Fast fashion response to changes in the fashion industry
Fast fashion response to changes in the fashion industry
Fast fashion response to changes in the fashion industry
Consumer Research
To cite this article: Vertica Bhardwaj & Ann Fairhurst (2010) Fast fashion: response to changes
in the fashion industry, The International Review of Retail, Distribution and Consumer
Research, 20:1, 165-173, DOI: 10.1080/09593960903498300
The fashion apparel industry has significantly evolved, particularly over the last
20 years. The changing dynamics of the fashion industry have forced retailers to
desire low cost and flexibility in design, quality, and speed to market, key
strategies to maintain a profitable position in the increasingly demanding market.
This article reviews the literature on changes that have happened in the fashion
apparel industry since the 1990s, highlighting the emergence of a concept of
‘throwaway’ or fast fashion. It describes fast fashion from a supplier as well
as a consumer’s perspective, and draws attention to several potential research
issues.
Keywords: fast fashion; supplier; consumer; quick response; fashion season
The fashion apparel industry has significantly evolved, particularly over the last 20
years, when the boundaries of the industry started to expand (Djelic and Ainamo
1999). The changing dynamics of the fashion industry since then, such as the fading
of mass production, increase in number of fashion seasons, and modified structural
characteristics in the supply chain have forced retailers to desire low cost and
flexibility in design, quality, delivery and speed to market (Doyle, Moore, and
Morgan 2006). In addition to speed to market and design, marketing and capital
investment have also been identified as the driving forces of competitiveness in the
fashion apparel industry (Sinha 2006). Franks (2000) suggested ‘sense and respond’
as the key strategy to maintain a profitable position in the increasingly dynamic and
demanding market. A key defining characteristic of rapid responsiveness and greater
flexibility, in this context, is to maintain closer relationships between suppliers and
buyers (Wheelright and Clark 1992).
Looking at the basic structure of the fashion industry until the late 1980s,
traditionally fashion apparel retailers used their capability of forecasting consumer
demand and fashion trends (known as ready-to-wear) long before the actual time of
consumption in order to compete in the market (Guercini 2001). However, recent
years have seen fashion retailers compete with others by ensuring speed to market
with their ability to provide rapidly the fashion trends revealed by fashion shows and
runways. According to Taplin (1999), such retailers could be credited with the
adoption of ‘quick fashion’ that is an outcome of an unplanned process on the
reduced time gap between designing and consumption on a seasonal basis.
Today’s fashion market is highly competitive and the constant need to ‘refresh’
product ranges means that there is an inevitable move by many retailers to extend
the number of ‘seasons’, that is, the frequency with which the entire merchandise
within a store is changed. With the emergence of small collections of merchandise,
fashion retailers are encouraging consumers to visit their stores more frequently with
the idea of ‘Here Today, Gone Tomorrow’. This indicates a shorter life cycle and
higher profit margins from the sale of fast selling merchandise, skipping the mark-
down process altogether (Sydney 2008). In addition, desire to have variety and
instant gratification with price mavenism is motivating consumers to prefer retailers
such as Zara and H&M (National Post 2009).
Several studies have examined various aspects of the buyer-supplier relationship
with quick or fast fashion, such as the apparel design process relative to quick
response (Forza and Vinelli 1996), the role of the supplier in fast moving fashion
(Doyle, Moore, and Morgan 2006), buyer behaviour (Bruce and Daly 2006), and
financial performance (Hayes and Jones 2006). However, there appears to be a gap
in the literature focusing on the overall concept of ‘fast fashion’ that has emerged in
the fashion industry from a consumer perspective. Among numerous studies on fast
fashion, only a few studies have focused on the consumer aspects that
drive the changes in the fashion industry (for example, Barnes and Lea-Greenwood
2006).
The purpose of this paper is to explore the changes that have occurred in the
fashion apparel industry in the past two decades and attempt to understand how fast
fashion emerged to the extent that it is today. Specifically, the study examines the
changes in the fashion apparel industry leading to the evolution of ‘throwaway or
fast fashion’. A brief review of the literature serves to systemize and appraise the
existing work. This study further attempts to align the research capabilities with
market growth potential for fast fashion and proposes different venues for
conducting research to acquire a better understanding of fast fashion as a
consumer-driven approach, not only supplier-driven.
This reduced the demand for classic though simple apparel as consumers started
becoming more fashion-conscious (Bailey 2001). For instance, the women’s legwear
industry introduced colours and textures to basic hosiery to coordinate with every
outfit (Donnellan 1996). Unfortunately, this change in fashion oriented apparel
contributed to an increase in mark-downs in the market, which became necessary
due to the failure to sell fashion apparel during the forecasted season (OTA 1987).
This argument was further supported by Malone (1998, 1999) who provided
evidence that mass production of fashion products was not a solution to gain profits
in the fashion business.
Fashion seasons
As fashion is considered to be a temporary cyclical phenomena adopted by
consumers for a particular time (Sproles 1979), it becomes evident that the life cycle
for fashion is quite small. Since the 1980s, a typical life cycle for fashion apparel had
four stages: introduction and adoption by fashion leaders; growth and increase in
public acceptance; mass conformity (maturation); and finally the decline and
obsolescence of fashion. Also, the fashion calendar during this time was primarily
based on the fabric exhibitions, fashion shows and trade fairs, that consisted of the
basic pattern of Spring/Summer and Autumn/Winter ranges which typically resulted
in developing a seasonal range in one full year.
However, towards the beginning of the 1990s, retailers started focusing on
expanding their product range with updated products and faster responsiveness to
the ‘newness’ of the fashion trends; and providing ‘refreshing’ products instead of
only cost efficiencies for manufacturing (Barnes and Lea-Greenwood 2006; Hines
2001; Hoffman 2007). In order to increase the variety of fashion apparel in the
market, the concept of adding more phases to the existing seasons (that is, the period
of time during which fashion products are sold) in a fashion calendar came into
existence. The addition of 3 to 5 mid-seasons forced immense pressure on suppliers
to deliver fashion apparel in smaller batches with reduced lead time (Tyler, Heeley,
and Bhamra 2006). For instance, Liz Claiborne developed six seasons instead of just
two (Bailey 2001). These changes to the number of mid-seasons arose partly from the
changes in consumers’ lifestyles and partly from the need to satisfy consumers’
demand for fashion clothing for specific occasions.
Structural characteristics
Towards the late 1980s, the fashion apparel industry was dominated by several large
retailers which increased the competition levels in the market (Barnes and Lea-
Greenwood 2006). In order to survive the competition, other fashion apparel
retailers switched from product-driven to buyer-driven chains, developed alliances
with suppliers in different markets, and promoted their distinctive brands (Tyler,
Heeley, and Bhamra 2006). This resulted in an increase of profits from unique
combinations of high-value research, design, sales and marketing that would allow
them and the manufacturers to act strategically by linking with overseas factories
(Gereffi 1999, 43). Tyler, Heeley, and Bhamra (2006) illustrated that the fashion
apparel industry developed an infrastructure around the late 1980s with an emphasis
on promoting responsiveness (quick response) through reduced lead times, along
168 V. Bhardwaj and A. Fairhurst
Fast fashion
Fashion is defined as an expression that is widely accepted by a group of people over
time and has been characterized by several marketing factors such as low
predictability, high impulse purchase, shorter life cycle, and high volatility of
market demand (Fernie and Sparks 1998). Thus, in order to be profitable in the
industry, fashion apparel retailers need to take the ‘speed to market’ approach to
capitalize on fashion that is not in the stores of their competitors. It has been further
emphasized that market responsiveness and agility through rapid incorporation of
consumer preferences into the design process in product development increases the
profit margins for retailers (Christopher, Lowson, and Peck 2004).
Looking at history, fashion runways and fashion shows were the biggest
inspiration for the fashion industry. Along with this, these trend shows were
primarily restricted to designers, buyers and other fashion managers. However from
1999 onwards, fashion shows and catwalks became a public phenomenon, where
photographs of the recent fashion shows could be seen in magazines and on the web
leading to demystification of the fashion process (Sydney 2008). As a result, fashion-
The International Review of Retail, Distribution and Consumer Research 169
conscious consumers were exposed to exclusive designs and styles inspired from
runways. Retailers such as Zara, H&M, Mango, New Look, and Top Shop were
adopting such designs rapidly to attract consumers and introduce interpretations of
the runway designs to the stores in a minimum of three to five weeks (Barnes and
Lea-Greenwood 2006).
Drawing on the foundations of quick responsiveness, the fashion apparel
industry shifted from forecasting future trends to using real-time data to understand
the needs and desires of the consumers (Jackson 2001). The inability to accurately
forecast or predict future trends (Christopher, Lowson, and Peck 2004) or failure to
quickly imitate and produce fashion apparel as seen on runways (Richardson 1996)
can lead to risk associated with longer lead times and hence failure to attract fashion-
conscious consumers. Using real-time data can eliminate this possible risk.
supply chain management to gain a competitive edge in the market (Crewe and
Davenport 1991; Fiorito, May, and Straughne 1995; Sohal, Perry, and Pratt 1998;
Perry and Sohal 2000). In academic study, fast fashion has been researched from the
perspective of a business model with a quick response strategy to reduce production
times (Bailey 2001). Literature on fast fashion reflects association with pressure on
lead-time reduction in an organization and coordination with various players in the
supply chain (Barnes and Lea-Greenwood 2006; Wensley 1999).
The obsolete long-buying cycles for many fashion retailers has forced them to
improve responsiveness in reduced time, resulting in an introduction of several
practices in the fashion industry that describe shorter, more flexible supply chains
such as quick response (Fernie and Azuma 2004), just-in-time (Bruce, Daly, and
Towers 2004) and agile supply chains (Bruce, Daly, and Towers 2004; Christopher,
Lowson, and Peck 2004). In order to improve efficiency in the demand-driven
market, these practices have often been related to vertical integration focusing on
collaboration, information sharing and trust between entities in a supply chain
(Birtwistle, Siddhiqui, and Fiorito 2003). In addition, improvements in communica-
tion between retailers and producers through technology such as computer-aided-
design (CAD) and electronic data interchange (EDI) have contributed to shortening
lead times (Bruce, Daly, and Towers 2004).
Conclusion
Fast fashion is a concept that will continue to affect the fashion apparel industry
over the next decade and will have a direct effect on the way consumers purchase and
react to trends. Although continued research relative to the supply-side of fast
fashion is important, emphasis should be placed on examining consumers’
172 V. Bhardwaj and A. Fairhurst
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