Humms Creative Writing
Humms Creative Writing
Humms Creative Writing
d. condescending
Question 2
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Select one:
a. Plot
b. Dialogue
c. Setting
d. Character
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d. Plot
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They may be short stories, fables, vignettes, plays, novellas, or novels. Although writers
may base a character on people they have met in real life, the characters and the
experiences that the character faces in the story are not real.
Select one:
a. Drama
b. Non Fiction
c. Poetry
d. Fiction
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The point of view in which the narrator is an all-knowing and all-seeing observer who
tells everything about the characters.(speech, actions, thoughts, and emotions)
Select one:
a. Selective third-person POV
b. Omniscient third-person POV
c. Autobiographical/ first-person POV
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The time and place in which the events of a narrative take place. It can function as a
main force that the characters encounter, such as a tornado or flood, or a setting can
play a minor role such as setting the mood.
Select one:
a. Character
b. Setting
c. Plot
d. Dialogue
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The idea or concept of the author expressed in a concise statement; referred to as the
message of the story, it concretizes the abstract ides the writer wants to impart. This is
called _____________.
Select one:
a. Setting
b. Point of View
c. Plot
d. Theme
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The part of the plot in which the conflict is resolve. It can also be called as the
conclusion. It last part of the plot which gives the story some finality.
Select one:
a. Exposition
b. Rising Action
c. Resolution
d. Falling Action
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The highest point of the story, during which the readers know how the conflict will be
resolved.
Select one:
a. Resolution
b. Climax
c. Exposition
d. Falling Action
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Technique that allows the reader to see the continuous, chaotic, and half-formed
thoughts, memories, senses, images, and reflections that constitutes a character's
consciousness.
Select one:
a. Stream-of-consciousness
b. Flashbacks
c. Symbol
d. Voice
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Recurring image, word, phrase, action, idea, or object that manifests repeatedly during
the course of a story.
Select one:
a. Dialogue
b. Motif
c. Characterization
d. Point of View
Question 12
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The plot which chronologically shows events in their proper order from exposition to
conclusion is called ___________.
Select one:
a. In medias Res
b. Linear plot
c. Circular plot
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The plot which is structured in such a way that it ends where it has started as in a cycle is
called __________.
Select one:
a. In medias Res
b. Circular plot
c. Linear plot
Question 14
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Select one:
a. Free Verse
b. Haiku
c. Limerick
d. Ballad
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This poem has no set meter; that is to say there is no rhyming scheme present, and the
poem doesn’t follow a set pattern.
Select one:
a. Ballad
b. Limerick
c. Free Verse
d. Haiku
d. Drama
Question 2
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It is generally given by an actor before the play begins. Its purpose is to present an
explanatory poem or speech that introduces information that is needed to start the play.
Select one:
a. Complications
b. Atmosphere
c. Prologue
d. Epilogue
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They are portrayed by actors who speak the dialogue and carry out the action of the
play.
Select one:
a. Characters
b. Themes
c. Conflicts
d. Plot
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The playwright must confine his locations to scenes that can be constructed on the
stage and limited to as a few changes as possible.
Select one:
a. Setting
b. Themes
c. Characters
d. Conflicts
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This presents the final outcomes of the struggle, sometimes referred to as the
catastrophe which is the end of the struggle, but it is necessarily a tragic ending.
Select one:
a. denouement
b. rising action
c. falling action
d. preliminary exposition
Select one:
a. Interio
b. Innerio
c. Intertexto
d. Texto
Question 2
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It means the complex interrelationship between a text and other texts taken as basic to
the creation or interpretation of the text.
Select one:
a. Modality
b. Literature
c. Intertextuality
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A generally implied reference to characters, scenes, plot elements, etc. that appear in
another work is called __________.
Select one:
a. Imagery
b. Pastiche
c. Allusion
d. Parody
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She believed that there is a cohesive force in literature that connects all the various
traditions, past and present. She gave that force a name in 1966 when she devised her
theory of intertextuality.
Select one:
a. Julia Kristeva
b. Jacques Derrida
c. David Hawkes
d. Hellen Tiffin
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This concept concerns much more than simply identifying literary references or
inspirations. It is now often used to describe the complex relationships that exist
between works of literature.
Select one:
a. Literature
b. Modality
c. None of the above
d. Intertextuality
This concept concerns much more than simply identifying literaryreferences or inspirations. It is now
often used to describe thecomplex relationships that exist between works of literature.-Intertextuality
The ancient Greek and Roman dramas were mostly concerned withreligious ceremonials of people-True
The Romans developed a new method, wherein the stories of the Gospel were explained through the
living pictures. The performers acted out the story in a dumb show.-True
The theatrical forms of the early Filipinos was much of it being“ lost on contact with the new and more
aggressive culture,” than any other types of dramas.-True
In this part, you outline your acts and scenes. You make sure each scene’s events build toward the next
scene to achieve plot development.-Writing Your Play
This is when you allow conversations to take tangents. For example, in a discussion of why the
protagonist’s girlfriend broke up with him, there might be a sequence of two or three lines where the
speakers argue about how long they’d been dating in the first place.-Writing Your Play
In this part, you understand the difference between plot and story. The narrative of your play is made up
of the plot and the story —two discrete elements that must be developed together to create a play that
holds your audience’s attention.-Brainstorming Your Narrative
In this part, you are deciding what kind of story you want to tell to the audience. You help the
understand how to interpret the relationships and events they see.-Brainstorming Your Narrative
In this part, you should have a sense of how you want to structure it. The one-act play runs straight
through without any intermissions, and is a good starting point for people new to play writing before
writing the play.-Deciding on Your Play’s Structure
In this part, you are deciding what kind of story you want to tell to the audience. You
help the understand how to interpret the relationships and events they see.
Select one:
a. Deciding on Your Play’s Structure
b. Brainstorming Your Narrative
In this part, you outline your acts and scenes. You make sure each scene’s events build
toward the next scene to achieve plot development.
Select one:
a. Deciding on Your Play’s Structure
b. Writing Your Play
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In this part, you understand the difference between plot and story. The narrative of your
play is made up of the plot and the story — two discrete elements that must be
developed together to create a play that holds your audience’s attention.
Select one:
a. Deciding on Your Play’s Structure
b. Writing Your Play
Flag question
Question text
This is when you allow conversations to take tangents. For example, in a discussion of
why the protagonist’s girlfriend broke up with him, there might be a sequence of two or
three lines where the speakers argue about how long they’d been dating in the first
place.
Select one:
a. Deciding on Your Play’s Structure
b. Brainstorming Your Narrative
Flag question
Question text
In this part, you should have a sense of how you want to structure it. The one-act play
runs straight through without any intermissions, and is a good starting point for people
new to playwriting before writing the play.
Select one:
a. Brainstorming Your Narrative
b. Deciding on Your Play’s Structure