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The document provides an overview of musical styles from the Medieval period to the Contemporary period, as well as information about Impressionism and Post-Impressionism art movements. It discusses monophony in the Medieval period, polyphony in the Renaissance, and increasing complexity from the Baroque to Contemporary periods. For art, it describes Impressionism's focus on capturing fleeting impressions and moods using loose brushwork and color, then discusses how Post-Impressionism evolved to emphasize form and artists like Cezanne, Gauguin, and Van Gogh experimented with color and style.

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Anjenith Olleres
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127 views35 pages

Presentation 1

The document provides an overview of musical styles from the Medieval period to the Contemporary period, as well as information about Impressionism and Post-Impressionism art movements. It discusses monophony in the Medieval period, polyphony in the Renaissance, and increasing complexity from the Baroque to Contemporary periods. For art, it describes Impressionism's focus on capturing fleeting impressions and moods using loose brushwork and color, then discusses how Post-Impressionism evolved to emphasize form and artists like Cezanne, Gauguin, and Van Gogh experimented with color and style.

Uploaded by

Anjenith Olleres
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PPTX, PDF, TXT or read online on Scribd
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THE 20TH

CENTURY
MUSICAL STYLE
MONOPHONY
ACAPELLA

MEDIEVAL
PERIOD
UNACCOMPANIE SIMPLE
D MUSIC
POLYPHONY

RENAISSANCE

HARMONIOUS BLENDING
ORNAMENTATIO CONTRASTING
N
BAROQUE
PERIOD
HAPSICHORD CONTRAPUNTA
CONTINOU L
HOMOPHONY BALANCED
CLASSICAL
PERIOD
GREAT VARIETY
NATIONALISM DRAMATIC

ROMANTIC
PERIOD
FREEDOM OF FORM AND DESIGN
ENORMOUS COMPLEX
DIVERSE
CONTEMPORY
PERIOD
FRAGMENTED, DISSONANT
AND EXPERIMENTAL
TRADITIONAL
LESSON 1 ART

MODERN
ART
LESSON 1

IMPRESSIONISM
AND POST-
IMPRESSIONISM
IMPRESSIONISM

An art style that tries to


capture an impression of
what the artist’s eyes
see at a given moment.
The impressionists are
concerned with
representing the everyday
experience in an objective
and realistic manner.
HOW
IMPRESSIONISM
BEGAN?
CHARACTERISTICS OF IMPRESSIONISM
 Objective Perspective
 Blurry
 FreelyBrushed Colors
 Conveys mood and
Atmosphere
CLAUDE MONET
French
Impressionist
painter, painted
Impression:
Sunrise which
gave name to
the movement.
PIERRE-AUGUSTIE RENOIR
A French artist,
served as one of
the leading
developers of
the Impressionist
style of painting.
POST-IMPRESSIONISM
Is a term coined to describe the
works of artists in the late
nineteenth century.
The post-impressionist artist
continued using vivid colors, often
thick application of paint, and the
use of real-life objects.
However, post
impressionists were more
inclined to emphasize
geometric or distorted
forms for expressive
effect.
PAUL CEZANNE
French painter, one of the
first post-impressionism
artists.
He was more interested in
form and structure than in
the light effects that
inspired the impressionists.
PAUL GAUGIN
He experimented
with bold colors
and found
inspiration in the
South Pacific
Island of Tahiti.
VINCENT VAN GOGH
A Dutch post-
impressionism artist.
His works are known
for their vivid colors
painted thickly on the
canvass.
GEORGE SEURAT
French painter who is also a
post-impressionism, artist
BUT his technique set him
apart from other artists. He
developed the system of
POINTILLISM based on the
scientific discoveries in
color.
POINTILLISM
Is a technique wherein
dots of pure color are
applied according to
scientific principles.
FERNANDO AMORSOLO
GRAND OLD MAN OF
FILIPINO PAINTERS
He is best-known for his
illuminated landscapes.
He used natural light in his
paintings and developed the
backlighting technique

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