4.2 Noli Me Tangere
4.2 Noli Me Tangere
4.2 Noli Me Tangere
Jose Rizal’s first novel, Noli Me Tangere, is considered one of the most important written outputs
by the national hero at the height of his intellectual endeavors in Europe.
Rizal mustered his academic acumens as he tapped his knowledge of various fields and wove a
narrative that aimed to represent, if not expose, the realities of nineteenth-century colonial life in
the Philippines
Through the eyes of its characters, one journey of love and deception, struggles and triumphs;
and in the process, presents pressing questions about power and social inequalities.
In a meeting with the Ilustrados in 1884, he proposed to write a book project to be done
collaboratively with his fellow writers, the project did not materialize
He decided to write a novel on his own
Rizal finished the first half of the novel in Spain. It was published the following year in
Germany.
Maximo Viola insisted on lending him 300 pesos for the printing of the first 2,000m copies.
Rizal, in token of his appreciation and gratitude, gave Viola the galley proofs of the Noli
carefully rolled around the pen that he used in writing it and a complimentary copy.
The title Noli Me Tangere is a Latin phrase that means “Touch Me Not”.
It was taken from the Gospel of St. John (Chapter 20 Verses 13 to 17).
He dedicated this novel to his fatherland
It contains 63 chapters and an epilogue
Through the eyes of its characters, one journey of love and deception, struggles and triumphs;
and in the process, presents pressing questions about power and social inequalities.
Rizal’s influences in the writing of the Noli
Juan Luna’s painting Spolarium which depicted the sufferings faced by humanity in the
face of inequalities
Uncle Tom’s Cabin, a novel by Harriet Beecher Stowe that dealt with slavery in America