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Anna

@an-ah-rlt / an-ah-rlt.tumblr.com

pfp by alohasushicore ▪︎ TTS/RTA side-blog  ▪︎  main: anna-rlt
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Hey hey everyone! Time for relentless shilling lmao

HEY 7K FANDOM!!

The 7k story is one we all love a lot (obviously) but there isn't really a whole bunch to go off when it comes to tangible material, especially now that a lot of the "canon" material has been buried by time. I thought it could be really fun to have a fan-made, group comic depicting an overview of the 7k story. I did a bit of a rough out for the plot, and it looks like it would hover around 30-35 pages in total. Myself and a couple others are already getting started on a more concrete version, but so far that is what we're looking at!

SO!! If there's any writers or artists who would like to join in, shoot me a DM! I'm setting up a discord for it, so hmu for an invite. We'd love to have you! ❤❤

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Other people have articulated this better.  But god the black and white way canon paints the Separatists of Saporia makes me so frustrated.  Like, I get it’s a kids show.  But the subtext / underlying implication speaks to such a systemic problem.  A problem that they have every reason to be angry about. 

It’s the “legitimate cause underplayed by extreme violence, especially toward children” trope.  And I just have a lot of bitterness for that.

Is it a legitimate cause? I don’t feel like the show gives us enough information to make that assessment. There are certainly seperatist causes in reality that are decolonization efforts, but there are also seperatist causes that are supremacist and fascistic in nature where a historically privileged group feel the broader nation is checking their power too much. The history we get in Under Raps would seem to paint the Saporians as the original conquering force given that it was Corona where the fighting was happening, but it’s a Coronan narrative, so obvious grain of salt. The royal line is as much of Seporian descent as it is Coronan, given the marriage of Der Sonne and General Shampanier. So I’m wondering what implications actually provided by the show would indicate one way or the other whether the Saporians are a marginalized people fighting unjust rule, or the Seperatists are just a bunch of cultural reactionaries aggrandizing a mythic past/Lost Cause™?

What we saw with “New Seporia” in Rapunzel’s Return led me to assume the latter, but I can certainly see why if you assume the former it would lead to seeing the Seporians as having their valid cause vilified through their actions in the plot. I’m just not sure what one would make that conclusion based on.

for me it’s the total death of the saporian language in just a few hundred years that really clinched it—language shift can occur within that timeframe naturally but total extinction as depicted in the lost treasure of herz der sonne really does not. further, there is no evidence of cultural blending or patchwork as one would expect from an equitably united nation—there are no mentions of saporians or saporian culture at all outside of the separatists besides the language being established as dead and the appearance of a destroyed apothecary cart thousands of miles from corona. the saporian capital appears to no longer exist. the parts of corona that were once saporia are never visited or acknowledged as such.

additionally:

1) shampanier was a general, not a queen. it’s possible saporia is meant to be interpreted as a stratocracy but given that every other country in the show is a monarchy and xavier states that saporian separatists exist because they felt “betrayed” i think it is at least a toss up whether shampanier actually had the authority to surrender [a war saporia was winning] and accept a treaty that stripped saporia of its sovereignty and united it under coronan rule. like, a military coup against the saporian queen with backing from corona is equally plausible based on xavier’s telling.

2) there are clear signs that all is not well in corona in general: eugene is [almost] executed without a trial or conviction, and in one angry princess we see that if he had gotten a trial it would have been a sham anyway. if you’re accused of a crime you have to hope a member of the court decides to advocate for you, and even if they do they’re only granted 24 hours to put their case together. the system is stridently carceral and corona’s dungeons are empty because they ship people off to prison barges for petty crime. lady caine’s father is either serving an 18+ year sentence or was executed for petty theft. the coronan citizenry has so thoroughly accepted that the king’s word is law that when frederic is brainwashed and enslaves them all by ordering them into a mine, they essentially shrug and say well, rebellion is illegal. and frederic himself has secret police whom he enlists in a conspiracy to cover up a problem he knew about and ignored for nineteen years, and no one is concerned about this abuse of power except insofar as it harms his daughter. corona is systemically rotten, and while this doesn’t relate directly to saporia, it isn’t a stretch to conclude that the rot extends to the treatment of saporians too.

3) the only things we know about the separatists’ actual politics beyond hating corona and wanting saporian sovereignty to be restored is that they’re vaguely environmentalist and very keen on animal, and specifically equine, rights… in a world where animals explicitly have personhood but are still treated as animals by the human characters, and where two out of the three episodes of character development for the chameleon concern him being hurt because his best friend treats him like a pet. they don’t have much in the way of political stances but what they do have—if separated from the “insane terrorist” depiction of them—is… pretty reasonable stuff being narratively framed as ridiculous.

My other piece for the @windinmyhairzine, this time featuring the Brotherhood!!

I was super happy to get to do an illustration featuring my favs, and it’s been a little while since I finished this one, but I’m still fond of how it came out!

What are your opinions on the whole Rapunzel-Varian drama in S1 post Queen For A Day, especially with the whole "Rapunzel should've checked on Varian after the snowstorm" or whose fault it was for their conflict?

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tbh… if i had to pick one single representative example of the tts fandom’s general inability to handle nuance in fictional conflict, it’d be the QFAD discourse™

because! while this isn’t to rag on anyone, if you pick a random person with an opinion on this question, chances are they will fall into one of two camps. either: 1) corona’s treatment of varian was horrifically unjust and everyone involved except him is a terrible person, or 2) rapunzel did what she had to do and varian’s anger is irrational, unfounded, and fundamentally unfair.

people in camp #1 tend to believe that rapunzel was simply being selfish and acting like a sulky child when she failed to check up on varian after the storm. people in camp #2 tend to point out that rapunzel was traumatized by the events of QFAD too, and believe that this justifies her failure to check up on varian.

but the thing is imo the conflict in QFAD + the rest of s1 is just as complex and messy as the argument cassandra and rapunzel have in RATGT, in that there is no One True Right Answer and no person who is one hundred percent “at fault.” the question of blame is… honestly sort of beside the point if you ask me. to break this down:

#1: rapunzel is a sheltered teenager with minimal social skills dealing with a national emergency halfway through her first unsupervised couple days on the job.

the girl has had like eight months tops of training for the monumental task of ruling a country. she grew up in a situation where the only choice available to her was how she would wile away her free time inside her tower; gothel exerted total control over every other facet of her life. and while she has a little more wiggle room now that she’s out of the tower, she is still basically living her life with all the big, consequential choices made for her.

QFAD was intended to be her first taste of true authority, while still being ultimately inconsequential. if all had gone according to plan, corona would have ticked along more or less on autopilot—just as frederic left it—while rapunzel got in a little practice making judgment calls about minor, unimportant things, like mediating small interpersonal disputes between her subjects.

nobody expected, and rapunzel was absolutely not prepared for, a legitimate national crisis to explode in her face out of nowhere. this was supposed to be pedaling by herself for the first time with training wheels and what she got instead is careening down the freeway on a motorbike at 95mph with zero warning. it is a miracle that she held things together as well as she did.

#2: varian is a child with an emotionally distant, unsupportive father who sets him up for failure.

he’s smart but he’s also fourteen. he has little if any formal training in alchemy, he’s figuring stuff out by trial and error, and he has zero adult supervision. his efforts have caused significant levels of destruction twice in only a few months—the exploding boilers in WTH, and his invention going haywire (with a little help from st. croix) in GE—and it’s implied that this is a fairly regular occurrence with him.

and yet quirin does nothing. he shouts at varian, shuts him down, and at several points orders him point blank to stop messing with alchemy… but he makes no effort to connect with his son or understand where he’s coming from; he doesn’t try to impose reasonable restrictions (like “don’t mess with volatile chemicals unless i’m there to help”) that would allow varian to pursue his passion while minimizing the danger; and he doesn’t create an environment where varian feels able to turn to his father for help. and then with the black rocks, he lets varian come along to see the king, but refuses to explain why he “lied” (/spoke in code) to the king, destroying any credibility he had in varian’s eyes and making varian panicky and desperate because it seemed like no one else cared.

so the end result is that varian feels like he has no choice but to sneak around behind quirin’s back. he can’t rely on his dad for help if anything goes wrong, but the situation is so dire that doing nothing also isn’t an option. he tries his best to be careful (before quirin barges in on him, varian is attempting to put just one drop of the amber serum on the rock) but even if quirin hadn’t startled him, a terrible accident was bound to happen sooner or later, and the responsibility for that lays just as much if not more on quirin’s shoulders—the adult in this situation—as on varian’s. the kid is FOURTEEN.

(i think a neat argument could be made for varian as a deconstruction of the teen/YA fantasy trope of the hyper-competent teenager with absentee parents whose absence allows the teen to get on with the important work of the high-stakes fantasy plot; but that’s a whole different post)

#3: rapunzel did the right thing, but lost control over the situation due to lack of experience.

it would have been wrong to abandon everybody in corona to run off into the blizzard with varian, and frankly it wouldn’t have helped quirin anyway. he was already encased in amber by the time varian got back to old corona, and rapunzel couldn’t have done anything in the moment had she been with varian then. the only benefit to her presence would have been to comfort varian—which is not a small thing, obviously, but it’s not in any way a reasonable exchange for the hundreds or thousands of lives that would have been lost if she left corona completely without a leader in the middle of a crisis. so broadly speaking, staying in corona was the right call.

however.

rapunzel was not in control during that scene in the palace. varian bursts in, panicking, explains his situation and begs for her help—and rapunzel just says, basically, “i can’t help you, there’s an emergency.” then nigel comes in and reinforces that, which makes varian freak out; he grabs rapunzel and shakes her, nigel signals for the guards in response, and varian gets dragged out of the palace while rapunzel pleads with the guards not to hurt him.

(sidebar: the hate nigel gets for describing varian as “attacking” rapunzel is unfounded. varian grabs her and shakes her roughly back and forth and that is, in fact, assault. nigel is not wrong to describe it as such.)

anyway, notice two the things that DON’T happen here:

1) rapunzel doesn’t offer up any alternative solutions. a more experienced or better prepared leader could have responded to varian’s plea with a plan of action, like: i need to stay in corona to oversee the evacuation, so we can’t leave right this minute, but cassandra will take you to ask xavier for advice right now and the minute it’s safe to leave we’ll go together to help your father. or whatever—the point is to engage proactively with varian’s problem, make him feel heard, and give him something productive to do so he isn’t just sitting around fretting in the palace or struggling back home by himself in the middle of a blizzard.

2) raps doesn’t challenge nigel’s decision when he summons the guards to throw varian out of the palace, which is something she absolutely could have done. she could have said no, i can’t go to old corona right this minute to help him, but we are not throwing him out into the storm again, he stays here with me. this is, again, a sign of her inexperience; she’s not used to being an authority, she’s never been in a situation like this before, and she’s under a ton of pressure—so when an older adult whom she sees as an authority (he’s her father’s advisor!) makes a judgment call, it probably doesn’t even occur to her that she can challenge it.

this is why i say that rapunzel lost control over the situation—because even though she made the Right Decision, she got a kind of awful outcome, ie varian being tossed out into the blizzard to struggle home by himself to deal with his problem without any support, and rapunzel inadvertently breaking her promise from earlier.

#4: rapunzel doesn’t immediately go to check on varian after the storm because she’s traumatized, busy, and trusts her father.

painter’s block is all about how the trauma rapunzel feels as a direct result of her decisions during the storm destroys her ability to choose anything. she feels so debilitated by the fear that she will make the wrong choice—because she worries that she chose wrong when she allowed varian to be sent away—that she can’t do anything at all, let alone find the emotional strength to go to old corona and confront her mistakes. and while she tries to process and move past this trauma, mrs sugarby exploits it in an attempt to force her to free zhan tiri.

the next episode, not in the mood, involves rapunzel being put under enormous pressure to entertain an irascible ally of corona’s while he and her father negotiate a trade deal with the threat of a war breaking out if they fail. NITM is a silly episode, but it has the highest non-magical stakes of any episode in the entire series. this isn’t an event rapunzel could have reasonably skipped out on for the sake of one person, no matter how much she cares. she’s slammed. she’s still being forced to prioritize just like she was in QFAD.

and in the third episode after QFAD, rapunzel is tormented by nightmares about varian and what happened to his father, so she presses frederic for information about the rocks and varian’s safety. and frederic assures her that everything is fine. he lies to her face about the rocks having been removed, and rapunzel has no reason to doubt him, so she relaxes… until varian contacts her directly, and she immediately jumps to help him.

#5: at the same time, varian has been forced into hiding because frederic is attempting to cover up the rock problem.

what happens to varian after QFAD is plainly unfair and unjust. his father is trapped in amber, the rocks have completely destroyed old corona, most of the villagers have presumably moved to the new land frederic set aside for them, and frederic’s secret police are crawling all over the village trying to suppress information about the rocks (and fred’s role in creating them). the blame for this lies squarely at frederic’s feet, and varian is right to be angry.

i believe that varian interprets rapunzel’s absence as a sign that she’s complicit in what frederic is doing, making his anger at her justified as well. he doesn’t have access to the information we do about why rapunzel doesn’t seek varian out immediately—he doesn’t see how distraught and shattered she is after the storm, or the high-stakes political nonsense she has to deal with, and he certainly doesn’t see her trying to pursue the matter of the rocks and varian’s safety with her father and being flatly lied to to convince her to stay put in corona. all he knows is that rapunzel kicked him out and now she’s ignoring him and her father’s agents keep chasing him away from his home, and he draws the conclusion that makes the most sense to him, ie rapunzel must be okay with all of this because otherwise she would be here.

and once he has that idea in his head, the fact that rapunzel immediately jumps to help him when he contacts her isn’t enough to dislodge it. he’s a scared, lonely fourteen year old boy looking at this situation through a purely interpersonal lens while rapunzel is an overwhelmed eighteen year old doing the best she can while juggling about a million things at once and putting varian low on her priority list because she’s been told by a trusted source that varian is fine.

they both make mistakes, they’re both missing important contextual information, and neither of them handles this situation in the best possible way. but neither of them is “at fault” in the sense of being purely in the wrong, and—imo—frederic and quirin hold the lion’s share of the blame here, because they had all the information, and they refused and refused and refused to deal with the black rock problem until it overwhelmed them both. varian and rapunzel are both just kids scrambling to deal with something that should not be their problem to solve, and both of them fuck up! (and even then—the best fred and quirin could’ve done was just be honest and upfront about what the problem was. neither of them had the means to fix anything, and neither of them was responsible for the very unfortunate timing of the blizzard. so it’s not as clear cut as everything bad in s1 happens because fred and quirin stuck their heads in the sand. a lot of it honestly was just sheer bad luck.)

a n y w a y, i think by s3 and after a lot of introspection, varian has figured a lot of this out, and that’s why he’s so quick to let go of his lingering grudge against rapunzel. he’s realized that at the end of the day, rapunzel was just as unprepared and lost in that situation as he was, that she’s not responsible for (and wasn’t complicit in) her father’s decisions, etc, etc.

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AU where Pascal leaves the tower every now and then and finds stuff out in the world to bring it back for Rapunzel. 

Little things of course because he’s a small lizard but… Stuff like coins, jewelry, pieces of paper with writing or drawings on them. Hair clips… Small things he can carry back up the tower to Rapunzel to give her little pieces of the outside world. She keeps them hidden behind her paints so Gothel doesn’t find them. They’re her prized possessions…. Because they’re technically her ONLY possessions since everything else in the tower belongs to Gothel.

Then when she meets Eugene Rapunzel herself is already somewhat of an accomplice to a little theft because obviously Pascal didn’t BUY those things for her. But he’s a lizard. He can’t be expected to know better.

Doodles of Varian from TTS🧪🛠

I’ve only seen a few episodes but I want to protect him so much lol

Also Jeremy Jordan’s voice acting is great

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(I’ve had this one lying around for a while as it was supposed to be a part of an update post for my Moongene design, which I am still working on but it’s taking a little longer to complete).

Anyways, I was inspired by some great artists on here and wanted to have a go at designing my own Moongene cape!

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Rapunzel Appreciation Week Day 3: Destiny

Forced to play a role you never chose

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