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Types of Hugs for Your OTP

  1. An awkward first hug where they're hesitant to cross the physical boundary but it feels so right, nonetheless.
  2. Happy/excited hug, where they're both laughing and their hands are all over each other.
  3. ^ except it turns into a tickle fight.
  4. 2 or 3 except A lifts B into the air.
  5. A is sad/crying, and B wraps them tightly in their arms, reassuring them that they're there for them.
  6. ^ except they're both sad and having each other is the only comfort they have.
  7. A long, tight hug where neither wants to let go.
  8. Tackle hug that almost knocks the other person off their feet.
  9. A hug of relief where they've been apart for some time and are just glad they're with each other again.
  10. Celebratory hug where one has received good news/succeeded at something and the other is proud of them.
  11. A has survived a battle and B hugs them tightly, happy they're alive.
  12. A hug in public where the world around them disappears and the only thing that matters is each other.
  13. Surprise hug.
  14. Protective hug.
  15. Back hug.
  16. Side hug.
  17. Bear hug.
  18. Sleepy hug where they're both tired out of their mind and just melt into each other's embrace.
  19. A is overthinking, their mind running a mile a minute, and B hugs them to soothe them.
  20. The taller one rests their head on the shorter one's head, breathing in the scent of their shampoo.
  21. Slow dance hug.
  22. A runs into B's arms.
  23. A twirls B around.
  24. Straddle hug.
  25. One-armed hug.
  26. A hug around the waist.

more words to describe your character's feelings

Doubt

begrudge, controvert, despair, disapprove, disbelieve, discountenance, dissent, fume, hesitate, lovelorn, mind, mistrust, objection, oppugn, question, reject, repudiate, rue, scruple, skepticism, suspect, wonder

Elated

affect, alleviate, appeal, appeasement, arrest, attract, awe, bedazzle, bemuse, brighten, charm, defuse, divert, elevate, enamor, encourage, endear, enliven, enthrall, enticement, excite, fascinate, fortify, galvanize, gladden, gratify, hearten, inflame, inspire, interest, invigorate, lighten, matter, perk up, prod, rally, reassure, rouse, satisfy, strike, tantalize, temper, tickle, touch, wake/waken, whet

Fear

apprehension, dismay, horror, panic, terror, trepidation

Hate

abhor, abominate, aggression, anger, antagonism, atrocity, bad blood, blow up, burn, deplore, detest, disdain, disinclination, disrespect, dissent, enmity, execrate, frown, fury, horror, incivility, inhumanity, lament/lamentation, loathe, malice, odium, outrage, pique, rancor, resent, revulsion, seethe, spite, umbrage, venom, wrath

Love

acceptance, admiration, adoration, adulation, affection, amour, appreciate, approval, attention, bask, bewitched, canonize, charity, consideration, constancy, delight in, dig, discrimination, dote on/dote upon, enamored, enjoy, esteem, exult, fall for, fascinated, favor, flame, fond, get a kick out of, gratitude, idolize, leaning, like, mad, mercy, passion, predilection, prize, rapture, respect, revere/reverence, savor, taste, thrill, treasure, venerate, zeal

Of concern

afraid, alarm, anxiety, apprehension, concern, craze, dismay, distraction, distress, encumbrance, feeling, foreboding, guilt, hang up, horror, jitters, jumpy, misgiving, obsession, one-track mind, passion, petrified, puzzled, question, suspicion, terror, trouble, weight, wonder, worry

Surprise

alarm, appall, astound, backfire, bedazzle, bewilder, confound, dazzle, dumbfound, electrify, frighten, overwhelm, petrify, shock, startle, stun, stupefy, terrify

NOTE

  • The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.
  • It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary.

10 Subtle Ways to Show Love Without Saying “I Love You”

Subtle gestures can convey deep affection and understanding without the need for words. Here are 10 subtle ways to reveal just how much your character cares, without using words:

1. Surprising Them with Their Favorite Snack

Character A notices Character B eyeing their favorite treat at a store/party, and later surprises them with it, showing they're paying attention to the little things.

2. Fixing Something Without Being Asked

When B's favorite [object] breaks, A quietly repairs it and leaves it for them to find. This doesn't have to be about objects, e.g. issues like not having a ride home and A picks them up without B asking.

3. Leaving a Hidden Note

A slips a small note into B's bag or coat pocket, something sweet or funny; could be good after a minor fight, or if B has a dangerous career.

4. Covering Them with a Blanket

B falls asleep on the couch, and A drapes a blanket over them gently. Again, cute if it's after a fight.

5. Warming Their Hands with Theirs

On a chilly day, A takes B’s cold hands into their own without a word, offering warmth and comfort.

6. Offering Their Jacket

As B shivers in the cold, A instinctively hands over their jacket without waiting to be asked. Post-fight cuteness x3

7. Cleaning Up After a Tough Day

B comes home exhausted, and A has already tidied up the space. Great if they're married with kids.

8. Brushing Something Off Their Face

When B has a strand of hair or speck of dust on their face, A gently brushes it away; a classic, intimate action.

9. Waiting Up for Them to Get Home

A stays up late just to make sure B gets home safely, greeting them with a warm smile or a cup of tea when they walk in.

10. Running an Errand They Dislike

Knowing B dreads a particular chore or errand, A does it for them without making a big deal, or when they’re stressed/sad. 

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

The 7 Faces of Friendship: Character Types to Include in Your Book’s Friend Group

Having a balance of different personas helps create a comprehensive cast for your novels. To get started, here are the 7 main friend personas to consider:

1. The Leader

Description:

The leader is the driving force behind the group. They are often assertive, confident, and willing to take charge in various situations. This person is typically seen as a decision-maker, guiding the group toward plans, activities, or goals.

Traits:

  • Charismatic: Naturally draws people in and inspires others.
  • Decisive: Quick to make decisions, often with a clear vision in mind.
  • Responsible: Takes ownership of the group's well-being and direction.

Role in the Group:

The leader often organises outings, mediates conflicts, and keeps the group focused on shared goals. They are instrumental in making plans and ensuring that everyone feels included.

2. The Caregiver

Description:

The caregiver is the heart of the friend group, always looking out for others. This person is empathetic, nurturing, and willing to lend a helping hand or an understanding ear.

Traits:

  • Compassionate: Deeply cares for the feelings and well-being of others.
  • Supportive: Always ready to offer encouragement or assistance.
  • Attentive: Notices when someone is feeling down or needs help.

Role in the Group:

The caregiver often acts as the emotional glue, fostering connections and ensuring everyone feels valued. They are typically the ones organising gatherings to celebrate friends or supporting them through tough times.

3. The Comedian

Description:

The comedian is the life of the party, always ready with a joke or a funny story. This character brings humour and lightness to the group, helping to relieve tension and elevate the mood.

Traits:

  • Witty: Quick with humour and often makes clever observations.
  • Playful: Approaches life with a sense of fun and spontaneity.
  • Positive: Maintains an optimistic outlook, even in challenging situations.

Role in the Group:

The comedian keeps the atmosphere lively, ensuring that laughter is a common thread in the group. They often defuse tense situations with humour and help create cherished memories through fun experiences.

4. The Adventurer

Description:

The adventurer thrives on new experiences and excitement. This character is always seeking thrills, whether that’s trying out a new restaurant, going on spontaneous trips, or participating in extreme sports.

Traits:

  • Daring: Enjoys taking risks and stepping outside of their comfort zone.
  • Curious: Eager to explore new ideas, places, and experiences.
  • Energetic: Brings enthusiasm to the group, often encouraging others to join in.

Role in the Group:

The adventurer often leads the charge for new experiences, pushing the group to try things they might not have considered. They inspire others to embrace spontaneity and explore the world together. Often contradicts the leader.

5. The Intellectual

Description:

The intellectual is the thinker of the group, often delving into deep conversations and pondering life's big questions. This character values knowledge and is well-read, informed, and curious about various topics.

Traits:

  • Analytical: Enjoys breaking down complex ideas and analysing situations.
  • Inquisitive: Asks questions and seeks to understand the world.
  • Articulate: Communicates thoughts clearly and effectively.

Role in the Group:

The intellectual can help stimulate meaningful conversations, adding depth to the group's interactions. More of a quiet yet important presence. They help get the Adventurer out of trouble, and are likely found bantering with the Comedian from time to time.

6. The Connector

Description:

The connector is the social butterfly of the group, adept at bringing people together and building relationships. This character thrives on interaction and often knows everyone’s stories, interests, and backgrounds.

Traits:

  • Sociable: Enjoys meeting new people and introducing friends to one another.
  • Empathetic: Understands social dynamics and helps others feel comfortable.
  • Resourceful: Knows where to go for recommendations and suggestions.

Role in the Group:

The connector enriches the group by fostering relationships and creating opportunities for social gatherings. They often organise events and help deepen bonds within the friend circle. They are generally close to the  Caregiven and the Leader’s partner/close friend.  They help the Leader and Intellectual settle on ideas that are both fun and functional thus appeasing to the whole group. 

7. The Realist

Description:

The realist is grounded and practical, providing a balanced perspective within the friend group. This character approaches situations with a level-headed attitude and often focuses on the facts at hand.

Note: While the intellectual is an inherently smart person, the realist is the apathetic and logical force of the group. They don’t have to necessarily be smart but are insightful.

Traits:

  • Pragmatic: Values practicality and often offers sensible solutions.
  • Sceptical: Questions overly optimistic or unrealistic plans.
  • Honest: Tends to speak their mind, even when the truth is uncomfortable.

Role in the Group:

The realist often acts as a counterbalance to more idealistic characters, helping the group assess risks and make informed decisions. They provide a sense of stability, ensuring that plans are not just fun but also feasible.

Edit: you don't NEED to have 7 friends each with one persona. You also don't need to have all 7. One person can be the caregiver to A and realist to B. They can be the leader in one friend group but the comedian in another (showcasing their comfort with the latter). This is just a list to help pan out your character personality types!

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

words for your fight scenes

Breathe

draw, expire, heave, inhale, puff, suffocate

Catch

intercept, tackle

Climb

arise, ascension, mount, scale, surface

Cut

amputate, ax/axe, bisect, chisel, cleave, crop, cut up, dent, dissect, engrave, etch, fell, hack, lacerate, mangle, molt, mutilate, notch, peel, scar, scratch, shave, shred, slash, slit, trim, whittle

Dispose

boot, chuck, disposal, dispose of, do away with, elimination, kick out, rejection, scrap, throw away, void

Drop

alight, crash, decline, descent, dive, droop, duck, fall, flop, fumble, go under, keel over, light, percolate, plumb, plunge, sag, settle, sink, slump, stoop, submerge, suspend, thud/thump, tumble, wilt

Hide

ambush, bury, camouflage, conceal, cover, cover-up, cringe, disguise, dissimulate, embed, ensconce, envelop, isolation, lurk, masquerade, palliate, screen, seclusion, sequester, shrink, shut off/shut out, sneak, withhold

Hit

applaud, bang, baste, batter, beat, blindside, boot, buffet, bunt, chip, clash, clip, clout, collide, concussion, crash, cuff, deflect, drive, flail, glance, hammer, jab, jostle, knock, lick, nail, peck, plaudits, pound, punch, rap, scourge, slap, smack, sock, strike, swipe, tap, thud/thump, tip, whack, whip

Hold forcefully

apprehend, cage, clasp, clinch, confinement, constriction, cramp, detain, embrace, enslave, fetters, grasp, gripe, hold, incarcerate, overpower, press, shackle, snatch, strangle, throttle, wrestle

NOTE

  • The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.
  • It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary. Writing Resources PDFs

only one bed

morning after dialogue

  • "Please, don't make this awkward."
  • "Did you know that you snore quite a lot?"
  • "We don't have to talk about it."
  • "You stole my blanket and fought me for it."
  • "I need to use the bathroom, could you let me go please?"
  • "See? That was alright, wasn't it?"
  • "Never thought you would be a cuddler."
  • "You're seriously like an octopus."
  • "How did you sleep? I slept surprisingly well."
  • "I can't feel my arm anymore, you were laying on it all night."
  • "You are like a furnace, I felt like I needed to get my clothes off."
  • "Has anyone ever told you that you talk in your sleep?"
  • "I couldn't leave, you were lying basically on top of me."
  • "When did you decide that I was the pillow?"
  • "Can we delay getting up for a few minutes more, please?"

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Dialogues to Kick-start your Chapter/Writer's Block

  • "Excuse me?"
  • "Why?"
  • "Where?"
  • "How?"
  • "When?"
  • "What?"
  • "No."
  • "Yes."
  • "Hell no."
  • "Hell yes!"
  • "Fuck off!"
  • "Fuck me!"
  • "In what world!"
  • "Which time?"
  • "Are you sure?"
  • "I don't think so."
  • "Not really,"
  • "Maybe, if you think about it—"
  • "What the fuck."
  • "Okay, catch this (insert ridiculous proposition)"
  • "So, I'll meet you at 6?"
  • "For the millionth fucking time—"
  • "Ya think?"
  • "This is it, then?"
  • "Come to my place. Now."
  • "She's called you. Right now."
  • "Oh, we're so screwed!"
  • "Hey."
  • "Don't do that."
  • "You've lost it. Completely lost it."
  • "What were you thinking?"
  • "I am confident that you belong in an asylum."
  • "I think you should get some help."
  • "Shove it up your ass!"
  • "Piss on it."
  • "I have a list and you're the top 5."
  • "I'd never do that."
  • "I'd definitely do that."
  • "It does sound like something I'll say, but I didn't say it. I swear!"
  • "Do you have any idea how hard it is?"
  • (as a response to the above dialogue ^) "Not harder than me for sure." / "It's not hard. Or else you wouldn't be doing it at all."
  • "Maybe I just need a little alcohol."
  • "Smells like jealousy to me."
  • "Lord, please."

- ashlee

Let's Talk About Pacing Our Fight Scenes.

For Fast-Paced Parts:

  • Short words with single syllables. Immediately > at once/ endeavour > try/ indicate > point at/ investigate > check out.
  • Short sentences, the shorter the better.
  • Partial sentences to blaze through multiple senses and actions within a few lines.
  • Short paragraphs
  • Lots of verbs.
  • Few adjectives and adverbs.
  • Cut down on -ing form of verbs, as it can make words longer
  • Use simple past tense
  • Avoid conjunctions and link words.
  • Avoid internal thought - your characters are irrational, ruthless and in the flow of pure action.

For Slow-Paced Parts:

  • Use medium/long sentences
  • the paragraphs are longer: three lines minimum
  • Include longer words with more syllables
  • Use adjectives and maybe a couple of adverbs.
  • Insert the thoughts of the PoV character.

Words for Action Scenes

act, alter, attack, avert, back, block, bang, bash, battle, beat, beg, belt, bend, best, bite, blacken, bleed, blind, blister, blow, blunt, boil, bolt, boot, bore, bow, box, brace, brag, brash, brawl, break, breathe, brush, buck, bulgde, burn, burst, cackle, call, can, carry, cart, carve, catch, check, chop, chuck, clack, clank, clap, clash, claw, clear, cleave, click, cliff, cling, clip, close, club, cock, coil, cold, collar, come, con, connect, corner, cost, count, counter, cover, cower, crack, crackle, cram, crash, crawl, creep, crinkle, cross, crouch, rush, cry, cuff, cull, cup, curl, curse, curve, cusp, cut, dart, dash, deepen, dig, deep, dip, ditch, drive, drop, duck, dump, ede, effect, erect, escape, exert, expect, feint, fight, fire fist, fit, flag, flare, flash, flick, fling, flip, flock, force, gash, gasp, get, gore, grab, grasp, grip, grope, group, hack, harden, heat, help, hit, hop, hurl, hurry, impale, jab, jar, jerk, join, jolt, jump, keep, kick, kill, knee, knock, knot, knuckle, leak, leap, let, lever, lick, lift, lock, loop, lop, plunge, mask, nick, nip, open, oppose, pace, pack, pain, pair, pale, palm, pan, pant, parry, part, pass, paste, pat, peak, peck, pelt, pick, pierce, pile, ping, piss, pit, pivot, plot, pluck, plug, plunge, ply, point, pool, pop, pose, pot, pound, pour, powder, pray, preen, prepare, prey, prick, prickle, print, probe, pry, pull, pulp, pulse, pump, punch, pursue, push, quarry, quarter, quest, race, raise, rake, ram, rap, rasp, rear, retreat, rip, riposte, rivert, roar, rock, roll, rope, round, rouse, run, rush, sap, scale, scalp, scan, score,scream, seek, seep, shake, shape, sharpen, shock, shoot, shop, slap, slap, slash, slice, slick, slip, slit, smash, snap, snare, snatch, snipe, sock, space, spar, spark, speed, spike, spill, spin, spit, splash, spoil, spring, spur, spurt, spy, squirm, stand, steert, step, stick, strap, strike, stuff, suck, support, swat, sweat, sweep, swingm tack, tag, take, target, taste, team, tear, tent, test, thrash, throw, thrust, thud, tick, tide, tilt, time, tire, top, toss, tower, toy, trap, trick, trigger, trip, triumph, trouble, trump, try, tuck, tug, twril, twitch, weaken, wet, whip, whirl, whirr, whoop, whoosh, whop, work, zap, zip.

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words to use instead of ______

"Very"

Mild: clearly, decidedly, distinctly, markedly, considerably, notably, largely, recognizably, especially, indubitably Moderate: especially, surprisingly, substantially, uncommonly, chiefly, incredibly, obviously, unmistakably, considerably, awfully, wonderfully, particularly Bold: profusely, unequivocally, strikingly, astonishingly, exceedingly, absolutely, exceptionally, extremely, unquestionably, vastly, incontestably

"A Lot" (time)

Mild: often, oftentimes, sometime Moderate: frequently, usually, various, generally Bold: regularly, recurrent, persistent

"A Lot" (size)

Mild: many, much, several Moderate: numerous, bountiful, considerable Bold: multitude, profuse, vast

"Big"

Mild: sizable, ample, large, considerable, great, above average, important Moderate: ponderous, significant, crucial, vast, copious, magnificent, substantial Bold: enormous, immense, colossal, extensive, endless, paramount, boundless, prodigious, imposing, gigantic, voluminous, limitless, essential

"Small"

Mild: slight, limited, trivial, minor, light, puny, superficial, undersized, dinky, negligible, faint Moderate: scant, petite, inconsiderable, microscopic, dwarf, unsubstantial, minimum, miniature, tiny Bold: insignificant, minute, meager, infinitesimal, ineffectual, undetectable, inconsequential

"Good"

Mild: acceptable, favorable, agreeable, pleasing, satisfactory, satisfying, super, able, relevant, accomplished, efficient, reliable, ample, useful, profitable, adequate, adept Moderate: great, honorable, admirable, commendable, sound, splendid, superb, valuable, wonderful, worthy, clever, proficient, qualified, apt, skillful, thorough, wholesome Bold: excellent, exceptional, gratifying, marvelous, reputable, stupendous, superior, exemplary, virtuous, expert, solid, advantageous, flawless, extensive, perfect

"Bad"

Mild: cheap, dissatisfactory, faculty, off, mean, wrong, unpleasant, unwell, low, grim, sour, regretful Moderate: careless, defective, inferior, imperfect, deficient, rough, ill-suited, inadequate, unsatisfactory, delinquent, sinful, unruly, wicked, rancid, grave, harsh, terrible, downcast Bold: awful, unacceptable, corrupt, dreadful, putrid, erroneous, detrimental, ruinous, vile, villainous, diseased, adverse, evil

Source: stlcc.edu

List of Types of Kisses

This list is divided by category, kiss type, emotion conveyed, and description. You can do whatever you want with this information.
Location
  • [BELLY KISS] Love, care: a gesture of affection and protection;
  • [CHEEK KISS] Respect, affection: gesture of greeting, friendship, or affection;
  • [CHIN KISS] Passion, desire: an intimate and sensual gesture.
  • [EAR KISS] Desire, intimacy: a sensual and provocative gesture;
  • [EYELID KISS] Love, affection: a delicate and romantic gesture;
  • [FOOT KISS] Adoration, devotion: a gesture of submission or adoration.
  • [FOREHEAD KISS] Love, care, comfort: a gesture of affection, protection, and tenderness;
  • [HAIR KISS] Affection, tenderness: a gesture of affection and care.
  • [HAND KISS] Admiration, reverence: a gesture of respect and admiration;
  • [KNEE KISS] Passion, desire: an intimate and sensual gesture;
  • [MOUTH KISS] Passion, love, desire: the most common, can vary in intensity and technique;
  • [NECK KISS] Desire, passion: a sensual and provocative gesture;
  • [NOSE KISS] Affection, complicity: a gesture of affection and intimacy;
  • [SHOULDER KISS] Passion, desire: an intimate and sensual gesture;
Intensity
  • [CHASTEN KISS] Friendship, affection: a light touch on the lips, expressing affection and friendship;
  • [OVERWHELMING KISS] Passion, desire: a strong and urgent kiss, expressing intense passion;
  • [PASSIONATE KISS] Passion, love: an intense and desire-filled kiss, with tongue and light bites;
  • [SHY KISS] Insecurity, desire: a hesitant and delicate kiss, expressing insecurity and desire.
Type
  • [CINEMATIC KISS] Romance, idealization: a long and passionate kiss, idealized in movies;
  • [BUTTERFLY KISS] Romanticism, delicacy: kissing with eyelashes, expressing delicacy;
  • [ESKIMO KISS] Affection, friendship: rubbing noses, a gesture of affection in cold cultures;
  • [FISH KISS] Sensuality: kissing with lips slightly open;
  • [FRENCH KISS] Passion, desire: exchange of saliva and tongue movements;
  • [INVERTED KISS] Passion, adventure: kissing with bodies inverted, like in Spider-Man;
  • [LIZARD KISS] Sensuality, playfulness: licking the other person's lips;
  • [PECK] Friendship, affection: a quick and light touch of the lips;
  • [VAMPIRE KISS] Sensuality, mystery: kissing the neck with a slight suck.
Context
  • [APOLOGY KISS] Regret, forgiveness: expressing regret and seeking reconciliation;
  • [COMFORT KISS] Compassion, comfort: expressing compassion and comfort;
  • [FAREWELL KISS] Longing, hope: expressing longing and hope for reunion;
  • [THANK-YOU KISS] Gratitude, recognition: expressing gratitude;
  • [WELCOME KISS] Joy, happiness: expressing happiness at seeing someone.

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

Anonymous asked:

how do you write a liar?

How to Write Liars Believably

Language

  • The motive of every goal is the make the lie seem plausible while taking blame off the speaker, so liars will often project what they say to a third party: "Katie said that..."
  • Referring to third parties as "they" rather than he or she
  • In the case of a deliberate lie prepped beforehand, there will be an overuse of specific names (rather than pronouns) as the speaker tries to get the details right.
  • Overuse of non-committal words like "something may have happened"
  • Masking or obscuring facts like "to the best of my knowledge" and “it is extremely unlikely," etc.
  • Avoiding answers to specific, pressing questions

Voice

  • There's isn't a set tone/speed/style of speaking, but your character's speech patten will differ from his normal one.
  • People tend to speak faster when they're nervous and are not used to lying.

Body Language

  • Covering their mouth
  • Constantly touching their nose
  • fidgeting, squirming or breaking eye contact
  • turning away, blinking faster, or clutching a comfort object like a cushion as they speak
  • nostril flaring, rapid shallow breathing or slow deep breaths, lip biting, contracting, sitting on your hands, or drumming your fingers. 
  • Highly-trained liars have mastered the art of compensation by freezing their bodies and looking at you straight in the eye.
  • Trained liars can also be experts in the art of looking relaxed. They sit back, put their feet up on the table and hands behind their head.
  • For deliberate lies, the character may even carefully control his body language, as though his is actually putting on a show

The Four Types of Liars

  1. Deceitful: those who lie to others about facts

2. Delusional: those who lie to themselves about facts

3. Duplicitious: those who lie to others about their values

  • Lying about values can be even more corrosive to relationships than lying about facts. 

4. Demoralized: those who lie to themselves about their values

Additional Notes

  • Genuine smiles or laughs are hard to fake
  • Exaggerations of words (that would normally not be emphasized) or exaggerated body language
  • Many savvy detectives ask suspects to tell the story in reverse or non-linear fashion to expose a lie. They often ask unexpected, or seemingly irrelevant questions to throw suspects off track. 
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