10 - La Pioggia

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The document provides musical notation with tempo, dynamics and other instructions across 5 pages. The notation includes measures, dynamics like piano (p), mezzo forte (mf), forte (f) and other instructions.

Page 1 indicates dynamics from piano (p) to fortissimo (ff) ranging from measures 5 to 31.

Page 2 continues the dynamics from piano (p) to forte (f) and includes instructions like 'a tempo dim.' and 'cresc. ff dim.' between measures 35 to 49.

La Pioggia

from Encore


Joe Hisaishi
Transcribed by Pseudo
q = 60-65
        
          
 
pp p
    
      
 


    
5

   
     
 
    
       

   

       
    
  


 
9
   
 

  
        


      

         
   


12
  
             
      
mp

   
        
  

2

    
15

 

 
               
        
p
  
 
   
   



 


     
19

  
    
 
       

                
      


 
         
23

       
   
     
mf
       

 


    


           
       
           
27
 
  
  


pp f
     
      
 
   



 
poco stringendo
  
31

    

         
p
                        
                     
  

3
 
                 
35
  
  
  
 

            
mf
        
           
 


 

    
          
38
         
    

        
         
    
f mf
        
                    
    
 


41
a tempo
 
               
   

       
dim. mp
   
 
     


 

45

        
    
   
    
3
  
        
  dim.
cresc.

ff
 
 
       
      


49
         
                
 
p
      
     


4 poco rall. a tempo
           
        
  
53
 
      


pp
mf
 
            
       
 




   
57
  
               
   
  

       
f mf
   
 
      
 


  


62         
         
 
pp rall.
  
p
 
     
 


a tempo
 
    
66

   
     
 
    
       

   

       
    
  


 
70
   
 

  
       

         
     
    

5
73
    
             

           


mp
   
      
 

 



77
               

                   


 
p
  
p

mf

      
       
   



         


     
a tempo
   
81


        
   

 p 
   

poco rit.
sfz
 

  
    
 
   
 

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