Jay Myself (2019)

Jay Myself
Theatrical Performance
Domestic Box Office $151,331Details
Further financial details...

Synopsis

A documentary feature about renowned photographer and artist, Jay Maisel, who, in February 2015 after 48 years, begrudgingly sold his home; the 35,000 square‐foot, 100‐year‐old landmark building in Manhattan known simply as “The Bank.” The film documents Jay’s monumental move through the eyes of filmmaker and Jay’s protege, noted artist and photographer Stephen Wilkes. It is through this inmate lens that the viewer is taken on a remarkable journey through Jay’s life as an artist, mentor and man; a man grappling with me, life, change, and the end of an era in New York City.

Metrics

Opening Weekend:$18,909 (12.5% of total gross)
Legs:8.00 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/17 max. theaters, 3.3 weeks average run per theater
Infl. Adj. Dom. BO $178,086

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 12,101-12,200) 12,178 $151,331
All Time Worldwide Box Office (Rank 23,101-23,200) 23,115 $151,331
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,101-4,200) 4,104 $151,331

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: July 31st, 2019 (Limited) by Oscilloscope Pictures
MPAA Rating: Not Rated
Running Time: 76 minutes
Comparisons: Create your own comparison chart…
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Mind Hive Films, Crooked Mile Productions
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Top 2019 Theater Average 59 $18,909 Aug 2, 2019 5

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 12,101-12,200) 12,178 $151,331
All Time Domestic Inflation Adjusted Box Office (Rank 11,801-11,900) 11,835 $178,086
All Time Domestic Non-Sequel Box Office (Rank 11,101-11,200) 11,200 $151,331
Top 2019 Movies at the Domestic Box Office (Rank 301-400) 326 $151,331
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,101-4,200) 4,104 $151,331
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 4,301-4,400) 4,361 $178,086
Top 2019 Limited Release Movies at the Domestic Box Office (Rank 101-200) 174 $151,331
All Time Domestic Box Office for Based on Real Life Events Movies (Rank 1,301-1,400) 1,367 $151,331
All Time Domestic Box Office for Live Action Movies (Rank 10,801-10,900) 10,807 $151,331
All Time Domestic Box Office for Factual Movies (Rank 701-800) 779 $151,331
All Time Domestic Box Office for Documentary Movies (Rank 701-800) 708 $151,331
All Time Domestic Box Office for Not Rated Movies (Rank 1,701-1,800) 1,741 $151,331
All Time Domestic Box Office for Oscilloscope Pictures Movies 35 $151,331

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 45 $18,909   1 $18,909   $27,571 1
Aug 9, 2019 54 $10,828 -43% 1 $10,828   $48,813 2
Aug 16, 2019 57 $11,512 +6% 2 $5,756   $69,541 3
Aug 23, 2019 58 $10,850 -6% 9 $1,206   $85,530 4
Aug 30, 2019 62 $14,730 +36% 16 $921   $105,979 5
Sep 6, 2019 62 $7,430 -50% 14 $531   $123,913 6
Sep 13, 2019 78 $3,115 -58% 7 $445   $131,818 7
Sep 20, 2019 86 $1,340 -57% 2 $670   $135,468 8
Oct 4, 2019 85 $691   2 $346   $139,792 10
Oct 25, 2019 59 $6,038   2 $3,019   $146,493 13

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 26, 2019 51 $8,662   1 $8,662   $8,662 1
Aug 2, 2019 45 $29,323 +239% 1 $29,323   $37,985 2
Aug 9, 2019 54 $20,044 -32% 1 $20,044   $58,029 3
Aug 16, 2019 57 $16,651 -17% 2 $8,326   $74,680 4
Aug 23, 2019 58 $16,569 n/c 10 $1,657   $91,249 5
Aug 30, 2019 62 $25,234 +52% 17 $1,484   $116,483 6
Sep 6, 2019 61 $12,220 -52% 15 $815   $128,703 7
Sep 13, 2019 78 $5,425 -56% 10 $543   $134,128 8
Sep 20, 2019 83 $2,578 -52% 3 $859   $136,706 9
Sep 27, 2019 90 $2,395 -7% 6 $399   $139,101 10
Oct 4, 2019 86 $1,354 -43% 2 $677   $140,455 11
Oct 25, 2019 59 $9,655   2 $4,828   $150,110 14
Nov 1, 2019 83 $1,221 -87% 3 $407   $151,331 15

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Jay Maisel    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Wilkes    Director
Bette Wilkes    Producer
Henry Jacobson    Producer
Emma Tammi    Producer
Josh Alexander    Screenwriter
Stephen Wilkes    Executive Producer
Michael Hirschmann    Executive Producer
Jennie Wilkes    Executive Producer
Doug Blush    Executive Producer
Joel Goodman    Composer
Armando Croda    Editor
Daniel Haworth    Additional Editor
Jason Greene    Cinematographer
Stephen Wilkes    Cinematographer

Theater Averages: Falcon Soars to Top Spot

August 15th, 2019

The Peanut Butter Falcon

It was a good weekend for limited releases, as three of them opened in the $10,000 club. This group was led by The Peanut Butter Falcon with an average of $12,047 in 17 theaters. This is not as high an average as we’ve seen from other limited releases this year, but it was playing in 17 theaters, which is a lot for an opening weekend. Jay Myself was the only holdover in the $10,000 club earning $10,828 in one theater. Up next was One Child Nation, which managed an average of $10,262 in two theaters, while After the Wedding was right behind with an average of $10,053 in five. More...

Theater Averages: Luce and Nightingale Sing a Sweet Song

August 8th, 2019

Luce

It was a busy weekend on the theater average chart with five films in the $10,000 club. Luce led the way with an average of $26,597 in five theaters. This bodes well for any future expansion. The Nightingale was next with an average of $20,041 in two theaters. Jay Myself arguably had a stronger opening, earning $18,909 in one theater over the weekend for a five-day debut of $27,571. Exit managed an average of $16,221 in two theaters, which is excellent for a foreign-language film and hopefully means more Asian movies will be released here. The final film in the $10,000 club was the overall box office champ, Hobbs and Shaw, with an average of $14,117. More...

Weekend Estimates: Hobbs and Shaw’s International Numbers Save Weekend Haul

August 4th, 2019

Fast and Furious Presents: Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw missed even the low end of predictions with an estimated opening weekend of just $60.8 million. This is not a good start for a film that cost $200 million to make. Additionally, its reviews and its A minus from CinemaScore do not suggest long enough legs to make up for this opening. Fortunately, the film is doing a lot better internationally with an estimated opening of $120 million in 63 markets. Furthermore, this number doesn’t include China, because the film doesn’t open there until the end of the month. (It has also yet to open in France, Italy, and Japan, but it will earn more in China than those three markets combined.) The film is opening well behind The Fate of the Furious in most markets, including Russia where it managed $8.20 million on 1,766 screens, compared to $14.26 million on 1,470 screens for the previous film. It was even worse in the U.K. at $7.85 million in 610 theaters vs. $17.58 million on 572. Overall, the film is more in line with Fast Five than the other recent films in the franchise. This is still enough to earn a profit, especially if it does well in China, but the spin-off won’t replace the main films in the Fast and the Furious franchise like I thought it had a chance of doing. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A documentary feature about renowned photographer and artist, Jay Maisel, who, in February 2015 after 48 years, begrudgingly sold his home; the 35,000 square‐foot, 100‐year‐old landmark building in Manhattan known simply as “The Bank.” The film documents Jay’s monumental move through the eyes of filmmaker and Jay’s protege, noted artist and photographer Stephen Wilkes. It is through this inmate lens that the viewer is taken on a remarkable journey through Jay’s life as an artist, mentor and man; a man grappling with me, life, change, and the end of an era in New York City.

Metrics

Opening Weekend:$18,909 (12.5% of total gross)
Legs:8.00 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/17 max. theaters, 3.3 weeks average run per theater
Infl. Adj. Dom. BO $178,086

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 12,101-12,200) 12,178 $151,331
All Time Worldwide Box Office (Rank 23,101-23,200) 23,115 $151,331
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,101-4,200) 4,104 $151,331

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: July 31st, 2019 (Limited) by Oscilloscope Pictures
MPAA Rating: Not Rated
Running Time: 76 minutes
Comparisons: Create your own comparison chart…
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Mind Hive Films, Crooked Mile Productions
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Top 2019 Theater Average 59 $18,909 Aug 2, 2019 5

Documentary Subject(s)

Jay Maisel    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Wilkes    Director
Bette Wilkes    Producer
Henry Jacobson    Producer
Emma Tammi    Producer
Josh Alexander    Screenwriter
Stephen Wilkes    Executive Producer
Michael Hirschmann    Executive Producer
Jennie Wilkes    Executive Producer
Doug Blush    Executive Producer
Joel Goodman    Composer
Armando Croda    Editor
Daniel Haworth    Additional Editor
Jason Greene    Cinematographer
Stephen Wilkes    Cinematographer

Theater Averages: Falcon Soars to Top Spot

August 15th, 2019

The Peanut Butter Falcon

It was a good weekend for limited releases, as three of them opened in the $10,000 club. This group was led by The Peanut Butter Falcon with an average of $12,047 in 17 theaters. This is not as high an average as we’ve seen from other limited releases this year, but it was playing in 17 theaters, which is a lot for an opening weekend. Jay Myself was the only holdover in the $10,000 club earning $10,828 in one theater. Up next was One Child Nation, which managed an average of $10,262 in two theaters, while After the Wedding was right behind with an average of $10,053 in five. More...

Theater Averages: Luce and Nightingale Sing a Sweet Song

August 8th, 2019

Luce

It was a busy weekend on the theater average chart with five films in the $10,000 club. Luce led the way with an average of $26,597 in five theaters. This bodes well for any future expansion. The Nightingale was next with an average of $20,041 in two theaters. Jay Myself arguably had a stronger opening, earning $18,909 in one theater over the weekend for a five-day debut of $27,571. Exit managed an average of $16,221 in two theaters, which is excellent for a foreign-language film and hopefully means more Asian movies will be released here. The final film in the $10,000 club was the overall box office champ, Hobbs and Shaw, with an average of $14,117. More...

Weekend Estimates: Hobbs and Shaw’s International Numbers Save Weekend Haul

August 4th, 2019

Fast and Furious Presents: Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw missed even the low end of predictions with an estimated opening weekend of just $60.8 million. This is not a good start for a film that cost $200 million to make. Additionally, its reviews and its A minus from CinemaScore do not suggest long enough legs to make up for this opening. Fortunately, the film is doing a lot better internationally with an estimated opening of $120 million in 63 markets. Furthermore, this number doesn’t include China, because the film doesn’t open there until the end of the month. (It has also yet to open in France, Italy, and Japan, but it will earn more in China than those three markets combined.) The film is opening well behind The Fate of the Furious in most markets, including Russia where it managed $8.20 million on 1,766 screens, compared to $14.26 million on 1,470 screens for the previous film. It was even worse in the U.K. at $7.85 million in 610 theaters vs. $17.58 million on 572. Overall, the film is more in line with Fast Five than the other recent films in the franchise. This is still enough to earn a profit, especially if it does well in China, but the spin-off won’t replace the main films in the Fast and the Furious franchise like I thought it had a chance of doing. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 12,101-12,200) 12,178 $151,331
All Time Domestic Inflation Adjusted Box Office (Rank 11,801-11,900) 11,835 $178,086
All Time Domestic Non-Sequel Box Office (Rank 11,101-11,200) 11,200 $151,331
Top 2019 Movies at the Domestic Box Office (Rank 301-400) 326 $151,331
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,101-4,200) 4,104 $151,331
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 4,301-4,400) 4,361 $178,086
Top 2019 Limited Release Movies at the Domestic Box Office (Rank 101-200) 174 $151,331
All Time Domestic Box Office for Based on Real Life Events Movies (Rank 1,301-1,400) 1,367 $151,331
All Time Domestic Box Office for Live Action Movies (Rank 10,801-10,900) 10,807 $151,331
All Time Domestic Box Office for Factual Movies (Rank 701-800) 779 $151,331
All Time Domestic Box Office for Documentary Movies (Rank 701-800) 708 $151,331
All Time Domestic Box Office for Not Rated Movies (Rank 1,701-1,800) 1,741 $151,331
All Time Domestic Box Office for Oscilloscope Pictures Movies 35 $151,331

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 45 $18,909   1 $18,909   $27,571 1
Aug 9, 2019 54 $10,828 -43% 1 $10,828   $48,813 2
Aug 16, 2019 57 $11,512 +6% 2 $5,756   $69,541 3
Aug 23, 2019 58 $10,850 -6% 9 $1,206   $85,530 4
Aug 30, 2019 62 $14,730 +36% 16 $921   $105,979 5
Sep 6, 2019 62 $7,430 -50% 14 $531   $123,913 6
Sep 13, 2019 78 $3,115 -58% 7 $445   $131,818 7
Sep 20, 2019 86 $1,340 -57% 2 $670   $135,468 8
Oct 4, 2019 85 $691   2 $346   $139,792 10
Oct 25, 2019 59 $6,038   2 $3,019   $146,493 13

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 26, 2019 51 $8,662   1 $8,662   $8,662 1
Aug 2, 2019 45 $29,323 +239% 1 $29,323   $37,985 2
Aug 9, 2019 54 $20,044 -32% 1 $20,044   $58,029 3
Aug 16, 2019 57 $16,651 -17% 2 $8,326   $74,680 4
Aug 23, 2019 58 $16,569 n/c 10 $1,657   $91,249 5
Aug 30, 2019 62 $25,234 +52% 17 $1,484   $116,483 6
Sep 6, 2019 61 $12,220 -52% 15 $815   $128,703 7
Sep 13, 2019 78 $5,425 -56% 10 $543   $134,128 8
Sep 20, 2019 83 $2,578 -52% 3 $859   $136,706 9
Sep 27, 2019 90 $2,395 -7% 6 $399   $139,101 10
Oct 4, 2019 86 $1,354 -43% 2 $677   $140,455 11
Oct 25, 2019 59 $9,655   2 $4,828   $150,110 14
Nov 1, 2019 83 $1,221 -87% 3 $407   $151,331 15

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 23,101-23,200) 23,115 $151,331
All Time Worldwide Non-Sequel Box Office (Rank 21,501-21,600) 21,589 $151,331
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 2,301-2,400) 2,355 $151,331
All Time Worldwide Box Office for Live Action Movies (Rank 19,701-19,800) 19,720 $151,331
All Time Worldwide Box Office for Factual Movies (Rank 1,401-1,500) 1,473 $151,331
All Time Worldwide Box Office for Documentary Movies (Rank 1,201-1,300) 1,286 $151,331
All Time Worldwide Box Office for Not Rated Movies (Rank 2,601-2,700) 2,693 $151,331
All Time Worldwide Box Office for Oscilloscope Pictures Movies 45 $151,331

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.