Everybody Wants Some (2016)

Everybody Wants Some poster
Theatrical Performance
Domestic Box Office $3,400,278Details
International Box Office $2,036,848Details
Worldwide Box Office $5,437,126
Home Market Performance
Est. Domestic DVD Sales $458,630 Details
Est. Domestic Blu-ray Sales $614,454 Details
Total Est. Domestic Video Sales $1,073,084
Further financial details...

Synopsis

A “spiritual sequel” to Dazed and Confused set in the world of 1980 college life.

Metrics

Opening Weekend:$312,355 (9.2% of total gross)
Legs:5.21 (domestic box office/biggest weekend)
Domestic Share:62.5% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:19 opening theaters/454 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $4,237,564

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: March 30th, 2016 (Limited) by Paramount Pictures
April 15th, 2016 (Expands Wide) by Paramount Pictures
International Releases: April 8th, 2016 (Wide) (Russia (CIS))
April 28th, 2016 (Wide) (Portugal)
May 13th, 2016 (Wide), released as Everybody Wants Some!! (United Kingdom)
June 17th, 2016 (Wide), released as Tutti vogliono qualcosa (Italy)
June 24th, 2016 (Wide) (Australia)
... Show all releases
Video Release: June 21st, 2016 by Paramount Home Video
MPAA Rating: R for language throughout, sexual content, drug use and some nudity.
(Rating bulletin 2407 (Cert #50059), 1/13/2016)
Running Time: 116 minutes
Comparisons: vs. The Importance of Being Earnest
Create your own comparison chart…
Keywords: College, 1980s, College Sports, Baseball, Intertitle, Romance, Relationships Gone Wrong, Relationship Advice, Hazing, Pregnancy Scare, Comedy Drama
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Paramount Pictures, Annapurna Pictures, Detour Filmproduction
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2016 Theater Average 70 $16,440 Apr 1, 2016 5

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 1, 2016 22 $312,355   19 $16,440   $360,812 1
Apr 8, 2016 17 $488,218 +56% 63 $7,749   $952,654 2
Apr 15, 2016 19 $428,527 -12% 134 $3,198   $1,529,630 3
Apr 22, 2016 15 $652,690 +52% 454 $1,438   $2,345,937 4
Apr 29, 2016 21 $379,018 -42% 442 $858   $3,000,729 5
May 6, 2016 32 $108,034 -71% 131 $825   $3,251,963 6
May 13, 2016 41 $60,802 -44% 72 $844   $3,369,431 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 30, 2016 - $30,388     5 $6,078   $30,388 1
Mar 31, 2016 - $18,069 -41%   5 $3,614   $48,457 2
Apr 1, 2016 - $98,364 +444%   19 $5,177   $146,821 3
Apr 2, 2016 - $126,684 +29%   19 $6,668   $273,505 4
Apr 3, 2016 - $87,307 -31%   19 $4,595   $360,812 5
Apr 4, 2016 - $24,752 -72%   19 $1,303   $385,564 6
Apr 5, 2016 - $26,244 +6%   19 $1,381   $411,808 7
Apr 6, 2016 - $27,368 +4% -10% 19 $1,440   $439,176 8
Apr 7, 2016 - $25,260 -8% +40% 19 $1,329   $464,436 9
Apr 8, 2016 - $142,667 +465% +45% 63 $2,265   $607,103 10
Apr 9, 2016 - $225,974 +58% +78% 63 $3,587   $833,077 11
Apr 10, 2016 - $119,577 -47% +37% 63 $1,898   $952,654 12
Apr 11, 2016 - $36,463 -70% +47% 63 $579   $989,117 13
Apr 12, 2016 - $41,255 +13% +57% 63 $655   $1,030,372 14
Apr 13, 2016 - $35,874 -13% +31% 63 $569   $1,066,246 15
Apr 14, 2016 - $34,857 -3% +38% 63 $553   $1,101,103 16
Apr 15, 2016 - $129,972 +273% -9% 134 $970   $1,231,075 17
Apr 16, 2016 - $190,107 +46% -16% 134 $1,419   $1,421,182 18
Apr 17, 2016 - $108,448 -43% -9% 134 $809   $1,529,630 19
Apr 18, 2016 - $36,819 -66% +1% 134 $275   $1,566,449 20
Apr 19, 2016 - $45,947 +25% +11% 134 $343   $1,612,396 21
Apr 20, 2016 - $41,997 -9% +17% 134 $313   $1,654,393 22
Apr 21, 2016 - $38,854 -7% +11% 134 $290   $1,693,247 23
Apr 22, 2016 14 $208,593 +437% +60% 454 $459   $1,901,840 24
Apr 23, 2016 - $290,617 +39% +53% 454 $640   $2,192,457 25
Apr 24, 2016 - $153,480 -47% +42% 454 $338   $2,345,937 26
Apr 25, 2016 - $63,647 -59% +73% 454 $140   $2,409,584 27
Apr 26, 2016 15 $83,023 +30% +81% 454 $183   $2,492,607 28
Apr 27, 2016 15 $68,595 -17% +63% 454 $151   $2,561,202 29
Apr 28, 2016 15 $60,509 -12% +56% 454 $133   $2,621,711 30
Apr 29, 2016 - $104,108 +72% -50% 442 $236   $2,725,819 31
Apr 30, 2016 - $169,201 +63% -42% 442 $383   $2,895,020 32
May 1, 2016 - $105,709 -38% -31% 442 $239   $3,000,729 33
May 2, 2016 - $34,317 -68% -46% 442 $78   $3,035,046 34
May 3, 2016 - $40,294 +17% -51% 442 $91   $3,075,340 35
May 4, 2016 - $41,696 +3% -39% 442 $94   $3,117,036 36
May 5, 2016 - $26,893 -36% -56% 442 $61   $3,143,929 37
May 6, 2016 - $29,215 +9% -72% 131 $223   $3,173,144 38
May 7, 2016 - $47,351 +62% -72% 131 $361   $3,220,495 39
May 8, 2016 - $31,468 -34% -70% 131 $240   $3,251,963 40
May 9, 2016 - $12,421 -61% -64% 131 $95   $3,264,384 41
May 10, 2016 - $14,302 +15% -65% 131 $109   $3,278,686 42
May 11, 2016 - $13,647 -5% -67% 131 $104   $3,292,333 43
May 12, 2016 - $16,296 +19% -39% 131 $124   $3,308,629 44
May 13, 2016 - $16,169 -1% -45% 72 $225   $3,324,798 45
May 14, 2016 - $28,727 +78% -39% 72 $399   $3,353,525 46
May 15, 2016 - $15,906 -45% -49% 72 $221   $3,369,431 47
May 16, 2016 - $7,387 -54% -41% 72 $103   $3,376,818 48
May 17, 2016 - $8,382 +13% -41% 72 $116   $3,385,200 49
May 18, 2016 - $7,166 -15% -47% 72 $100   $3,392,366 50
May 19, 2016 - $7,912 +10% -51% 72 $110   $3,400,278 51

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 25, 2016 53 $48,457   5 $9,691   $48,457 1
Apr 1, 2016 21 $415,979 +758% 19 $21,894   $464,436 2
Apr 8, 2016 17 $636,667 +53% 63 $10,106   $1,101,103 3
Apr 15, 2016 19 $592,144 -7% 134 $4,419   $1,693,247 4
Apr 22, 2016 17 $928,464 +57% 454 $2,045   $2,621,711 5
Apr 29, 2016 21 $522,218 -44% 442 $1,181   $3,143,929 6
May 6, 2016 30 $164,700 -68% 131 $1,257   $3,308,629 7
May 13, 2016 39 $91,649 -44% 72 $1,273   $3,400,278 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/24/2016 $32,372 25 25 62 $79,704 7/18/2016
Italy 6/17/2016 $154,190 0 0 0 $505,899 8/3/2016
Portugal 4/28/2016 $5,910 13 13 13 $6,066 6/8/2016
Russia (CIS) 4/8/2016 $27,825 0 0 0 $55,980 11/13/2018
South Korea 6/27/2016 $0 0 61 80 $51,396 8/12/2016
Spain 7/1/2016 $21,273 30 30 93 $94,798 8/25/2016
United Kingdom 5/13/2016 $243,949 111 121 232 $470,514 6/9/2016
 
Rest of World $772,491
 
International Total$2,036,848 11/13/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 17, 20161810,218 10,218$183,819$183,8194

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Will Brittain    Billy Autrey
Zoey Deutch    Beverly
Ryan Guzman    Roper
Tyler Hoechlin    McReynolds
Blake Jenner    Jake
J. Quinton Johnson    Dale Douglas
Glen Powell    Finnegan
Wyatt Russell    Willoughby
Austin Amelio    Nesbit
Temple Baker    Plummer
Tanner Kalina    Brumley
Juston Street    Niles
Forrest Vickery    Coma

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Linklater    Director
Richard Linklater    Screenwriter
Megan Ellison    Producer
Ginger Sledge    Producer
Richard Linklater    Producer
Sean Daniel    Executive Producer
John Sloss    Executive Producer
Stephen Feder    Executive Producer
Shane F. Kelly    Director of Photography
Bruce Curtis    Production Designer
Sandra Adair    Editor
Kari Perkins    Costume Designer
Randall Poster    Music Supervisor
Meghan Currier    Music Supervisor
Justine Baddeley    Casting Director
Kim Davis-Wagner    Casting Director
Vicky Boone    Casting Director

Home Market Releases for July 12th, 2016

July 12th, 2016

Green Room

It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack. More...

Featured Blu-ray / DVD Review: Everybody Wants Some

July 11th, 2016

Green Room

Richard Linklater is one of those directors with lots of Indie Cred that rarely have breakout success at the box office. The biggest hit of his career has been School of Rock. Everybody Wants Some was expected to do well enough to earn some measure of mainstream success. Some were even expecting it to be one of the biggest limited releases of the year so far, topping $10 million. That didn’t happen. Is this one of the director’s weaker movies? Or was it unfairly overlooked by moviegoers? More...

Home Market Releases for June 21st, 2016

June 20th, 2016

Fantastic Planet

There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience. More...

Theater Averages: Fang has Teeth with $14,506

May 3rd, 2016

The Family Fang

The Family Fang led the way on the theater average chart with $14,506 in one theater. This is the last time we will talk about this film's box office numbers, because it opens on VOD this Friday, thus ending its chances of box office success. Then again, clearly VOD is more important to a limited release than the theatrical box office is. The Man Who Knew Infinity was next with an average of $13,388 in six theaters. That's good, but likely not good enough to expand significantly. Eva Hesse was playing in just one theater earning $12,780 over the weekend and $17,912 from Wednesday through Sunday. The Jungle Book made the $10,000 club for the third weekend in a row with an average of $10,818. More...

Theater Averages: The Jungle Book Meddles with the Limited Releases

April 26th, 2016

The Meddler

It wasn't a great week for new limited releases, which left a holdover / wide release on top of the theater average chart. The Jungle Book led the way with an average of $15,278. The only other film in the $10,000 was The Meddler, which opened with an average of $14,256 in four theaters. More...

Theater Averages: Green Room Pulls in the Green with an average of $29,328

April 20th, 2016

Green Room

Green Room led the way with an average of $29,328 in three theaters. This is yet another success for A24 and whoever is in charge of acquisitions over there needs to get a raise. The overall number one film, The Jungle Book was next with an average of $25,636. Sing Street was well back with an average of $12,715 in five theaters. The only holdover in the $10,000 club was Vita Activa: The Spirit of Hannah Arendt, which was down a mere 18% to $10,814 in its lone theater. More...

Theater Averages: Miles Opens Ahead of the Competition with $28,633

April 6th, 2016

Miles Ahead

Miles Ahead led the way on the theater average chart with $28,633 in four theaters. Vaxxed: From Cover Up to Catastrophe was right behind with $28,339 in one theater. As someone who doesn't want to see measles make a comeback, this is a scary result. Everybody Wants Some earned an average of $16,440 in 19 theaters over the weekend after opening in five theaters on Wednesday. Batman v Superman: Dawn of Justice remained in the $10,000 club with an average of $12,062. Saturday's Warrior and Chongqing Hot Pot had very close averages at $10,671 and $10,098 respectively. More...

Weekend Estimates: Batman v Superman down 68% in second weekend

April 3rd, 2016

Batman v Superman: Dawn of Justice

Last weekend, Batman v Superman posted the 7th-biggest opening weekend of all time. This weekend, if Sunday’s estimate proves to be accurate, it will record the 27th-biggest 2nd weekend. That stat tells you most of what you need to know about the film’s box office performance: it hit big at the beginning, but is proving to have very little staying power. Warner Bros.’ Sunday morning projection for the weekend is $52.385 million, down 68% from last weekend, for a total of $261.5 million to date. With $419.8 million overseas so far, the film is well on its way to $700 million worldwide, and should make about $900 million in total. That’s certainly short of what the studio was hoping for—the consensus was that the film needed $1 billion globally to make a profit—but surely enough to keep their plans for the franchise on track for now. More...

Limited and VOD Releases: Looking to Rake in the Green

April 1st, 2016

Green Room

There are a handful of films on this week's list earning great reviews and/or loud buzz. Of these four films, Green Room is the one I want to see the most, but Everybody Wants Some is the one most likely to become a box office hit. More...

2016 Preview: April

April 1st, 2016

The Jungle Book

March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A “spiritual sequel” to Dazed and Confused set in the world of 1980 college life.

Metrics

Opening Weekend:$312,355 (9.2% of total gross)
Legs:5.21 (domestic box office/biggest weekend)
Domestic Share:62.5% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:19 opening theaters/454 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $4,237,564

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: March 30th, 2016 (Limited) by Paramount Pictures
April 15th, 2016 (Expands Wide) by Paramount Pictures
International Releases: April 8th, 2016 (Wide) (Russia (CIS))
April 28th, 2016 (Wide) (Portugal)
May 13th, 2016 (Wide), released as Everybody Wants Some!! (United Kingdom)
June 17th, 2016 (Wide), released as Tutti vogliono qualcosa (Italy)
June 24th, 2016 (Wide) (Australia)
... Show all releases
Video Release: June 21st, 2016 by Paramount Home Video
MPAA Rating: R for language throughout, sexual content, drug use and some nudity.
(Rating bulletin 2407 (Cert #50059), 1/13/2016)
Running Time: 116 minutes
Comparisons: vs. The Importance of Being Earnest
Create your own comparison chart…
Keywords: College, 1980s, College Sports, Baseball, Intertitle, Romance, Relationships Gone Wrong, Relationship Advice, Hazing, Pregnancy Scare, Comedy Drama
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Paramount Pictures, Annapurna Pictures, Detour Filmproduction
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2016 Theater Average 70 $16,440 Apr 1, 2016 5

Lead Ensemble Members

Will Brittain    Billy Autrey
Zoey Deutch    Beverly
Ryan Guzman    Roper
Tyler Hoechlin    McReynolds
Blake Jenner    Jake
J. Quinton Johnson    Dale Douglas
Glen Powell    Finnegan
Wyatt Russell    Willoughby
Austin Amelio    Nesbit
Temple Baker    Plummer
Tanner Kalina    Brumley
Juston Street    Niles
Forrest Vickery    Coma

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Linklater    Director
Richard Linklater    Screenwriter
Megan Ellison    Producer
Ginger Sledge    Producer
Richard Linklater    Producer
Sean Daniel    Executive Producer
John Sloss    Executive Producer
Stephen Feder    Executive Producer
Shane F. Kelly    Director of Photography
Bruce Curtis    Production Designer
Sandra Adair    Editor
Kari Perkins    Costume Designer
Randall Poster    Music Supervisor
Meghan Currier    Music Supervisor
Justine Baddeley    Casting Director
Kim Davis-Wagner    Casting Director
Vicky Boone    Casting Director

Home Market Releases for July 12th, 2016

July 12th, 2016

Green Room

It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack. More...

Featured Blu-ray / DVD Review: Everybody Wants Some

July 11th, 2016

Green Room

Richard Linklater is one of those directors with lots of Indie Cred that rarely have breakout success at the box office. The biggest hit of his career has been School of Rock. Everybody Wants Some was expected to do well enough to earn some measure of mainstream success. Some were even expecting it to be one of the biggest limited releases of the year so far, topping $10 million. That didn’t happen. Is this one of the director’s weaker movies? Or was it unfairly overlooked by moviegoers? More...

Home Market Releases for June 21st, 2016

June 20th, 2016

Fantastic Planet

There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience. More...

Theater Averages: Fang has Teeth with $14,506

May 3rd, 2016

The Family Fang

The Family Fang led the way on the theater average chart with $14,506 in one theater. This is the last time we will talk about this film's box office numbers, because it opens on VOD this Friday, thus ending its chances of box office success. Then again, clearly VOD is more important to a limited release than the theatrical box office is. The Man Who Knew Infinity was next with an average of $13,388 in six theaters. That's good, but likely not good enough to expand significantly. Eva Hesse was playing in just one theater earning $12,780 over the weekend and $17,912 from Wednesday through Sunday. The Jungle Book made the $10,000 club for the third weekend in a row with an average of $10,818. More...

Theater Averages: The Jungle Book Meddles with the Limited Releases

April 26th, 2016

The Meddler

It wasn't a great week for new limited releases, which left a holdover / wide release on top of the theater average chart. The Jungle Book led the way with an average of $15,278. The only other film in the $10,000 was The Meddler, which opened with an average of $14,256 in four theaters. More...

Theater Averages: Green Room Pulls in the Green with an average of $29,328

April 20th, 2016

Green Room

Green Room led the way with an average of $29,328 in three theaters. This is yet another success for A24 and whoever is in charge of acquisitions over there needs to get a raise. The overall number one film, The Jungle Book was next with an average of $25,636. Sing Street was well back with an average of $12,715 in five theaters. The only holdover in the $10,000 club was Vita Activa: The Spirit of Hannah Arendt, which was down a mere 18% to $10,814 in its lone theater. More...

Theater Averages: Miles Opens Ahead of the Competition with $28,633

April 6th, 2016

Miles Ahead

Miles Ahead led the way on the theater average chart with $28,633 in four theaters. Vaxxed: From Cover Up to Catastrophe was right behind with $28,339 in one theater. As someone who doesn't want to see measles make a comeback, this is a scary result. Everybody Wants Some earned an average of $16,440 in 19 theaters over the weekend after opening in five theaters on Wednesday. Batman v Superman: Dawn of Justice remained in the $10,000 club with an average of $12,062. Saturday's Warrior and Chongqing Hot Pot had very close averages at $10,671 and $10,098 respectively. More...

Weekend Estimates: Batman v Superman down 68% in second weekend

April 3rd, 2016

Batman v Superman: Dawn of Justice

Last weekend, Batman v Superman posted the 7th-biggest opening weekend of all time. This weekend, if Sunday’s estimate proves to be accurate, it will record the 27th-biggest 2nd weekend. That stat tells you most of what you need to know about the film’s box office performance: it hit big at the beginning, but is proving to have very little staying power. Warner Bros.’ Sunday morning projection for the weekend is $52.385 million, down 68% from last weekend, for a total of $261.5 million to date. With $419.8 million overseas so far, the film is well on its way to $700 million worldwide, and should make about $900 million in total. That’s certainly short of what the studio was hoping for—the consensus was that the film needed $1 billion globally to make a profit—but surely enough to keep their plans for the franchise on track for now. More...

Limited and VOD Releases: Looking to Rake in the Green

April 1st, 2016

Green Room

There are a handful of films on this week's list earning great reviews and/or loud buzz. Of these four films, Green Room is the one I want to see the most, but Everybody Wants Some is the one most likely to become a box office hit. More...

2016 Preview: April

April 1st, 2016

The Jungle Book

March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 1, 2016 22 $312,355   19 $16,440   $360,812 1
Apr 8, 2016 17 $488,218 +56% 63 $7,749   $952,654 2
Apr 15, 2016 19 $428,527 -12% 134 $3,198   $1,529,630 3
Apr 22, 2016 15 $652,690 +52% 454 $1,438   $2,345,937 4
Apr 29, 2016 21 $379,018 -42% 442 $858   $3,000,729 5
May 6, 2016 32 $108,034 -71% 131 $825   $3,251,963 6
May 13, 2016 41 $60,802 -44% 72 $844   $3,369,431 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 30, 2016 - $30,388     5 $6,078   $30,388 1
Mar 31, 2016 - $18,069 -41%   5 $3,614   $48,457 2
Apr 1, 2016 - $98,364 +444%   19 $5,177   $146,821 3
Apr 2, 2016 - $126,684 +29%   19 $6,668   $273,505 4
Apr 3, 2016 - $87,307 -31%   19 $4,595   $360,812 5
Apr 4, 2016 - $24,752 -72%   19 $1,303   $385,564 6
Apr 5, 2016 - $26,244 +6%   19 $1,381   $411,808 7
Apr 6, 2016 - $27,368 +4% -10% 19 $1,440   $439,176 8
Apr 7, 2016 - $25,260 -8% +40% 19 $1,329   $464,436 9
Apr 8, 2016 - $142,667 +465% +45% 63 $2,265   $607,103 10
Apr 9, 2016 - $225,974 +58% +78% 63 $3,587   $833,077 11
Apr 10, 2016 - $119,577 -47% +37% 63 $1,898   $952,654 12
Apr 11, 2016 - $36,463 -70% +47% 63 $579   $989,117 13
Apr 12, 2016 - $41,255 +13% +57% 63 $655   $1,030,372 14
Apr 13, 2016 - $35,874 -13% +31% 63 $569   $1,066,246 15
Apr 14, 2016 - $34,857 -3% +38% 63 $553   $1,101,103 16
Apr 15, 2016 - $129,972 +273% -9% 134 $970   $1,231,075 17
Apr 16, 2016 - $190,107 +46% -16% 134 $1,419   $1,421,182 18
Apr 17, 2016 - $108,448 -43% -9% 134 $809   $1,529,630 19
Apr 18, 2016 - $36,819 -66% +1% 134 $275   $1,566,449 20
Apr 19, 2016 - $45,947 +25% +11% 134 $343   $1,612,396 21
Apr 20, 2016 - $41,997 -9% +17% 134 $313   $1,654,393 22
Apr 21, 2016 - $38,854 -7% +11% 134 $290   $1,693,247 23
Apr 22, 2016 14 $208,593 +437% +60% 454 $459   $1,901,840 24
Apr 23, 2016 - $290,617 +39% +53% 454 $640   $2,192,457 25
Apr 24, 2016 - $153,480 -47% +42% 454 $338   $2,345,937 26
Apr 25, 2016 - $63,647 -59% +73% 454 $140   $2,409,584 27
Apr 26, 2016 15 $83,023 +30% +81% 454 $183   $2,492,607 28
Apr 27, 2016 15 $68,595 -17% +63% 454 $151   $2,561,202 29
Apr 28, 2016 15 $60,509 -12% +56% 454 $133   $2,621,711 30
Apr 29, 2016 - $104,108 +72% -50% 442 $236   $2,725,819 31
Apr 30, 2016 - $169,201 +63% -42% 442 $383   $2,895,020 32
May 1, 2016 - $105,709 -38% -31% 442 $239   $3,000,729 33
May 2, 2016 - $34,317 -68% -46% 442 $78   $3,035,046 34
May 3, 2016 - $40,294 +17% -51% 442 $91   $3,075,340 35
May 4, 2016 - $41,696 +3% -39% 442 $94   $3,117,036 36
May 5, 2016 - $26,893 -36% -56% 442 $61   $3,143,929 37
May 6, 2016 - $29,215 +9% -72% 131 $223   $3,173,144 38
May 7, 2016 - $47,351 +62% -72% 131 $361   $3,220,495 39
May 8, 2016 - $31,468 -34% -70% 131 $240   $3,251,963 40
May 9, 2016 - $12,421 -61% -64% 131 $95   $3,264,384 41
May 10, 2016 - $14,302 +15% -65% 131 $109   $3,278,686 42
May 11, 2016 - $13,647 -5% -67% 131 $104   $3,292,333 43
May 12, 2016 - $16,296 +19% -39% 131 $124   $3,308,629 44
May 13, 2016 - $16,169 -1% -45% 72 $225   $3,324,798 45
May 14, 2016 - $28,727 +78% -39% 72 $399   $3,353,525 46
May 15, 2016 - $15,906 -45% -49% 72 $221   $3,369,431 47
May 16, 2016 - $7,387 -54% -41% 72 $103   $3,376,818 48
May 17, 2016 - $8,382 +13% -41% 72 $116   $3,385,200 49
May 18, 2016 - $7,166 -15% -47% 72 $100   $3,392,366 50
May 19, 2016 - $7,912 +10% -51% 72 $110   $3,400,278 51

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 25, 2016 53 $48,457   5 $9,691   $48,457 1
Apr 1, 2016 21 $415,979 +758% 19 $21,894   $464,436 2
Apr 8, 2016 17 $636,667 +53% 63 $10,106   $1,101,103 3
Apr 15, 2016 19 $592,144 -7% 134 $4,419   $1,693,247 4
Apr 22, 2016 17 $928,464 +57% 454 $2,045   $2,621,711 5
Apr 29, 2016 21 $522,218 -44% 442 $1,181   $3,143,929 6
May 6, 2016 30 $164,700 -68% 131 $1,257   $3,308,629 7
May 13, 2016 39 $91,649 -44% 72 $1,273   $3,400,278 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/24/2016 $32,372 25 25 62 $79,704 7/18/2016
Italy 6/17/2016 $154,190 0 0 0 $505,899 8/3/2016
Portugal 4/28/2016 $5,910 13 13 13 $6,066 6/8/2016
Russia (CIS) 4/8/2016 $27,825 0 0 0 $55,980 11/13/2018
South Korea 6/27/2016 $0 0 61 80 $51,396 8/12/2016
Spain 7/1/2016 $21,273 30 30 93 $94,798 8/25/2016
United Kingdom 5/13/2016 $243,949 111 121 232 $470,514 6/9/2016
 
Rest of World $772,491
 
International Total$2,036,848 11/13/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 17, 20161810,218 10,218$183,819$183,8194

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.