Australia Box Office for Licorice Pizza (2021)
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| Theatrical Performance (US$) |
| Australia Box Office |
$736,974 | Details |
| Worldwide Box Office |
$32,903,549 | Details |
| Home Market Performance |
| North America DVD Sales |
$150,871 |
Details |
| North America Blu-ray Sales |
$454,486 |
Details |
| Total North America Video Sales |
$605,357 | |
| Further financial details... |
- Summary
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- Box Office
- Worldwide
- Full Financials
- Cast & Crew
- Trailer
Synopsis
Alana Kane and Gary Valentine grow up, run around and fall in love in the San Fernando Valley, 1973. Together, they face the treacherous navigation of first love.
Metrics
Movie Details
| Production Budget: | $40,000,000 |
| Australia Releases: |
December 23rd, 2021 (Limited) |
| Video Release: |
March 1st, 2022 by United Artists Video |
| MPAA Rating: |
R for language, sexual material and some drug use.
(Rating bulletin 2698 (cert #53281), 9/15/2021) |
| Running Time: |
133 minutes |
| Keywords: |
Comedy Drama, 1970s, Aspiring Actress / Actor, Child Actor, Set in California, Filmed in California, United States, 2022 Oscars Best Picture Nominee |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Focus Features |
| Production Countries: |
United States |
| Languages: |
English |
January 28th, 2022
With no new wide releases, this weekend at the box office will have an eerie familiarity to it. There’s a good chance that Ghostbusters: Afterlife will be back in the top 10 in its eleventh weekend in release. Licorice Pizza is almost certain to celebrate ten weeks in release with another top 10 finish. And standing over everything will be Spider-Man: No Way Home, which should break $10 million in its seventh week in theaters, and top the chart for the sixth time. Spidey should end the weekend with around $735 million domestically, putting it $25 million behind Avatar in the all-time race.
More...
November 28th, 2021
The first Thanksgiving with a full slate of new releases during the pandemic was full of uncertainty for theater owners. Family audiences have been returning to theaters but remain at about half their usual level, while the older crowd is mostly on the sidelines and at around 30% of its pre-pandemic size. A holiday weekend dominated by family fair like Encanto and Ghostbusters: Afterlife, with a side dish of the older-skewing House of Gucci is a welcome sight, but the big question was who would show. As it turns out, we’re looking at a modest weekend, with audiences hovering around their long term trend rather than rushing back to theaters.
More...
September 28th, 2021
Drama written and directed by Paul Thomas Anderson, starring Alana Haim and Cooper Hoffman opens in theaters on November 26 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2021/12/31 |
13 |
$93,588 |
|
61 |
$1,534 |
$258,676 |
2 |
| 2022/01/07 |
13 |
$52,312 |
-44% |
58 |
$902 |
$360,068 |
3 |
| 2022/01/14 |
17 |
$38,506 |
-26% |
45 |
$856 |
$425,351 |
4 |
| 2022/01/21 |
- |
$28,073 |
-27% |
34 |
$826 |
$472,955 |
5 |
| 2022/01/28 |
20 |
$40,632 |
+45% |
33 |
$1,231 |
$517,978 |
6 |
| 2022/02/04 |
- |
$24,794 |
-39% |
32 |
$775 |
$561,757 |
7 |
| 2022/02/11 |
- |
$34,854 |
+41% |
27 |
$1,291 |
$621,001 |
8 |
| 2022/02/18 |
- |
$15,285 |
-56% |
19 |
$804 |
$645,837 |
9 |
| 2022/02/25 |
- |
$12,258 |
-20% |
15 |
$817 |
$668,139 |
10 |
| 2022/03/04 |
- |
$9,151 |
-25% |
10 |
$915 |
$695,931 |
11 |
| 2022/03/11 |
- |
$19,025 |
+108% |
13 |
$1,463 |
$714,057 |
12 |
| 2022/03/18 |
- |
$6,770 |
-64% |
10 |
$677 |
$733,740 |
13 |
| 2022/03/25 |
- |
$7,340 |
+8% |
10 |
$734 |
$754,344 |
14 |
| 2022/04/01 |
- |
$5,883 |
-20% |
7 |
$840 |
$773,395 |
15 |
| 2022/04/08 |
- |
$4,765 |
-19% |
5 |
$953 |
$776,649 |
16 |
| 2022/04/15 |
- |
$2,409 |
-49% |
3 |
$803 |
$776,687 |
17 |
| 2022/04/22 |
- |
$4,348 |
+80% |
4 |
$1,087 |
$767,956 |
18 |
| 2022/04/29 |
- |
$1,242 |
-71% |
3 |
$414 |
$752,242 |
19 |
| 2022/05/06 |
- |
$993 |
-20% |
2 |
$497 |
$753,521 |
20 |
| 2022/05/13 |
- |
$41 |
-96% |
2 |
$21 |
$752,380 |
21 |
| 2022/05/27 |
- |
$963 |
|
2 |
$482 |
$747,748 |
23 |
| 2022/06/10 |
- |
$433 |
|
2 |
$217 |
$767,020 |
25 |
| 2022/06/24 |
- |
$73 |
|
1 |
$73 |
$736,789 |
27 |
| 2022/08/12 |
- |
$106 |
|
1 |
$106 |
$736,974 |
34 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Argentina |
1/27/2022 |
$50,000 |
66 |
66 |
68 |
$271,971 |
5/1/2022 |
| Australia |
12/23/2021 |
$0 |
0 |
61 |
399 |
$736,974 |
8/15/2022 |
| Austria |
1/28/2022 |
$48,000 |
26 |
26 |
54 |
$235,740 |
8/17/2022 |
| Belgium |
1/5/2022 |
$53,000 |
30 |
34 |
101 |
$317,913 |
4/20/2022 |
| Bolivia |
2/17/2022 |
$2,000 |
10 |
10 |
10 |
$2,000 |
10/20/2022 |
| Brazil |
1/20/2022 |
$0 |
0 |
109 |
114 |
$234,261 |
5/1/2022 |
| Central America |
2/17/2022 |
$0 |
0 |
1 |
2 |
$32,433 |
4/20/2022 |
| Chile |
2/17/2022 |
$14,000 |
15 |
15 |
15 |
$49,950 |
6/8/2022 |
| Colombia |
2/17/2022 |
$16,000 |
44 |
44 |
45 |
$47,383 |
5/1/2022 |
| Croatia |
1/14/2022 |
$8,000 |
50 |
50 |
51 |
$25,195 |
7/27/2022 |
| Cyprus |
1/7/2022 |
$1,000 |
7 |
7 |
7 |
$1,000 |
10/20/2022 |
| Ecuador |
2/17/2022 |
$4,000 |
20 |
20 |
20 |
$4,000 |
2/21/2022 |
| Estonia |
2/25/2022 |
$0 |
0 |
1 |
2 |
$16,364 |
1/11/2023 |
| Finland |
3/11/2022 |
$15,489 |
41 |
41 |
41 |
$25,252 |
10/20/2022 |
| France |
1/5/2022 |
$743,000 |
184 |
375 |
1458 |
$2,699,000 |
10/20/2022 |
| Germany |
1/27/2022 |
$375,000 |
115 |
117 |
520 |
$1,564,128 |
8/10/2022 |
| Greece |
1/6/2022 |
$25,000 |
26 |
26 |
26 |
$124,357 |
5/4/2022 |
| Italy |
3/17/2022 |
$480,752 |
0 |
0 |
0 |
$1,549,677 |
10/20/2022 |
| Japan |
7/1/2022 |
$0 |
0 |
46 |
147 |
$667,411 |
11/30/2022 |
| Latvia |
3/4/2022 |
$0 |
0 |
1 |
1 |
$9,194 |
4/13/2022 |
| Lithuania |
2/25/2022 |
$3,806 |
16 |
16 |
32 |
$10,907 |
6/22/2022 |
| Mexico |
2/24/2022 |
$0 |
0 |
8 |
27 |
$261,867 |
11/13/2022 |
| Netherlands |
1/27/2022 |
$135,880 |
47 |
67 |
393 |
$857,871 |
1/11/2023 |
| New Zealand |
1/27/2022 |
$25,026 |
33 |
33 |
173 |
$112,309 |
1/16/2023 |
| North America |
11/26/2021 |
$345,157 |
4 |
1,977 |
11,015 |
$17,318,007 |
|
| Paraguay |
2/17/2022 |
$2,000 |
8 |
8 |
8 |
$2,000 |
10/20/2022 |
| Peru |
2/17/2022 |
$12,000 |
21 |
21 |
21 |
$12,000 |
10/20/2022 |
| Portugal |
12/30/2021 |
$9,306 |
30 |
30 |
152 |
$120,204 |
4/5/2022 |
| Russia (CIS) |
1/13/2022 |
$159,151 |
296 |
296 |
745 |
$529,341 |
10/20/2022 |
| Singapore |
1/21/2022 |
$8,000 |
4 |
4 |
5 |
$29,177 |
5/4/2022 |
| Slovenia |
1/7/2022 |
$2,000 |
12 |
12 |
12 |
$15,331 |
11/13/2022 |
| South Korea |
2/16/2022 |
$48,674 |
212 |
212 |
390 |
$181,825 |
12/28/2022 |
| Spain |
2/11/2022 |
$260,509 |
212 |
212 |
848 |
$903,894 |
12/7/2022 |
| Switzerland |
1/5/2022 |
$0 |
0 |
4 |
8 |
$293,969 |
8/24/2022 |
| Switzerland (French Speaking) |
1/7/2022 |
$27,000 |
9 |
9 |
9 |
$27,000 |
10/20/2022 |
| Switzerland (German Speaking) |
1/21/2022 |
$44,000 |
30 |
30 |
59 |
$85,000 |
10/20/2022 |
| Turkey |
1/7/2022 |
$6,139 |
29 |
29 |
49 |
$41,345 |
10/20/2022 |
| Ukraine |
2/17/2022 |
$13,000 |
27 |
27 |
29 |
$18,286 |
5/25/2022 |
| United Kingdom |
1/7/2022 |
$1,194,476 |
202 |
444 |
1457 |
$3,464,013 |
4/13/2022 |
| Uruguay |
2/17/2022 |
$5,000 |
20 |
20 |
20 |
$5,000 |
10/20/2022 |
| |
| Worldwide Total | $32,903,549 |
1/16/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
