The Influence of Tiktok "Blow-Ups" On The Mental Health of Gen Z Creators
The Influence of Tiktok "Blow-Ups" On The Mental Health of Gen Z Creators
The Influence of Tiktok "Blow-Ups" On The Mental Health of Gen Z Creators
SO MANY VIEWS:
Bachelor Thesis
Alexander M. Agater
s2368064
University of Twente
Abstract
Background: TikTok is a newly established social media platform with few boundaries and
many new characteristics. Especially, this platform offers the novel and unique experience of
having a TikTok blow-up, a rare occurrence that is not possible on other social networks with
the same simplicity. The connection with thousands of strangers could, including new forms
of social interaction could influence the mental health of TikToks largest age group, Gen Z.
Furthermore, due to TikTok's modern algorithms, there is no literature on the impact of the
new TikTok blow-up phenomena which allows anyone to get a large amount of attention and
Aim: This study aims to discover the possible effects of viral TikTok videos on the mental
Method: Semi-structured interviews were conducted with Gen Z creators who uploaded a
viral video on TikTok in which they expressed their feelings and thoughts during and after the
Results: Going viral on TikTok had positive effects on the mental health of Gen Z creators.
For instance, they experienced happiness, social approval and boosted confidence during and
after going viral. Also, positive comments boosted mood and mental health. Nevertheless,
uploading a TikTok that went viral also had negative impacts on the mental health of Gen Z
creators. For example, harmful and inappropriate comments, stress and the feeling of pressure
to experience virality again, and also disappointment when failing to achieve virality again
Conclusion: As most of the participants did not value the opinion of strangers, the impact of
positive and negative comments or the feeling of virality was only temporary. Stress and
disappointment caused by not achieving virality again was an enduring effect, the same as
with boosted confidence. Although some information about the influence of viral TikTok on
3
the mental health of Gen Z creators was discovered there is still a lot unknown. To ensure
carefree TikTok usage for everyone, more research must be conducted in this field.
Keywords: TikTok, Gen Z, going viral, mental health, well-being, blow-up, TikTok famous.
4
Table of Contents
Abstract ...................................................................................................................................... 2
Introduction ................................................................................................................................ 5
Theoretical Framework .............................................................................................................. 7
2.1 TikTok and its users ......................................................................................................... 7
2.2 Creating TikToks and going viral .................................................................................... 8
2.3 TikTok’s influence on mental health ............................................................................. 11
Methods .................................................................................................................................... 13
3.1 Research Design ............................................................................................................. 13
3.2 Procedure ........................................................................................................................ 13
3.3 Participants ..................................................................................................................... 14
3.4 Sampling......................................................................................................................... 15
3.5 Analysis .......................................................................................................................... 15
Results ...................................................................................................................................... 16
4.1 Results qualitative data collection .................................................................................. 16
1. TikTok Usage ................................................................................................................... 17
2. TikTok Creator ................................................................................................................. 19
3. Viral TikTok ..................................................................................................................... 20
4. Viral Mental Health .......................................................................................................... 23
5. TikTok’s Uniqueness ....................................................................................................... 27
Discussion ................................................................................................................................ 30
5.1 Main Findings ................................................................................................................ 30
5.2 Limitations and further research .................................................................................... 34
Conclusion ................................................................................................................................ 35
References ................................................................................................................................ 37
Appendix .................................................................................................................................. 43
Appendix A: Participant Message ........................................................................................ 43
Appendix B: Participant Information ................................................................................... 43
Appendix C: Interview Questions ........................................................................................ 44
Appendix D: Cohen’s Kappa ............................................................................................... 45
Appendix E: Codebook ........................................................................................................ 46
5
Introduction
Social media is a new way to communicate and interact globally. It can be defined as
digital technologies that allow users to interact with each other, produce and share content and
profiles, and consume information (Carr & Hayes, 2015). Compared to traditional media such
as television, literature or radio, social media is outperforming its competition due to its
users (and creators) from all over the world. Furthermore, social media is connecting people
of all age groups. Its accessibility stimulates increasing quantities of people to join and
participate in this effortless form of communication (O’Day & Heimberg, 2021). The concept
of social media has grown to become indispensable within the scope of behavioural science as
it is part of many people’s daily life. Approximately 4.65 billion people are currently active
on various types of social media platforms. This increasing number of users is specifically
characterised by adolescents between the ages of 14 and 24, have confirmed their social
TikTok. Statistics have shown that TikTok is one of the most frequently used platforms
among adolescents, as it is used by 63% of American Gen Z weekly (Statista (B), 2022).
TikTok can be described as a video platform that enables its users to connect and interact with
each other based on their preferences in content. More specifically, TikTok’s algorithms
construct a user-based feed, a so-called For You Page (FYP), based on one's interests only.
Compared to platforms where creators are actively chosen to follow, the FYP is a unique
feature. Next to that, this novel form of social media is allowing everyone to create content
with the potential to go viral, become TikTok-famous, or blow-up on the FYP of others.
Virality in social media can be described as uploaded content that is highly viewed, liked, and
shared in a short amount of time. Therefore, despite traditional platforms, TikTok allows
6
users with a small or even no following to experience virality as well (Yao, 2021).
Nonetheless, many effects and impacts of the platform TikTok and its unique algorithms
For instance, there is literature that demonstrates the app's impact on the mental health
of TikTok users. Several studies dealt with TikTok’s influence on mental health. Only so-
called users were targeted by the research, rather than creators (Aloui, 2021; Bucknell Bossen
& Kottasz, 2020; Cauberghe et al., 2021; Weimann & Masri, 2020). For example, studies by
Yao (2021) and Bucknell Bossen & Kottasz (2020) described that TikTok use supports
gratifications like attention and social recognition which can be connected to TikTok creators
as well. Moreover, there are reports about the effects of hate comments, body shaming and
cyberbullying that are connected to the mental health of TikTok users (Aloui, 2021; Jaffar et
al, 2019; Weimann & Masri, 2020). However, due to the novelty of TikTok and its
algorithms, it is not yet academically discovered if TikTok blow-ups may have an impact on
TikTok is a newly established social media platform with few boundaries and many
new characteristics. The connection with thousands of strangers could create new forms of
social interaction which may have an influence on the mental health of TikToks largest age
group, Gen Z. Furthermore, due to TikTok's modern algorithms, there is no literature on the
impact of the new TikTok blow-up phenomena which allows anyone to get a large amount of
attention and interaction in a short time (Yao, 2021). Hence, this study aims to provide an
overview of possible effects of the blow-up phenomena, making one of the first steps into the
field of mental health of creators on TikTok which finally should answer the following
research question: “How does a viral TikTok influence the mental health of its Gen Z
creators?”.
7
Theoretical Framework
Since its launch in 2018, TikTok is one of the most used and fast-growing social
media platforms in the whole world and therefore several academic studies are focusing on
this application (Zeng et al., 2020). TikTok is the 4th most downloaded social media app with
over 3 billion downloads and over 1 billion monthly active users (Bursztynsky, 2021; Iqbal,
2022; Jaffar et al., 2019). Especially, younger people are attracted by the app as 41% of
TikTok’s users are between the age of 16 to 24 (Weimann & Masri, 2020). According to
Weimann & Masri (2020), 90% of users in this age range are using the platform daily.
Moreover, TikTok users between 16 and 24 spend on average 52 minutes a day on the app
(Iqbal, 2022). This stated age group is called Gen Z. People of Generation Z are born between
the years 1996 and 2009. This generation is by far the most interested in apps and
technologies as they were the first generation to grow up with smartphones (Sladek &
Grabinger, 2014). Notably, during the COVID-19 pandemic, TikTok received increased
public and scientific attention (Hellemans et al., 2021). Several scientific papers described the
The app's main feature is that users can watch, create, and share short video clips.
These mostly 15-second-long videos appear on the so-called “For You Page” where users
spend the majority of their time (Scherr & Wang, 2021). Additionally, social media elements
like likes, followers, and comments are included in the app (Ma & Hu, 2021). For instance,
the platform allows creating connections with other users by sharing their thoughts and
ratings. Therefore, TikTok’s users can interact with almost exclusively user-generated and
TikTok everything can find its place without any structure or restrictions (Anderson, 2020, p.
8). The platform itself claimed that the app should “bring joy” and “inspire creativity” in users
8
with algorithmic recommendations and trending hashtags and challenges (Aloui, 2021). Next
to that, the study of Bresnick (2019) expressed that TikTok allows younger generations to
connect and create without paying attention to the limitations of narratives, styles and online
cultures of the past. Hence, clips contain filters, music samples, quick cuts, and other creative
and innovative features that offer users many opportunities to express themselves in short
Compared to other social media platforms like Instagram, Facebook, and Twitter,
TikTok is offering its users the FYP, which consists of content that TikTok deems likeable to
the specific user. This estimation is executed by algorithms only, which is generated based on
every action a user performed on the app, including every comment, follow and like that was
made by the user (Anderson, 2020). Notably, TikTok is one of the first apps to make use of
big data analytics to study the wants and needs of its users (Hou, 2018). A study by Yu (2019)
showed that TikTok enhances a “deep interaction with the user” while algorithms form a deep
connection with every action (p. 29). Next to the algorithms, other design features like the
short video clips adjust to the short-lived attention span of most of the users, making it “fit
into the user’s rapid lifestyle which makes TikTok different from other competing apps”
TikTok allows its users to gain a lot of attention and popularity in a short amount of
time. This situation can be described as going viral. Especially, content that is shared with a
lot of individuals in less than no time is one of its characteristics (Nahon & Hemsley, 2013).
Going viral is theoretically possible on various social media platforms but TikTok’s
algorithms favour that content is mostly shown to non-followers which makes it a unique
feature and way more likely to happen (Hellemans et al., 2021; LeCompte & Klug, 2021).
This process has received its own phrase, going vrial, and can be defined as individuals or
themes that are featured in viral content (Zeng et al., 2020, p. 1). Indicators for a TikTok to go
9
viral can be the engagement rate, the number of shares between users and the use of certain
hashtags or trends (Weimann & Masri, 2020). Several studies report that the possibility of
reaching so many different people on TikTok is important to spread messages that would
normally never reach these audiences (Weimann & Masri, 2020; LeCompte & Klug, 2021).
For instance, the study of LeCompte and Klug (2021) analysed the practices and motivations
of social activists on TikTok. Some activists underlined that the unique process of going viral
on TikTok is essential for activists to reach as many people as possible, as it helps to “get
their message beyond their own circle” (LeCompte & Klug, 2021, p. 5).
Several studies tried to discover the background of the general need to create, upload
and share with other users on TikTok. For instance, Bucknell Bossen & Kottasz (2020)
explored the gratifications of TikTok’s users. According to the study of Katz et al. (1973),
gratifications theory examines why people consume media and what motivates them to do so.
Concisely, the theory describes aspects of media that have an impact that satisfies the
consumer’s mind. Especially, social media showed new gratifications and motivations to use
them, compared to traditional media. This includes the need for approval and recognition,
which can be fulfilled with social media (Bucknell Bossen & Kottasz, 2020). In the case of
TikTok, several gratifications were already studied as they may cure boredom, offer
Shao (2009) looked at three distinct behavioural groups of media users to better
understand how gratifications affect social media users. In the first category, passive
consumption includes users that read, watch, and view online content. Thus, this type of user
can be easily satisfied with fun, relaxation, and entertainment as those are possible
gratification needs. The second user category is the participatory user. Within this category,
users are sharing, ranking, liking, and commenting on content. Hence, social interaction,
relationship building, and maintenance are possible types of gratifications. Lastly, Shao
(2009) presented the contributory user as the third behavioural category. This user category
10
includes actions such as creating, posting, and publishing content for other users. Therefore,
gratifications for this category may include the intentions of fame-seeking, identity-creation,
Next to that, publishing on TikTok supports users' “creativity, self-expression and […]
experimenting with their identity” (Bucknell Bossen & Kottasz, 2020, p. 472). These factors
could be explained with theories that establish two different motivations to publish on
TikTok. First, there is intrinsic motivation which is used when a person is interested in “doing
something for its own sake” (Reiss, 2012, p. 152). This kind of motivation is used when users
publish TikTok to create and experiment with their own identities. The other type of
motivation is called extrinsic motivation. This is used if there is a reward for certain activities
(Reiss, 2012). Connected to social media, there are several rewards for performing activities
acknowledged in the form of likes and views on a published video or comments (Bucknell
Focussing on TikTok’s creators, the study of Yao (2021) found out that the design of
“possible for every user to become famous” (p. 297). Other research discovered that seeking
attention is another motivation to contribute to and create TikToks (Omar & Dequan, 2020;
Bucknell Bossen & Kottasz, 2020). On the one hand, Bucknell Bossen & Kottasz (2020)
mentioned that young adults are craving attention and social recognition. Moreover, becoming
famous is now more important than ever as “young people today are immersed in a world of
celebrity” (Bucknell Bossen & Kottasz, 2020, p. 468). The interest in the value of fame and
becoming famous increased to 40% among adolescents (Uhls & Greenfield, 2012). Being
TikTok famous can be a starting point for influencer careers which is often considered a goal
for young TikTok users (Bucknell Bossen & Kottasz, 2020; Omar & Dequan, 2020). On the
other hand, young people are “intensively preoccupied with their identity development and
11
perform various identity experiments” on TikTok (Bucknell Bossen & Kottasz, 2020, p. 468).
One of the most mentioned motives to publish on social media is the creation of identity and
self-expression (statis et al., 2010). Due to characteristics of the online world, for example
being anonymous, impersonal, or transient, adolescents are more likely to express themselves
compared to their actions in “the real world”, as they face less judgement, humiliation, or
face-to-face encounters online (Odacı & Çelik, 2016). Furthermore, the study of Omar &
Dequan (2020) illustrates that archiving can be a motivation for publishing TikToks.
Therefore, they can remember special occasions of their lifetime and “trace back their
The usage of the social platform TikTok can result in an influence on mental health.
As previously mentioned, several gratification needs can be fulfilled when using TikTok.
Purposes that include entertainment, connecting to others, or escaping from reality, TikTok
can have a positive influence on mental health (Bucknell Bossen & Kottasz, 2020). As Jaffar
and colleagues (2019) reported, the received attention and recognition after uploading on
TikTok boosted users’ self-confidence and mental health. Next to that, the study by
Cauberghe and colleagues (2021) discovered that people in Gen Z are using TikTok to avoid
boredom, stress, and loneliness, especially during the COVID-19 pandemic. Adolescents post
on TikTok to interact and connect with friends and family which makes them feel better
mental health. The study of Weimann and Masri (2020) reported that there are several aspects
of hate speech on TikTok. Next to that, there is other unpleasant content on TikTok like “nude
images of children, child predators, devious algorithms, lack of privacy, and teens bullying
and harassing one another” that increases a negative influence on mental health (Weimann &
Masri, 2020, p. 4). Additionally, the research of Aloui (2021) expresses forms of body
12
shaming and cyberbullying on TikTok leading to “body disaffection, eating disorders and
narcissistic personalities” (p. 553). Especially, women can get attacked on TikTok as they
often receive inappropriately and objectifying comments (Aloui, 2021; Jaffar et al., 2019).
Moreover, the study of Jaffar et al. (2019) collected perceptions of content creators that
received occasionally negative comments and feedback on their content. Hence, the authors
mentioned that addiction and suicide were reported because of TikTok. The study expressed
an example of a young boy that shared his alternative lifestyle which came across For You
Pages of people that were not alike or open-minded, often described as the bad side of
TikTok. Those people insulted him and wrote negative comments which led him to take his
own life. According to Jaffar et. al (2019), TikTok can be “a base for users to bully other
users which leads to depression” (p. 190). Finally, the research of Braghieri et al. (2021)
underlined that social media has had an impact on increased mental illnesses among young
adults in the last few years. If the same deduction also applies to TikTok creators remains yet
to be researched. Next to that, influences of stress were discovered if users of social media are
not uploading frequently after they went viral (Arriagada & Ibáñez, 2020; Rach, 2021).
This study is investigating the possible effects of going viral on TikTok on the mental
expected that participants will mention the feeling of happiness and satisfaction as the
attention of a TikTok blow-up can satisfy the need for social approval and recognition.
However, the usage of TikTok can also generate negative influences on mental health. As
previous studies mentioned, cyberbullying, stress or hate speech can be possible factors to
affect the mental health of creators. Furthermore, insights into the unique features of going
viral on TikTok are expected to provide a better understanding of the phenomenon. Although
several studies already reported on the mental health influence of TikTok usage, this study
awaited.
Methods
In the current study, a qualitative method was applied to provide a detailed overview
of how Gen Z TikTok creators experience a blow-up, with a general focus on the impact of
virality on mental health. Since there is no research yet that focuses on young TikTok creators
whose content went viral and its effect on their mental health, a qualitative method makes
sense to gain a broad overview of the research topic. Principally, to capture different emotions
that define one’s mental health, qualitative research allows vivid discussions to recall certain
Within this study, semi-structured interviews were conducted to assess the influences
of TikTok blow-ups on the mental health of Gen Z creators. Semi-structured interviews can
be characterized as discussions that leave space for participants to answer more than asked for
within the flow of the conversation, as the researcher is able to deepen and expand on certain
topics during the conversation (Boeije, 2009). However, there continues to be a general set of
questions that makes up the structure of semi-structured interviews. However, this method
leaves a place to speak about subjects that extend the horizon of the initial structure which
would not be accessed when conducting a completely structured interview (Magaldi & Berler,
2020). In this case, a semi-structured interview was crucial as mental health can impact
3.2 Procedure
Each participant was sent an online invitation to the interview in form of a text,
including information about the topic, setting, and estimated time of the interview (See
Appendix A). After agreeing, another document with more specific information was sent to
14
the participant which included the structure of the interview as well as a disclaimer about
possible risks and consequences (See Appendix B). Participants got informed about the
contents of the interview and its specific focus on mental health as it is a sensitive subject that
some individuals might want to avoid. Hence, the interviewees were given the chance to
outline themes that they preferred not to be mentioned during the interview. Moreover, before
each interview, the researcher once again, repeated the purpose, procedure, ethical risks and
consequences of the study to make sure that every participant was well informed.
Furthermore, it was pointed out clearly that participants could quit the interview at any
time if they felt the need to do so. Lastly, the participants were informed that they were being
recorded to analyse their answers. Then, participants were asked to give their oral informed
consent right at the start of the recording: Informed consent is a voluntary decision by an
independent individual to participate in an experiment or study after being briefed about its
characteristics, consequences and risks (Ferreira & Serpa, 2018). After the interview started,
each interview was guided by a predefined set of questions that made up the foundation of the
discussion (See Appendix C). The majority of these questions were answered, although often
in a different order. Every participant had a unique story about their TikTok blow-up and
3.3 Participants
the participants were male, while the remaining 13 were female. The noticeable difference
between genders can be explained by the overall gender imbalance of TikTok’s users and
creators since data shows that the vast majority of users are, in fact, female (Statista (C),
2022). Different nationalities were incorporated in this study as well, including German,
Dutch, Italian, French, American and Brazilian. In addition, all interviewees had completed
their high school degree as their highest educational degree. Yet, all participants were
3.4 Sampling
participate, the interviewees needed to be part of Gen Z and, at one point, must have gone
viral on TikTok at least once. Within this study, the action of “going viral” is determined after
receiving a minimum of 100.000 views per one specific post. Since getting in contact with
participants meeting the necessary criteria was rather difficult, the researcher focused on
getting participants within the scope of his personal environment. This method is defined as
convenience sampling (Etikan, 2016). As a result, several students and former students at the
University of Twente were contacted. Furthermore, the researcher was able to use snowball
sampling. Snowball sampling is a method that allows respondents to reach out to other
participants that might meet the criteria, especially when they are not easily accessible
(Naderifar et al., 2017). For example, some of the interviewees were able to provide other
possible participants from their personal environments that were willing to contribute to the
study as well.
3.5 Analysis
information, data analysis was completed. As the semi-structured interviews were recorded,
the first step was transcribing the audio files. Hence, the anonymity of the participants could
be guaranteed as voice, name or other personal information was deleted immediately after the
process of transcribing. Later, the transcriptions were analysed in the programme ATLAS.ti.
As the next step, the transcriptions were re-read to ensure the researcher was familiar with the
data. Afterwards, the process of coding started. Thus, a codebook was created, based on the
structure of the questions that were used in every interview which is known as the deductive
coding approach (See Appendix E). To ensure an extensive analysis, a hybrid approach was
used and, therefore, the coding process was supported by inductive coding which added more
detail to the codebook (Fereday & Muir-Cochrane, 2006). Consequently, five different code
16
groups were created that categorized all the codes. While four of the code groups were
derived from the interview questions, one code group and its codes were made and added to
the codebook in the process of coding. The final step included reviewing the codes. Irrelevant
was conducted to assure the independence of the results. Therefore, 10% of the interviews had
been coded by another independent researcher to calculate Cohen’s Kappa which is calculated
when the data is analysed by more than one peer (Burla et al., 2008). The result of the
calculation was a Cohen’s Kappa of .79, indicating logical and understandable codes for
Results
Five main code groups were created as a result of researching the effects of virality on
TikTok on one’s mental health to optimally showcase the results. The structure that displays
the results was mainly derived from the interview and its coding scheme. The code groups are
presented as followed: TikTok Usage, TikTok Creator, Viral TikTok, Viral Mental Health and
TikTok’s Uniqueness. The first theme, TikTok Usage, expanded on the user behaviour of each
participant. To provide a more detailed overview, the following sub-codes were created:
TikTok Screentime, TikTok Enjoyment and Feeling and TikTok Motivation. The second code
group, TikTok Creator, investigated the respondent’s individual characteristics and their
effects on their posting behaviour, originating the following sub-codes: Content Type, Upload
Amount and Frequency, and Upload Value. Moreover, the third code group, Viral TikTok,
expanded on information regarding the participants' viral TikTok itself, therefore generating
sub-codes such as Viral Context, Viral Statistics, Viral Surprise, TikTok Effort and Feeling
Decreased Views. In addition, the code group Viral Mental Health, created to specifically
investigate the effects of virality on the mental well-being of creators consists of the following
17
sub-themes: Feeling Virality, Feeling Attention, Feeling Comments and Difference Virality.
Lastly, the code group TikTok´s uniqueness summarized and connected statements that
provided background and indicated influences on the creator’s mental health caused by
unique TikTok characteristics. The following sub-codes were created: Anonymous Attention,
regarding TikTok or social media in general. For instance, participants mentioned a gender
difference when it comes to performing actions on TikTok. Particularly, men were observed
to leave negative comments while women often times comment positively. Also, women were
described as far more open and supportive of all types of content on TikTok. Next to that,
many participants stated that they have now new insights into the lives of influencers. Fame
and attention seemed unattainable and utopic. Their view changed when they perceived
virality themselves. As this is not relevant to the outcome of this research, it is not included in
the results section. However, this information does leave room for inspiration in regard to
1. TikTok Usage
The initial step of the analysis was to distinguish the individual use of the social media
platform TikTok by each of the interviewees. To gain more insights into the TikTok habits of
the participants, their screen time was asked: Results of the interview showed that most
participants use the app frequently, usually half an hour to two hours a day while some,
however, used TikTok irregularly. Every participant confirmed that their screen time went up
as they went viral. One participant mentioned: “Yes, for sure. Especially, when getting all the
pop-up messages I was way more often on TikTok.”. One can assume that virality, in this
case, correlates to the release of positive emotions towards TikTok, considering that the usage
their level of enjoyment in regard to the app was asked. Nearly every participant stated that
they enjoy using TikTok. Nevertheless, half of the participants attached a negative
connotation to their TikTok usage, describing it as often considered a waste of time. On the
contrary, one participant expressed that their only enjoyment was recording and uploading
TikTok videos. All in all, the participants reported primarily feeling positive sentiments in
connection to the usage of TikTok, mostly mentioning aspects of retrieving entertainment and
happiness from the app. These answers helped to assess the respondent’s feelings toward
TikTok. As the participants connect overall only positive emotions to TikTok, a significantly
bad impact on their mental health produced by their viral video seemed unlikely. However,
this assumption is based on the experiences of creators that did not, or barely, encountered
negative feedback on the app, which is why there are certain restrictions to this proposition.
Lastly, to assess the participants' user behaviour more deeply, their specific motivation
and personal drive to use TikTok were investigated. As it turns out, most of the interviewees
describe values such as accessible entertainment, distraction, and social connections to be the
perceived purpose of the platform and thus their reasoning behind using TikTok (frequently).
“Yeah, it's like entertainment and in some way, it makes it social with other friends
that I have on TikTok. We can send each other things and then you can find a lot of
humour there.”
Other motives included an increase in sentiments such as inspiration, relaxation, or the ability
to gain approval from others as motivations for the use of the app. These motives display a
healthy relationship with the social media platform which indicates a positive influence of
2. TikTok Creator
Numerous content types can be found on the social media platform TikTok, providing
Respondents that partook in this study displayed preferences as well, particularly in joining
so-called TikTok challenges. Other participants described their content under broader,
categorising terms such as comedy, fashion, football, or motivational content. This shows and
proves the point of previous literature that everyone can get viral with any content.
Through recounting the frequency and number of uploads insight into the intentions
and aspirations of each creator is provided. A significant number of participants uploaded less
than ten videos. However, some also uploaded more than a hundred videos while one
interviewee reported having more than a thousand TikTok videos on their profile. Most of the
participants stated that their uploading frequency is irregular. Only a few respondents stated
they upload weekly or monthly. One participant, in particular, emphasised their daily sharing
behaviour on TikTok. Again, these answers emphasized the assumption that everyone can go
Lastly, respondents were asked about their personal values when publishing videos.
This question was asked to explain their reasoning and motivations behind uploading and
sharing on TikTok. It was commonly mentioned that uploading fulfils the need to inspire, for
instance in fashion or motivational contexts, for example by this participant: “I would say
inspiration. (…) I want to help people as they helped me”. Next to that, a second example is
expressed:
20
“The biggest personal value, I think, is to get feedback from people telling me that the
content actually helps them or motivates them to do certain things like going to the
gym or getting more healthy or getting out of their comfort zone to get more
confidence. I think this is the main value from it”.
Furthermore, comedy and relatability were named as important motives for uploading content
“I think like, it has always kind of been like, even just in real life, like a goal to make
other people laugh and smile. So um, I just, like, when I upload something, I'm like, I
hope somebody can relate to this. I hope somebody's like, laughs at this and that's it”.
Especially social approval was named by nearly all participants as their primary value. One
participant mentioned: “TikTok is for me approval from others, strangers. And it is fun, also
feels good to get compliments”. These answers provided an indication of TikTok’s impact on
their mental health. For example, participants that wanted to inspire and motivate people
experienced a greater positive impact when their video blew up since the video would
therefore fulfil their value to upload on TikTok and could be considered an accomplishment.
The same goes for people that upload to entertain. The acknowledgement of others that share
the same humour gave respondents a significant boost in their mental health. Moreover,
participants who mentioned that social approval is an important value to them when they
upload videos, recall a negative impact if new uploads after their blow-up did not receive the
3. Viral TikTok
To understand the process of virality better, participants were asked to describe the
context of their TikToks, especially the video(‘s) that went viral. While some focussed on
rather personalised content that tries to be motivational and/or relatable for other users, most
of the respondents experienced virality through partaking in TikTok challenges. Since these
21
challenges increase the likeability to go viral, taking into account that they were contributing
to a trend that was already deemed popular and approved by larger audiences.
Moreover, statistical information was retrieved from the respondents to take into
consideration the extent of virality each individual experienced. However, this had no
significant influence on most of the participants. One participant mentioned that the views are
not comprehendible anymore from a certain point on as large numbers of views can no longer
be rationally understood. The majority of the respondents reached 100.000 – 500.000 views
per viral video. Just a few reached 500.000 – 1.000.000 views, while only a small number of
participants reached above one million views. Especially, the participants that reached
millions of views with their viral video, mentioned a bigger impact on their mental health than
The sub-code Viral Surprise refers to the recurring tendency that nearly every
participant experienced a sense of surprise by the sudden attention their upload attracted,
especially since many participants experienced virality only once or on one minimal occasion
“It was. Yeah, it was super surprising because I think I posted it like before going to
bed. Like back then, now I get a little more views, which is still, like, nothing. But back
then I would get like 20 views maybe, like just my friends. And like, I woke up and
there were like already, like 1000s of views and I was super surprised. Especially in
this video. I feel like I've made better videos. This was like made in one minute, with
no effort. I was very surprised. I was like, why do people like this video out of all of
them?”.
22
Some participants referred to their knowledge of social media and TikTok and therefore stated
that, based on their experience and observations of trends, they were able to predict the
“Especially with these videos, I just knew that they would go viral. I sensed this
somehow because I have seen other videos that were like this and went viral. This is
exactly what the algorithms pushed. And therefore, I expected this”.
The outcome of this sub-category correlates with the impact of virality on mental health.
Participants that did not expect the virality were more positively impacted than interviewees
Respondents were also asked if their effort and input into creating TikTok content
after experiencing virality increased. While some participants emphasised that they did not
necessarily care, the majority of the respondents expressed to have put more effort into
“Because once I saw that people enjoy what I publish and it was possible to get views
and also, of course, the attention and to also grow your account with a following.
Then I started to put in more work and publish more videos “.
Some of the participants who put more effort into creating TikTok content experienced stress
during the process. While some interviewees explained that they stressed the quality of the
video, which resulted in feeling emotions of unsatisfaction and therefore never uploaded
content again. Others were able to attract an income through their TikTok content, in which
the financial incentive and resulting reliability were the cause of stress.
“I think I'm a bit of a perfectionist sometimes. So, if I would try to create more
TikToks, I would want them to go viral as well. Because otherwise, I don't know, it
would feel sort of out of balance or like, as if the others would like to be familiar. And
there is I don't know; I don't think I would have been I would enjoy making TikTok’s if
23
they weren't on the same level of virality as the one that's currently up. So, it sort of
hinders me from making TikToks “.
While experiencing stress during the process of trying to go viral again has a negative
influence on mental health, putting effort into creating TikToks after the blow-up, on the other
hand, indicates positive influences like social approval, recognition or enjoyment which was
initially caused by going viral and becomes a need for the participants which they strive to
experience again.
experiencing decreasing views on content that was uploaded after experiencing vitality.
Consensus in responses was found. In fact, all participants stated that their emotional state
was negatively impacted and expressed to have felt sad and disappointed:
“Especially, after once or twice a video gets viral and you know what this makes you
feel and you know what is possible, you kind of lose a little bit feeling of also like of
the amount of views and what is actually nice and good for yourself. And once the
video has over 100, 200, 300,000 views or even over a million views, videos that have
20, 30, or 40,000 views, which is still a lot but feel not that good anymore, because
you feel like you could have gone better and could have gotten more views. And that
just makes you feel very, very bad”.
Nevertheless, as going viral on TikTok can recall positive emotions, failing to achieve it again
Furthermore, to assess the general state of mental health of the participants during and
after experiencing virality, additional questions regarding possible effects caused by the so-
called TikTok blow-up were asked. In fact, the emotional state while blowing-up was
24
reflected upon. Overall, a large majority of the respondents expressed have felt happy when
“When there's a video that gets thousands, or millions of views and lots of comments
and likes, you just feel a certain rush and way that just makes you smile and feel good
for certain moments. And once you feel this kind of rush, you want to feel it again and
again. And this then also has an impact on videos that don't go viral because you feel
less good about them”.
Some respondents even describe it as experiencing “a rush of happy hormones going through
their body” when they realised that their video went viral:
“With the first video, it was like my phone was blowing up. Then you have something
like a wow-moment. It is almost like someone rams a dopamine syringe into your
arm”.
In addition, many participants also stated that the effects of the virality permanently decreased
over time.
“I think it lasted as long as the TikTok grew. So, at some point like for a couple of
days it kept. I kept receiving likes and like views. And to that point, it was interesting.
But as soon as that sort of dropped, I think I was over it as well. So, it just lasted for
the days that it got attention, I think, to be honest. And then afterwards, it became
normal, not really something special. Whether I did feel proud, somehow, like I liked
showing it for example, with people I'm close to and like showing that I went viral“.
However, despite the weakening effects of virality, a few participants were particularly clear
in emphasising the lack of influence the process of going viral on TikTok had on their well-
being and identity. For instance, one participant mentioned: “I have had social media for a
long time, and I always try to distance myself from that. I mean that I do not want to build my
To investigate more deeply the effects of virality on the mental health of TikTok-
25
creators, all participants were asked about the impact of the general attention that was
received through the process and with that, the increased possibility of getting judged by
fellow users. Results, however, showed that the respondents’ opinions were rather balanced.
Some participants said to not have cared about the increase of attention or the idea of
“I think so, probably. Everybody's always judging, and everybody has their opinions.
But personally, I don't care about that at all. I'm a very confident person. And I very
much just believe in like, me, my abilities, and like, my close friends and family and
any other like people that I don't know, or whatever, that are not close to me, doesn't
really matter. So yeah, that doesn't really affect me”.
On the contrary, other participants specifically mentioned that they liked the attention as it
stimulated sentiments such as social approval and recognition while also fuelling their
motivation to produce more content. For example, one participant expressed: “I think it's just
motivating. You know, like, if people liked it once, then they'd like it again”. Nonetheless,
some participants explicitly stated that they disliked the attention. Instances of a negative
impact were, for example, that strangers recognized participants in real life, causing them to
feel uncomfortable.
“I'm a very sensitive person, you know, especially to like criticism. (…) I sometimes
get a bit nervous that I'll be judged for something that I find funny and other people
don't find funny. And I do have to consider, like, political correctness and how people
react to things, or else I will be, you know, there's cancel culture. So, I think that is
always in the back of my mind before I post something. And I do get scared that
people will judge me”.
Moreover, participants were questioned about the effects of positive and negative
comments on their mental health. Each respondent agreed that positive comments made them
“I was really happy about the comments. Because something I was really insecure
about was sort of reacted upon by a lot of people very positively. Like, the comments
were really nice. (…) It made me feel a lot better about myself. And about something I
was insecure about, it made me feel less insecure, especially at that moment”.
Some respondents put emphasis on the social approval they gained through positive
comments on their viral videos. For instance, in some cases, encouragement was given in
“They said that the trick was useful and cool. This was my intention to help people. It
was also nice to also see compliments for my dress and lipstick, therefore you feel kind
of validated”.
Next to that, participants were naturally questioned about the impact of negative comments
they received on their viral TikTok as well. Fortunately, the majority of the participants did
not get any or expressed that those had little to no impact on them.
“You know, in the end, it doesn't really affect me at all. Because I know it's just a
stranger on the internet, I don't really know this person. And that I shouldn't value an
opinion, especially a negative opinion from someone I don't know too much”.
However, a few respondents did express that they expect to feel impacted if they were to
“Like even a couple of comments, like if there would have been like two really nasty
comments, those would have affected me. And I think the negative comments always
outweigh the positive comments, so they always stick more. So yeah, I think that was
kind of a risk that I took because I know that if it would have gone the other way, it
would have made me feel really bad about myself. And like, it would have I would
have deleted the video for sure”.
In fact, there were a few cases where respondents reported comments that made them feel
angry. For instance, unprecedented political positions or specific insults towards for example
“I think if I was in the video I would not care so much. But I could not stand it that it
was about my little brother. I was really upset and really close to deleting the video.
(…) Also, these comments received hundreds of likes and then I felt really bad”.
from their viral videos. Where nearly every female participant received inappropriate
comments or messages, male creators did not. Naturally, the affected female creators
expressed discomfort when receiving tasteless, vulgar comments. Usually, it was ridiculous
comments or private messages, one participant mentioned this as an example: “I got dm’ed by
some people that wanted photos for money. That is really, really uncomfortable”.
experiencing virality on TikTok, and how it affected them personally. Nearly all participants
expressed to have felt a boost of confidence after their video went viral.
“Like I think TikTok, social media in general, was the reason that my self-confidence
is where it is now. That it's like developed a lot because as I started, I was a very shy
person and just changed, changed while uploading the videos and also getting
recognized on the internet. And this helped a lot”.
5. TikTok’s Uniqueness
effects on their mental health. Especially, the fact that TikTok algorithms offered participants
new ways to share content impacted their mental health positively. Because the attention was
received by strangers, some participants mentioned a high level of comfort with the app. They
were able to share TikToks that reveal sensitive and personal content. Publishing videos to
strangers that can relate to the content inspires or encourages them to offer help and tips,
“You're a lot more anonymous, and it allows you to post more. Also, like, sensitive
stuff and like personal stuff. Because it's a lot more private. And yeah, that's kind of
nice, too. Because you're sharing stuff that people can relate to you without having to
tell people that you know”.
Next to that, anonymity makes them “feel safe” on TikTok and less vulnerable to negative
comments. Some participants received negative comments but mentioned that they did not
care about them. Most of them pointed out that the creator of the negative comment is
unknown and therefore does not have an impact on their mental health. Some interviewees
added that this would not be the case if family, friends, or other acquaintances would react
“You know, in the end, it doesn't really affect me at all. Because I know it's just a
stranger on the internet, I don't really know this person. And that I shouldn't value an
opinion, especially a negative opinion from someone I don't know”.
were asked if they would upload their TikTok content on comparable platforms such as
Instagram. Nearly all respondents expressed disfavour towards uploading TikTok content on
Instagram. Some argued that TikTok clips do not fit their content standard on Instagram, as
they are “not perfect enough”, as stated by one of the participants. TikTok was characterized
by the participants as an “authentic” and “comfortable” platform, leaving space for various,
sometimes even “raw” and “honest” content. On the contrary, Instagram was often described
as having a judging audience, as the respondents explained that their Instagram following
consists of people that they know personally, like friends, acquaintances, parents, or other
relatives, making some participants anxious to post more authentic and private content.
29
Moreover, a few respondents stated that it is even more fun to create for strangers than for
“On TikTok, you are definitely more anonymous. Although I have the same username
on Instagram and TikTok, I know the video reaches people that do not know me. With
Instagram, you know that especially your followers will see the video. Then I do not
have motivation. Then I see less value. TikTok is an entertainment platform while
Instagram is more serious”.
These unique characteristics allow users to share without having anxiety about getting judged
by followers they know, leading to reduced impact of negative comments on mental health,
for example.
“I just think that I feel safer on TikTok because I don't really know who follows me on
TikTok and whenever people liked my TikTok I'm like, you follow me? I do not really
want that everyone that follows me on Instagram, seeing or even commenting on my
TikToks“.
Some interviewees mentioned different sides of TikTok where their content appears.
The “good side” implies an audience of like-minded people that support and can relate to the
content, the bad side stands for an audience that has a controversial and contrary opinion.
These different sides have a big impact on mental health as participants realised a positive
impact when being on the good side and a negative impact on the bad side. For instance, a
few participants mentioned that they “landed on the good side” and received only positive
feedback. Some of them added that they were thankful for “not ending up on the bad side” as
negative comments then would impact their mental health a lot. One participant even
mentioned that their TikTok upload landed on the bad side, resulting in people
negative influence on the creator’s mental health. When being asked if their TikTok landed on
the wrong side, the participant replied: “Yes, of course. Definitely. Some people landed there
30
that had somehow a really different opinion. I did not accept it and felt uncomfortable. Then,
Discussion
The goal of this study was to investigate the effects of TikTok virality on the mental health of
Gen Z creators, answering the following research question: “How does a TikTok blow-up
As reported previously, the first code group investigated the TikTok usage of the
participants specifically. Connecting the results of this topic, context is provided as to why
participants experience emotions of happiness when using the social media platform TikTok.
Next to that, indications of their perceived impact on mental health could be made. For
instance, as participants reported positive emotions and sentiments when using TikTok,
positive influences on the mental health of the creator that experienced a TikTok blow-up can
be assumed. In fact, a predominant number of creators actually got inspired through the
consumption of content first and eventually felt motivated to publish. All participants were
well-experienced with the app and the process of going viral, which presumably has a
concrete influence on the emotional distance some participants choose to keep to TikTok or
social media in general. Therefore, some participants were not significantly impacted by the
experience of sudden virality. However, mostly positive emotions can be indicated as every
participant confirmed an increase in usage of the app during experiencing virality as it might
The second code group, TikTok Creator, provided specific information on the
and upload frequency are considered rather versatile. These results demonstrate that going
viral on TikTok is not bound to any specific strategy, therefore supporting the literature of
31
Yao (2021) that describes TikTok’s algorithms and how it provides the opportunity for
everyone to go viral and/or be considered famous. However, some participants mentioned that
they took part in challenges and trends which might have increased their likeability of going
viral, as, for instance, Weimann & Masri (2020) described previously. Next to that,
participants mentioned their personal values when uploading TikToks. Especially when
virality was achieved with content that reflects the values of a respondent, the positive impact
on mental health was more concrete and noticeable. This can be traced back to the previous
mentioned intrinsic motivation that satisfied the creators as their succeeded and therefore,
could boost the good feeling of going viral (Reiss, 2012). For instance, participants that
wanted to inspire and motivate their audience felt happier and fulfilled when they reached
their goal with their viral video. On the other side, participants that did not reach their value
additional assumption can be made that those interviewees with a high upload amount and
frequency perceive high pressure to go viral again due to an increased aspiration of reliving
virality.
The next code group, Viral TikTok, highlights the content of the videos that went viral.
Remarkably, the impact of going viral correlated with the perception of the viral video. The
perceived impact, like excitement and happiness, increased when participants did not expect
the virality of the video. However, participants did refer to negative emotions, such as stress,
when trying to achieve virality again. Other research confirmed this impact on mental health
before, as the study of Arriagada & Ibáñez (2020) described this for Instagram creators and
Rach (2021) for TikTok creators that are financially dependent on getting viral. Next to that,
virality again. These respondents were able to identify and confirm a negative impact on their
The code group Viral Mental Health directly investigated the process of going viral in
32
relation to mental well-being. First, the effects and emotions participants experienced while
their TikTok went through the process of going viral were investigated, which showed a
positive impact on their mental state while their video was going viral. Therefore, studies such
as Jaffar et al. (2019) which reported that the received attention and recognition from a
TikTok blow-up positively boosts users’ mental health, are supported. Furthermore,
literature as well (Jaffar et al., 2019). Nevertheless, some participants attached importance to
their distance from social media which can possibly be connected to the level of education of
the participants as they have an enlightened and healthy attitude towards social media.
Moreover, participants describe the impact that comments have on mental health. For
instance, positive comments and compliments had a short but positive influence on mental
health. Nevertheless, negative comments were rarely found, making it difficult to draw a
direct comparison between the two contrasting types of comments experienced by the same
creator. However, if negative comments appeared, they did have a negative impact on
participants' mental health in some of the cases. Remarkably, some participants emphasized
their purposeful distance from social media and to opinions of strangers online, which
dampens the potentially negative effects on mental health. Therefore, cyberbullying or hate
speech that was discovered by other research, could not be confirmed (Aloui, 2021; Weimann
& Masri, 2020). One can assume, that this specific action can presumably also be connected
to their high educational degree since they were thought to strategically reflect. Additionally,
this was noticed as some participants did not care about the attention that they received
through the process of going viral. Nonetheless, participants expressed enjoyment as well as
comments as well, which had a significant negative impact on their mental state. During this
study, only female participants reported receiving inappropriate messages from users that
33
likely discovered them through their viral content which was featured in previous studies as
The last code group dealt with the unique characteristics of TikTok that indirectly
influenced the creator’s mental health or provided background to the emotions some
participants felt. For instance, the fact that attention was received from strangers instead of
individuals who are part of one’s social group made participants feel safe and less vulnerable
to negative comments. Their impact would be considered less meaningful. The safety within
anonymity in social media was expressed by the study of Odacı & Çelik (2016) as well. Next
to that, the perceived anonymity allowed freedom for participants to expand their boundaries
and remove themselves from their comfort zones since respondents did not experience as
much judgement compared to the offline world or even reality in general. Nearly all
participants were afraid to post comparable content on other popular social media platforms,
like, for example, Instagram, where family, friends and acquaintances would potentially see
the content and possibly express judgemental opinions or disapproval towards it. Participants
emphasized that the opinions of their close ones have far more meaning to them personally.
The impact of their reaction to their TikTok content is considered to have significantly more
value. Lastly, participants often mentioned the good and bad sides of TikTok, which refers to
the degree of relatability one’s audience experiences based on the viral content that is
uploaded. The good side of TikTok equals high relatability. As one participant described the
lack of control when uploading videos and therefore being unable to manage who gets to see
their content, others expressed their fondness as the algorithm brought their upload to the so-
called good side of TikTok which consists of like-minded users. This observation underlines
the significance of TikTok’s algorithms and how it has the power to impact the mental well-
being of TikTok creators. In particular, the bad side of TikTok probably has an impactful
Although this study is one of the first research projects about virality among Gen Z on
TikTok and can be classified as rather novel due to its emphasis on the mental health of young
creators, some limitations must be outlined to determine the reliability of the outcome.
First of all, a lack of literature in relation to TikTok as a platform, its elements and the
concept of virality made it difficult to categorize, classify or relate the results of the study
with comparable research. For instance, as the study of Montag et al., (2021) expressed, many
studies that deal with motivations behind TikTok, use the gratifications theory to back up their
research as well. However, this theory is too broad and old for new social media platform,
such as TikTok (Montag et al., 2021). Moreover, the used sampling methods caused that the
sample was not reflective of society in general or even Gen Z within society, as 80% of the
participants are female and all participants achieved matching levels of education. It may be
considered valuable if results might differ with participants that have lower educational
statuses. Especially, the healthy attitude and distance to social media might deviate from those
individuals with other educational levels. Moreover, the qualitative outcome of the research
may be considered partially one-sided due to its heavy emphasis on the positive effects of
virality on mental health. The sample failed to represent content creators that experienced
severe negative consequences. Although most of the participants expressed resilience and
characteristic for Gen Z as this generation grew up accustomed to technology and social
media. Therefore, this may not accurately reflect the generation in its entirety. Furthermore,
one can investigate the academic relevance of other age groups, such as Millennials or
younger generations, and their interpretation of the effects of virality on TikTok in future
research, in order to ensure a carefree TikTok usage for all age groups. The same applies to
the representation of nationalities as well, due to the fact that, although the research included
participants from North America, Brazil, Italy, France, and The Netherlands, by far the most
35
participants were German. Also, respondents that were not German, study in The Netherlands.
Hence the suggestion that upcoming studies must obtain insights from other nationalities as
there might be cultural differences in perceiving attention and judgement from strangers.
Although it is not proven to have a direct influence on one's mental health, a lot of
respondents have expressed that they would not upload their TikTok content on Instagram.
Nearly every interviewee stated significant differences between the two social media
platforms, which creates further possibilities to elaborate upon in additional research. Also,
the fact that participants agreed to share their content with potentially thousands of
anonymous people on TikTok while being ashamed to show the same video on Instagram at
Finally, practical implications for further research designs can be made. First of all, to
get the most detailed description of participants’ feelings, a journal study could add more
detail as it helps individuals to reflect and spend more time and thoughts on their answers
(Annink, 2017). Unfortunately, the journal study should be conducted during or shortly after
participants should have a fresh memory of the incident to provide detailed insights. For
instance, some participants could not recall certain memories in this study as the process of
going viral was too long ago. Next to that, journal studies might help with the assumption that
participants might give dishonest answers when speaking about the negative impact on their
mental health. Especially mental health is a sensitive topic and not easy to be confronted.
Therefore, anonymized data collection, also in form of journal studies, might be more suitable
Conclusion
This study investigated the mental health of Gen Z creators during and after the
experience of going viral on TikTok. The effects on the mental health of Gen Z creators
36
caused by a viral TikTok video can be categorized into short-term and long-term effects. The
short-term effects were that participants felt happiness due to the high amount of attention and
notifications that were received. Furthermore, the effect of comments, positively as well as
negatively connotated, was temporary as the participants did not attach importance to the
opinion of strangers and if they did, the impact was expressed to be manageable and
temporary. However, the long-term effects of TikTok blow-ups on the mental health of Gen Z
creators are mostly connected with the gained following by the viral video. Some participants
felt a need to experience the virality again, leading to disappointment and a bad influence on
mental health. Also, inappropriate messages had a long-term impact as the creators of these
messages discovered them during the viral video but stayed as a follower and therefore had a
prolonged effect on the creator’s mental health. Yet, more positively, another long-term effect
was boosted confidence and approval due to positive feedback from others. Nevertheless, the
social media platform TikTok is still academically undiscovered. Future research could be
conducted to provide a more representative sample of society as different age groups, cultures
or education levels could be included. Next to that, another research design, like journal
studies, could be used to get more detailed and honest answers. Moreover, this study offered
many opportunities to further investigate the suggestions that were mentioned during the data
collection, for instance, the anxiety of uploading the same content on Instagram that was seen
by thousands of TikTok users. Although participants’ mental health was not heavily
negatively affected, the bad side of TikTok might still be dangerous for other creators.
Therefore, all these suggestions and implications should be considered and reflected upon
References
Aloui, A. (2021). The impact of 15 seconds on algerian users. Annals of Guelma University
guelma.dz/jspui/handle/123456789/11472
Anderson, K. E. (2020). Getting acquainted with social networks and apps: It is time to talk
2020-0001
Annink, A. (2017). Using the research journal during qualitative data collection in a Cross-
https://doi.org/10.1515/erj-2015-0063
Arriagada, A., & Ibáñez, F. (2020). “You need at least one picture daily, if not, you’re dead”:
Content creators and platform evolution in the social media ecology. Social Media +
Braghieri, L., Levy, R., & Makarin, A. (2021). Social media and mental health. SSRN
Bresnick, E. (2019). Intensified play: Cinematic study of TikTok mobile app. University of
https://www.academia.edu/40213511/Intensified_Play_Cinematic_study_of_TikTok_
mobile_app?auto=citations&from=cover_page
Bucknell Bossen, C., & Kottasz, R. (2020). Uses and gratifications sought by pre-adolescent
https://doi.org/10.1108/yc-07-2020-1186
Burla, L., Knierim, B., Barth, J., Liewald, K., Duetz, M., & Abel, T. (2008). From text to
https://doi.org/10.1097/01.nnr.0000313482.33917.7d
38
Bursztynsky, J. (2021, September 27). TikTok says 1 billion people use the app each month.
reaches-1-billion-monthly-users.html
Carr, C. T., & Hayes, R. A. (2015). Social media: Defining, developing, and divining. Atlantic
https://doi.org/10.1080/15456870.2015.972282
Cauberghe, V., van Wesenbeeck, I., de Jans, S., Hudders, L., & Ponnet, K. (2021). How
adolescents use social media to cope with feelings of loneliness and anxiety during
250–257. https://doi.org/10.1089/cyber.2020.0478
Dunne, I., Lawlor, M., & Rowley, J. (2010). Young people’s use of online social networking
https://doi.org/10.11648/j.ajtas.20160501.11
Fereday, J., & Muir-Cochrane, E. (2006). Demonstrating rigor using thematic analysis: A
https://doi.org/10.1177/160940690600500107
Ferreira, C. M., & Serpa, S. (2018). Informed consent in social sciences research: Ethical
https://doi.org/10.11114/ijsss.v6i5.3106
Hellemans, J., Willems, K., & Brengman, M. (2021). The new adult on the block: Daily
active users of TikTok compared to facebook, twitter, and instagram during the
39
https://doi.org/10.1007/978-3-030-76520-0_10
Hou, L. (2018). Study on the perceived popularity of TikTok. Bangkok University, 1–73.
http://dspace.bu.ac.th/handle/123456789/3649
https://doi.org/10.3758/s13428-017-0984-5
Iqbal, M. (2022, May 4). TikTok revenue and usage statistics (2022). Business of Apps.
Jaffar, B., Riaz, S., & Mushtaq, A. (2019). Living in a moment: Impact of TicTok on
Katz, E., Blumler, J. G., & Gurevitch, M. (1973). Uses and gratifications research. Public
LeCompte, D., & Klug, D. (2021). ‘It’s viral!’ - a study of the behaviors, practices, and
https://doi.org/10.48550/arXiv.2106.08813
Ma, Y., & Hu, Y. (2021). Business model innovation and experimentation in transforming
382–388. https://doi.org/10.1017/mor.2020.69
3_857
Meng, K. S., & Leung, L. (2021). Factors influencing TikTok engagement behaviors in
https://doi.org/10.1016/j.telpol.2021.102172
Montag, C., Yang, H., & Elhai, J. D. (2021). On the psychology of TikTok use: A first
https://doi.org/10.3389/fpubh.2021.641673
Naderifar, M., Goli, H., & Ghaljaie, F. (2017). Snowball sampling: A purposeful method of
https://doi.org/10.5812/sdme.67670
Nahon, K., & Hemsley, J. (2013). Going Viral (1st ed.). Polity.
Odacı, H., & Çelik, I. B. (2016). Internet dependence in an undergraduate population: the
roles ofcoping with stress, self-efficacy beliefs, and sex role orientation. Journal of
https://doi.org/10.1177/0735633116668644
O’Day, E. B., & Heimberg, R. G. (2021). Social media use, social anxiety, and loneliness: A
https://doi.org/10.1016/j.chbr.2021.100070
Omar, B., & Dequan, W. (2020). Watch, share or create: The influence of personality traits
https://doi.org/10.3991/ijim.v14i04.12429
Reiss, S. (2012). Intrinsic and extrinsic motivation. Teaching of Psychology, 39(2), 152–156.
https://doi.org/10.1177/0098628312437704
41
Scherr, S., & Wang, K. (2021). Explaining the success of social media with gratification
niches: Motivations behind daytime, nighttime, and active use of TikTok in china.
https://doi.org/10.1016/j.chb.2021.106893
Shao, G. (2009). Understanding the appeal of user‐generated media: A uses and gratification
https://doi.org/10.1108/10662240910927795
Sladek, S., & Grabinger, A. (2014). Gen z: Introducing the first generation of the 21st
content/uploads/2018/08/GenZ_Final-dl1.pdf
Statista (A). (2021, November 29). Instagram, snapchat, and TikTok: Gen z weekly usage in
https://www.statista.com/statistics/1278136/instagram-snapchat-tiktok-weekly-usage/
Statista (B). (2022, May 31). TikTok usage distribution in the U.S. 2022, by age. Statista.
age-gender-reach/
Statista (C). (2022, May 5). TikTok: Distribution of global audiences 2022, by gender.
https://www.statista.com/statistics/1299785/distribution-tiktok-users-gender/
Uhls, Y. T., & Greenfield, P. M. (2012). The value of fame: Preadolescent perceptions of
Weimann, G., & Masri, N. (2020). Research note: Spreading hate on TikTok. Studies in
Yu, J. X. (2019). Research on TikTok app based on User-Centric theory. Applied Science and
Zeng, J., Schäfer, M., & Allgaier, J. (2020). Reposting “Till albert einstein is TikTok
Appendix
Dear …,
I am a communication science student at University of Twente, and I need your help to finish
my bachelor thesis! I study the effects of going viral on TikTok on mental health and
therefore, I would like to interview you online. Do you have time in the next two weeks to
answer some of my questions? It only takes about 30 to 45 min. I will provide you with more
information soon, but you would really help me to graduate. Thank you!
Important to know:
You can stop the interview at any time. You are not obliged to participate or to answer every
question. Mental health can be a sensible topic which is not always easy to talk about.
Please tell me if something is uncomfortable. Also, you can inform me beforehand if there
are topics that we should not talk about.
Still questions?
If you have any questions, please be free to contact me. Below you can find my details. I am
looking forward to our interview.
General information/Demographics:
- What is your gender?
- What is your age?
- Where are you from?
- What is your educational degree?
- What is your profession?
About TikTok usage:
- Are you using TikTok?
- How long are you using TikTok per day?
- Did the usage increase during the process of going viral?
- Do you enjoy using TikTok?
- What feeling do you get when using TikTok?
- What motivates you to use TikTok?
Focussing on creating TikTok’s:
- What type of content do you create?
- How many videos did you upload so far?
- In what frequency do you upload TikTok videos?
- What personal value do you get when publishing videos?
- Would you publish your content on other platforms? For example, Instagram?
Focussing on TikTok going viral:
- What was your video about? What was the setting and context?
- Do you know how much views, likes and comments this video received?
- Was the blow up a surprise or did you expect it?
Effect on mental health:
- What feeling did you get when you saw that the video went viral?
- What feeling did you get when knowing that strangers are looking/judging at your
video?
- Did you receive compliments or other positive comments? How did it make you feel?
- Did you receive any hate speech? How did it make you feel?
- Did you receive comments or messages that seemed inappropriate? How did it make
you feel?
- After your TikTok blew up, did you put more effort into creating TikTok’s?
- If you created more TikToks, did the views decrease? If yes, how did that make you
feel?
- Have you ever thought how it would be to get viral again?
- Do you think you stressed yourself to get viral again?
- Did you recognize any difference in yourself, comparing before and after getting
viral?
45
Cohen’s Kappa
Code Cohen’s
Kappa
Appendix E: Codebook
Codebook
Code Sub-Codes Definition Example Kappa
1. TikTok Usage 1.1 TikTok Screentime Refers to daily screentime Oh, I would say 30 minutes to one hour a 0.814
average of TikTok app. day.
1.2 TikTok Enjoyment and Refers to emotions that are Yeah, I love it. It’s so fun.
Feeling experienced while using
TikTok.
1.3 TikTok Motivation Refers to motivation to I mostly use it for entertainment and when I
open TikTok have to distract myself.
2. TikTok Creator 2.1 Content Type Refers to type of content It's basically about motivational fitness 0.798
that the participant creates content.
on TikTok.
2.2 Upload Frequency and Refers to the frequency I uploaded two videos.
Number and number of uploads on
TikTok.
2.3 Upload Value Refers to perceived value I would say that that I want to inspire people.
when uploading videos.
3. Viral TikTok 3.1 Viral Context Refers to the context and So, I'm insecure about my nose. And the 0.869
setting of viral TikTok. challenge really played into that. So, I felt
like I could participate.
47
3.2 Viral Statistics Refers to views, likes and Right now, it has 31.7 million views, 2.8
comments of the viral million likes and around 8.000 comments.
video.
3.3 Viral Surprise Refers if the viral video At the beginning, it was definitely a surprise,
was surprising. because I just started to TikTok account to
get a little bit out of my comfort zone and do
something new, and not with the purpose to
go viral.
3.4 Viral Effort Refers to increased effort I posted a lot more videos, but my effort
into creating TikToks. never changed.
3.5 Feeling Decreased Refers to feelings that were Because you feel like you could have gone
Views perceived when views better and could have gotten more views.
decreased. And that just makes you feel very, very bad.
4. Viral Mental 4.1 Feeling Virality Refers to feeling during I was so happy when I saw it had that much 0.751
Health the process of going viral. likes.
4.2 Feeling Attention Refers to the perception of No, I actually never thought about it. I don’t
strangers’ attention. really care.
4.3 Feeling Comments Refers to feelings that were They made me feel like I was doing the right
influenced by comments thing. Especially, if I can inspire people.
on viral TikTok.
4.4 Difference Virality Refers to perceived It’s definitely made me more confident.
difference in mental health
comparing before and after
virality.
48
5. TikTok’s 5.1 Anonymous Attention Used when participants You're a lot more anonymous, and it allows 0.719
Uniqueness spoke about attention of you to post more.
strangers.
5.2 Instagram Upload Used when participants On Instagram I know who follows me that’s
spoke about a possible why I wouldn’t upload it there.
Instagram Upload.
5.3 Sides Of TikTok Used when participants Some people landed there that had somehow
referred to both sides of a really different opinion. I did not accept it
the TikTok algorithm. and felt uncomfortable. Then, I deleted the
video”.
49
END