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Boa Hancock stan

@chinesegal / chinesegal.tumblr.com

I'm team "morally compromised women of color" in case anyone asks. birth year:1999

Link to my Patreon: paypal.me/Chinesegaldraws

Commission info

Flat Colored Sketch:

15 USD per character (full body)

10 USD per character (headshot)

Colored Sketch

15 USD per character (headshot)

25 usd per character (full body)

Full illustration with background:

65 USD per character

Extras Things that will incur an extra charge:

- props, like weapons or instruments - especially detailed character or costume designs - "unusual" anatomy like additional limbs or wings

Won't draw:

bodily fluids/excretions

genitals/explicit sexual acts

bigoted ideas

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I've been looking for sources on gender roles in medieval Ireland, part of my motivation is to find any evidence for women fighting in battle during that place and era.

I've found some posts and articles online which state that contrary to popular belief of ancient celts being egalitarian, early Ireland was in fact a very patriarchal society where women didn't have any particularly high status.

For example, in the article "The myths of Avalon" written by author Keri Sperring state that women were "by and large, property" and couldn't rule, be warriors or participate in public society.

I'm aware that the idea of ancient Ireland being an egalitarian society is a myth, but I also feel that these are blanket statements that probably leave out a lot of nuance.

I want to ask if you've read or studied anything about medieval Ireland, and can recommend any sources concerning gender roles, social attitudes and legal rights of women during that place and period.

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Hello again. I'm going to leave the weird tendency to believe weird things about The Celts™ (which you identify, with dubious accuracy, as "popular belief") to one side. Once again, the Victorians have a lot to answer for.

Kari Sperring, alias Kari Maund, received an excellent degree, but appears to have abandoned sober academic argument for books with titles like Princess Nest of Wales: Seductress of the English about 20 years ago.

Yes, most medieval societies are strongly patriarchal. The same can be said of many modern societies. Again I refer you to Judith Bennett's concept of patriarchal equilibrium. It's also true that women in medieval societies were subject to various forms of legal disability. But their legal disability does not mean that they were "by and large, property," in economic, social, or cultural fact. Were their options limited in law? yes. Does this mean that they did not participate in farming, in crafts, in arts, in ruling, in the religious life? No, no, no, no, and very definitely no.

I'm also going to gently suggest that the desire to find women doing the most archetypically masculine activity as evidence of their opportunities is... limited and limiting. Since you use the terms "early," "ancient," and "medieval" Ireland interchangeably, I'm not sure if The Ulster Cycle will be useful to you.

Four Courts Press, Dublin is generally a good place to look for works on medieval Ireland:

This work focuses on ideas of gender and power in medieval Ireland:

Cool History Facts tip jar here.

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I used "ancient, medieval and early" interchangeably because there are no surviving records from pre-Christian Ireland, but it can be safely assumed that many pre-pagan practices survived into the early middle ages.

I know about the Ulster cycle, but it's been stated that queen Medb of Connacht is a myth rather than a real person, and therefore doesn't represent the lives of real women/isn't useful for understanding what life for real women in pre-modern Ireland was like.

Okay, taking these things in order:

You can't just use those words (ancient, medieval, early) interchangeably and have them mean the same thing. They don't.

There are records from pre-Christian Ireland, and they are rich:

"it can be safely assumed that many pre-pagan practices survived into the early middle ages" No, it can't. See, recently, from the excellent Ronald Hutton, Queens of the Wild:

Finally, regarding the Ulster Cycle and queenship: if literary figures couldn't be used to understand people's hopes, fears, and ideals, a lot of people I know would be out of jobs.

Cool History Facts | Weary Debunking tip jar here.

"Queen of the Wild" makes a case for deity-like figures in Christian Europe such as the Fairy Queen and Green man not being surviving versions of pre-Christian gods from the ancient world, but that's not quite what I mean by "pre-[Christian] practices survived into the early middle ages".

The Brehon law was a law code which governed everyday life in early medieval Ireland, and administered by the Brehons who were judges and arbitrators and had a similar status as chiefs. It has been assumed that many laws from the pre-Christian era survived into the Brehon code, and that the Brehons were successors to druids.

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Reblogged

I've been looking for sources on gender roles in medieval Ireland, part of my motivation is to find any evidence for women fighting in battle during that place and era.

I've found some posts and articles online which state that contrary to popular belief of ancient celts being egalitarian, early Ireland was in fact a very patriarchal society where women didn't have any particularly high status.

For example, in the article "The myths of Avalon" written by author Keri Sperring state that women were "by and large, property" and couldn't rule, be warriors or participate in public society.

I'm aware that the idea of ancient Ireland being an egalitarian society is a myth, but I also feel that these are blanket statements that probably leave out a lot of nuance.

I want to ask if you've read or studied anything about medieval Ireland, and can recommend any sources concerning gender roles, social attitudes and legal rights of women during that place and period.

Avatar

Hello again. I'm going to leave the weird tendency to believe weird things about The Celts™ (which you identify, with dubious accuracy, as "popular belief") to one side. Once again, the Victorians have a lot to answer for.

Kari Sperring, alias Kari Maund, received an excellent degree, but appears to have abandoned sober academic argument for books with titles like Princess Nest of Wales: Seductress of the English about 20 years ago.

Yes, most medieval societies are strongly patriarchal. The same can be said of many modern societies. Again I refer you to Judith Bennett's concept of patriarchal equilibrium. It's also true that women in medieval societies were subject to various forms of legal disability. But their legal disability does not mean that they were "by and large, property," in economic, social, or cultural fact. Were their options limited in law? yes. Does this mean that they did not participate in farming, in crafts, in arts, in ruling, in the religious life? No, no, no, no, and very definitely no.

I'm also going to gently suggest that the desire to find women doing the most archetypically masculine activity as evidence of their opportunities is... limited and limiting. Since you use the terms "early," "ancient," and "medieval" Ireland interchangeably, I'm not sure if The Ulster Cycle will be useful to you.

Four Courts Press, Dublin is generally a good place to look for works on medieval Ireland:

This work focuses on ideas of gender and power in medieval Ireland:

Cool History Facts tip jar here.

Avatar

I used "ancient, medieval and early" interchangeably because there are no surviving records from pre-Christian Ireland, but it can be safely assumed that many pre-pagan practices survived into the early middle ages.

I know about the Ulster cycle, but it's been stated that queen Medb of Connacht is a myth rather than a real person, and therefore doesn't represent the lives of real women/isn't useful for understanding what life for real women in pre-modern Ireland was like.

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Reblogged

Hi, I saw your reply about Ruby Gillman, and while I havent watched the film I agree with you and other critics that the movie is spreading a dangerous message that sometimes, bigotry is justified and necessary to protect yourself.

Here are some thoughts I want to share:

The film starts with grandmama telling the audience and krakens and mermaids respectively, stating that all mermaids are "vain, selfish narcissists (yeah thats ableist)". Usually when blanket statements like that are made in the beginning of a story, the narrative will show that its wrong, so the fact grandmama's prejudice is validated goes against narrative conventions, and not in a good way.

Since the Gillmans are meant to be a metaphor for the immigrant experience, having to hide what they are to stay safe, that raises the question of what mermaids are supposed to be, who are also in hiding. It creates the subtext that its this other group that you should hate, not us.

Something about the way mermaids are framed and stereotyped as "vain, selfish, materialistic" mean girl caricatures makes me uncomfortable and pissed off. I think that said stereotypes originates in misogynistic stereotypes of teenage girls and women, very prevalent in media from the 90s, which is ironic to see perpetuated in a "progressive" film.

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Hi, thanks for sharing your thoughts!

I think the biggest problem here is that the message and the narrative directly contradict themselves, I don't think the writers/producers were consciously trying to make a "bigotry sometimes good" movie, but they wanted to have a cake and eat it too - tell a "don't be prejudiced" moral but also include a "whoa look a mermaid, usually depicted as a good guy, is ACTUALLY a bad guy!!!!" plot. The argument that "mermaids were actually evil monsters in the mythology" that people often use to defend this decision doesn't really work here because guess what... Guess what krakens were always depicted as...

It just made this movie's message a mess and I don't think people are wrong for pointing it out. I'm also not too thrilled about seeing this ableist usage of the word narcissist in more and more childrens media but hey, it's not like this genre is exempt from normalizing bigotry (given that it's adults that produce it, it's not surprising that they carry over their own biases like racism or misogyny, culture reinforces itself and so on and so forth). Honestly I'm kinda glad that it flopped, especially when it was during the time when everybody was jumping on DreamWorks' dick after the Last Wish so I guess it was pretty sobering lol.

I know that "it's just a children's movie", but I think ESPECIALLY children's movies should be subjected to criticism on a moral ground. Listen, I really like dark themes, but small children are still new to this world and absorb information uncritically. Media, as part of a specific culture, normalize and reinforce societal forces like bigotry and stereotypes. Obviously consuming media is not a replacement for parenting and just putting on some "unproblematic" movies for your children with no other work won't guarantee that they won't ever be bigoted but man, isn't that kinda fucked up that it's billion dollar companies that dictate how children's content looks like and what it includes, including all the cultural hiccups of the times we live in?

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VTM OC Wardrobe - Osman "Oz" Karga

CLAN: Gangrel "Wolfdog" HUMANITY: 8 GENERATION: 12 FAVE DISCIPLINE: Animalism

Osman "Sire Issues" Karga is a scrungly man who struggles with his vampirism due to the circumstances of his embracing. His sire? His ex-girlfriend who he has an on-and-off relationship with. He owns a taxidermy shop who is ran by his employee, Tabitha, during his day sleep. She is unaware of his vampirism! He also has a wolfdog by the name of Toprak. His style can be described as grungy/punk. He wears a lot of layers but rolls up the sleeves to show off his tattoos. Black combat boots are a must. Big fan of jewelry as well! And.. sometimes a collar when a certain sire swings by. Art made by the amazing, @mochafoxdoodles!

Historically Accurate Snow White, vol 2

I redid the first entry to my series of "Historically Accurate" Disney Princesses. I like to think I've learned a bit more of both art and historical fashion in the last 5 years since I made the original 7 entries to this series, so I'm a bit critical of those original versions (some more than others). What really made me want to continue this series after all these years was actually watching a video on the new Snow White movie, hating Snow White's costume, thinking once again about historical costume for Snow White and realising there is actually better fitting historical style for her than what I went with in my original redesign.

The setting of the 1937 film is pretty odd. Most characters are dressed much more Medieval-y, in vaguely 15th century style, but with the slashed sleeves and pointed waistline Snow White is definitely Renaissance. I'm choosing 16th century since it's Snow White I'm redesigning. The known versions of the fairy tail are German and the setting of the movie fits well to Central Europe, so I choose Germany as the location.

In my first design I went with a 1530-1550s Lower Germany style mainly because that's what I knew of German Renaissance fashion and it got the right kind of sleeves and sort of the right kind of collar. But now that I know more I think a bit later styles from roughly 1570s fits her better. The bodice in the original design has the elements of the latter half of 16th century - pointed waistline, hidden front opening and square neckline. The short sleeves fit pretty well too since it was popular to have contrasting fitted sleeves with the paned puffed sleeves on the shoulders. Here's some examples. First is Portrait of Anna Maria Kain by The Younger Hans Schöpfer from 1571. Second is Portrait of Dorothea Ursula von Baden-Durlach by Eberhard von Backe from 1577.

The only element that doesn't really fit is the collar. It was common in the period, but not in Germany. In Germany the style in later 1500s was very stiff and closed off, so the partlet was always closed with stiff ruffs and covered the neck. Here's first an example of the similar open partlet as Snow White is wearing from 1578-1579 Netherlands and then from 1590s Venice. So I rather went with the closed partlet with ruffs that was much more typical in Germany.

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