Russia (CIS) Box Office for 47 Meters Down (2017)

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47 Meters Down
Theatrical Performance (US$)
Russia (CIS) Box Office $747,662Details
Worldwide Box Office $62,633,705Details
Home Market Performance
North America DVD Sales $1,942,709 Details
North America Blu-ray Sales $1,455,844 Details
Total North America Video Sales $3,398,553
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Two sisters vacationing in Mexico become trapped in a shark cage on the ocean floor. As their oxygen starts to run out and with great white sharks circling them, the sisters must find a way to get to the surface alive.

Metrics

Movie Details

Production Budget:$5,300,000
Russia (CIS) Releases: June 30th, 2017 (Wide)
Video Release: September 12th, 2017 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for sequences of intense peril, bloody images, and brief strong language.
(Rating bulletin 2463 (Cert #50913), 2/15/2017)
Running Time: 89 minutes
Franchise: 47 Meters Down
Keywords: Death of a Sibling, Hallucinations, Surprise Twist, Vacation, Set in Mexico, Underwater, Trapped, Animal Lead, Tourists In Trouble, Animals Gone Bad, Survival Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Dimension Films, The Fyzz Facility, Dragon Root, Flexibon Films, The Tea Shop & Film Company, Lantica Pictures
Production Countries: United States
Languages: English

Home Market Releases for September 26th, 2017

September 27th, 2017

HYOUKA: Part Two

Transformers: The Last Knight is the biggest release of the week and it has scared away a lot of the competition, but it’s garbage and should be avoided. There are no big releases that are pick of the week contenders, but some smaller ones fit the bill, including David Lynch: The Art Life: The Criterion Collection, HYOUKA: Part Two, and Shameless: The Complete Seventh Season. All are amazing and worth checking out, but none have many extras, so it is up to the role of the dice to determine the Pick of the Week. ... And it’s HYOUKA. More...

Home Market Releases for September 12th, 2017

September 13th, 2017

Phenomena

Apparently it is Halloween, because there are a lot of horror titles on this week’s list. Some of them are good, some are not. As for Pick of the Week contenders, there are a few of them. If you have kids, then Captain Underpants: The First Epic Movie on DVD, Blu-ray Combo Pack, or 4K Ultra Combo Pack is your best bet. If you are a fan of Sci-fi, then go with the final season for Orphan Black. However, in the end I went with Phenomena on Blu-ray. You can also buy the movie from the Official Site in a Steelbox with soundtrack and pamphlet. More...

Thursday Night Previews: Apes Battle for $5 million Debut

July 14th, 2017

War for the Planet of the Apes

War for the Planet of the Apes started its box office run with $5 million in Thursday previews, which is a little lower than expected, but not tragically so. For example, Alien: Covenant earned $4.2 million during its previews on its was to a $36.16 million weekend. If War for the Planet of the Apes has the same legs, it would make $43 million this weekend. On the other hand, The Mummy earned $2.66 million pulling in $31.67 million during its opening weekend. If War for the Planet has the same legs as that film, it would earn just shy of $60 million during its opening weekend. War has much better reviews than either of those films, to it could have better legs than either of those films. That said, it is also the third installment in the reboot franchise and that tends to shrink legs. The average is just over $50 million, which sounds about right. More...

Weekend Wrap-up: Knight is First for the Weekend, Last for the Franchise with $44.68 million

June 27th, 2017

Transformers: The Last Knight

Transformers: The Last Knight had the weekend to itself, but it couldn’t take advantage earning $44.68 million / $68.48 million over the full five days. It earned less over five days than last year’s winner, Finding Dory, earned over three days. Wonder Woman remained in second place becoming just the third film released in 2017 to hit $300 million, but there was not much else to celebrate at the box office. This explains why the overall box office fell 27% from last weekend down to $139 million. More importantly, this is 26% lower than the same weekend last year. 2017 is still ahead of 2016, but its lead was cut in half to just 1.3% or $70 million. This is a little distressing. More...

Weekend Estimates: Will International Earnings Be Enough to Save Last Knight?

June 25th, 2017

Transformers: The Last Knight

A tepid $45.3 million Friday-to-Sunday domestic weekend for Transformers: The Last Knight is pretty much unmitigated bad news for Paramount Pictures. The studio is in desperate need of a hit, and the Transformers franchise is by far their biggest property. Even including the film’s grosses from Wednesday and Thursday, its $69 million debut is barely in the top ten for the year so far, and poor reviews and a B+ CinemaScore mean that it won’t have significant legs, even with a bit of help from the upcoming July 4 weekend. So all eyes are going to be on its overseas performance. More...

Friday Estimates: Dawn of a New Day for Last Knight

June 24th, 2017

Transformers: The Last Knight

Transformers: The Last Knight suffered a 48% plummet on Thursday to earn just $8.14 million; however, it bounced back on Friday with $13.69 million. If we again compare this to Dark of the Moon, which is the last film in the franchise to open on a Wednesday, we get mixed messages. The Last Knight fell faster on Thursday (48% to 43%) but bounced back more on Friday (68% to 53%). If we assume The Last Knight will continue to outperform Dark of the Moon over the rest of the weekend, then it will earn about $42 million over the three-day weekend and $66 million over five. This is the worst opening in the franchise by a wide margin, but there is good news for Paramount, as the film earned $41.46 million during its first day in China, and $47.55 million if you include previews. The international numbers will save this film and justify more sequels. More...

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Weekend Estimates: Cars 3 Has Fast Opening Lap

June 17th, 2017

Cars 3

As anticipated, Cars 3 is cruising to the top of the box office chart this weekend, with Disney predicting a weekend of $53.547 million, as of Sunday morning. While that’s a very respectable figure in anyone’s book (and continues Disney’s domination at the box office this year), it’s down markedly from Cars 2’s $66.1 million opening weekend in 2011, and points towards a final domestic box office around $150 million. If that proves to be the case, it’ll be the second-worst performer ever for Pixar, beating only The Good Dinosaur. Talk of a decline at Pixar is over-blown, in my opinion, but this is still a so-so result by their high standards. More...

Friday Estimates: Cars Doesn’t Burn up the Track, Still Wins Friday with $19.5 million

June 17th, 2017

Cars 3

As expected, Cars 3 earned first place on Friday, but it was a little more subdued than expected, with just $19.5 million for the day. This is a higher opening day than The Lego Batman Movie managed, but family films have a much higher internal multiplier outside of summer, because kids won’t be able to see the movie during matinees on the Friday. If it has the same internal multiplier as Finding Dory had, it would open with $48 million. While Cars 3’s reviews are not as good, it earned an A from CinemaScore, the same as Dory did. Furthermore, Cars 3 is being seen much more by kids than Dory was, as that film had a larger share of adult animation fans, so this should also help its legs. It won’t match our prediction of $58 million, but $51 million is still a great result. More...

Thursday Night Previews: The Eyez Have it earning $3.1 million

June 16th, 2017

All Eyez on Me

All Eyez on Me surprised analysts earning $3.1 million during its previews last night. This is better than The Mummy’s $2.66 million earned last weekend, while its reviews are also marginally better. Granted, its Tomatometer score is just 27% positive, so that could kill the film’s legs by Saturday, but this is still a very positive start and the movie will almost assuredly top our prediction of just under $20 million. More...

Weekend Predictions: Will Cars Take the Checkered Flag?

June 15th, 2017

Cars 3

It’s a busy week with four truly wide releases, led by Cars 3. The latest film from Pixar is widely expected to earn first place at the box office, but it is part of the only Pixar franchise that isn’t a critical darling. Rough Night is playing in 3,000 theaters, but its early reviews are mixed and that's not going to help its box office numbers. All Eyez on Me is playing in 2,450 theaters, but its early reviews are even worse. Meanwhile, 47 Meters Down’s early reviews were 78% positive, but that has since changed for the worse. This weekend last year, there were two wide releases, Finding Dory and Central Intelligence, which earned a combined $170 million. There’s no way the four new releases coming out this week will match that. Even another strong hold by Wonder Woman won’t make a difference in the year-over-year competition and 2017 is going to lose. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

47 Meters Down Trailer

April 28th, 2017

Aquatic horror movie starring Claire Holt and Mandy Moore opens June 16 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/06/30 6 $338,835   588 $576   $338,835 1
2017/07/07 10 $144,018 -57% 561 $257   $653,207 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/9/2018 $86,518 0 0 0 $178,845 1/1/2019
Australia 8/25/2017 $179,850 73 73 203 $396,037 9/18/2017
Brazil 3/9/2018 $138,087 0 0 0 $138,087 6/14/2018
China 12/8/2017 $4,110,000 38723 38723 38723 $5,867,377 10/12/2018
Italy 5/26/2017 $237,772 0 0 0 $675,790 8/11/2017
Mexico 11/17/2017 $257,298 0 0 0 $782,937 11/28/2017
Netherlands 6/23/2017 $124,857 46 46 187 $493,836 7/25/2017
New Zealand 7/28/2017 $45,523 28 28 78 $108,955 8/28/2017
North America 6/16/2017 $11,205,562 2,270 2,471 12,293 $44,307,193 7/20/2019
Portugal 1/12/2018 $40,114 31 31 71 $78,798 2/6/2018
Russia (CIS) 6/30/2017 $338,835 588 588 1149 $747,662 1/1/2019
Slovakia 7/7/2017 $25,511 51 51 88 $69,932 8/15/2017
South Korea 7/12/2017 $5,638 0 733 1104 $4,154,192 10/14/2018
Spain 7/21/2017 $250,091 215 215 553 $1,217,706 8/24/2017
Turkey 8/4/2017 $37,199 92 92 159 $120,398 2/26/2019
United Kingdom 7/28/2017 $837,223 392 392 902 $1,727,982 9/6/2017
 
Rest of World $1,567,978
 
Worldwide Total$62,633,705 7/20/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Claire Holt    Kate
Mandy Moore    Lisa

Supporting Cast

Chris J. Johnson*    Javier
Yani Gellman    Louis
Santiago Segura    Benjamin
Matthew Modine    Captain Taylor
Axel Mansilla    Band Leader

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Johannes Roberts    Director
Johannes Roberts    Screenwriter
Ernest Riera    Screenwriter
James Harris    Producer
Mark Lane    Producer
Wayne Marc Godfrey    Executive Producer
Robert Jones    Executive Producer
Will Clarke    Executive Producer
Andy Mayson    Executive Producer
Mike Runagall    Executive Producer
Bob Weinstein    Executive Producer
Harvey Weinstein    Executive Producer
Iain Abrahams    Executive Producer
Simon Lewis    Executive Producer
Kate Glover    Co-Producer
Arnaud Lannic    Co-Producer
Tomandandy*    Composer
Tomandandy*    Composer
Martin Brinkler    Editor
David Bryan    Production Designer
Marc Silk    Director of Photography