A Year of Mini Lesson For Growing Writers
A Year of Mini Lesson For Growing Writers
A Year of Mini Lesson For Growing Writers
Lesson
Resources
Focus lesson
Extension
you read pattern books ask students to point out the organizational structure.
LG: to notice how authors write their stories A mentor text with a clear predictable structure like Cookies Use a mentor text to write and interactive story. To write a fiction and informational text using the predictive structure of a pattern book.
support us as writers?
LG: to write a pattern book A number of picture books about animals written by Steve Jenkins & Robin Page. Invite students to image they are going to write a book on animal facts. How would they organize their book? Students can search the nonfiction section of the library to discover other ways of organizing books about animal facts.
LG: Authors decide how they want to organize their writing before they start Personal writing pieces with clear organization Share writing with students. Ask for feedback using the same format as authors chair; pointing out what I did well and asking questions for clarification. Begin a web of organizational structures. Some ideas may be ABC, time order, whats good/whats bad, etc. From
LG: Authors use a specific structure when they write Anchor chart titled {Things We Know About| from previous lesson (Sept.) Whiteboard & marker When writers take the time to consider the focus of their pieces, organization become much clearer. LG: Writers use a process when they begin a new piece brainstorming, planning is the first part Charlottes Web by Share with the students that Examine beginnings in different Collect a number of books about chosen topic and examine the books to determine organizational form.
Great Leads
(2)
E.B. White
books.
records the lead and the techniques the authors used to capture the attention of the readers. Suggest that students examine their own work and list the types of leads theyve used.
bags Duct tape Permanent marker Sample writing that begins with {one day| or {I like|
Ask students to begin a new piece, but instead of writing one lead, have then write three different leads using three different strategies. They can share their possible leads with peers and then choose the one they believe is most engaging.
apply that theyve been learning about leads or to break the rut remind students to try another FQ: What are some different ways to {lead| a reader into your story? strategy. LG: Writers use a {Lead| to grab their readers attention
different voice about the same subject. Reinforce the idea FQ: What does it mean to have {voice| in your writing? LG: Each writer has a distinct voice or style. I Stink by Kate McMullen Read I Stink and show students that the author wrote with a fun, rowdy, He-Man voice and showed it in the font (writing). FQ: What is one way to show your {voice| in your writing? LG: There are many ways to show your voice in your writing. Brave Charlotte by Anu Stohner Ask students to take turns saying the phrase from the story using different feelings (angry, sad, excited) FQ: How can you add feelings to your writing? LG: Adding feelings to writing adds voice Chameleon, Chameleon by Joy Cowley Read the story all the way through, then reread it and have students put their thumbs up whenever they recognize strong voice, discussing the techniques the author used. Leave a stack of sticky notes and invite students to search for voice in our classroom library. Have them mark pages Invite students who have done a good job in expressing feeling in their writing to co-teach the focus lesson the next day. that illustrators also have a unique voice. Suggest that students play with their own print to emphasize their voices.
that demonstrate voice and present these passages at the next days focus lesson and
LG: All genres of writing should be written with voice. One personal story written two ways; Show students the two stories and ask which of the two
share why they chose these particular places in the text. Take a passage from a favorite book that has lots of
Recognizing Voice
(K-2)
FQ: How will you add voice to your writing?
Then
voice and with the students reduce it to a few lines without voice.
ask what the students noticed about the story that had voice. List on chart. LG: To show voice in our writing.
Project a sample of writing that has little voice and ask what we learned about the writer. Then
Have students examine their own writing for voice. Which sentences do they think provides the reader with added information?
show a piece with lots of voice and ask what we learned about that writer. LG: When we write with voice, readers feel a connection to the author. Rain Romp by Jane Kurtz Whiteboard Draw a t-chart labeled: examples of voice and how author does it. Read the book and ask students to stop when they hear a phrase that brings voice to the piece. Write on chart and how author added voice.
LG: There are many ways to show voice in our writing A book written in second person (Time Read the story and discuss the difference between first person and second person LG: Addressing our reader is a way to add voice to our writing
of Wonder by Robert
McCloskey)
on a chart titled {Words We Admire| LG: Adding playful language to our writing helps the reader get a better mental image Maxs Words by Kate Banks Index cards with a single hole punched in the corner (5-10 each students) Read Maxs Words and invite students to begin their own word collections. They can cut words from magazines. They
Have students interview family members to find answers to the question {What are your favorite words?| Invite
can use these words in their writing. LG: Adding playful language to our writing helps the reader get a better mental image
students to share the responses during the focus lesson on the next day.
FQ: What words help you make a mental image when you read/hear a story?
Read the story, pointing out the sounds words introduce this writing technique as onomatopoeia. LG: onomatopoeia is a good way to add dazzling words to your writing
Model the use of the editors caret. Write a sentence without a sound, and then show the students how the caret helps a writer go back and add words to a sentence.
students to come up with sound words to accompany the text on each page.
To Root, to Toot, to
Choosing specific and visual verbs can transform writing. Introduce action words and how choosing the wring one can make writing pop.
Read Mammoths on the Move by Lisa Wheeler which is packed with lively verbs for students to enact.
LG: Writers use specific verbs to help their writing come alive. Read the picture book, pausing to let students visualize some of the strong verbs. Have Have students circle the action words in their own writing. Invite them to choose three words they circled and brainstorm a list of alternative
marker Water Hole Waiting by Jane and Christopher Kurtz. Whiteboard or chart paper
FQ: What verbs did you add to your story to help your reader create a mental image?
Markers Sampling of writing with blah verbs LG: Using vivid verbs helps create mental images in our readers mind.
verbs.
Discuss
it sounds?
Working with different language structures helps students break out of the too familiar sentence patterns and write with more fluency.
Investigate different picture books that use song rhythms for their foundation like The
Show students how using a repeating refrain in writing can add fluency. Be sure to discuss the difference between a refrain and the use of repetitive language.
Write the text of familiar chants and rhymes on chart paper for choral reading.
LG: using a refrain in our writing can help add fluency A copy of readers theater script for each student Barnyard Slam by Dian Curtis Regan Have students perform a story for classmates. It will improve reading fluency & writing fluency. Suggest students plan a poetry reading. Invite students to write their own scripts to be performed for the class.
illustrations. FQ: How can adding details help the reader make a mental image? LG: Adding details to our writing helps it become clear to the reader. The Dirty Cowboy by Amy Timberlake Remind students that by selecting details that engage all of our senses we help readers imagine themselves in the place of the writer or main character. LG: to use ALL our senses when adding details to our writing. Whiteboard or chart paper The job of the writer is to create a movie in the mind of the reader. They do this by showing us, not telling. Show several examples of telling vs. showing. FQ: What are some ways to SHOW in your writing? LG: to SHOW details and not TELL them Love the Baby by Stephen L. Layne Instead of telling how a character is felling, show it through his actions. Remind students to stay away from words that tell and use actions that show. FQ: What are some ways to SHOW how someone is feeling? LG: to SHOW details and not TELL them I Could Do That: Read and book and point out how
Invite students to search for passages that allow readers to imagine a sound, touch, smell or taste.
Read
Provide students with sentences that tell how a character feels and invite them to rewrite the sentences to show how a character feels.
Tiny Stitches
(2)
the author slowed down time to show what was happening during a small task. Write a paragraph about a simple task and break it down into smaller actions. LG: to SHOW details and not TELL them
Details in writing make it more interesting. Readers love to be shown details they might have missed.
Provide students with small notebooks they can write down unique observations they can include in their writing.
LG: to add details in our nonfiction writing. One or more copies of writing where there are irrelevant details. Revision doesnt always mean adding more details, sometimes we have to remove details that cause your writing veer off Project your own writing in which you have crossed out words, sentences or even whole paragraphs. Talk to students about the decisions you made and why.
track. LG: to revise by taking out the things that doesnt belong. Chart paper marker Look at the difference between adjectives that add details (yellow rubber boots) and ones that provide NO picture (awesome, good, cool) Remind students of the show, dont tell rule.
Post a list titled, {Beware of These Adjectives| and record those that are too general.
LG: to use adjective in our FQ: What adjective help SHOW? writing that provide the reader with a mental image
by Jennifer Jacobsen or any picture book that follows a pattern of three (Wemberly
see that these stories also follow a pattern of three (Goldilocks & the Three Bears,
writers that failure is an important part of the story, it keeps the readers coming back for more.
Worried by Kevin
Henkes)
Each day write one part of an interactive story that follows the pattern of three. Remind students that writers SHOW and not TELL what a character wants.
Have students search the library for books that demonstrate the pattern of three. You can start a new
An underdeveloped
Show students how to take a list like story, cut it up, and add more details. You can tell
During writing conferences, suggest that students who have list stories conduct surgery and have students who have successfully performed surgery share their revisions. Draw 2 bookends on the board. Write a beginning above one and a reflective ending above the other. DO this several times
them you need to perform {surgery| on the story and by separating the bones you can make room for the body.
Wilfred Gordon
Show students how there are some endings that make the reader say {Ah| Show them that a reflective ending or a wrap around ending help create a feel good moment.
McDonald Partridge
by Mem Fox, Tacky
and then have the students try writing a reflective ending, then both.
Chose a Shovel by
Leslie Conner 20 books from the
Read some endings from books gathered and have students look for similarities. Organize the different endings by their styles (repetition, happy ending, surprise ending, etc.)
Have students look at their own work and list the types of endings theyve used.
classroom library Sticky notes 5-6 cloth book bags Duct tape & perm. marker