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    Meditation From Thais

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    Projeto Retreta
    This musical composition is a meditation from the opera Thais. It is written in a complex time signature and changes tempo throughout, becoming more agitated before returning to a peaceful expression.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Meditation From Thais

    Uploaded by

    Projeto Retreta
    22 views2 pages
    This musical composition is a meditation from the opera Thais. It is written in a complex time signature and changes tempo throughout, becoming more agitated before returning to a peaceful expression.

    Original Description:

    music of thais

    Original Title

    Meditation_from_Thais

    Copyright

    © © All Rights Reserved

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    This musical composition is a meditation from the opera Thais. It is written in a complex time signature and changes tempo throughout, becoming more agitated before returning to a peaceful expression.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    22 views2 pages

    Meditation From Thais

    Uploaded by

    Projeto Retreta
    This musical composition is a meditation from the opera Thais. It is written in a complex time signature and changes tempo throughout, becoming more agitated before returning to a peaceful expression.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 2

    

                     
    Meditation from Thais

       
          
     = 77

     5
     = 77

            
    


    3

                       
      
    9

          3  3  3
    3

               
                 
    animando


    16

                    
    3 3

       
    3

       
    3

             
         
    24
    poco a poco appassionato

                 
    3 5

            
                  
    30 piu mosso, agitato

                            
                  
     
    35

      
                             
       5 
    40

             
                3
    3

            
         
    47

       
    3

     
    3 3

     
    3

       
    3

                     
       
     
    54 3 expressivo
    3

    Copyright, All rights reserved


      

     
        

                
          
    62
    3 3 3

    2 Copyright, All rights reserved

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