Lesson 2 - 2 Islamic Colonial
Lesson 2 - 2 Islamic Colonial
Lesson 2 - 2 Islamic Colonial
PHILIPPINE ART
FROM THE REGIONS
FUN WAYS TO THINK
facebook
BASKETBALL TOOTHBRUSH
STRAWBERRY BRAIN
INBOX
MISUNDERSTOOD
FOOTBALL MONKEY
CARPENTER UPSTAIRS
A form of theatre from Cordillera that involves animal
1. KANYAW sacrifice where the entrails are read through the process
of divination that is performed either for healing, to
announce the birth of a child and etc.
An ethnic musical instrument which is a three-stringed
2. KUDYAPI guitar
A native dance form which is from Sulu archipelago and
3. is mimetic of the movement of sea birds
PANGALAY Tagalog folkdance, evocative movements of the crane,
4. TINIKLING balancing itself on stilt-like legs or flirting away from the
clutches of bamboo traps.
termed ukkil in Tausug/ Samal/ Badjao, curvilinear
5. OKIR decorations, employed in wood carving.
can be found in panolong or protruding beams of Sultan’s
house called Torogan, musical instruments, grave markers
called sunduk as well as ceremonial boats
ISLAMIC COLONIAL PERIOD
13TH CENTURY TO THE PRESENT
How did Islam influence art before the coming of
Spanish Colonizers?
Islam was already well-entrenched in Southern Philippines where it is dominant
and strong.
It gained significant grounding in Sulu as 13 th century.
Itwas the arrival of Sayyid Abbubakar of Arabia who married Princess Piramisuli,
daughter of Rajah Baguinda that led to significant turn of events.
Abbubakar succeeded the Sultanate of Sulu after the death of his father-in-law, he
introduces the Quran, build house of prayer and even a religious school known as
madrasa that facilitated the teaching of Arabic writing.
Natives from Zamboanga, Yakans from Basilan with teachers from Jolo, Sulu and
other practitioners from Brunei were converted to Islam.
Islamwas embraced as a religion and as a way of life in Mindanao which includes
Tausug, Maranao, Maguindanao, Yakan, Samal, Badjao as well as some areas in
Palawan.
Influence of Islam on how art is made and interpreted:
Filipino Muslims belong to an ummah.
Central to Islamic faith is the doctrine of Tawhid or unity to God.
This belief emphasizes the impermanence of nature and the
incomprehensible greatness of the divine Being.
Mosques are covered with elaborate patterning in the form of
reliefs-means toward the contemplation of the Divine.
In Islam, divine unity is expressed through abstract forms and
patterns to compel the believer to engage in mental concentration.
Architecture
Mihrab or niche and the Qibla- are oriented toward the West
Bulbous dome- tells us about how the order of the universe is imagined.
It also relates to “all level of cosmic existence”. The octagonal base
symbolizes the spirit, while the four sided main base refers to the earth
or material world.
Ka’bah- a black shrine believed by prophet Muhammad. It’s the
reference point of the Qiblah- the direction Muslim faced when praying.
An area for water supply- a fountain, for ablution or cleansing before
one enters the Mosque.
Gardens within the Mosque/ outside home- evocative of paradise.
Art of Philippine Muslim
Islam rejects the copying of images in nature, apparent in the
curvilinear and flowing forms of ukkil/ okir.
Luhul or canopy- features motifs from the tree of life.
The forms are so repetitive and elaborate that distract us from the
actual natural elements from which they are derived.
Sakili observed that many of the Islamic forms are inclined to
project, grow, or an upward orientation in tune with the regard of
heaven to veer from “material earth”, (Eg. Panolong-torogan,
sarimanok, burraq- a horse with the head of a woman, a figure that
carry the Prophet in his ascension to heaven.)
QUESTIONS
1.
Why do you think Philippine Muslim art is so
repetitive and elaborate?
2. Who is the wife of Sayyid Abbubakar?
3.
What do you call the community of the
Muslims?
4.
The center of Islamic faith is the unity to
God or?
Summative Test
Thank you for listening