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The paradox of tolerance is only a paradox if you think of tolerance as some sacred and unconditional moral duty. Some ultimate and absolute law with no exceptions, and if you ever slip into the sin of intolerance, you must repent yourself and beg for forgiveness. Yeah no fuck that. Tolerance is a social contract. You're in the game as an equal player for as long as you play by the same rules as everyone else, and if you don't, your ass is fucking out. You're not entitled to the same respect you won't give others.
"Oh so you all tolerate each other just because you tolerate each other, but if I want to destroy you, then all of a sudden you want to destroy me?" Literally yes. That's the gist of it. What's not clicking. This equation is so simple it barely counts as math.
01. oriole and peach blossom
milène sanchez, "there isn't time," 2023, oil on canvas
Hubert Schmalix (Austrian, 1952-2025), Confidence, 2018. Oil on canvas, 175 x 130 cm.
Henni Alftan (Finnish-French, b. 1979, Helsinki, Finland, based Paris, France) - Corduroy, 2020, Paintings: Oil on Canvas
Dezső Korniss (Hungarian, 1908-1984) - Rózsaszín architektúra (Architecture in Pink), Oil on leather on wood, 19,5 x 28,5 cm (1954)
Jane Fisher, Cow Boys, 1991
Oil on canvas, 48" x 64"
Train passing at Damanhur, enroute to Alexandria and Aboukir, Egypt, ca. 1915. Photo by Marion Winifred Croll.
Work in progress by the talented, Aubrey Jangala Dixon
Aubrey Tjangala was born in 1974 at Yayi Yayi, a Pintupi outstation 30km west of Papunya. Yayi Yayi was a temporary settlement established by Pintupi people as they began their migration back into the Western Desert during the homelands movement of the 1970s.
After returning to his home Country,
Aubrey lived at his father's outstation,
Ininti, before settling in Kintore where he resides today.
So beautiful, so relaxing.
scared that theyre gonna get me and theyre gonna get me soon so i locked the door #Scared #Getme #Soon #Locked #Door