Guide To Formatting Footnotes and Bibliographies
Guide To Formatting Footnotes and Bibliographies
Guide To Formatting Footnotes and Bibliographies
Accurate, consistent referencing methods in bibliographies and footnotes enable you to:
• acknowledge correctly other people’s ideas and research (if you don’t do this you are
plagiarising);
• demonstrate to the examiners that you have read a broad range of relevant and
appropriate literature;
• present your work in a professional manner, suitable for both academic writing and
various documents produced in other areas of employment.
N.B. Remember that careless layout of referencing systems (missing information, incorrect
use of punctuation, inconsistent formatting, lack of attention to detail) may result in a
lower mark for your coursework.
Footnotes
When do I need to use a footnote?
You MUST provide footnotes indicating the precise source of information whenever:
• You quote directly from someone else’s material;
• You paraphrase the views or ideas of another author (even if you do not directly
quote their words).
As a rule of thumb, footnotes are not needed ONLY when you are citing generally accepted
ideas or facts (for example, the earth orbits around the sun, a sackbut is a type of early
trombone, Sibelius was a Finnish composer, the French Revolution began in 1789), or when
you are expressing your own opinions.
Footnotes can sometimes also be used to expand upon points you are making, if such
discussion would distract the flow of the argument within the main body of the text. These
still count towards the word limit, however, so it is a good idea to keep discursive footnotes
to a minimum.
Example: Throughout the nineteenth century, as Susan Rutherford has shown, female
singers were characterised as three, often overlapping, types: ‘demi-mondaine, professional
artist and exalted diva’.1 superscript, smaller font, after the punctuation!
Formatting footnotes
• As in the main text, the footnote numbers are usually formatted in superscript
• Both footnote numbers and text are also usually formatted in a smaller font-size (10
pt) than the main text (12 pt)
Guide for Footnote and Bibliography Presentation
Example of standard footnote style, using short-title form and Ibid., and multiple sources
listed in a single footnote:
1 Gundula Kreutzer, Verdi and the Germans: From Unification to the Third Reich (Cambridge: Cambridge
University Press, 2010), 96. first citation to source = full information
2 Ibid. shows that the reference is to the same source and page as footnote 1
3 Susan Rutherford, The Prima Donna and Opera, 1815-1930 (Cambridge: Cambridge University Press, 2007),
Press, 2001); Roger Parker, Remaking the Song: Operatic Visions and Revisions from Handel to Berio (Berkeley
and Los Angeles: University of California Press, 2006); and David J. Levin, Unsettling Opera: Staging Mozart,
Verdi, Wagner and Zemlinsky (Chicago: Chicago University Press, 2007). multiple sources as list
What if the quote I want to use is already quoted from a different source?
Ideally, quotations should be taken directly from the original source. However, sometimes
the original text is not available to you.
• When it is not possible to quote from the original source, it is normally acceptable to
use a secondary source.
• In this case, your footnotes need to refer both to the original text and the source you
have used. E.g.:
6 Lucien Lévy-Bruhl, Les fonctions mentales dans les sociétés inférieures (Paris, 1910), 30, as quoted in Steven
Lukes, Moral Relativism (London: Profile Books, 2008), 7.
Guide for Footnote and Bibliography Presentation
Bibliography
A bibliography should usually be included in a finished assignment (unless the assignment
question or your tutors state otherwise).
Bibliography
Abbate, Carolyn. In Search of Opera. Princeton and Oxford: Princeton University Press, 2001.
Kimbell, David. ‘Instrumental Music in Verdi’s Operas’. In The Cambridge Companion to
Verdi, edited by Scott L. Balthazar, 154-68. Cambridge: Cambridge University Press,
2004.
Kreutzer, Gundula. Verdi and the Germans: From Unification to the Third Reich. Cambridge:
Cambridge University Press, 2010.
Levin, David J. Unsettling Opera: Staging Mozart, Verdi, Wagner and Zemlinsky. Chicago:
Chicago University Press, 2007.
Parker, Roger. Leonora’s Last Act: Essays in Verdian Discourse. Princeton: Princeton
University Press, 1997.
Rutherford, Susan. The Prima Donna and Opera, 1815-1930. Cambridge: Cambridge
University Press, 2007.
Senici, Emanuele. ‘Verdi's “Falstaff” at Italy's Fin de Siècle’. The Musical Quarterly 85, no. 2
(2001): 274-310.
Smart, Mary Ann. Waiting for Verdi: Italian Opera and Political Opinion 1815-1848. Oakland,
CA: University of California Press, 2018.
Scores
Verdi, Giuseppe. Falstaff: commedia lirica in tre atti di Arrigo Boito. Milan: Ricordi, 1893.
Discography
Verdi, Giuseppe. Falstaff. Tito Gobi, Elizabeth Schwarzkopf, Anna Moffo. Philharmonia
Orchestra and Chorus. Herbert von Karajhan. EMI Classics 7243 5 67083 2 7, 1957, digitally
remastered and rereleased 1999, 2 compact discs.