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Advertising Strategy

& Tactics

BUYER BEHAVIOR, MARKETING 3250


Outline

 Evaluating advertising
 Strategy
• Is advertising on strategy?
 Tactics
• How well is it executed?
• Executions
• Structural
• Stylistic
Advertising Strategy

 Reach vs. frequency


 Reach: how many people see
advertising
 Frequency: how many times each
person sees advertising

 Which is better?
Advertising Strategy

 Points of parity vs. points of difference


 Points of parity
• Category benefits
 Points of difference
• Brand benefits

 Which is better?
Advertising Strategy

 Executions
 “The Big Idea”
 “Hard Sell” vs “Soft Sell”
 Story grammar
Big Idea
 What is the “big idea”?
 Distilling your central message or
concept to a few key words
 Example: Subway is about a healthy
fast-food alternative
• Jared
• Low number of fat grams
• Eat fresh
• Being “good”
Hard Sell

 What is the hard sell?


 Presenting the compelling benefits of
an idea, a product, or a service
 Urges the consumer to take action
 Characteristics
 A hard sell would list specific items
and sale prices
 Make specific, actionable offers
Soft Sell
 What is the soft sell?
 It says "Welcome, come look around.
Get a feel for who we are and how we
can help you."
 Characteristics
 Soft sell advertisement might sell the
look and feel of a store
 Doesn’t encourage immediate
purchase
Story Grammar

 Drama is used to illustrate a problem,


episodes to address problem and
outcome
 Often use extreme situations to
illustrate the problem
Symbols & Meaning
 Advertising communication relies on
meaning, which threads events and
objects into an interdependent
scheme
 Meaning comes from
 Self-awareness
 Self-definition
 Advertising – and consumption – is
symbolic of human aspiration
Symbols & Meaning

 Visual and figurative language of


advertising is deliberately chosen to
convey a subliminal message in
addition to the central message
 Thematic inferences are code for
whom the product is intended
Thematic Inferences

 Gender
 Women are communal – “Isn’t it hot?”
 Men are goal-directed – “Turn on the
AC”
 Social class
 Upscale value distinction, tradition
 Middle class prefer order, organization
 Working class seek functionality, value
Thematic Inferences

 How are themes communicated?


 Visual cues that are imbued with meaning
• Colors
• Browns, greens, earth tones communicate aridity,
masculinity; primary colors imply childishness
• Reverse type
• Implies
• Phallic symbols
• Connote power, strength, dominance
technical expertise
Thematic Inferences

 More visual cues


• Fonts
• Bold, block type impliesFUNCTIONALITY
• Italic type communicates VELOCITY
• Serif type conveys formality
• Black and white
• Conveys seriousness, drama, journalistic
veridicality
• Proximity
• Close-ups imply intimacy, personal relevance
Thematic Inferences

 More cues
• Film allusions
• Literary references
• Orwell’s “1984”
• Biblical figures
• Samsonite
• Adam & Eve
• Mythology
• Historical events
Examples in Advertising
 IBM
 Masculine, traditional, organized
 Apple
 Feminine, friendly, alternative
 Marlboro
 Arid, strong, independent, frontier
 Harley-Davidson
 Rugged individuality, nonconformist,
testosterone
Layering of Meaning

 Meanings are layered to create a


unique brand impression
 Many layers of meaning add to the
complexity of the brand, which can
become a point of differentiation
 Layering also allows a brand to
communicate how a concrete attribute
can map into an abstract benefit
Layering of Meaning
 Example 1: Ivory  Example 2: Coca-Cola
soap  Name is a bubbly
 Name concoction of sounds
 Plain, white bar  Curvaceous, hand-fitting
 Advertising bottle is informal, classic
emphasizes purity  Cursive script of brand
 Product is gently logo conveys sense of
cleansing flowing abundance
 Advertising features  Times of relaxation, fun
the chaste, clean- are primary usage
cut “Ivory girl”
occasions
 Red is associated with
joy, passion, vigor
Layering of Meaning
 Resemblance? How do scripts differ?

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