Pinned
Endymion, John Keats
@blamelessofaname / blamelessofaname.tumblr.com
In 2017, American film researchers recovered “Something Good – Negro Kiss,” a short film depicting a playful kiss between a Black couple which had not seen the light of day for more than a century. A long-forgotten artifact from the earliest years of American film, the sweet, humanizing vignette, produced by the Selig Polyscope Company, makes a startling contrast to the overwhelmingly racist and blackface-ridden contempory portrayals of African Americans. Four years later in 2021, archivists in Norway, halfway across the world, identified a sister short in their collections—an extended alternate cut which reveals more of Chicago stage performers Gertie Brown and Saint Suttle’s vaudeville-like routine, a theatrical, hot-and-cold romantic dynamic between two lovers which parodies the popular and controversial short “The Kiss” (1896). Both films, which had previously been lost, were known from entries in old motion picture catalogs but had been assumed to be era-typical, anti-Black “race films” until their rediscovery in the 21st century. Together with its more famous sibling, which has since been inducted into the Library of Congress’ National Film Registry, this alternate version of “Something Good” represents the first-known instance of Black intimacy ever captured on-screen.
SOMETHING GOOD [Alternate Version] (1898) Directed by William Selig
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Hey everyone, my name is Abdelmajed. I don’t usually talk much about myself, but today, I want to share a little piece of my story.
I was born and raised in Gaza, a place that has always been my home 🏡. I grew up surrounded by my family, my friends, and the streets that I knew like the back of my hand. Life wasn’t always easy, but we had love, laughter, and dreams. I used to think that no matter what happened, home would always be here. But life has a way of changing things in ways we never expect.
Over the past months, everything I once knew has disappeared. The streets that were once filled with children playing are now silent. The houses that held so many memories are now just rubble. And the people I loved—some of them are gone forever. 💔
Hercules (1997) dir. John Musker & Ron Clements
My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
RALPH FIENNES and JULIETTE BINOCHE as HEATHCLIFF and CATHERINE EARNSHAW
WUTHERING HEIGHTS (1992) dir. PETER KOSMINSKY
Winona Ryder As Verónica Sawyer In
HEATHERS (1988)
Elena Ferrante, Those Who Leave and Those Who Stay
Photo of Virginia Woolf’s bedroom in Charleston by Annie Leibovitz, from Pilgrimage.