fear me

What are some of y’all’s TRC headcanons?

obsessed with her. girl of all time.

wait let me get on this level

Reblog to make it die faster

Like to charge, reblog to cast.

the unfunniest people on earth ran out of this bus and beat me with hammers

2 types of people

Holy Ghosts: Chapter 1. Part 3.

it’s spiraling time 🫶🫶

really hilarious and unsexy when hetero romantasy authors refer to love interests as males and females. you sound like david attenborough narrating a special documentary on two turtles humping in the mud

“Appeal to a wider audience” is corporate lingo for “strip more themes from a piece of media so it’s safer and more sanitized for investors”

I struck a nerve in the billionaire fandom with this one

fun fact— doggies have a place between their esrs rigjt on their hesds so u can give them a little kissy 🩷 a lot of people don’t realize this

a lot of stories treat romance like it makes the relationship between two characters self explanatory and to be honest it doesn’t

story: they're in love :)

me: why?

story: what do you mean? they're in love :)

me: what do they bring to each other's lives? what do they admire about one another? what draws them to each other?

story: love :) :)

me: ok... so what is that going to look like now?

story: like love :) :) :)

me: are their personalities going to clash at all? are they going to have arguments? learn to compromise for each other? will they need to adapt to sharing their life with another person? is it going to be smooth perfect harmony from day one? are they going to be always together? see each other sometimes as their occupations allow? how does this relationship affect their lifes.

story: they're in love :) :) :)

I also love how audio fiction has always been a highly experimental medium, and likely always will be.

Financially, it has a low barrier for entry, a low point of diminishing returns, and a relatively small potential market. It's basically impervious to being taken over by giant studios - even the "big" networks like RQ would be considered indie in the film or game dev industries. With the exception of the BBC, they tend to dip their toes into audio fiction, figure out quickly that, although it's beloved by its fans, there isn't that kind of money in it, and proceed to leave us alone forever.

Then there's the fact that it propagates largely by word of mouth. Audio dramas owe everything to obsessive nerds forcing nearly everyone they know to listen to that podcast they just discovered.

So it's more about the thing being actually good, plus a decent amount of luck and persistence.

There's no optimally marketable success formula being relentlessly enforced by gatekeeping jellybean-counters because they don't exist here. So people make whatever they want. So it draws people to it who are looking for something different. And the cycle feeds itself, and the medium gets weirder (in a good way).

It may very well ALWAYS remain the wild west of storytelling.

So listeners tell your friends about that podcast!

And creators, make the weird thing! There are no rules! It can be an hour long or Breaker Whiskey short, or Re:Dracula all over the place length. It can be another tape recorder framing or another voicemail framing or basically just an audiobook. It can be any genre or blend of genres. This creative space gives us the opportunity to be our own target audience in a way rarely found elsewhere.

If you enjoy the thing you're making, odds are somone else out there will enjoy it too. I've already found this to be true, and my time as an audio fiction creator is still just beginning.

Peace and love on every planet, y'all!

I also love how audio fiction has always been a highly experimental medium, and likely always will be.

Financially, it has a low barrier for entry, a low point of diminishing returns, and a relatively small potential market. It's basically impervious to being taken over by giant studios - even the "big" networks like RQ would be considered indie in the film or game dev industries. With the exception of the BBC, they tend to dip their toes into audio fiction, figure out quickly that, although it's beloved by its fans, there isn't that kind of money in it, and proceed to leave us alone forever.

Then there's the fact that it propagates largely by word of mouth. Audio dramas owe everything to obsessive nerds forcing nearly everyone they know to listen to that podcast they just discovered.

So it's more about the thing being actually good, plus a decent amount of luck and persistence.

There's no optimally marketable success formula being relentlessly enforced by gatekeeping jellybean-counters because they don't exist here. So people make whatever they want. So it draws people to it who are looking for something different. And the cycle feeds itself, and the medium gets weirder (in a good way).

It may very well ALWAYS remain the wild west of storytelling.

So listeners tell your friends about that podcast!

And creators, make the weird thing! There are no rules! It can be an hour long or Breaker Whiskey short, or Re:Dracula all over the place length. It can be another tape recorder framing or another voicemail framing or basically just an audiobook. It can be any genre or blend of genres. This creative space gives us the opportunity to be our own target audience in a way rarely found elsewhere.

If you enjoy the thing you're making, odds are somone else out there will enjoy it too. I've already found this to be true, and my time as an audio fiction creator is still just beginning.

Peace and love on every planet, y'all!