Local Media8972657404378201306
Local Media8972657404378201306
Local Media8972657404378201306
Unit 3
Visual Design Elements and Principles
“Every child is an artist. The problem is how to remain an artist when we grow
up!” Pablo Picasso
What if you had the keys to artistic kingdom? With each of these essential for making
art, that is exactly what you have. Understanding and applying the building blocks of art (or the
elements and principles of art as they are often called) is what takes an artist from beginner to
master.
In order to understand, deftly critique, and practice your chosen art form you need to
know the key concepts that it is built upon. Familiarity with elements of art like color and line and
principles of arts (proportion, rhythm, and contrast among others) is what gives artists that
fluency. With your knowledge of these, you will always be able to find the joy and excitement
that can surround art…and for lovers there is nothing more appealing than that.
Learning Outcomes
Pre-test
Direction: Select the correct answer and write it to the space given beside the item
number.
4. When the two sides of a work of art are “weighed” equally the art work has…
A. Unity C. Balance
B. Repetition D. Contrast
7. Repetition is when…
A. The same elements is used several times in a work of art
B. The same elements is used once in a work of art
C. The same element is used only in the center of the work of art
D. One element is the only element used in all of the art work
8. Emphasis is when…
A. All parts of the art work look good
B. One part of the art work is better than the rest
C. One part of the art work is dominant and draws the eye
D. One part of the art work is unique and defines the artist
11. What colors are produced by mixing two primary colors in varying proportions?
A. Infrared C. Tertiary
B. Secondary D. Ultraviolet
12. A varying mixture of yellow, red and blue make?
A. Brown C. Indigo
B. Green D. Orange
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13. Which line conveys a feeling of movement?
A. Curve C. Horizontal
B. Diagonal D. Vertical
It is the stylistic features that are included within the art piece to help the artist
communicate. The elements of art are components or parts of a work of art that can be isolated
and defined. They are building blocks used by artist to create a work of art. When analyzing
these intentionally utilized elements, the viewer is guided towards a deeper understanding of the
work.
The seven most common elements include line, shape, texture, form, space, color and value:
1. Line- a line is an identifiable path created by a point moving in space. It is one dimensional
and can vary in width, direction, and length. Lines often define the edges of a form. Lines
can be horizontal, vertical, or diagonal, straight or curved, thick or thin. They lead your eye
around the composition and can communicate information through their character and
direction.
Horizontal lines suggest a feeling of rest or repose because objects parallel to the
earth are at rest. Horizontal lines also help give a sense of space.
Vertical lines often communicate a sense of height because they are perpendicular
to the earth, extending upwards toward the sky.
Diagonal lines convey a feeling of movement. Objects in diagonal position are
unstable. Because they are neither vertical nor horizontal, they are either about to fall
or are already in motion.
The curve of the line can convey energy. Soft, shallow curves recall the curves of the
human body and often have a pleasing, sensual quality and a softening effect on the
composition.
2. Shape and form- define objects in space. Shapes have two-dimensions- height and width-
and usually defined by lines. Forms exist in three-dimensions, with height, width and depth.
*Shape is a close line. Shape can be geometric, like squares and circles; or organic like
free-form or natural shape.
*Forms are often used when referring to physical works of art, like sculptures, as form is
connected most closely with three dimensional works.
3. Space- Real space is three-dimensional. Space in a work of art refers to a feeling of depth
or three dimensions. It can also refer to the artist’s used of the area with the picture plane.
The area around the primary objects in a work of art is known as negative space, while the
space occupied by primary objects is known as positive space.
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Positive and negative space The relationship of positive to negative space can
greatly affect the impact of a work of art. The space around objects is often called
negative space; negative space has shape.
Three-dimensional space the perfect illusion of three-dimensional space in a two-
dimensional work of art is something that many artists, such as Pieter Saenredam,
labored to achieve.
4. Color- is an element consisting of hues, of which there are three properties ; hue, chroma or
intensity, and value. Color is present when light strikes an object and it is reflected back into
the eye, a reaction to a hue arising in the optic nerve. Color has three main characters.
Hue which is the distinguishable color, like red, blue, green or yellow.
Value describes the darkness of color. Artist use color value o create different
moods. Dark colors in a composition suggest a lack of light, as in a night or interior
scene. Dark colors can often convey a sense of mystery or foreboding. Light color
often described a light source or light reflected within the composition.
Intensity describes the purity or strength of a color. Bright colors are undiluted and
are often associated with positive energy heightened emotions. dull color have been
diluted by mixing with other colors and create a sedate or serious mood.
5. Texture- is used to describe the surface quality of the work, referencing the type of lines the
artist created. The quality of an object that we sense trough touch. It can be tactile (real) or
strictly visual (implied). In two-dimensional work of art, texture gives a visual sense of how
an object depicted would feel in real life if touched: hard, soft, rough, smooth, hairy, leathery,
sharp etc. In the three-dimensional works, artist used actual texture to add a tactile quality to
the work.
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PRINCIPLES OF DESIGN
The principles of design are essentially a set of criteria which are use to explain how the
visual elements are arranged in a work of art. These principles are possibly the closest
thing we have to a set of objective criteria for analyzing and judging art.
1. Balance- It is a distribution of visual weight of objects, colors, texture and space. If
the design was a scale, these elements should be balanced to make the design feel
stable.
2. Emphasis- Is the part of the design that catches the viewer’s attention. Usually the
artist will make one area standout by contrasting it with other areas. The area could
be different in size, color, texture, shape, etc.
3. Movement- is e path the viewer’s eye takes through the work of art, often to focal
areas. Such movement can be directed along lines, edges, shape and color within
the work of art.
4. Rhythm- is created when one or more elements of design are used repeatedly to
create a feeling of organized movement. Rhythm creates a mood like music or
dancing. To keep rhythm exciting and active, variety is essential.
One-beat Rhythm Oblongs repeatedly drawn from one another in similar size with
various warm color on an oversized ground (mural size) exemplifies rhythm in a
simple way or one-beat rhythm.
Alternating Rhythm two geometric shapes painted or drawn on alternating manner
manifest alternating rhythm, like series of square-triangle alternating each other in
different size and position.
Progressive Rhythm the repeated element is manifested in a consistent change. Size
can be good example wherein a series of stars slightly larger than the other is
shown.
Flowing Rhythm is observed as a composition of repeated element in a graceful
movement. The manner of changes still include the sense of consistency but distinct
on a gradual movement, like a flowing liquid above different strength of currents.
5. Pattern- is the repeating of an object or symbol all over the work of art. Elements
that are in repeatedly used like line, color, shape, and texture creates pattern.
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6. Proportion- is the feeling of unity created when all parts (size, amounts or number)
relate well with each other. When drawing the human figure, proportion can refer to
the size of the head compared to the rest of the body. Proportion is identified as
normal and expected.
7. Variety but leading to unity- is the used of several elements of design to hold the
viewer’s attention and to guide the viewer’s eye through the work of art. Variety is
employed in a work of art using opposing or contrasting elements in achieving visual
interest; stimulating movement as often observed in life the “contrast” may be subtle
or obvious but leading to unity.
8. Unity- is the feeling of harmony between all parts of the works of art, which creates
a sense of completeness. The sense of feeling that everything that fits together.
Repetition method of the elements like shape, color, line, etc. It achieves unity in art
by way of consistent repetition.
Through simplicity a single major color, type of shape or an appropriate visual
element can be utilized to unify a work.
Harmony is an approach where the visual elements are related, and may include
medium.
Theme and variation an artwork works around one major element, say a round
shape in appropriate size. The rest of the shapes are similar with major one in
variations, complementing the former.
Learning Activity
Let’s do this!
Directions: Briefly explain the following.
1.
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2.
3.
b) What is movement?
4.
5.
Assessment
Post Test
Flip Book animation
Directions: Create several drawing on index card, which shows movement when
you flip it. (Stick man is not allowed)
For clarification*
A flip book or flick book is a booklet with a series of images that very gradually change from
one page to the next, so that when the pages are viewed in quick succession, the images
appear to animate by simulating motion or some other change.
REFERENCES
What are the Visual Arts?--- Riddett-Moore. (2013). Developing an Arts of Living. Visual Arts Research,
39(2), 116. https://doi.org/10.5406/visuartsrese.39.2.0116
Decorative Arts - Arts & Crafts. (1977). Design For Arts in Education, 79(1), 22–23.
https://doi.org/10.1080/07320973.1977.10744330
Wolf, T. L. (1989). Women Jewelers of the British Arts and Crafts Movement. The Journal of
Decorative and Propaganda Arts, 14, 28. https://doi.org/10.2307/1504026
Mediums of visual art---Kevin M. Tavin. (2010). Sites and Sinthomes: Fantasmatic Spaces of Child Art
in Art Education. Visual Arts Research, 36(2), 49. https://doi.org/10.5406/visuartsrese.36.2.0049
Scott. (2014b). The Art of Brevity. Visual Arts Research, 40(1), 121.
https://doi.org/10.5406/visuartsrese.40.1.0121
Different kinds of drawing---All Kinds of Alkynylpyridiniums: Elusive Salts Now Plentiful. (2018).
Synfacts, 14(05), 0471. https://doi.org/10.1055/s-0037-1609689
Spooner, H. (2016). Embracing a Full Spectrum Definition of Art Therapy. Art Therapy, 33(3),
163–166. https://doi.org/10.1080/07421656.2016.1199249