Jose Maceda was a Filipino composer and ethnomusicologist born in 1917 who dedicated his life to preserving Filipino traditional music. His style started transforming in 1953 when he encountered indigenous Mindoro music, committing him to preservation. He made extensive recordings of music from remote Philippine villages and creatively combined western ideas with environmental sounds and ethnic instruments. Some of his major works included Ugma-Ugma for voice and ethnic instruments and Agungan for gong families. He had a distinguished career working in recording studios and as a professor of musicology in the Philippines. Maceda received many honors for his work, including being named a National Artist of the Philippines.
Jose Maceda was a Filipino composer and ethnomusicologist born in 1917 who dedicated his life to preserving Filipino traditional music. His style started transforming in 1953 when he encountered indigenous Mindoro music, committing him to preservation. He made extensive recordings of music from remote Philippine villages and creatively combined western ideas with environmental sounds and ethnic instruments. Some of his major works included Ugma-Ugma for voice and ethnic instruments and Agungan for gong families. He had a distinguished career working in recording studios and as a professor of musicology in the Philippines. Maceda received many honors for his work, including being named a National Artist of the Philippines.
Jose Maceda was a Filipino composer and ethnomusicologist born in 1917 who dedicated his life to preserving Filipino traditional music. His style started transforming in 1953 when he encountered indigenous Mindoro music, committing him to preservation. He made extensive recordings of music from remote Philippine villages and creatively combined western ideas with environmental sounds and ethnic instruments. Some of his major works included Ugma-Ugma for voice and ethnic instruments and Agungan for gong families. He had a distinguished career working in recording studios and as a professor of musicology in the Philippines. Maceda received many honors for his work, including being named a National Artist of the Philippines.
Jose Maceda was a Filipino composer and ethnomusicologist born in 1917 who dedicated his life to preserving Filipino traditional music. His style started transforming in 1953 when he encountered indigenous Mindoro music, committing him to preservation. He made extensive recordings of music from remote Philippine villages and creatively combined western ideas with environmental sounds and ethnic instruments. Some of his major works included Ugma-Ugma for voice and ethnic instruments and Agungan for gong families. He had a distinguished career working in recording studios and as a professor of musicology in the Philippines. Maceda received many honors for his work, including being named a National Artist of the Philippines.
Download as DOCX, PDF, TXT or read online from Scribd
Download as docx, pdf, or txt
You are on page 1of 3
Jose Maceda
Jose Maceda was born
on January 17, 1917 in manila and died on May 5, 2004. He first took his music studies at the Academy of music in Manila. Then, he went to study in Paris with Alfred Cortot, a French pianist and conductor. Eventually, he took advanced studies in the USA with E. Robert Schmitz. He earned his Doctorate Degree in Ethnomusicology from UCLA.
MACEDA’S MUSICAL STYLES AND INSPIRATION
o His style started to transform when he encountered the
music of indigenous groups of Mindoro in 1953. After which, his life was committed to the preservation of Filipino Traditional music. With his dedication to his field of work, he made a collection of recorded music taken from the remote mountain villages all over the Philippines. Maceda’s musical style still holds western musical ideas but creatively combined environmental sounds with ethnic instruments.
WORKS OF MACEDA
Ugma-Ugma (1963) for voice and ethnic instruments
Agungan (1975) for 6 gong families Pagsamba(1968) for ethnic percussions Cassettes100 (1971) for 100 cassette tape recorders Ugnayan (1974) an ethnic piece played the same time over several radio stations Udlot-Udlot (175) for bamboo instruments and voices
MACEDA’S WORK EXPERIENCE
Worked in a recording studio in Paris in 1958 which
specialized in musique concrete. Piano and musicology professor at the university of the Philippine, College of Music from 1953-1990. Executive Director of Central Ethnomusicology in 1997. Conferred as National Artist for Music in 1997.
ACHIEVEMENTS
Among his many honors are grants from the Guggenheim
(1957-58, for study in the USA) and Rockefeller (1968, for research in Africa and Brazil) foundations, the honor I’Ordre des Palmes academiques in France (1978) and the University of The Philippines Outstanding Research Award (1985). He also received the John D. Rockefeller Award from the Asian Cultural council in New York (1987), the Philippine National Science Society Achievement Award (1998), the award Tanglaw ng Lahi from Ateneo University (1998), and the award Gawad ng Lahi from the cultural center of the Philippines (1989).
Furthermore, he has received the Fumio Koizumi Award
for Ethnomusicology in Japan (1992), the National Research Council Award (1997), and the award Araw ng Maynila (1996), the Nikkei Award in Tokyo (1997), the award of the Fondazione Civitella Ranieri in Italy (1997), and the title of National Artist for Music (1998). He also holds the titles of Officier dan’s I’Ordre National du Merite (1997) and Chevalier de la Legion d’Honneur (2001) from the government of France.