
Katuwiran.
4.
Maitim man o maputi ang kulay ng balat, All men are equal whether the color of
lahat ng tao'y magkakapantay; their skin be white or black. One man may
mangyayaring ang isa'y hihigtan sa surpass another in wisdom, wealth or
dunong, sa yaman, sa ganda...; ngunit di beauty, but not in that which makes him a
mahihigtan sa pagkatao. man.
5.
Ang may mataas na kalooban, inuuna ang The magnanimous man puts honor before
puri kaysa pagpipita sa sarili; ang may self-interest; the mean-spirited man, self-
hamak na kalooban, inuuna ang pagpipita interest before honor.
sa sarili kaysa sa puri.
6.
Sa taong may hiya, salita'y panunumba. The word of a man of sensibility is as good
as an oath.
7.
Huwag mong sayangin ang panahon; ang Do not squander time, for wealth lost may
yamang nawala'y mangyayaring magbalik; be recovered, but time that has passed
ngunit panahong nagdaan ay di na muli you by will not come your way again.

Chapter III: Literature in CAR and NCR 19

 pang magdadaan.
8.
Ipagtanggol mo ang inaapi; kabakahin ang Champion the oppressed and defy the
umaapi. oppressor.
9.
Ang mga taong matalino'y ang may pag- An intelligent person is one who is careful
iingat sa bawat sasabihin; matutong with one’s words, and knows how to keep
ipaglihim ang dapat ipaglihim. a secret.
10.
Sa daang matinik ng buhay, lalaki ang In this hazardous life, it is the father who is
siyang patnugot ng asawa at mga anak; the leader of the family; if the one leading
kung ang umaakay ay tungo sa sama, ang is headed towards evil, then those
pagtutunguhan ng inaakay ay kasamaan following such leader are led into evil as
din. well.
11.
Ang babae ay huwag mong tingnang isang Women should not be looked upon as a
bagay na libangan lamang, kundi isang mere objects for amusement; but should
katuwang at karamay sa mga kahirapan be treated with respect and be recognized
nitong buhay; gamitin mo nang buong as a partner in this hazardous life; in being
pagpipitagan ang kanyang kahinaan, at with her, remember your mother who gave
alalahanin ang inang pinagbuharan at nag- birth to you in this life.
iwi sa iyong kasanggulan.
12.
Ang di mo ibig gawin sa asawa mo, anak That which you do not want to be done to
at kapatid, ay huwag mong gagawin sa your wife, children, or siblings, do not do
asawa, anak at kapatid ng iba. unto the wife, children, or siblings of
others.

Chapter III: Literature in CAR and NCR 20

 EXPAND YOUR KNOWLEDGE
For further reading please refer to the link provided:
Philippine Literature: CAR Region
https://www.youtube.com/watch?v=pQXdT7qYYMk

The Wedding Dance by Amador Daguio

https://www.youtube.com/watch?v=DDwTURcdbXA

Philippine Literature: The National Capital Region

https://www.youtube.com/watch?v=2zd2_Ztfe_Q

Pag-ibig sa Tinubuang Lupa (Love of Country by Andres

Bonifacio)
https://www.youtube.com/watch?v=OUqMN9qUGRc

Online Source:
 https://ncca.gov.ph/about-ncca-3/subcommissions/subcommission-on-
the-arts-sca/literary-arts/tagalog-literature-history-and-tradition/
 https://weddance.wordpress.com/about-the-author-2/
 http://instructionalminutes.blogspot.com/2013/07/the-wedding-dance-by-
amador-t-daguio.html
 http://instructionalminutes.blogspot.com/2013/07/man-of-earth-by-
amador-t-daguio-and-more.html
 https://www.slideshare.net/smauyag04151998/national-capital-region-
philippines-literature
 https://www.loc.gov/rr/hispanic/1898/bonifacio.html
 http://instructionalminutes.blogspot.com/2013/07/philippine-
revolutionary-literature.html
 https://biography.yourdictionary.com/articles/emilio-jacinto-
biography.html

Chapter III: Literature in CAR and NCR 21