This graph shows Natalie Portman’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
A married astronaut returns to Earth after a mission and begins an affair with a fellow astronaut. She heads into a downward spiral as she loses her connection to her family—a condition that can afflict those who spend a long time in space. When her lover begins another affair with an astronaut trainee, the bottom drops out of her life.
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It’s a strange week for limited releases. There is not an overwhelming number of releases on this week’s list, but three of them were widely expected to be Awards Season players: Ben is Back, Mary Queen of Scots, and Vox Lux. However, of these three, none of them of earning award-worthy reviews. In fact, none of them are earning reviews that suggest they will truly thrive in limited release. Worse still, the competition between the three of them could result in none of them doing particularly well over the weekend. Hopefully that’s not the case.
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In 1999, teenage Celeste survives a violent tragedy. After singing at a memorial service, Celeste transforms into a burgeoning pop star with the help of her songwriter sister and talent manager. Celeste’s meteoric rise to fame dovetails with a personal and national loss of innocence, consequently elevating the young powerhouse to a new kind of celebrity: American icon, secular deity, global superstar. By 2017, adult Celeste is mounting a comeback after a scandalous incident almost derailed her career. Touring in support of her sixth album, a compendium of sci-fi anthems entitled, “Vox Lux,” the indomitable, foul-mouthed pop savior must overcome her personal and familial struggles to navigate motherhood, madness and monolithic fame.
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There are not a lot of limited releases on this week’s list, and none of them stand out as potential box office hits. The Year of Spectacular Men has some of the loudest buzz and good reviews, but it is playing on Video on Demand, so it will likely do well there and not find an audience in theaters.
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2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons.
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It’s a good week for Pick of the Week contenders, as there are seven such releases on this week’s list. Unfortunately, none of them really scream out as The Pick of the Week. Rogue One: A Star Wars Story is by far the biggest, but it is only out on Video on Demand right now, while Hidden Figures is the best, but again, it is only on VOD this week. There are also a couple of busted Oscar-bait films, Archer: Season Seven is only getting a DVD release, while the previous seasons came out on Blu-ray. In the end, I went with Mystery Science Theater 3000: Volume XXXVIII, partially to celebrate the return of the show.
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Jackie is Oscar-bait, there’s no denying that. It has all of the hallmarks of an Oscar-bait release. It is based on historical events, it was released in the heart of Awards Season, and it features a powerhouse performance. The film did earn three Oscar Nominations, but wasn’t able to convert any of those into wins. Is the film busted Oscar-bait? Or did it deserve to win at least one Oscar?
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It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Leading Actress, which is not competitive. There’s an overwhelming favorite, a long shot with a shot, and then everyone else.
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The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. This could mean the Oscar race will be a lot closer than in past years. This time around Manchester by the Sea led the way with four nominations.
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The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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As expected, Moana led the way at the box office on Friday. It did so thanks to a $6.45 million haul. This is just 4.2% lower than Frozen managed during the same period in its run. If Moana has the same internal multiplier over the weekend, then it will earn just over $30 million. That would be amazing. That would be $6 million better than expected. I think it is going to have trouble keeping up that pace, but a sub-50% drop-off to $29 million is still impressive, especially for this time of year. The film has $97.96 million as of Friday and by the time you read this, it may have already crossed $100 million on Saturday. If it continues to show legs like this, then the film will still be in wide release on Christmas Day, which will be a boon to its box office numbers.
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There are not a lot of limited releases on this week’s list. Things to Come is earning the best reviews, but it is a foreign-language film and that will limit its box office potential. Believe is the biggest in terms of theater count, but it’s a faith-based film and there’s a chance it will open well below the Mendoza Line. On the other hand, Jackie has the best box office potential and Natalie Portman could win an Oscar for her performance.
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The Independent Spirit Awards nominations were announced last night and thus the 2016 Awards Season begins. There were a few surprises and some snubs to discuss, but for the most part, there’s not a lot nominations that broke the established narrative. It’s because there isn’t really an established narrative. This means films that earn nominations here have a much better chance of doing well going forward and Moonlight looks like it could rise up as a result.
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Three even-matched debutants proved to be no match for the incumbents at the box office this weekend, with Suicide Squad taking a third straight victory at the box office with $20.71 million, according to Warner Bros.’ Sunday morning projection. Sausage Party stays in second with $15.3 million, and that leaves the new entrants in 3rd, 4th and 5th. This was a weekend where diversity isn’t the problem, but novelty is.
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Kung Fu Panda 3 is making a solid start domestically this weekend with Fox projecting a $41 million debut. That’s the weakest start for any film in the franchise, behind the $47.7 million opening of Kung Fu Panda 2, and Kung Fu Panda’s $60.2 million back in 2008. The downward trend is in large part explained by the January release of the third movie, compared to June and May for the previous two. In fact, it still technically has a shot at having the best first weekend for a film in January, a record currently held by Ride Along with $41.5 million, although American Sniper really has bragging rights, with $89.3 million when it expanded wide last year. More importantly, Kung Fu Panda 3 opened with an estimated $57 million in China, a record for an animated film in the territory, and $75 million internationally.
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2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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Thor came out in 2011 and cost $150 million to make. However, it barely made a profit. In fact, had it been a stand-alone movie, it would have very likely lost money. Had it not been for The Avengers boosting the home market numbers, it might have lost money. On the other hand, Thor: The Dark World cost $170 million to make and pulled in 40% more at the worldwide box office. Is it also 40% better? Or did it benefit from the big picture The Avengers movie universe has pulled together?
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October ended on a winning note, but it was the only time the entire month that 2013 topped 2012 in the year-over-year comparison. This is quite shocking, as Gravity crushed expectations with more than $200 million and counting. Even with that surprise monster hit, the month still couldn't keep pace with last year. Compared to October, November looks a lot better with three films that could be monster hits: Frozen, Thor: The Dark World, and The Hunger Games: Catching Fire. On the other hand, those are the only three movies with a 50/50 chance or better to top $100 million compared, while there were seven films that reached that milestone last November. The Hunger Games: Catching Fire should make more than last year's number one film, Skyfall, but the depth last year could prove too much to deal with. 2013 might dip below last year's pace sometime during the month, but hopefully it won't stay there too long.
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Echo Bridge Home Entertainment is a distributor that specializes in releasing bargain DVD and Blu-rays for films that are generally forgotten. I don't think it is unfair to say that. I was a little surprised to see they were releasing Beautiful Girls on Blu-ray, and it was the film's Blu-ray debut. Has this film been forgotten? Granted, it has been a while since I've seen this movie, but I remember really liking it. Is it as good as I remember? And is the Blu-ray worth picking up?
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