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Science fiction and fantasy films

February 2025

  • Timothée Chalamet in Dune: Part Two.

    Week in geek
    Will Dune: Messiah be Villeneuve’s crowning achievement, or the moment the spice runs dry?

  • Ruoyun Zhang in Escape from the 21st Century.

    Escape from the 21st Century review – teenagers fast-forward to the future in barmy sci-fi

  • Laeni Geiseler in What Marielle Knows.

    What Marielle Knows review – teenager’s telepathic powers reveal parents’ secrets and lies

  • Mickey 17.

    Mickey 17 review – Robert Pattinson proves expendable in Bong Joon-ho’s eerily cheery cloning drama

  • Oscars short films 2025 review – from immigration hell to kiss-averse kids and inspirational octogenarians

  • The Stepford Wives at 50: a compelling idea in search of a better movie

  • The Witcher: Sirens of the Deep review – gore flows in bloody animated mer-western

  • ‘Robots cannot reflect the human condition’: Nicolas Cage speaks out against AI

January 2025

  • a woman in a pink dress tied to a chair and a man sitting opposite her

    Companion review – empty sci-fi thriller short-circuits too quickly

  • Bug hunt … Anthony Mackie in Elevation.

    Elevation review – high-altitude monster thriller offers twist on the Quiet Place formula

  • Ryan Gosling.

    Week in geek
    Ryan Gosling for Star Wars? It may be the end of the franchise as we know it

    Ben Child
  • Anya Taylor-Joy in Furiosa: A Mad Max Saga.

    The seven best films to watch on TV this week
    Furiosa: A Mad Max Saga to Star Trek: Section 31 – the seven best films to watch on TV this week

  • Nosferatu’s Robert Eggers to direct sequel to 1986’s Labyrinth

  • I’m just Kenobi: Ryan Gosling set to join Star Wars franchise in as-yet-untitled movie

  • Oscar buzz and genre snubs: will the Academy finally give sci-fi, fantasy and horror their due?

  • Wolf Man review – Julia Garner-starring backwoods horror lacks bite

  • Here review – a de-aged Tom Hanks and Robin Wright grow old together in mawkish tear-jerker

  • Don’t Look Up director says ‘half a billion people’ have now seen film despite critics

  • Werewolves review – post-apocalyptic lupine horror makes an enemy of the moonlight

  • 2073 review – Asif Kapadia’s harrowing vision of a post-apocalyptic world

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