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ANDOR | 1.12
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I think what was most exciting about taking on Steven Grant and Marc Spector and Moon Knight, Mr. Knight, was that there was an ability to use this, you know, superhero genre and Egyptian iconography, superpowers; all this kind of stuff that's exciting and super entertaining and use those things to tell a very internal story. This very, you know, deeply psychological, emotional story of this person uncovering the trauma that they lived through and finding a way to heal. — Oscar Isaac
MOON KNIGHT S01E01 | The Goldfish Problem
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Cinematography by Roger Deakins, ASC, BSC: The Shawshank Redemption (1994) directed by Frank Darabont
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This desk used to have four seats. Our friend Irving is gone, and they want our whole department gone. If he gets out, we're dead. They're gonna turn us off like fucking machines. You've seen them do it. I know you've lost friends, too. And you could be next. You could be next. They give us half a life and think we won't fight for it.
Severance (2022-) 2.10 - Cold Harbor dir. Ben Stiller
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Academy Award Winners for Best Cinematography: 2025 — Lol Crawley, BSC The Brutalist (2024) Directed by Brady Corbet Aspect Ratio: 1.66 : 1
“Q: The Brutalist is very visually striking, with its use of light and architecture playing a huge role in storytelling. What was your approach to crafting the film’s distinct visual language, and how did you use cinematography to reflect the passage of time? Lol Crawley: Even though the film takes place from the late 1940s after the Second World War, all the way through to 1980, we didn’t approach it with this idea of “This decade is going to look like this.” We wanted a cohesive sense, sort of aesthetic. What I like to do is look at the space and the performance and then figure out, well, what is this scene about? It’s like, well, maybe we thought it was four or five shots, but it was another thing. So even though we’re prepared, we’re very alive in the moment. And I hope, and I’m pretty sure, that the movie has a vitality and an energy because of that.” — Daily Bruin, March 2025