05 The Technical Conventions of A Film

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The technical

conventions of a film
Compact Performer Shaping Ideas
Marina Spiazzi, Marina Tavella,
Margaret Layton © 2021
The technical conventions of a film

1. Black-and-white films
The use of colour has become
the norm in films.

The choice of black-and-white

specific connotative value.


Schindler’s list by Steven Spielberg, 1993.

In this shot from a film about the holocaust:


Black-and-white the darkest side of human nature.
The colour of the little girl life, innocence, hope.

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The technical conventions of a film

2. Use of a dominant colour


The use
of a dominant colour

the passage from the


present to the past,
from the world of reality Saving Private Ryan, by Steven Spielberg,
1998.
to the one of imagination
and dreams. In this shot the use of the dominant
bluish-grey gives a realistic look, as
if the viewer were right there with the
soldiers on Omaha beach.

Compact Performer Shaping Ideas


The technical conventions of a film

3. Lighting technique

Light can take two forms

a neutral light used to an expressive light used


visualise different objects as a tool to create different
and characters. atmospheres.

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The technical conventions of a film

4. Different kinds of shots


There are different kinds of shots

Long shot focuses on landscape


decreasing the importance of characters

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The technical conventions of a film

4. Different kinds of shots


American shot films the person
from his/her knees

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The technical conventions of a film

4. Different kinds of shots


Medium shot introduces
a character down to his/her waist

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The technical conventions of a film

4. Different kinds of shots


Close-up highlights either the face
and the emotions of a character or the
details of a particular object

A scene of Harry Potter


by Chris Columbus’s,
2001.

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The technical conventions of a film

4. Different kinds of shots


Extreme close-up focuses
on a detail of an object or a person

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The technical conventions of a film

4. Different kinds of shots


The cinematic image can vary according
to the different angles of the camera.

Normal-angle shot camera


and subject are on the same level

A scene of The Adjustment


Bureau
by George Nolfi, 2010.

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The technical conventions of a film

4. Different kinds of shots


The cinematic image can vary according
to the different angles of the camera.

High-angle shot the camera looks


at its subject from above

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The technical conventions of a film

4. Different kinds of shots


The cinematic image can vary according
to the different angles of the camera.

Low-angle shot the camera looks


at its subject from below

A scene of Spider-Man
by Sam Raimi, 2002.

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The technical conventions of a film

5. Movements of the camera

The movements of the camera play


an important role. The camera can:

• be fixed;
• rotate on a horizontal plane exploring all the surrounding
space pan;
• rotate in a vortex circular pan.

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The technical conventions of a film

5. Movements of the camera

The movements of the camera play


an important role. The camera can:

• travel, following a moving object tracking;


• assume the character’s point of view subjective gaze;
• create a visual effect, enlarging or diminishing
the image zoom.

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The technical conventions of a film

6. The soundtrack
The movements of the camera create the
rhythm of a film and its dramatic tension.
These elements can be reinforced by:

the soundtrack

music noises dialogues

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