Jill Miller Cue Clinic Workbook
Jill Miller Cue Clinic Workbook
Jill Miller Cue Clinic Workbook
CUE CLINIC
HOW TO UPDATE, CAPTIVATE, MOTIVATE,
AND MOVE BEYOND THE SCRIPT
Prepared by Jill Miller, Creator of Yoga Tune Up®
www.yogatuneup.com | jill@yogatuneup.com
It is hard to inspire others when your own inspiration has fizzled. Most yoga
teachers know that too much teaching and demonstrating can lead to
overuse syndromes and repetitive stress injuries, and in the same way the
overuse of the same cues day in and day out can lead to RCS: repetitive cue
syndrome. It’s a purgatory of dull, blah cues ricocheting around in empty
space and falling on deaf ears. Years of cueing in a classroom can often lead
to boredom, complacency, and a lack of teaching “pizzazz.” In this workshop,
learn to uncover your own verbal blind spots while transforming your
relationship to your students. Dig into a new toolkit of invaluable techniques
to help you relate to both your students and your subject in a deeper, more
meaningful way. Produce standout instruction every time you teach! You will
ultimately invigorate your own mind while helping your students to better
embody your lessons.
PROPS
Yoga Mat
Pen
Paper
1. When you think about teaching a session to your students, what are the first
three emotions that occur to you? (aka, When I think about teaching, I feel _____). Be
honest!
1.
2.
3.
2. What are the top three things you want your students to experience when you
teach? (In other words, they just took your class, and the three things you want them to walk
away with are _____).
1.
2.
3.
3. If you surveyed your students, what would be the top three qualities that they
most admire about your teaching? What’s the “contact high” they get from being
around you?
1.
2.
3.
QUESTIONS CONTINUED:
3. W H A T A R E T H E L A Y E R S B E H I N D G R E A T C O N T E X T ?
Know the body anatomy/physiology.
Know your art form.
Know the mind — psychology, sociology, animal behavior.
Know yourself, have a point of view.
Thinking outside the boxana.
Know who you are talking to — your students!
— As individuals, as groups
— Type of student: Athlete? Healing from an injury? Exercise
4. S E C R E T K E Y S O F B U I L D I N G C O N T E X T
DIRECTIONS OF BUILDING MOVEMENT
Pelvis
Spine
Hips
Shoulders
Here are a few examples of words that are habitually overused in yoga and
fitness classes, and some other options that might work instead.
CONTEXT GRID
POSE NAME: YOGA TUNE UP© MOON RISES
Why are we doing How is it affecting Which poses will What actions in
daily life will this
this pose/variation? the body? this relate to?
improve?
To bring awareness The standing leg’s hip Half moon, twisted Walking, standing,
to the end range of socket is challenged to half moon, triangle, lateral movements,
motion of internal dynamically strengthen twisted triangle, samba and salsa moves
and external and stretch the inner warrior III on the dance floor.
and outer hip muscles. Strengthening the hip
rotation in the
Profound length and at its end range serves
standing leg’s hip
strength of all external as a bone builder for
socket. To build
and internal rotators and the femur and
proprioceptive
stabilizers, piriformis, acetabulum. Helpful for
awareness of the gluteus minimus, gluteus arthritis: helps lubricate
joint. To prepare the medius, gluteus the hip socket with
hip for half moon maximus, gemelli, synovium and
and twisted half obturators, IT band is stimulates synovial fluid
moon pose. stimulated, tensor fascia production on the often
latae, hamstring group, under-contacted joint
adductor group. Back spaces. Familiarizes you
muscles strengthened, with the reverse action
erectors, quadratus at the coxal joint,
lumborum, buttocks, and building awareness that
more the acetabulum can
move around the femur.
POSE NAME:
Why are we doing How is it affecting Which poses will What actions in
daily life will this
this pose/variation? the body? this relate to?
improve?