Past& Present: A Symbol of Freedom Amidst Chaos: Iran's Azadi Tower
Past& Present: A Symbol of Freedom Amidst Chaos: Iran's Azadi Tower
Past& Present: A Symbol of Freedom Amidst Chaos: Iran's Azadi Tower
IRAN
PAST& PRESENT
PAST
Secular tombs fall into two clearly marked architectural categories -the
domed mausoleum and the tomb tower. The former has certain affinities
with the larger shrine. It is frequently octagonal rising through squinches and
galleries into a circular dome. It is built for show, inside and out. meant to be
visited. the last resting place of a chieftain who may have had no claim to
sainthood, but expected to be duly revered when he was dead. Tomb towers,
which are mainly confined to northern Iran. were conceived in a different
spirit. They were gaunt, remote, solitary resting places, not meant to be
frequented by admirers in generations to come.
Nearly every town in Iran has its quota of shrines, and the village or wayside shrines are a
recurring feature of the Iranian landscape. In general they are modest, circular, four-sided
or octagonal buildings, surmounted by a cone or dome. Many have charm but no great
architectural merit; the famous shrines, rambling structures which have received
additions from generations of the devout, are among the most splendid, and in some cases
the most opulent, buildings in Iran. The lesser shrines, unlike the mosques, have a distinct
re2jonal character.
From Cordoba to Delhi, from Sarajevo to the Niger, the mosque (masjid in
Persian and Arabic) or house of prayer is the outstanding symbol of Islam, the
focus of worship, and contemplation, the meeting place of man with man, and
of man with God. Its forms are more varied and its uses more widespread than
those of the Christian cathedral or church. While primarily a place of worship,
it is also an assembly hall, often a religious college, sometimes a court of
.justice, even, to some extent, a poor man's club.
PRESENT
History
Hossein Amanat,
architect
Prepared by:
FEDERICO , ANTHONY D.
BSA 3b