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10 - La Pioggia

The document is a musical score for the piece 'La Pioggia' by Joe Hisaishi. It contains musical notation across multiple pages with notes, dynamics, tempo markings and other musical instructions.

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Jono Astbury
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100% found this document useful (3 votes)
1K views5 pages

10 - La Pioggia

The document is a musical score for the piece 'La Pioggia' by Joe Hisaishi. It contains musical notation across multiple pages with notes, dynamics, tempo markings and other musical instructions.

Uploaded by

Jono Astbury
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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La Pioggia

from Encore


Joe Hisaishi
Transcribed by Pseudo
q = 60-65
        
          
 
pp p
    
      
 


    
5

   
     
 
    
       

   

       
    
  


 
9
   
 

  
        


      

         
   


12
  
             
      
mp

   
        
  

2

    
15

 

 
               
        
p
  
 
   
   



 


     
19

  
    
 
       

                
      


 
         
23

       
   
     
mf
       

 


    


           
       
           
27
 
  
  


pp f
     
      
 
   



 
poco stringendo
  
31

    

         
p
                        
                     
  

3
 
                 
35
  
  
  
 

            
mf
        
           
 


 

    
          
38
         
    

        
         
    
f mf
        
                    
    
 


41
a tempo
 
               
   

       
dim. mp
   
 
     


 

45

        
    
   
    
3
  
        
  dim.
cresc.

ff
 
 
       
      


49
         
                
 
p
      
     


4 poco rall. a tempo
           
        
  
53
 
      


pp
mf
 
            
       
 




   
57
  
               
   
  

       
f mf
   
 
      
 


  


62         
         
 
pp rall.
  
p
 
     
 


a tempo
 
    
66

   
     
 
    
       

   

       
    
  


 
70
   
 

  
       

         
     
    

5
73
    
             

           


mp
   
      
 

 



77
               

                   


 
p
  
p

mf

      
       
   



         


     
a tempo
   
81


        
   

 p 
   

poco rit.
sfz
 

  
    
 
   
 

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