Aria "Bereniche ah che fai?

"
Violino I
Marianna Martines (1744-1812)

                     
    
Andante

    
             
  
8

   

  
    
            
14

 


               
   
  

 
20


 Aria "Berenice ah che fai?"

     
         
  
   
Segue l'Aria
 Aria "Berenice ah che fai?"

 
      
                        
Allegro assai


        
   
                  
4


            
        
   
8


                          
          

12



                           
       
 
16

  

                             

21


                        
    
27

 

                         
      
32

     

             
              
37

      

                  
     
42
                             
2


48


     
   
  
 
 
       

52

  
 
                               
57

        
                
61

   

                        
    
68

                         
    
74

                 
                      
81

      
                           
  
84

 
                  
        
   
89

   
          
          
     
   
94

    

                    

 
99

 
                
3

  
  
104

  

  
             

     
      
109

      
          
 
    
  
113

  

                 
   

118

           
                      

    
125

   

                 
      
         
129

 

                 
    
  
    
   
132

 


                           
 
136

  

  D.C.
 

142
al Coda