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Hi! I really admire your compositions and the way you frame characters in your artworks and was wondering about your process in how you make characters feel so fluid and dynamic when interacting with environments! :D
Sorry for the wait! Thank you so much, I hope you'll not be too disappointed by my answer (づ_ど)
I always sketch with a space in mind, where characters and backgrounds are linked like I always got perspective lines in my head. (Because to do perspective: you need parallel lines. A human body already does parallel lines: the shoulders, pelvis, feet on the ground...) So If I need to add a background, it's already set up for if this makes sense?
So that's for structure... and for composition... Basically, I look at what artists/shows/movies I like do and I ... analyze them and steal their process? No ok let's write a longer answer, useful I hope, bellow:
First I learn by tracing a LOT (of course I don't post theses, theses are a way for me to actively watch, like taking notes from a class) Basically I see a shoot, animation I like? I save it and analyze it. Usually really messy, Theses are things I keep to myself and I usually do them as warm-up or when too tired to draw
Plan 99's anniversary rough concept
a little ezra! 🥰
a little pretend cover I did for my oc
she has taken over every square inch of my mind
The fic "gravity well" by @kyluxtrashcompactor lives in my head rent free for the next four years I think.
In Order: Chapter 3, Chapter 11, 15, and 23
I’ve been inspired by @collophora to do more soft shadowing on my sketches + I’ve been really enjoying the outcome because I prefer my sketch style the most <3
after silvie’s ( @vimse ) presentation + right after the transmission from commander fox, all the vode (many not yet revealed) hit up the market for supplies. A seller tried up charging Aev, + she wasn’t having it
Ohhhhh! I love the "double line" linear too!!!
Your oc is so cool éuè
She's on my secret list to draw but haaa
Also thanks! that's giving me too much credit haha <3