22-Sp-Eng1201-503-Morrill-Shelby-Zombie Analysis FD 2
22-Sp-Eng1201-503-Morrill-Shelby-Zombie Analysis FD 2
22-Sp-Eng1201-503-Morrill-Shelby-Zombie Analysis FD 2
Shelby Morrill
Professor Echols
English 1201-503
11 February 2022
Analysis Essay
On the 19th of September 1994, The Cranberries released the song “Zombie”
while Ireland was in the midst of a revolution. 24 years later, their lead singer, Dolores
O’Riordan died of drowning while she had been drunk. A month after her death, the Bad
Wolves released a remix of her song “Zombie” as a tribute to her memory. Both
versions of the song share the same lyrics, but they have different overall meanings.
While the first song is a cry against the violence and repetition of the Irish revolution, the
second is a tribute to O’Riordan and the internal suffering she went through.
The lyrics “In your head, in your head, they’re still fighting” appear in both
versions of the song with different connotations. In the original, the lyrics are speaking
of Irish revolutionaries convinced that they should still be fighting for independence. The
first real revolution in Ireland started began with the Easer Rising in 1916, around the
start of World War one. This revolution ended in 1921 (History.com editors 3-4). Years
later, there was another in 1969 that lasted until about 1997 (Roos 13-27). In the song,
O’Riordan sings “It’s the same old theme since nineteen-sixteen, in your head, in your
head, they’re still fighting.” She is telling the revolutionaries that history is repeating
itself, and they keep fighting, suffering, and killing for their freedom but all it’s doing is
In contrast, the Bad Wolves’ use the lyric “It’s the same old theme in two-
thousand eighteen, in your head, in your head, they’re still fighting...” to refer to
O’riordan, who was much affected by the violence and trauma of war. The line “In your
head they’re still fighting” is talking about the vivid memories O’riordan might have dealt
with most of her life due to the war, and that she dealt with conflicting emotions due to
There is also religious meaning in the original music video of “Zombie”. O’riordan
cherubim. Later in the video, as the fighting between the young children playing war
escalates, the cherubim begin screaming in apparent agony. These cherubim and the
cross have great meaning; instead of being split by race or political parties, Ireland was
split into Catholics and Protestants during its revolutions (Roos 1). The use of the cross,
communicating to her audience through the agonized cherubim that all of the fighting,
Another lyric that has different meanings in both videos is the word “zombie”. The
original video begins with clips of young boys play-acting a war, with toy guns and
swords. This clip appears again in the chorus, as O’riordan sings the words “Zombie,
violence, something they likely picked up from watching the war unfold around them.
They are acting on what they see their neighbors and parents doing, and they grow up
continuing to do this. Much like zombies, they are killing and creating problems without
really knowing why they are doing it. They are fighting, but only because it’s what they
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grew up with, and it gets passed on to their children as well, which only creates a cycle
O’riordan’s golden angel is also a main component in the Bad Wolves’ music
video. At many points in the video, Bad Wolves’ lead singer Tommy Vext looks directly
at the angel through a sheet of glass separating them and sings “What’s in your head, in
your head, zombie, zombie, zombie...”. Instead of responding, the golden angel begins
to cover the glass with gold paint, until it is completely covered. She is shutting out both
Vext and the rest of the world. The angel’s slow isolation represents O’riordan’s fall
deeper and deeper into alcohol abuse, something she struggled with most of her life
(Staunton 10). This was most likely her coping mechanism for all the disturbing and
horrific episodes she would have been exposed to growing up during the Irish
revolution. She is a zombie stuck in the past as her golden angel self, still lost and
The rhetorical appeal used in both videos is pathos. In the original video, it is
very emotional to watch the shots of war ruins in Ireland, with their graffitied revolution
slogans, and the shots of British peacekeepers, and make-believe warfare. O’Riordan is
trying to reach both the people of Ireland and those outside, showing them the ruin,
terror, and pain. She is also appealing to rock fans, getting them to watch this video so
packed with meaning by using rock to attract and hold them there. The second video
uses the appeal pathos through nostalgia. They center the video around the golden
angel O’riordan was in the original “Zombie” music video, and they show her writing the
date of her death on the glass. This could evoke emotions of grief from O’riordan’s fans
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still trying to accept her death, and potentially from those who have lost a loved one to
substance abuse.
While both videos have the same lyrics and much of the same imagery, their
meanings are different. The original video deals much more with the pain of many
people getting killed during war, with O’riordan crying out for the damage of other
people’s souls. The remix seems to talk more about the damage that O’riordan’s own
mind suffered from. At the end of the Bad Wolves’ remix, it closes with a quote from the
lead singer Tommy Vext. “Her lyrics, confronting the collateral damage of political
unrest, capture the same sentiment we wanted to express a quarter-century later. That
is a testament to the kind of enduring artist Dolores was, and will remain forever.” (4:25)
Works Cited
"The Cranberries - Zombie (Official Music Video)" YouTube, Jun 16, 2009,
https://www.history.com/this-day-in-history/irish-free-state-declared, accessed 12
Feb 2022
"Dave Roos - How The Troubles Began in Northern Ireland" HISTORY, 12 Nov 2021,
2022
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“Staunton, Denis - Dolores O’Riordan drowned in hotel bath while intoxicated with
https://www.irishtimes.com/news/ireland/irish-news/dolores-o-riordan-drowned-
in-hotel-bath-while-intoxicated-with-alcohol-inquest-told-1.3620367 , accessed 19
Feb 2022