Doublethink - Joby Talbot
Doublethink - Joby Talbot
Doublethink - Joby Talbot
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Guildhall
Young GUILDHALL
SCHüüL
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Composers
Series EXAMINATIONS
SERVICE
Doublethinh
(1994)
Percussion Solo
Joby Talbot
Editar: Erie Hollis
Examinations Service
Guildhall School of Music and Drama
Barbican. London EC2Y 8DT
IN THE BARBICAN
0171-3827167 LONDON
"DüUBLETHINK"
percussion solo
Suggested layout:
oero-¡jJ/
toms suspended
cyrnbal
snare/O
drum !IJ
~
Ú _
bass
--drum
Duration: 5 mins
This piece consists almost entirely of groups of two and three notes which together make up short
phrases. These phrases are played both forwards and backwards and gradually increase in length
with the addition of more two or three note groups thus:
+2 +3 +2 etc.
As the phrases grow so the rests between them shorten until a 'saturation point' of constant semi
quavers is reached. From this climax the music subsides with a gradual slowing down to the end.
Strict tempo should be maintained throughout (except in bar 86) but the rests should seem like
The first note of each 2/3 note group must be clearly accented and 1 have staffed the notes accord
Sticks required:- wooden xylophone beaters, wooden drum sticks, felt bass drum malleto
,. 4 ...
-6 I
J -:
:; 3
"DÜUBLETHINK"
for percussion solo
JOBYTALBOT
J-so
-
cymbal I
tambourine I
wood
block
snare
drum
·· 5 5 5 5 t7 15
tom-toms
··16
bass
8 16 8 16 8
drum
I I ==== > .
I
1
7
~
I
(xyl. berierS)
·· 5 ~;¡; f=:= 15 5;¡; f=:= 15 5
··
8 16 ~bd::f' > 8 16.bd::f' > 8 16
mi mi
":' "':'
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14
~
I
4
20
~
1
1
·· '7~ ~.fi=:: El 5~ ~ ~ ~ ~ ~ 7
·· 16=::d > ~ > . 8 16=::d >'~ .~ >.~
=::d > =::d 16
meno!
""tJ
26
~
1
1
WB
changetostic~> . > .
::: ..:. :::
::: ..:. . ..:. > . > . > .
~ ~ 6&:[ ~~b6[ 6fb6[
"P P P
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31
> . > ..
5
36
1
snare
ffl fflJjJj 17515 > > > > > >
42
~
1
W.B.
change to > > > >
beaters
U U bbl bbl
"P
· ~ ~ ~. ~
· >'!"~ > . '!"
C:::d
mf
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~
47
~
1
1
·· 5 15 '7 4 ñ 5
· 16 8 16 I -
8 16 8
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mf mf:=====-
6
53
,
,
8 16 8 16
p - 8 16
P
- == 8
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p
~
59
-' (tamb with xyI beater)
,
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5> . 7 ~ ~
:::: ~ == ~t::
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5 4 15
·· >'
16>' ~liI!'
8 16=
p 8 8 8
take B.n. beater fti
in right hand - -- - - - -
pp
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~
65
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,
,
'"" '"" '""
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I
f f
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7
69
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ff > ff
·· :. ~~ ~ r==: 1 h 12 '7
·· ~>~~l::d > 8 16 8 16
>
mp I
~
"'1
~
74
r-'
:" .-~ .-~
•
•
I mI
> . . > . > . ~. . > . ~ .:. .:. :::: .:. > .:.
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ff ff mI
.? 13 El 4 "7 ih El
'16 8 16 8 16 8 16
~
"'4
~
80
r-' ,-...,
• • :-' :-' ::' ::~~
•
mI mp P I I I
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.
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W~ ~~
mp
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··
'16 8 16 8 8 16 16
"
-......;
8
86 rallo _ _ _ _ _ _ _ _ _ _ _ _ a tempo
"'"1
1
... .. ... ... ...
,--..., ,--..., ,--..., ,--..., ~
pp
5 4 5
··· 15
·16 8 8
take B.D. beater ~
"':'
8 J
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J
V
pp
~
......~
~
91
~
1
FFiR
> . . > .
P
·· 5 15 '7~ ~f=:= 14
·· 16~ > ti! >
16 8 p
8
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>
take sticks --====
"
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~
97
r-" tamb ounne
1 >
1
>
"'" "'"
-
bU bJ on snare casing
p
mnn
> . . >. >. ->fflñ
-. . >.
P mp
.4 5 15 '7 14 5 15 '7
··
·8 16 8 16 8 16 8 16
......4
9
104
r-/
I
FFi FFi Ji Ji
··· t7 ~
~p::: 4 á
> .. > .. > . > .
""t.
,..,110
- -J -J ->n ->n-
jrJ
··
··
, "S
mf
14 á -k~ ~ ~ ~ :-1 1:-1
16 l-.l i i > >
8 l-.l
-- 8 4:
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8
mf--
>
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'l
,.., 114
:~ r-.. r-.. r-.. r-.. r-.
I
• • • • •
I
f I I I I I
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··
mf
>
2 á ~ f== á
, f
14
4: 8 16~> 8
16 8
f
1\
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10
119
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I .~.~.~ ~
I
I I I
mp f
,4 ñ~ ~ ~~ ~ ~ ~ ~~ ~ ~ 12
8 8~~~>~> 8 4:!=:bl>~~~ >~
8
J J J J J J J J
f f
np
>
'1
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123
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I
,
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fJ
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, 11ñ~ ~~ ~ ~ ~ 1 ñ lñ "7
,
'8 16~>~~~~ > ~
16 8 16
8.h
~
'1 ff
""",t
128
11
133
'8 16 16
~
137
..,/
1
1
"
.....~
~
141
12
145
>~ f ---==================>
ff
~
148
,../
1 JI""' • • 1""' • .1""' • ,1""' JI""'
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1
f
===
p-=::::
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ff
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- I
~
- -
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~ >
>
16 4:
11
____tJ
~
~150
f _~_~_~~_.
p ==
> > >
~~ 121 5
16
>
* shake tambourine
13
152
~
154
, :::
......-....
,
J J J J J J J J J J J J J J J J J J J JI:'"
(rim shot -lA! on skin)
»»»> »»»»» > > >
ffff possible sfi
·· 11ñ :-l
·· 8 16
"
......~
~
r-/
156
>,.-... >,.-...
,
, • •
1
ffl
-- 15
IJ -===
»>
D IJ-=::
»
D
molto ffff molto ffff
· :-l 19 lñ ñ
··
16 4: 2 4:
ti
""'..
14
159
161
2 sticks
11===-f
~
,..,.163
>~ >~ >~
1
1
• • •
mp
> > > > > >
r r r r r r r r r r r r rrr
3 3 3 3 3
mf
rr> I Ti
3 3 3
> I l
··· r-Í-> > •
· mf ~ ~I I I
3
n - --n - --n - -n - -n -
-- - - - -
mp
"
.....--'
15
165
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I
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> - >
>
-
>
···
>. > > ;. mrhrh
· -tJU-
3
w..r 3 L--3~
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~
L-3~
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mI
= = mI
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~
""'t
~
168
~
,
, -
• nr: iJ. .nn
~ --" - - ~ -
p
··
·
11
-
p- -
- -
-
.......,¡
~
171 fine
>
I ..:.
,
ff
==
ñ 12
···
16 8
J J J J J
- - - - - ff>
pp
11 take xyl. beaters -h">1 . f=:=::
........,¡
sub·ff
-- I >