@corvus-frugilegus

π•Ύπ–π–”π–œ π–’π–Š π–žπ–”π–šπ–— π–™π–π–”π–—π–“π–˜ 𝖆𝖓𝖉 𝕴'𝖑𝖑 π–˜π–π–”π–œ π–žπ–”π–š π–π–†π–“π–‰π–˜ π–—π–Šπ–†π–‰π–ž 𝖙𝖔 π–‡π–‘π–Šπ–Šπ–‰.

π”Žπ”žπ”’π”©π”žπ”« β€’ 30s β€’ They/Them β€’ Love to yap

π”šπ”―π”¦π”±π”¦π”«π”€ & 𝔄𝔯𝔱

Fics

Myoc4rdium on Ao3, though I don't post there yet. Writing tag to come!

Rookanis - First Kiss
Rookanis - The Inner Demons Emotional Hangover
Rookanis (NSFW) - Pegging & Feelings

I also write a lot of meta. That's usually tagged datv meta or just datv.

Art

I draw sometimes, but rarely finish things. Eventually, there will be a nice tag.

Joe Bowler but make it Rookanis

Rook Stuff

The Rook I post most about is Nazri Mercar, A non-binary Shadow Dragon Mage.

There is also my Lord of Fortune Rogue Sev Laidir

𝔅𝔩𝔬𝔀 π”™π”¦π”Ÿπ”’π”°

β€’ This is a side blog dedicated to my ongoing Dragon Age mental breakdown. Right now it feels a little bit like Lucanis Dellamorte Book Club on here.

β€’ Mostly I am here to have fun and play in the Thedas Sandbox. I think it's cool and fun to "yes and" ideas and thought experiments! It's fiction. It's fun. Let's not take it tooooo seriously.

β€’ The blockhand is strong if the vibes are bad

β€’ This blog will post and interact with both dark and NSFW content, follow at your own discretion!

β€’ I am a truly dog shit tagger but will do my best. This blog will not be spoiler free for Dragon Age The Veilguard. (i lied i basically never tag anything on here but feel free to ask about content warnings i will try real hard)

If that all sounds cool come hang!

WIP Wedsthursday

Thanks for the tag @larkinna !!!

I'm gonna get weird with this again and share some of my notes from my Ventine Architecting Rabbit Hole. Eventually this will probably be a weirdly deep headcanon meta post???

I have a standing hc that because of the scale of Tevinter different parts of it have different cultures in a way very similar to how The Byzantine Empire was so sprawling and not a cultural monolith (which is iirc a place the da team took some influence from for Minrathous). Thinking about Ventus's proximity to Antiva, i feel like it's maybe got some Levantine influence and that's what I've been rolling with when thinking about Cusine & Architecture and how that all collides with Thedas. So right now I'm rabbit holing really hard on Historical Lebanese Architecture (Beirut specifically has some history that fits My Thoughts On Ventus). This is of course inexorably linked to culture when it comes to social structure and life style! Because Architecture is purposeful. Anyway. Without further preamble, behold, my notes app notes:

Mythal’s Design in Veilguard

Sections: Female Characters and Sexual Appeal β€œThey’re Pajamas” Mythal vs. Elgar’nan But She’s a Goddess! Practicalities, and Mythal on Worship Conclusions

Instead of having a few piecemeal posts floating around, I’m going to dig in properly.

Mythal’s outfit in Veilguard is good, actually. I know a lot of people dislike it, and to each their own, but this is a post in favor of it; if you’re going to be shitty about it, trust me, there are other posts about her outfit that would love to have your input in agreement with them.Β 

Accuse me of trying to create an echo chamber if you want, but it’s pretty much common decency to not go onto a post in favor of something and trash it or say someone is wrong for liking the thing they obviously like.

The New Post button is right there.

Okay @broodwoof has this really great meta that I tried RB-ing with this lil essay earlier and then tumblr ate it which I'm taking as a sign from the servers to make my own damn post (sorry if the RB emerges from the ether broodwoof!)

When you look at Mythal's design in relation to Elgar'nan and Ghilan'nain there's a lot the design team did to really push their characterization and create a very visible tension in the Evanuris. All three of their designs are really thoughtful and have an intentional visual language!

Starting with Mythal, the focal area in her design is her face. The highest area of contrast when we look at her is the glowing eyes, and the direction of her headpiece points down into her face. The only part of her 'look' that's really moving with her is her hair, framing her face. The flow of shapes in her design also pulls our eye inward and down. It's primarily downward shapes along the midline, its grounding, it's pulling us towards her. She isn't trying to be something she's not, she's sturdy and grounded in herself. She's distant but she isn't trying to put herself above us either. Mythal doesn't feel like our equal, but she doesn't feel entirely unreachable either.

Elgar'nan reeeeally contrasts this. Where Mythal flows inward and down in this loud self assuredness, he flows up and out and away.

Elgar'nan's shapes are all wide and flow up and away from him in these big, dramatic sweeping motions. His design never wants your eye to rest on his face, it's unconsciously steering your attention away, you aren't even really aware that your ficus is being guided up. It makes it hard to "hold his gaze". You feel like you're always looking up at him. The focal area in his design is wide and doesn't comfortably sit in your vision. The design is imposing. It's the image he's trying to project. He's always in postures like this too, wide, flowing the eye upward, imposing. It matches the shape of his outfit that forms these upward arrows.

Then there's Ghilan'nain! She's got a lot in common with Elgar'nan visually, but her own unique twist that's different and interesting. Where Elgar'nan and Mythal have very clean shapes, Ghilan'nain is chaotic. Her body contorts, her flow isn't a clean line but rather a tortuous path, which reinforces some of our impression of her, she's experimented on herself. Here is the visual manifestation of Body Horror. She also has shapes that flow up AND down in close proxomity to one another which creates visual stress or tension (red for flow, yellow for tension below). This is also the widest part of her. Like Elgar'nan it's an imposing shape, but it's additionally a tense one! Visual stress like this tends to draw focus. But then we have the tentacles...

The tentacles REALLY complicate her focal areas in a fun way. Motion is THE MOST POWERFUL ATTENTION CUE, it's the thing our brains are most primed to attend to. And she has all of these tentacles writhing arou d her, moving about and drawing focus. She's chaotic. You don't know where to look, but at the same time, that visual stress is almost daring you to look. Like Elgar'nan she doesn't comfortably fit in our vision, she's imposing!

So the visual language in these three characters is different but usess the same tools (shape and flow) to convey a lot about these characters at a glance.

How grounded Mythal feels is narratively important! Especially given that the Evanuris are (or were, rip queen) her peers. If Mythal can be this small (albeit terrifying and powerful) woman, maybe the Evanuris aren't insurmountable. In putting Mythal within Rook's reach visually, there's an inference about Elgar'nan and Ghilan'nain by association too.

tldr, these character designs say so much.

tumblr ate a long post on me and idk if i have the heart to write it again πŸ₯²

Spiralling about the version of Ventus that exists entirely in headcanon to me once agaaaaain. Sometimes you love your Rook so much you get Weird about their home town in a very elaborate way.

I'm mentally chewing on the idea that maybe Caterina favored Lucanis, but would have given the title of First Talon to Illario if not for his evil-mustache-twirling machinations. We know she's astute, perceptive, and ruthless. I don't think for a second that she didn't know Lucanis was soft-hearted, no matter how good an assassin he was. What he did in the Wigmaker Job had to have gotten back to her - that's how Lucanis got the name of "Demon of Vyrantium" after all. He freed the slaves. He administered a punishment to Ambrose Forfex, not just a cold assassination like he was supposed to.

Everyone is also familiar with Illario's style of assassination. The Crows joke about how he shirks his work and how incompetent he is, but it reads more like one of those family jokes that persists forever, despite how hurtful it's become. But even though Illario will never be as good an assassin overall as Lucanis, Illario does have a type of job he excels at that Lucanis can't do. Caterina would have been aware of Illario's skill at charming people, and also that he can be just as ruthless as she is.

There is the assumption amongst all the Crows that Caterina would have chosen Lucanis to succeed her as First Talon, and it's based almost solely because she favors him. And while that may be true, the favoritism seems more affectionate than professional. We don't see Caterina and Illario interact much, so it's hard to definitively say what their relationship is or isn't like. But when we see Caterina speak of Lucanis, she says "grandson" with fondness and calls him "my poor boy". Unfortunately for Illario, I do think it's true that she loved Lucanis more, but I think that also suggests that she probably knew he didn't want the role of First Talon and moreover that he wouldn't have been well-suited for it.

Meanwhile, we know from how she brought up her grandsons that she was focused almost entirely on their survival. Her cruelty to them throughout their childhood was to prepare them for the cruelties they would inevitably have to face as master assassins and - ultimately - her successors. She had to have survived as leader of the Crows by being merciless - especially with such a small House after the murder of almost her entire family - so a future First Talon would have to be equally so.

Lucanis has proven himself to be merciful. The Venatori picked up on it, and Caterina undoubtedly did too. Mercy and compassion are wonderful things, but in a leader who tries to right wrongs and punish evildoers, they are also things that would make that leader a LOT of enemies. Enemies who would - without hesitation - strike at the First Talon and anyone they care about. On the other hand, a First Talon for whom contracts are strictly business, who has no reservations in doing the "wrong" thing, who doesn't keep track of whether the targets "deserve" to be killed or not, is a First Talon who would maintain cordial relationships with clients no matter their morality. Illario would have been that Talon. His contracts are transactional, and despite charming targets and feigning affection for them, has no trouble killing them and barely thinks of them afterward. In "The Wigmaker Job", Lucanis expresses condolences when the lead guard Illario flirted with had died. But Illario didn't even remember her name and didn't care what happened to her.

Given what we know about Caterina, it's reasonable and logical that she - as someone who understood her grandsons and what being a First Talon entails - would have chosen Illario for the position, no matter what her personal feelings about the two were. Illario would have made a ruthless and business-like First Talon, and Lucanis - being the loyal sap that he is - would have been a stalwart protector who could have kept both Illario and himself safe. But after Illario's plotting, and after he lost openly in combat against Lucanis, Caterina couldn't give the position to Illario. He had lost too much face with the Crows, both by striking against someone in his own House and losing the battle in front of literally everyone. So she had to give Lucanis the First Talon title in the end.

I don't blame Illario for coming to the conclusion that he would never be First Talon, because he had been conditioned to believe Caterina thought nothing of him. But the tragedy of most family conflicts is that so much pain and suffering could have been avoided if all of them had just, y'know, sat the fuck down and talked about what all their intentions were before making huge announcements or plotting their brother-cousin's downfall. But no, they all had to be drama queens about it, which I guess is very Antivan of them.

try to participate in rook tag game, nerd snipe self making ventus mood boards and stay up past your bed time

I really love how Davrin is always carving during team meetings. The experience of needing to keep your hands occupied to participate is a relatable one!!

Had my first Cassarric thought in years and made myself sad. Imagine Divine Victoria having to white knuckle putting her duty before everything else, fully knowing that someone she once considered a friend killed Varric? That the last story Varric leaves her is a tragedy, because the love he had for his friend just wasn't enough? But her responsibility to the people will always come before her own grief.

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.