Kevin Nguyen

The film won Best Motion Picture in Drama and Best Director. Hollywood’s awards season is long, but the Globes are a good signal for the 3.5-hour saga’s Oscar chances.

In the meantime, check out our Q&A with director Brady Corbet and how he got his audacious movie off the ground.

This month Criterion Channel’s new “Surveillance Cinema” series features a number of Verge reader favorites: Gattaca, Minority Report, A Scanner Darkly, and The Conversation.

But Demonlover, Olivier Assayas’s underrated corporate espionage thriller, might be the pick here that’s most prescient about the internet and people’s obsession with superheroes, porn, and Japan. It received mixed reviews when it was released in 2002, but you might be shocked how well it holds up over two decades later.

Phil Elverum fuzzy guitars and crashing cymbals don’t really conjure “remix material” in my mind, but I love that he dropped his new record Night Palace along with a folder of all the stems, in case you were ever so inclined. Since his days under the moniker The Microphones, Elverum has embodied the DIY spirit, so I guess now you can do it yourself, too.

One small detail in this NYT story about Elon Musk building a multi-family compound is the resolution around the billionaire promising the name “Valkyrie” to two different mothers of his kids:

Further complicating matters, Mr. Musk took a name that he and Ms. Boucher had chosen for their daughter — Valkyrie — and gave it to one of Ms. Zilis’s twins, according to two people familiar with the naming. Ms. Boucher was so offended that she wrote a song about the episode, which she posted to Twitter.

“A girl cursed with my daughter’s name,” Ms. Boucher wrote in a now-deleted tweet, “will now carry her mother’s shame.” (In the end, Ms. Zilis changed her daughter’s name, while Ms. Boucher chose a different name for her child.)

Glad they worked that out. It would’ve gotten truly confusing to have two Valkyries living under the same roof — or whatever covers a 14,400-square-foot villa.

The content moderation thriller on Broadway (you heard that right) wraps up its final performances over the next week and a half. And after tonight’s show (10/17), The Verge hosts a talkback with JOB playwright Max Wolf Friedlich.

Pitchfork was the music tastemaker of the blog era. Now, after media empire Condé Nast acquired it and eventually gutted the staff, several former Pitchfork writers are launching a (mostly) worker-owned music site called Hearing Things. NYT has the backstory of how it came together.

(In an era where everyone is starting newsletters, I’m excited for a new, good old fashioned homepage to bookmark.)