Download as DOCX, PDF, TXT or read online from Scribd
Download as docx, pdf, or txt
You are on page 1/ 5
BCT2305:
NETWORK SUPPORTED MULTIMEDIA
ASSIGNMENT 2 1) Discuss any FIVE activities carried out in digital sound record editing Shared Sound Libraries and Asset Management: Networks allow for the creation of centralized libraries of sound effects, music samples, and pre-recorded audio clips. Editors working on different projects can access and utilize these shared resources, promoting consistency and saving time searching for sounds. Network Rendering and Processing: Complex audio effects or processes can be computationally intensive. Network-supported multimedia allows distributing the rendering workload across multiple computers on the network. This significantly speeds up the processing time, especially for projects with heavy audio editing. Collaborative Editing: Network-supported multimedia allows multiple editors to work on the same sound file simultaneously. This can be useful for projects with geographically dispersed teams or those requiring real-time feedback. Editors can access a central server storing the audio project, making edits and adding notes visible to everyone. Remote Recording and Upload: Network connectivity enables recording audio from various locations and uploading it to a central server. This is beneficial for capturing soundscapes, interviews, or musical performances that can't be done in a studio setting. Editors can then access and integrate these recordings into their projects. Version Control and Project Management: Networks facilitate version control for sound editing projects. Editors can track changes made to the audio files, revert to previous versions if needed, and collaborate on different iterations of the project. This ensures everyone is working on the latest version and maintains a clear history of edits.
2.) State and explain the general user interface design issues in a multimedia production.
Download times: Minimize the amount of content users have to
download before they can interact. Use progressive loading techniques where possible, showing basic content first and then loading richer elements as the download progresses. Navigation complexity: Complex menus or navigation systems can be frustrating, especially on touchscreens. Favor clear and simple navigation with easy-to-understand icons and buttons. Bandwidth limitations: Not everyone has high-speed internet. Large files or high-quality video can take a long time to load or cause buffering issues. A good UI design should consider offering options for lower quality streams or ways to pre-load content. Device variability: Multimedia content can be viewed on desktops, laptops, tablets, and phones. The UI needs to be responsive and adapt to different screen sizes and resolutions. This might involve using different layouts or hiding/reorganizing elements for smaller screens. Accessibility: Ensure the UI is usable by people with disabilities. This includes providing alternative text descriptions for images, keyboard shortcuts for navigation, and proper color contrast for text. Performance: The UI itself should be lightweight and load quickly. Avoid unnecessary animations or flashy elements that could slow down the experience. 3) A one minute recording of music in stereo at 44.1 KHz sampling rate and 16bit resolution. Find the sample rate in MB.
4. Sequencer is a piece of software that allows you to open the
various instrument tracks in the MIDI file, and edit them to the finest detail possible. What are some to the steps followed when one recording music MIDI data 1) Setup: DAW (Digital Audio Workstation) with MIDI capabilities: This is the main software where you'll record, edit, and sequence your MIDI data. Many DAWs offer built-in MIDI functionality, while others might require additional software or plugins. MIDI Controller: This could be a keyboard, drum pad, or any other device that sends MIDI signals to your DAW. Networked environments might allow using a remote MIDI controller over the network. Network connection: Establish a network connection between your computer running the DAW and any other networked devices you want to use for MIDI recording (e.g., another computer with a MIDI controller). 2) Create a new MIDI project: In your DAW, create a new project specifically for MIDI recording. This sets up the basic structure for your music.
3) Define instruments and tracks: Use your DAW to define the
instruments you want to use in your music. Each instrument will have its own MIDI track where you'll record the notes and other data. Networked environments might allow for remote instrument selection and track creation on other devices.
4) Arm the MIDI track for recording: Select the specific MIDI track you want to record on. In the track settings, enable "record" mode to capture the incoming MIDI data.
5) Record your performance: Play your MIDI controller (keyboard,
drum pad etc.) and record your musical ideas. The DAW will capture the note information, velocity (how hard you press the keys), and other MIDI data onto the selected track. 6) Editing and refinement: Once you've recorded a section, you can use the DAW's sequencer features to edit the MIDI data in detail. This could involve adjusting note timing, pitch, velocity, adding effects (like sustain or vibrato), or even quantizing the notes for tighter timing. Networked environments might allow collaborative editing with other musicians on the network.
7) Playback and instrument sounds: MIDI data itself doesn't
produce sound. To hear your music, you need to assign instruments (synthesizers, samplers, virtual instruments) to each MIDI track. These instruments will interpret the MIDI data and generate the corresponding sounds. Here, network connectivity might allow for accessing and controlling networked sound libraries or instruments on other devices.
8) Mixing and exporting: Finally, you can mix your MIDI tracks together, adjust levels, add effects, and export your music in a desired audio format (MP3, WAV) for sharing or further processing.
