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    DEVA SENAI FMV ARRANGEMENT

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    danielalfred145
    The document appears to be a musical score featuring parts for different vocal ranges, including soprano, alto, tenor, and bass. It includes various musical notations and arrangements by composer Evg. Emil Jebasingh and arranger Flint Male Voice. The content suggests a structured composition intended for choral performance.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    DEVA SENAI FMV ARRANGEMENT

    Uploaded by

    danielalfred145
    6 views2 pages
    The document appears to be a musical score featuring parts for different vocal ranges, including soprano, alto, tenor, and bass. It includes various musical notations and arrangements by composer Evg. Emil Jebasingh and arranger Flint Male Voice. The content suggests a structured composition intended for choral performance.

    Original Description:

    Flint male voice Deva senai

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    © © All Rights Reserved

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    The document appears to be a musical score featuring parts for different vocal ranges, including soprano, alto, tenor, and bass. It includes various musical notations and arrangements by composer Evg. Emil Jebasingh and arranger Flint Male Voice. The content suggests a structured composition intended for choral performance.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    6 views2 pages

    DEVA SENAI FMV ARRANGEMENT

    Uploaded by

    danielalfred145
    The document appears to be a musical score featuring parts for different vocal ranges, including soprano, alto, tenor, and bass. It includes various musical notations and arrangements by composer Evg. Emil Jebasingh and arranger Flint Male Voice. The content suggests a structured composition intended for choral performance.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    DEVA SENAI

    Composer Evg.Emil Jebasingh/ arranger Flint Male Voice

     
      
                   
    Soprano


                
     
    Alto

              
    Tenor 
        
    Bass
             

    7
    S.        
                   
       
              
      
        
    A.

          
    T. 
           
    B.
           

    14
    S.    
                      

           
     
     

     
       
           
    A.

             
    T. 
                  
    B.
        
    21
    2

    S.        
                

          
      
           
    A.

                 
    T.     

            
    B.
            

     

    27
    S.             
          

    A.                         

                      
    T. 

            
                         
         
    B.

    33         
    S.     

               
    
    A.

               
    T. 

             
       
     
    B.

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